Author: Ramona Mielusel
Publisher: BRILL
ISBN: 9004385452
Category : Literary Criticism
Languages : en
Pages : 199
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Book Description
In Franco-Maghrebi Artists of the 2000s: Transnational Narratives and Identities Ramona Mielusel offers an account of the way how young artists (writers, filmmakers, actors, singers, photographers, contemporary migrant artists) of Maghrebi origin residing in France during the last twenty years (2000-2016) contest French “national identity” in their work. Mielusel's interest lies in analyzing the impact that these “minor” artists and their chosen genres have on mainstream cultural productions. She argues that constant displacement and changes in political, social and cultural contexts have significantly transformed the dynamics that govern the relationship between the center (Metropolitan France) and the periphery (its Others). Most importantly, she seeks to position their work in the field of transnationalism, which has dominated postcolonial studies and cultural studies in the past decade.
Author: Dervila Cooke
Publisher: Springer Nature
ISBN: 303149234X
Category :
Languages : en
Pages : 306
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Book Description
Author: Katharina Fritsch
Publisher: Taylor & Francis
ISBN: 1000614174
Category : Political Science
Languages : en
Pages : 259
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Book Description
Based on an ethnographic study of mobilisations of the Comorian diaspora in Marseille during political and cultural events, the book examines communitarisation in relation to three thematic areas, namely spaces, cultural markets and local politics. Drawing on Foucault’s concept of the dispositif, the author analyses mobilisations of postcolonial diaspora as part of a dispositif of communitarisation, that is, a set of discourses, practices, institutions and subjectivations of diasporic community. She argues that constructions of ‘community’ are both shaped by and shape ethnicised biopolitics, expressed by modes of governing diasporic groups along ethnicised divisions and a marking of ethnicised communities as the Other of the French Republic. The performativity of a Comorian community brought into being through political, cultural, economic and customary practices also shows how Comorian communities govern themselves along ethnicised categories, at the intersection with generation, gender, age classes, locality and class. Communitarisation processes as part of ethnicised (self-)governing reveal postcolonial power relations in France as well as practices of negotiation and contestation on the part of Comorian communities. This book will be of interest to scholars in the fields of critical diaspora studies, critical ethnography, discourse and dispositif analysis, postcolonial politics, and the African diaspora.
Author: Julia Khrebtan-Hörhager
Publisher: University of Michigan Press
ISBN: 0472056522
Category : Education
Languages : en
Pages : 363
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Book Description
Exposes how we have constructed and marginalized the Other across cultures, and suggests creative global solutions for inclusive multiculturalism
Author: Ramona Mielusel
Publisher: Springer Nature
ISBN: 3030812340
Category : Social Science
Languages : en
Pages : 242
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Book Description
Artistic (Self)-Representations of Islam and Muslims: Perspectives Across France and the Maghreb is a collection of essays that explores the question of artistic representation(s)/self-representation(s) of Muslim religious and cultural identity in France, the Maghreb and in/between since the 2000s. The volume offers a plurality of feminine and masculine voices and points of view on cultural Islam (Franco-French, Franco-Maghrebi, Maghrebi), all the while addressing the impact of events like 9/11, the tragic attacks in France in 2015-2016 (Charlie Hebdo, Stade de France, Bataclan, Nice), and the Arab Spring. Taken together, the volume features a transnational and transversal set of artistic voices that are not looking for consensus, but rather invoke dissensus (Rancière) and a full range of expression. A necessary part of that full range of expression is (self)-representations: Muslims representing themselves, though this is no facile (self)-representations, as artists continue to use the properties of the imagination and performance to complexify an easy reading, reductive meaning, or oversimplified interpretation. This interdisciplinary study contributes to the fields of French and Francophone Studies, Humanities and Global/Cultural Studies such as political studies, sociology, political philosophy, literature, cinema, visual arts and media studies with a focus on broadening views on the topic of Islam and Muslim (self)-representations across disciplines.
