Author: Helen Winter
Publisher: Helen Winter
ISBN:
Category : Music
Languages : en
Pages : 51
Book Description
This book aims to help beginners play the French horn. The book includes 45 diagrams with fingering positions and staff notation for 3 different types of French horns. The musical notes cover almost 6 octaves. The most basic type of French horn (because of its lightweight, easy playability, and low cost) is the single horn. Also, it is the most popular choice for beginning students. The main difference between single and double French horns is the number of valve slides per rotor. In general, single horns have one valve slide per rotor, while double horns have two. Two tubing sets make the double horn heavier and more complicated to use than the single French horn. These fingering charts are suitable for F and Bb single horns and F/Bb double horns. While the F single French horn has 3 buttons, both the F/Bb double French horn and the Bb single French horn have 4 buttons, the extra being for the thumb. The numbers of buttons that are colored are those that need to be pressed to play the given note. You can cut out the charts or use them directly from the booklet. The size of the cut-out is 6.5x10 inches (16x25 cm).
French Horn Fingering Chart: 45 Colorful Pictures for Beginners
Author: Helen Winter
Publisher: Helen Winter
ISBN:
Category : Music
Languages : en
Pages : 51
Book Description
This book aims to help beginners play the French horn. The book includes 45 diagrams with fingering positions and staff notation for 3 different types of French horns. The musical notes cover almost 6 octaves. The most basic type of French horn (because of its lightweight, easy playability, and low cost) is the single horn. Also, it is the most popular choice for beginning students. The main difference between single and double French horns is the number of valve slides per rotor. In general, single horns have one valve slide per rotor, while double horns have two. Two tubing sets make the double horn heavier and more complicated to use than the single French horn. These fingering charts are suitable for F and Bb single horns and F/Bb double horns. While the F single French horn has 3 buttons, both the F/Bb double French horn and the Bb single French horn have 4 buttons, the extra being for the thumb. The numbers of buttons that are colored are those that need to be pressed to play the given note. You can cut out the charts or use them directly from the booklet. The size of the cut-out is 6.5x10 inches (16x25 cm).
Publisher: Helen Winter
ISBN:
Category : Music
Languages : en
Pages : 51
Book Description
This book aims to help beginners play the French horn. The book includes 45 diagrams with fingering positions and staff notation for 3 different types of French horns. The musical notes cover almost 6 octaves. The most basic type of French horn (because of its lightweight, easy playability, and low cost) is the single horn. Also, it is the most popular choice for beginning students. The main difference between single and double French horns is the number of valve slides per rotor. In general, single horns have one valve slide per rotor, while double horns have two. Two tubing sets make the double horn heavier and more complicated to use than the single French horn. These fingering charts are suitable for F and Bb single horns and F/Bb double horns. While the F single French horn has 3 buttons, both the F/Bb double French horn and the Bb single French horn have 4 buttons, the extra being for the thumb. The numbers of buttons that are colored are those that need to be pressed to play the given note. You can cut out the charts or use them directly from the booklet. The size of the cut-out is 6.5x10 inches (16x25 cm).
FrenchHorn Fingering Chart
Author: Helen Winter
Publisher: Independently Published
ISBN:
Category :
Languages : en
Pages : 50
Book Description
This book aims to help beginners play the french horn. The book includes 45 diagrams with fingering positions and staff notation for 3 different types of french horns. The musical notes cover almost 6 octaves. The most basic type of French horn (because of its lightweight, easy playability, and low cost) is the single horn. Also, it is the most popular choice for beginning students. The main difference between single and double french horns is the number of valve slides per rotor. In general, single horns have one valve slide per rotor, while double horns have two. Two tubing sets make the double horn heavier and more complicated to use than the single french horn. These fingering charts are suitable for F and Bb single horns and F/Bb double horns. While the F single french horn has 3 buttons, both the F/Bb double french horn and the Bb single French horn have 4 buttons, the extra being for the thumb. The numbers of buttons that are colored are those that need to be pressed to play the given note. You can cut out the charts or use them directly from the booklet. The size of the cut-out is 6.5x10 inches (16x25 cm).
