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Author: William Loran Crosten
Publisher:
ISBN:
Category :
Languages : en
Pages : 162
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Book Description
Author: William Loran Crosten
Publisher:
ISBN:
Category :
Languages : en
Pages : 162
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Book Description
Author: David Charlton
Publisher: Cambridge University Press
ISBN: 9780521646833
Category : Music
Languages : en
Pages : 524
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Book Description
Table of contents
Author: Jane Fulcher
Publisher: Cambridge University Press
ISBN: 9780521529433
Category : History
Languages : en
Pages : 296
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Book Description
Professor Fulcher argues that French grand opera was a subtly used tool of the state.
Author: Sarah Hibberd
Publisher: Cambridge University Press
ISBN: 0521885620
Category : Music
Languages : en
Pages : 279
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Book Description
Closely examining five French operas, this book reveals how and why grand opera sought to bring the past alive.
Author: William L. Crosten
Publisher: Da Capo Press
ISBN:
Category : Music
Languages : en
Pages : 180
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Book Description
Author: Anastasia Belina-Johnson
Publisher: Routledge
ISBN: 1317039556
Category : Music
Languages : en
Pages : 235
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Book Description
The study of the business of opera has taken on new importance in the present harsh economic climate for the arts. This book presents research that sheds new light on a range of aspects concerning marketing, audience development, promotion, arts administration and economic issues that beset professionals working in the opera world. The editors' aim has been to assemble a coherent collection of essays that engage with a single theme (business), but differ in topic and critical perspective. The collection is distinguished by its concern with the business of opera here and now in a globalized market. This includes newly commissioned operas, sponsorship, state funding, and production and marketing of historic operas in the twenty-first century.
Author: William Loran Crosten
Publisher:
ISBN:
Category : Opera
Languages : en
Pages : 184
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Book Description
Author: Roger Parker
Publisher: Oxford : Oxford University Press
ISBN: 9780198166979
Category : Ballet
Languages : en
Pages : 290
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Book Description
This book is among the first to examine French opera and ballet criticism during the first half of the nineteenth century both as a historical and a literary phenomenon. It thus provides a new and badly needed perspective for scholars and other commentators who have often been willing to treatthe journalistic responses to such musical genres chiefly as a simple source of factual information. The essays, taken from a conference in Oxford in 1996, explore the kinds of problem encountered and the types of methodology that might be employed in trying to interpret these critical responses;they throw light on such aspects as the cultural attitudes underlying the writers' rhetoric, the aesthetic stances and ideological agendas at play, and how modes of production influenced content.
Author: David Charlton
Publisher: Taylor & Francis
ISBN: 104023190X
Category : History
Languages : en
Pages : 390
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Book Description
The majority of these collected essays date from 1992 onwards, three of them having been specially expanded for this volume. Drawing on recent archival research and new musicological theory, they investigate distinctive qualities in French opera from early opéra comique to early grand opera. ’Media’ is interpreted in terms of both narrative systems and practical theatre resources. One group of essays identifies narrative systems in ’minuet-scenes’, in the diegetic romance, and in special uses of musical motives. Another group concerns the theory and æsthetics of opera, in which uses of metaphor help us interpret audience reception. A third group focuses on orchestral and staging practices, brought together in a new theory of the 'melodrama model’ linking various genres from the 1780s with the world of the 1820s. French opera’s relation with literature and politics is a continuing theme, explored in writings on prison scenes, Ossian, and public-private dramaturgy in grand opera. David Charlton has written widely on French music and opera topics for over 25 years. The selection of his articles presented here focuses on the period 1730-1830 when Paris was a hotbed of influential ideas in music and music theatre, with many of these ideas taken up by foreign composers. This volume assesses the French contribution to the development of Classical and Romantic styles and genres which has hitherto not received the attention it deserves.
Author: Diana R. Hallman
Publisher: Cambridge University Press
ISBN: 9780521038812
Category : History
Languages : en
Pages : 420
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Book Description
This is a comprehensive critical study of the nineteenth-century French grand opéra La Juive, by Halévy.
