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Author: Philip Daileader
Publisher: John Wiley & Sons
ISBN: 9781444323665
Category : History
Languages : en
Pages : 632
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Book Description
French Historians 1900-2000: The New Historical Writing inTwentieth-Century France examines the lives and writings of 40of France’s great twentieth-century historians. Blends biography with critical analysis of major works, placingthe work of the French historians in the context of their lifestories Includes contributions from over 30 international scholars Provides English-speaking readers with a new insight into thekey French historians of the last century
Author: Philip Daileader
Publisher: John Wiley & Sons
ISBN: 9781444323665
Category : History
Languages : en
Pages : 632
Get Book Here
Book Description
French Historians 1900-2000: The New Historical Writing inTwentieth-Century France examines the lives and writings of 40of France’s great twentieth-century historians. Blends biography with critical analysis of major works, placingthe work of the French historians in the context of their lifestories Includes contributions from over 30 international scholars Provides English-speaking readers with a new insight into thekey French historians of the last century
Author: Valerie Holman
Publisher: Berghahn Books
ISBN: 9781571817013
Category : History
Languages : en
Pages : 190
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Book Description
France experienced four major conflicts in the fifty years between 1914 and 1964: two world wars, and the wars in Indochina and Algeria. In each the role of myth was intricately bound up with memory, hope, belief, and ideas of nation. This is the first book to explore how individual myths were created, sustained, and used for purposes of propaganda, examining in detail not just the press, radio, photographs, posters, films, and songs that gave credence to an imagined event or attributed mythical status to an individual, but also the cultural processes by which such artifacts were disseminated and took effect. Reliance on myth, so the authors argue, is shown to be one of the most significant and durable features of 20th century warfare propaganda, used by both sides in all the conflicts covered in this book. However, its effective and useful role in time of war notwithstanding, it does distort a population's perception of reality and therefore often results in defeat: the myth-making that began as a means of sustaining belief in France's supremacy, and later her will and ability to resist, ultimately proved counterproductive in the process of decolonization.
Author: Peter Burke
Publisher: John Wiley & Sons
ISBN: 074568937X
Category : History
Languages : en
Pages : 168
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Book Description
This book provides a critical history of the movement associated with the journal Annales, from its foundation in 1929 to the present. This movement has been the single most important force in the development of what is sometimes called ‘the new history’. Renowned cultural historian, Peter Burke, distinguishes between four main generations in the development of the Annales School. The first generation included Lucien Febvre and Marc Bloch, who fought against the old historical establishment and founded the journal Annales to encourage interdisciplinary collaboration. The second generation was dominated by Fernand Braudel, whose magnificent work on the Mediterranean has become a modern classic. The third generation, deeply associated with the ‘cultural turn’ in historical scholarship, includes recently well-known historians such as Emmanuel Le Roy Ladurie, Jacques Le Goff and Georges Duby. This new edition brings us right up to the present, and contemplates the work of a fourth generation, including practitioners such as Roger Chartier, Serge Gruzinski and Jacques Revel. This new generation continued much of the cultural focus of the previous Annales historians, while diversifying further, and becoming increasingly ‘reflexive’, a move that owes much to the sociocultural theories of Michel Foucault, Michel de Certeau and Pierre Bourdieu. Wide-ranging yet concise, this new edition of a classic work of analysis of one of the most important historical movements of the twentieth century will be welcomed by students of history and other social sciences and by the interested general reader.
Author: Philip Whalen
Publisher: Bloomsbury Publishing
ISBN: 1780938411
Category : History
Languages : en
Pages : 264
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Book Description
Place and Locality in Modern France analyses the significance and changing constructions of local place in modern France. Drawing on the expertise of a range of scholars from around the world, this book provides a timely overview of the cross-disciplinary thinking that is currently taking place over a central issue in French history. The contributed chapters address a range of subjects that include: the politics of administrative reform, decentralization, regionalism and local advocacy; the role of commerce in engendering narratives and experience of local place; the importance of ethnic, class, gender and race distinctions in shaping local connection and identity; the generation and transmission of knowledge about local place and culture through academia, civic heritage and popular memory. As a reconsideration of the 'local' in French history, Place and Locality in Modern France bridges the divide between micro- and macro-history for all those interested in ideas of locality and culture in modern French and European history.