Publisher: Independently Published
ISBN:
Category :
Languages : en
Pages : 50
Book Description
This book aims to help beginners play the french horn. The book includes 45 diagrams with fingering positions and staff notation for 3 different types of french horns. The musical notes cover almost 6 octaves. The most basic type of French horn (because of its lightweight, easy playability, and low cost) is the single horn. Also, it is the most popular choice for beginning students. The main difference between single and double french horns is the number of valve slides per rotor. In general, single horns have one valve slide per rotor, while double horns have two. Two tubing sets make the double horn heavier and more complicated to use than the single french horn. These fingering charts are suitable for F and Bb single horns and F/Bb double horns. While the F single french horn has 3 buttons, both the F/Bb double french horn and the Bb single French horn have 4 buttons, the extra being for the thumb. The numbers of buttons that are colored are those that need to be pressed to play the given note. You can cut out the charts or use them directly from the booklet. The size of the cut-out is 6.5x10 inches (16x25 cm).
Learn to Play Tuba! Book 1
Author: Charles Gouse
Publisher: Alfred Music
ISBN: 9781457445064
Category : Music
Languages : en
Pages : 52
Book Description
Carefully graded methods written by instrumental specialists that emphasize good tone production, build a strong rhythmic sense and develop well-rounded musicianship.
Publisher: Alfred Music
ISBN: 9781457445064
Category : Music
Languages : en
Pages : 52
Book Description
Carefully graded methods written by instrumental specialists that emphasize good tone production, build a strong rhythmic sense and develop well-rounded musicianship.
Signs and Symbols
Author: Adrian Frutiger
Publisher:
ISBN:
Category : Literary Criticism
Languages : en
Pages : 372
Book Description
Discusses the elements of a sign, and looks at pictograms, alphabets, calligraphy, monograms, text type, numerical signs, symbols, and trademarks.
Publisher:
ISBN:
Category : Literary Criticism
Languages : en
Pages : 372
Book Description
Discusses the elements of a sign, and looks at pictograms, alphabets, calligraphy, monograms, text type, numerical signs, symbols, and trademarks.
Historical Painting Techniques, Materials, and Studio Practice
Author: Arie Wallert
Publisher: Getty Publications
ISBN: 0892363223
Category : Art
Languages : en
Pages : 241
Book Description
Bridging the fields of conservation, art history, and museum curating, this volume contains the principal papers from an international symposium titled "Historical Painting Techniques, Materials, and Studio Practice" at the University of Leiden in Amsterdam, Netherlands, from June 26 to 29, 1995. The symposium—designed for art historians, conservators, conservation scientists, and museum curators worldwide—was organized by the Department of Art History at the University of Leiden and the Art History Department of the Central Research Laboratory for Objects of Art and Science in Amsterdam. Twenty-five contributors representing museums and conservation institutions throughout the world provide recent research on historical painting techniques, including wall painting and polychrome sculpture. Topics cover the latest art historical research and scientific analyses of original techniques and materials, as well as historical sources, such as medieval treatises and descriptions of painting techniques in historical literature. Chapters include the painting methods of Rembrandt and Vermeer, Dutch 17th-century landscape painting, wall paintings in English churches, Chinese paintings on paper and canvas, and Tibetan thangkas. Color plates and black-and-white photographs illustrate works from the Middle Ages to the 20th century.
Publisher: Getty Publications
ISBN: 0892363223
Category : Art
Languages : en
Pages : 241
Book Description
Bridging the fields of conservation, art history, and museum curating, this volume contains the principal papers from an international symposium titled "Historical Painting Techniques, Materials, and Studio Practice" at the University of Leiden in Amsterdam, Netherlands, from June 26 to 29, 1995. The symposium—designed for art historians, conservators, conservation scientists, and museum curators worldwide—was organized by the Department of Art History at the University of Leiden and the Art History Department of the Central Research Laboratory for Objects of Art and Science in Amsterdam. Twenty-five contributors representing museums and conservation institutions throughout the world provide recent research on historical painting techniques, including wall painting and polychrome sculpture. Topics cover the latest art historical research and scientific analyses of original techniques and materials, as well as historical sources, such as medieval treatises and descriptions of painting techniques in historical literature. Chapters include the painting methods of Rembrandt and Vermeer, Dutch 17th-century landscape painting, wall paintings in English churches, Chinese paintings on paper and canvas, and Tibetan thangkas. Color plates and black-and-white photographs illustrate works from the Middle Ages to the 20th century.
