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Author: Ernest H. Sanders
Publisher: Routledge
ISBN: 0429763379
Category : Music
Languages : en
Pages : 358
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Book Description
First published in 1998, this volume brings together the most part of the author’s work on medieval polyphony. The most significant advance in music during the period in the High Gothic was the development of a system of rhythm and of its notation, the modern understanding of which was to a considerable extent obscured by an undue emphasis on the so-called rhythmic modes. The investigation of this topic forms the centre of this book, and a related essay deals with rhythmic Latin poetry. Other pieces survey the accomplishments of Europe’s first great composer and the flourishing of the medieval motet, whose rise he stimulated, while several essays focus on English polyphony, and on what remains of the motets of Philippe de Vitry, a major figure in Parisian intellectual circles of the 14th century.
Author: Ernest H. Sanders
Publisher: Routledge
ISBN: 0429763360
Category : Music
Languages : en
Pages : 358
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Book Description
First published in 1998, this volume brings together the most part of the author’s work on medieval polyphony. The most significant advance in music during the period in the High Gothic was the development of a system of rhythm and of its notation, the modern understanding of which was to a considerable extent obscured by an undue emphasis on the so-called rhythmic modes. The investigation of this topic forms the centre of this book, and a related essay deals with rhythmic Latin poetry. Other pieces survey the accomplishments of Europe’s first great composer and the flourishing of the medieval motet, whose rise he stimulated, while several essays focus on English polyphony, and on what remains of the motets of Philippe de Vitry, a major figure in Parisian intellectual circles of the 14th century.
Author: Ernest H. Sanders
Publisher: Routledge
ISBN: 0429763379
Category : Music
Languages : en
Pages : 358
Get Book Here
Book Description
First published in 1998, this volume brings together the most part of the author’s work on medieval polyphony. The most significant advance in music during the period in the High Gothic was the development of a system of rhythm and of its notation, the modern understanding of which was to a considerable extent obscured by an undue emphasis on the so-called rhythmic modes. The investigation of this topic forms the centre of this book, and a related essay deals with rhythmic Latin poetry. Other pieces survey the accomplishments of Europe’s first great composer and the flourishing of the medieval motet, whose rise he stimulated, while several essays focus on English polyphony, and on what remains of the motets of Philippe de Vitry, a major figure in Parisian intellectual circles of the 14th century.
Author: David Charlton
Publisher: Taylor & Francis
ISBN: 104023190X
Category : History
Languages : en
Pages : 390
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Book Description
The majority of these collected essays date from 1992 onwards, three of them having been specially expanded for this volume. Drawing on recent archival research and new musicological theory, they investigate distinctive qualities in French opera from early opéra comique to early grand opera. ’Media’ is interpreted in terms of both narrative systems and practical theatre resources. One group of essays identifies narrative systems in ’minuet-scenes’, in the diegetic romance, and in special uses of musical motives. Another group concerns the theory and æsthetics of opera, in which uses of metaphor help us interpret audience reception. A third group focuses on orchestral and staging practices, brought together in a new theory of the 'melodrama model’ linking various genres from the 1780s with the world of the 1820s. French opera’s relation with literature and politics is a continuing theme, explored in writings on prison scenes, Ossian, and public-private dramaturgy in grand opera. David Charlton has written widely on French music and opera topics for over 25 years. The selection of his articles presented here focuses on the period 1730-1830 when Paris was a hotbed of influential ideas in music and music theatre, with many of these ideas taken up by foreign composers. This volume assesses the French contribution to the development of Classical and Romantic styles and genres which has hitherto not received the attention it deserves.
Author: Benjamin Brand
Publisher: Cambridge University Press
ISBN: 1107158370
Category : History
Languages : en
Pages : 379
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Book Description
The essays in this volume offer diverse, innovative approaches to medieval music and culture.
Author: Nicholas Temperley
Publisher: Taylor & Francis
ISBN: 1000940993
Category : History
Languages : en
Pages : 368
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Book Description
Nicholas Temperley has pioneered the history of popular church music in England, as expounded in his classic 1979 study, The Music of the English Parish Church; his Hymn Tune Index of 1998; and his magisterial articles in The New Grove. This volume brings together fourteen shorter essays from various journals and symposia, both British and American, that are often hard to find and may be less familiar to many scholars and students in the field. Here we have studies of how singing in church strayed from artistic control during its neglect in the 16th and 17th centuries, how the vernacular 'fuging tune' of West Gallery choirs grew up, and how individuals like Playford, Croft, Madan, and Stainer set about raising artistic standards. There are also assessments of the part played by charity in the improvement of church music, the effect of the English organ and the reasons why it never inspired anything resembling the German organ chorale, and the origins of congregational psalm chanting in late Georgian York. Whatever the topic, Temperley takes a fresh approach based on careful research, while refusing to adopt artistic or religious preconceptions.
Author: Melvin P. Unger
Publisher: Rowman & Littlefield
ISBN: 1538124343
Category : Music
Languages : en
Pages : 699
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Book Description
A Library Journal Starred Review (March 2024) praises the book as a "remarkable resource that will please both musical professionals and amateurs, along with teachers and their students, and conductors and singers.” Throughout the ages, people have wanted to sing in a communal context. This desire apparently stems from a deeply rooted human instinct. Consequently, choral performance historically has often been related to human rituals and ceremonies, especially rites of a religious nature. Historical Dictionary of Choral Music, Second Edition contains a chronology, an introduction, and an extensive bibliography. The dictionary section has more than 1,300 cross-referenced entries on composers, conductors, choral ensembles, choral genres, and choral repertoire. This book is an excellent resource for students, researchers, and anyone wanting to know more about choral music.