Author: Erith Jaffe-Berg
Publisher: Routledge
ISBN: 1317164024
Category : Literary Criticism
Languages : en
Pages : 184
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Book Description
Drawing on published collections and also manuscripts from Mantuan archives, Commedia dell' arte and the Mediterranean locates commedia dell' arte as a performance form reflective of its cultural crucible in the Mediterranean. The study provides a broad perspective on commedia dell’ arte as an expression of the various cultural, gender and language communities in Italy during the early-modern period, and explores the ways in which the art form offers a platform for reflection on power and cultural exchange. While highlighting the prevalence of Mediterranean crossings in the scenarios of commedia dell' arte, this book examines the way in which actors embodied characters from across the wider Mediterranean region. The presence of Mediterranean minority groups such as Arabs, Armenians, Jews and Turks within commedia dell' arte is marked on stage and 'backstage' where they were collaborators in the creative process. In addition, gendered performances by the first female actors participated in 'staging' the Mediterranean by using the female body as a canvas for cartographical imaginings. By focusing attention on the various communities involved in the making of theatre, a central preoccupation of the book is to question the dynamics of 'exchange' as it materialized within a spectrum inclusive of both cultural collaboration but also of taxation and coercion.
Author: Professor Erith Jaffe-Berg
Publisher: Ashgate Publishing, Ltd.
ISBN: 147241814X
Category : Literary Criticism
Languages : en
Pages : 185
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Book Description
Drawing on published collections and manuscripts from Mantuan archives, this study locates commedia dell' arte as a performance form reflective of its cultural crucible in the Mediterranean. It provides a broad perspective on commedia dell’ arte as an expression of cultural, gender and language communities in Italy during the early-modern period, and explores the ways in which the art form reflected on power and cultural exchange.
Author: Sheri Dion
Publisher: Susquehanna University Press
ISBN: 1575911868
Category : Language Arts & Disciplines
Languages : en
Pages : 317
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Book Description
Author: Máire Fedelma Cross
Publisher: Liverpool University Press
ISBN: 1789622654
Category : History
Languages : en
Pages : 280
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Book Description
In the Footsteps of Flora Tristan is the first ever study devoted to Jules Puech (1879–1957), and is a double biography that examines his life’s work on Flora Tristan (1803–1844), feminist and socialist. It begins by examining newly found press reports of Flora Tristan during her lifetime and subsequently, then positions Puech’s discovery of her, as a postgraduate student in Paris in the 1900s. It continues with an account of how he embarked on the first in-depth biography published in 1925. Puech was unmatched in his expertise as a writer on Flora Tristan having discovered her papers through his numerous political connections and having become a historian of Proudhon’s legacy on the international aspirations of the labour movement. Together with his wife Marie-Louise Puech, née Milhau (1876-1966), suffragist feminist, he was a militant in the early twentieth-century pacifist movement that advocated international arbitration. His research on Flora Tristan was enriched by his other projects but was thwarted by the wars of 1914–1918 and 1940–1945. The circumstances of the long gestation of Puech's biography are drawn from his letters and papers, hitherto unseen. The correspondence curated brings a new understanding to the multi-faceted nature of Puech’s activism and rate of progress in the publication of his findings on his subject, Flora Tristan.
Author: Philippe Carrard
Publisher: University of Chicago Press
ISBN: 022642796X
Category : History
Languages : en
Pages : 261
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Book Description
In academia, the traditional role of the humanities is being questioned by the “posts”—postmodernism, poststructuralism, and postfeminism—which means that the project of writing history only grows more complex. In History as a Kind of Writing, scholar of French literature and culture Philippe Carrard speaks to this complexity by focusing the lens on the current state of French historiography. Carrard’s work here is expansive—examining the conventions historians draw on to produce their texts and casting light on views put forward by literary theorists, theorists of history, and historians themselves. Ranging from discussions of lengthy dissertations on 1960s social and economic history to a more contemporary focus on events, actors, memory, and culture, the book digs deep into the how of history. How do historians arrange their data into narratives? What strategies do they employ to justify the validity of their descriptions? Are actors given their own voice? Along the way, Carrard also readdresses questions fundamental to the field, including its necessary membership in the narrative genre, the presumed objectivity of historiographic writing, and the place of history as a science, distinct from the natural and theoretical sciences.
Author: Q. Edward Wang
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110717492
Category : History
Languages : en
Pages : 654
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Book Description
This volume provides a unique and critical perspective on how Chinese, Japanese and Korean scholars engage and critique the West in their historical thinking. It showcases the dialogue between Asian experts and their Euro-American counterparts and offers valuable insights on how to challenge and overcome Eurocentrism in historical writing.