The Third Pole
Author: Mark Synnott
Publisher: Penguin
ISBN: 152474557X
Category : Sports & Recreation
Languages : en
Pages : 465
Book Description
***NPR Books We Love selection*** “If you’re only going to read one Everest book this decade, make it The Third Pole. . . . A riveting adventure.”—Outside Shivering, exhausted, gasping for oxygen, beyond doubt . . . A hundred-year mystery lured veteran climber Mark Synnott into an unlikely expedition up Mount Everest during the spring 2019 season that came to be known as “the Year Everest Broke.” What he found was a gripping human story of impassioned characters from around the globe and a mountain that will consume your soul—and your life—if you let it. The mystery? On June 8, 1924, George Mallory and Sandy Irvine set out to stand on the roof of the world, where no one had stood before. They were last seen eight hundred feet shy of Everest’s summit still “going strong” for the top. Could they have succeeded decades before Sir Edmund Hillary and Tenzing Norgay? Irvine is believed to have carried a Kodak camera with him to record their attempt, but it, along with his body, had never been found. Did the frozen film in that camera have a photograph of Mallory and Irvine on the summit before they disappeared into the clouds, never to be seen again? Kodak says the film might still be viable. . . . Mark Synnott made his own ascent up the infamous North Face along with his friend Renan Ozturk, a filmmaker using drones higher than any had previously flown. Readers witness first-hand how Synnott’s quest led him from oxygen-deprivation training to archives and museums in England, to Kathmandu, the Tibetan high plateau, and up the North Face into a massive storm. The infamous traffic jams of climbers at the very summit immediately resulted in tragic deaths. Sherpas revolted. Chinese officials turned on Synnott’s team. An Indian woman miraculously crawled her way to frostbitten survival. Synnott himself went off the safety rope—one slip and no one would have been able to save him—committed to solving the mystery. Eleven climbers died on Everest that season, all of them mesmerized by an irresistible magic. The Third Pole is a rapidly accelerating ride to the limitless joy and horror of human obsession.
Publisher: Penguin
ISBN: 152474557X
Category : Sports & Recreation
Languages : en
Pages : 465
Book Description
***NPR Books We Love selection*** “If you’re only going to read one Everest book this decade, make it The Third Pole. . . . A riveting adventure.”—Outside Shivering, exhausted, gasping for oxygen, beyond doubt . . . A hundred-year mystery lured veteran climber Mark Synnott into an unlikely expedition up Mount Everest during the spring 2019 season that came to be known as “the Year Everest Broke.” What he found was a gripping human story of impassioned characters from around the globe and a mountain that will consume your soul—and your life—if you let it. The mystery? On June 8, 1924, George Mallory and Sandy Irvine set out to stand on the roof of the world, where no one had stood before. They were last seen eight hundred feet shy of Everest’s summit still “going strong” for the top. Could they have succeeded decades before Sir Edmund Hillary and Tenzing Norgay? Irvine is believed to have carried a Kodak camera with him to record their attempt, but it, along with his body, had never been found. Did the frozen film in that camera have a photograph of Mallory and Irvine on the summit before they disappeared into the clouds, never to be seen again? Kodak says the film might still be viable. . . . Mark Synnott made his own ascent up the infamous North Face along with his friend Renan Ozturk, a filmmaker using drones higher than any had previously flown. Readers witness first-hand how Synnott’s quest led him from oxygen-deprivation training to archives and museums in England, to Kathmandu, the Tibetan high plateau, and up the North Face into a massive storm. The infamous traffic jams of climbers at the very summit immediately resulted in tragic deaths. Sherpas revolted. Chinese officials turned on Synnott’s team. An Indian woman miraculously crawled her way to frostbitten survival. Synnott himself went off the safety rope—one slip and no one would have been able to save him—committed to solving the mystery. Eleven climbers died on Everest that season, all of them mesmerized by an irresistible magic. The Third Pole is a rapidly accelerating ride to the limitless joy and horror of human obsession.
The Art of French Horn Playing
Author: Philip Farkas
Publisher: Alfred Music
ISBN: 9781457400094
Category : Music
Languages : en
Pages : 100
Book Description
First to be published in the series was The Art of French Horn Playing by Philip Farkas, now Distinguished Professor Emeritus of Music at Indiana University. In 1956, when Summy-Birchard published Farkas's book, he was a solo horn player for the Chicago Symphony and had held similar positions with other orchestras, including the Boston Symphony, Cleveland Orchestra, and Kansas City Conservatory, DePaul University, Northwestern University, and Roosevelt University in Chicago. The Art of French Horn Playing set the pattern, and other books in the series soon followed, offering help to students in learning to master their instruments and achieve their goals.
Publisher: Alfred Music
ISBN: 9781457400094
Category : Music
Languages : en
Pages : 100
Book Description
First to be published in the series was The Art of French Horn Playing by Philip Farkas, now Distinguished Professor Emeritus of Music at Indiana University. In 1956, when Summy-Birchard published Farkas's book, he was a solo horn player for the Chicago Symphony and had held similar positions with other orchestras, including the Boston Symphony, Cleveland Orchestra, and Kansas City Conservatory, DePaul University, Northwestern University, and Roosevelt University in Chicago. The Art of French Horn Playing set the pattern, and other books in the series soon followed, offering help to students in learning to master their instruments and achieve their goals.
