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Author: Seymour Slive
Publisher: Prestel Publishing
ISBN:
Category : Art
Languages : en
Pages : 464
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Book Description
Author: Seymour Slive
Publisher: Prestel Publishing
ISBN:
Category : Art
Languages : en
Pages : 464
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Book Description
Author: Walter A. Liedtke
Publisher: Metropolitan Museum of Art
ISBN: 1588394247
Category : Painting, Dutch
Languages : en
Pages : 50
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Book Description
This is a showcase of 11 major works by Frans Hals. The author also discusses the formation of Hals's style and considers his work in the context of broader European trends.
Author: Christopher D.M. Atkins
Publisher: Amsterdam University Press
ISBN: 9048514592
Category : Art
Languages : nl
Pages : 326
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Book Description
Frans Hals had een karakteristiek gebruik van verf. Welke functie en betekenis had zijn manier van werken? Dit boek is het resultaat van het eerste onderzoek dat daarnaar is gedaan. Christopher Atkins verkent de uniciteit van Frans Hals' aanpak, de relatie tussen zijn werkwijze en de zeventiende- eeuwse esthetiek, de economische motieven en voordelen van zijn methode, de ogenschijnlijke moderniteit van zijn stijl en de wijze waarop die een merknaam werd. Atkins laat zien hoe de door Frans Hals bewust gecultiveerde manier ven van schilderen functioneerde, zowel in zijn eigen tijd als voor latere generaties toeschouwers. Dit biedt een volledig nieuw begrip van het werk van deze Nederlandse grootmeester uit de Gouden Eeuw en een van de meest invloedrijke schilders uit de westerse kunstgeschiedenis. This richly illustrated study is the first consider the manifold functions and meanings of Halss distinctive handling of paint. Atkins explores the uniqueness of Halss approach to painting and the relationship of his manner to seventeenth-century aesthetics. He also investigates the economic motivations and advantages of his methods, the operation of the style as a personal and workshop brand, and the apparent modernity of the artists style. The book seeks to understand the multiple levels on which Halss consciously cultivated manner of painting operated for himself, his pupils and assistants, his clients, and succeeding generations of viewers. As a result, the book offers a wholly new understanding of one of the leading artists of the Dutch Golden Age, and one of the most formative painters in the history of art in the Western tradition. It also provides a much needed interrogation of the interrelationships of subjectivity, style, authorship, methods of artistic and commercial production, economic consumption, and art theory in early modernity.
Author: Lawrence W. Nichols
Publisher:
ISBN: 9783777430072
Category : Families
Languages : en
Pages : 0
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Book Description
"Frans Hals (1582/83--1666) is one of the foremost portrait painters of the Dutch Golden Age, but he only painted four family groups portraits. This publication unites these family portraits--including one that is now in sections--along with related works by the artist and his contemporaries and examines the topic of Hals's family portraiture as a whole, placing it in the context of his complete oeuvre"--Back cover.
Author: Rudolf E. O. Ekkart
Publisher: National Gallery Publications Limited
ISBN: 9781857093636
Category : Art
Languages : en
Pages : 280
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Book Description
In the Golden Age of the Dutch Republic, every gentleman of standing had himself eternalized in a portrait. In Holland, these gentlemen were burghers, not aristocrats, or princes of the church. They were prosperous merchants, scholars, generals, and stadholders, seen in official and private settings, alone or in the company of colleagues, or surrounded by their wives and children. Seventeenth-century Dutch portraiture is a remarkable phenomenon: never before had so many portraits been painted. Today, these pictures offer insight into the taste, fashion, occupations, and ambitions of affluent 17th-century individuals. The two great masters of Dutch portraiture, Rembrandt and Frans Hals, are both represented here.
Author: Antoon Erftemeijer
Publisher: Nai010 Publishers
ISBN: 9789462081680
Category : Art
Languages : en
Pages : 0
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Book Description
Frans Hals (1580-1666) is, like Rembrandt and Vermeer, one of the greats of the Dutch Golden Age. Hals primarily made his name with his lively, virtuoso portraiture made in the bustling, prosperous city of Haarlem: group portraits of high-ranking gentlemen and more informal scenes of drunkards, laughing children and musicians. He was admired by artists such as van Gogh, Édouard Manet, Max Liebermann and James Abbott McNeill Whistler as the first modern painter. This book acquaints the reader with the Dutch master in an accessible manner: what did he look like, who were his predecessors and contemporaries, and what makes him so unique? The first overview of the life and work of Hals written for a broad audience, Frans Hals is affordably priced and richly illustrated with many details and reproductions of 69 of Hals' most famous works selected from international collections.