Author: Mary Cyr
Publisher: Taylor & Francis
ISBN: 104023187X
Category : Music
Languages : en
Pages : 345
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Book Description
In this collection of essays Mary Cyr explores some of the written and unwritten performance conventions that applied to French and English music of the 17th and early 18th centuries. Using composers' own notations, marks added by 18th-century performers, historical treatises, and pictorial evidence, she investigates both vocal and instrumental genres, including opera, cantatas, instrumental chamber music, and solo music for the viol and violin. Some of the performance conventions remain controversial, such as the use of gesture by the French opera chorus, and others are still little-known, such as the use of the double bass for rhythmic and harmonic support in early 18th-century French opera. As many of these essays demonstrate, French Baroque music allowed performers a wider latitude of nuance and expression than is often assumed today. The essays in this volume will be of particular interest to scholars and performers who are interested in adopting a historically-informed approach to performing music by Henry Purcell, Élisabeth-Claude Jacquet de La Guerre, Jean-Philippe Rameau, and their contemporaries. Several studies also deal with attributions, sources, and the discovery of a cantata by Rameau.
Author: Michel Huglo
Publisher: Taylor & Francis
ISBN: 1000938417
Category : History
Languages : en
Pages : 362
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Book Description
The differences between Old-Roman, Ambrosian, Aquileian, Gallican, and Hispanic chant, and their interconnections with each other and the Gregorian chant occupied Michel Huglo in his early career, although he returned to these questions in the 1980s and 1990s. The present volume, the second in the set of four to be published in the Variorum series, brings all this work together. Huglo's 1954 article, the first to describe the sources for Old Roman chant, recognized as distinct from Gregorian chant, is of primary significance for the historiography of Western plainchant, because it opened the debate on the relationship between Old Roman and Gregorian chant. The final section presents articles on the Latin version of the Akathistos hymn and on Byzantine chants translated into Latin that became part of the Western plainchant repertory. Les différences entre les répertoires Vieux-romain, Ambrosien, Aquiléien, Gallican et Hispanique, leurs influences réciproques et leurs relations avec le chant grégorien ont occupé Michel Huglo au début de sa carrière: il revint sur ces questions dans les années 1980 et 1990. Ce volume, le deuxième d'une série de quatre dans la collection Variorum, réunit toutes ces études. L'article de 1954 de Michel Huglo sur les sources du chant Vieux-romain, considéré comme distinct du grégorien, est de première importance pour l'historiographie du plain-chant occidental, car il a ouvert les débats sur le rapport entre Vieux-romain et grégorien. Les articles sur la version latine de l'Hymne Acathiste et sur les pièces de chant byzantin traduites en latin dans les répertoires occidentaux du plain-chant achèvent ce volume.
Author: Jamie C. Kassler
Publisher: Taylor & Francis
ISBN: 100094669X
Category : Music
Languages : en
Pages : 321
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Book Description
This book stresses the interrelatedness of knowledge by extricating models that cut across traditional disciplinary boundaries. For example, science can find models from the technology and semantic field of music, music can find its models from the technology and semantic field of science, and each domain may be guided by a philosophical or metaphysical principle - thus, the title of the book. But the book itself is structured as a mirror image of its title. Chapters 1-6 provide instances of the role of music in such domains as epistemology and logic, as well as in the early modern sciences of developmental biology, continuum mechanics, anatomy and physiological psychology, whereas Chapters 7-10 provide instances of what some other domains of knowledge have given back to the philosophy and theory of music.
Author: Michel Huglo
Publisher: Taylor & Francis
ISBN: 1000947866
Category : History
Languages : en
Pages : 323
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Book Description
The origin and development of Western plainchant, and of the genres of liturgical book in which it is recorded, have occupied Michel Huglo throughout his long career, which has taken him to libraries in every corner of Europe and the United States. This volume, the first in a set of four to appear in the Variorum series, brings together analyses of manuscripts dating from the 9th to the 13th century, including Huglo's pathbreaking studies of the antiphoner of Compiègne, the first troper-prosers, and of alleluia lists as clues to place of origin. The consequences of the Treaty of Verdun (843) for the diffusion of the plainchant repertory, research in medieval musicology in the 20th century, the utility of codicology for musicological manuscript studies, and the critical edition of the Gregorian antiphoner are addressed in other studies included here. Les origines et le développement du plain-chant en Occident et l'étude des genres de livres liturgiques qui le contiennent ont occupé Michel Huglo durant sa longue carrière et l'ont conduit à visiter des bibliothèques partout en Europe et aux Etats-Unis. Ce volume, le premier d'une série de quatre dans la collection Variorum, comprend des analyses de manuscrits du neuvième au treizième siècle, notamment des études novatrices relançant les recherches sur l'antiphonaire de Compiègne, les premiers tropaires-prosaires et les listes d'alleluias comme moyen d'identification des manuscrits de chant. Les conséquences du traité de Verdun (843) pour la diffusion du répertoire de plain-chant, les recherches en musicologie médiévale au XXe siècle, l'application des méthodes de la codicologie à l'étude des manuscrits notés, et l'édition critique de l'Antiphonaire grégorien forment les sujets d'autres études réunies dans ce volume.