Treasure Island
Author: Robert Louis Stevenson
Publisher:
ISBN:
Category :
Languages : en
Pages : 362
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 362
Book Description
The Annotated Mona Lisa
Author: Carol Strickland
Publisher: Andrews McMeel Publishing
ISBN: 9780740768729
Category : Art
Languages : en
Pages : 220
Book Description
Like music, art is a universal language. Although looking at works of art is a pleasurable enough experience, to appreciate them fully requires certain skills and knowledge." --Carol Strickland, from the introduction to The Annotated Mona Lisa: A Crash Course in Art History from Prehistoric to Post-Modern * This heavily illustrated crash course in art history is revised and updated. This second edition of Carol Strickland's The Annotated Mona Lisa: A Crash Course in Art History from Prehistoric to Post-Modern offers an illustrated tutorial of prehistoric to post-modern art from cave paintings to video art installations to digital and Internet media. * Featuring succinct page-length essays, instructive sidebars, and more than 300 photographs, The Annotated Mona Lisa: A Crash Course in Art History from Prehistoric to Post-Modern takes art history out of the realm of dreary textbooks, demystifies jargon and theory, and makes art accessible-even at a cursory reading. * From Stonehenge to the Guggenheim and from Holbein to Warhol, more than 25,000 years of art is distilled into five sections covering a little more than 200 pages.
Publisher: Andrews McMeel Publishing
ISBN: 9780740768729
Category : Art
Languages : en
Pages : 220
Book Description
Like music, art is a universal language. Although looking at works of art is a pleasurable enough experience, to appreciate them fully requires certain skills and knowledge." --Carol Strickland, from the introduction to The Annotated Mona Lisa: A Crash Course in Art History from Prehistoric to Post-Modern * This heavily illustrated crash course in art history is revised and updated. This second edition of Carol Strickland's The Annotated Mona Lisa: A Crash Course in Art History from Prehistoric to Post-Modern offers an illustrated tutorial of prehistoric to post-modern art from cave paintings to video art installations to digital and Internet media. * Featuring succinct page-length essays, instructive sidebars, and more than 300 photographs, The Annotated Mona Lisa: A Crash Course in Art History from Prehistoric to Post-Modern takes art history out of the realm of dreary textbooks, demystifies jargon and theory, and makes art accessible-even at a cursory reading. * From Stonehenge to the Guggenheim and from Holbein to Warhol, more than 25,000 years of art is distilled into five sections covering a little more than 200 pages.
Trumpet Fingering Chart
Author: Helen Winter
Publisher: Helen Winter
ISBN:
Category : Juvenile Nonfiction
Languages : en
Pages : 36
Book Description
This book aims to help beginners play the trumpet. The book includes 31 trumpet diagrams with fingering positions, along with pitch names and staff notations. Each note here has its own page in the book. The musical notes in this book cover almost 3 octaves from A#4 to C6. The sounds produced by the trumpet are a part of many forms of music, from jazz to classical. While modern trumpets have three piston or rotary valves, early trumpets had none. The purpose of the valves is to lengthen the tubing when engaged, allowing a lower pitch. By adding lengths of tubing to the trumpet, each valve performs a different function. The first valve lowers the pitch by two semitones, while the second and third lower it by a semitone and three semitones, respectively. When up, the trumpet valve allows air to pass straight through, but when pressed, a section of tubing is opened. In order to take full advantage of the sounds that can be produced, the valves play a key role.
Publisher: Helen Winter
ISBN:
Category : Juvenile Nonfiction
Languages : en
Pages : 36
Book Description
This book aims to help beginners play the trumpet. The book includes 31 trumpet diagrams with fingering positions, along with pitch names and staff notations. Each note here has its own page in the book. The musical notes in this book cover almost 3 octaves from A#4 to C6. The sounds produced by the trumpet are a part of many forms of music, from jazz to classical. While modern trumpets have three piston or rotary valves, early trumpets had none. The purpose of the valves is to lengthen the tubing when engaged, allowing a lower pitch. By adding lengths of tubing to the trumpet, each valve performs a different function. The first valve lowers the pitch by two semitones, while the second and third lower it by a semitone and three semitones, respectively. When up, the trumpet valve allows air to pass straight through, but when pressed, a section of tubing is opened. In order to take full advantage of the sounds that can be produced, the valves play a key role.