Author: Jennifer Dasal
Publisher: Penguin
ISBN: 0525506403
Category : Art
Languages : en
Pages : 289
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Book Description
A wildly entertaining and surprisingly educational dive into art history as you've never seen it before, from the host of the beloved ArtCurious podcast We're all familiar with the works of Claude Monet, thanks in no small part to the ubiquitous reproductions of his water lilies on umbrellas, handbags, scarves, and dorm-room posters. But did you also know that Monet and his cohort were trailblazing rebels whose works were originally deemed unbelievably ugly and vulgar? And while you probably know the tale of Vincent van Gogh's suicide, you may not be aware that there's pretty compelling evidence that the artist didn't die by his own hand but was accidentally killed--or even murdered. Or how about the fact that one of Andy Warhol's most enduring legacies involves Caroline Kennedy's moldy birthday cake and a collection of toenail clippings? ArtCurious is a colorful look at the world of art history, revealing some of the strangest, funniest, and most fascinating stories behind the world's great artists and masterpieces. Through these and other incredible, weird, and wonderful tales, ArtCurious presents an engaging look at why art history is, and continues to be, a riveting and relevant world to explore.
Author: Edward Verrall Lucas
Publisher:
ISBN:
Category : Art, Dutch
Languages : en
Pages : 446
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Book Description
Author: Steven Nadler
Publisher: Princeton University Press
ISBN: 0691165750
Category : Biography & Autobiography
Languages : en
Pages : 246
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Book Description
How a famous painting opens a window into the life, times, and philosophy of René Descartes In the Louvre museum hangs a portrait that is considered the iconic image of René Descartes, the great seventeenth-century French philosopher. And the painter of the work? The Dutch master Frans Hals—or so it was long believed, until the work was downgraded to a copy of an original. But where is the authentic version, and who painted it? Is the man in the painting—and in its original—really Descartes? A unique combination of philosophy, biography, and art history, The Philosopher, the Priest, and the Painter investigates the remarkable individuals and circumstances behind a small portrait. Through this image—and the intersecting lives of a brilliant philosopher, a Catholic priest, and a gifted painter—Steven Nadler opens a fascinating portal into Descartes's life and times, skillfully presenting an accessible introduction to Descartes's philosophical and scientific ideas, and an illuminating tour of the volatile political and religious environment of the Dutch Golden Age. As Nadler shows, Descartes's innovative ideas about the world, about human nature and knowledge, and about philosophy itself, stirred great controversy. Philosophical and theological critics vigorously opposed his views, and civil and ecclesiastic authorities condemned his writings. Nevertheless, Descartes's thought came to dominate the philosophical world of the period, and can rightly be called the philosophy of the seventeenth century. Shedding light on a well-known image, The Philosopher, the Priest, and the Painter offers an engaging exploration of a celebrated philosopher's world and work.
Author: Leo Steinberg
Publisher: University of Chicago Press
ISBN: 022648257X
Category : Art
Languages : en
Pages : 241
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Book Description
Leo Steinberg was one of the most original and daring art historians of the twentieth century, known for taking interpretative risks that challenged the profession by overturning reigning orthodoxies. In essays and lectures that ranged from old masters to contemporary art, he combined scholarly erudition with an eloquent prose that illuminated his subject and a credo that privileged the visual evidence of the image over the literature written about it. His works, sometimes provocative and controversial, remain vital and influential reading. For half a century, Steinberg delved into Michelangelo’s work, revealing the symbolic structures underlying the artist’s highly charged idiom. This volume of essays and unpublished lectures explicates many of Michelangelo’s most celebrated sculptures, applying principles gleaned from long, hard looking. Almost everything Steinberg wrote included passages of old-fashioned formal analysis, but here put to the service of interpretation. He understood that Michelangelo’s rendering of figures as well as their gestures and interrelations conveys an emblematic significance masquerading under the guise of naturalism. Michelangelo pushed Renaissance naturalism into the furthest reaches of metaphor, using the language of the body and its actions to express fundamental Christian tenets once expressible only by poets and preachers—or, as Steinberg put it, in Michelangelo’s art, “anatomy becomes theology.” Michelangelo’s Sculpture is the first in a series of volumes of Steinberg’s selected writings and unpublished lectures, edited by his longtime associate Sheila Schwartz. The volume also includes a book review debunking psychoanalytic interpretation of the master’s work, a light-hearted look at Michelangelo and the medical profession and, finally, the shortest piece Steinberg ever published.