Author: Will Higbee
Publisher: Edinburgh University Press
ISBN: 0748678158
Category : Performing Arts
Languages : en
Pages : 204
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Book Description
Since the early 1980s, filmmakers of Maghrebi origin have made a key contribution to the representation of issues such as immigration, integration and national identity in French cinema. However, they have done so mostly from a position on the margins of the industry. In contrast, since the early 2000s, Maghrebi-French and North African �migr� filmmakers have occupied an increasingly prominent position in on both sides of the camera, announcing their presence on French screens in a wider range of genres and styles than ever before. This greater prominence and move to the mainstream has not automatically meant that these films have lost any of the social or political relevance of Beur cinema of the 1980s or the banlieue film of the 1990s. Indeed in the 2000s these films have increasingly questioned the boundaries between national, transnational and diasporic cinema, whilst simultaneously demanding, either implicitly or explicitly, a reconsideration of the very difference that has traditionally been seen as a barrier to the successful integration of North African immigrants and their descendants into French society. Through a detailed study of this transformative decade for Maghrebi-French and North African �migr� filmmaking in France, this book argues for the emergence of a Post-Beur cinema in the 2000s that is simultaneously global and local in its outlook. An absorbing introduction to this key development in contemporary French cinema, Post-Beur Cinema is essential reading for students and scholars in Film Studies, French Studies and Diaspora Studies.
Author: Ramona Mielusel
Publisher: Rowman & Littlefield
ISBN: 1666949957
Category : Social Science
Languages : en
Pages : 167
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Book Description
Contemporary Feminist Art by Women in North Africa: Body Talks dissects the diverse perceptions of the body and how it becomes symbolically charged in the artwork of six contemporary Maghrebi female artists: Majida Khattari, Lalla Essaydi, Zoulikha Bouabdellah, Déborah Benzaquen, Fatima Mazmouz and Zaïnab Fasiki. With a focus on the French, Maghrebi, and North American market and examining artistic mediums ranging from painting and photography to videos and installations, Ramona Mielusel highlights how the body functions as both subject and object of aesthetic discourse. The author denotes these artistic works as the intersection of the intimate and the impersonal, of the individual perception and the communitarian and societal view, without promoting a fixed notion of the body in a specific spatiality and temporality. This book explores the work of female Maghrebi artists and their intentional framing of the body’s duality between the symbolic and the real, between cultural interpretation of the body in literature and the actual perception of the body.
Author: Michael Temple
Publisher: Bloomsbury Publishing
ISBN: 1349929093
Category : Performing Arts
Languages : en
Pages : 394
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Book Description
This thoroughly revised and expanded edition of a key textbook offers an innovative and accessible account of the richness and diversity of French film history and culture from the 1890s to the present day. The contributors, who include leading historians and film scholars, provide an indispensable introduction to key topics and debates in French film history. Each chronological section addresses seven key themes – people, business, technology, forms, representations, spectators and debates, providing an essential overview of the cinema industry, the people who worked in it, including technicians and actors as well as directors, and the culture of cinema going in France from the beginnings of cinema to the contemporary period.
Author: Kaya Davies Hayon
Publisher: Bloomsbury Publishing USA
ISBN: 1501393243
Category : Performing Arts
Languages : en
Pages : 466
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Book Description
Building on the work of star studies scholars, this collection provides contextual analyses of off-screen representation, as well as close textual analyses of films and star personas, thereby offering an in-depth study of the Arab star as text and context of Arab cinema. Using the tools of audience reception studies, the collection will also look at how stars (of film, stage, screen and new media) are viewed and received in different cultural contexts, both within and outside of the Arabic-speaking world. Arab cinema is often discussed in terms of political representation and independent art film, but rarely in terms of stardom, glamour, performance or masquerade. Aside from a few individual studies on female stardom or aspects of Arab masculinity, no major English-language study on Arab stardom exists, and collections on transnational stars or world cinema also often neglect to include Arab performers. This new book seeks to address this gap by providing the first study dedicated entirely to stardom on the Arab screen. Structured chronologically and thematically, this collection highlights and explores Arab film, screen and music stars through a transnational and interdisciplinary set of contributions that draw on feminist, performance and film theories, media studies, sound studies, material culture, queer star and celebrity studies, and social media studies.
Author: Alistair Fox
Publisher: John Wiley & Sons
ISBN: 1118585364
Category : Performing Arts
Languages : en
Pages : 712
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Book Description
A Companion to Contemporary French Cinema presents a comprehensive collection of original essays addressing all aspects of French cinema from 1990 to the present day. Features original contributions from top film scholars relating to all aspects of contemporary French cinema Includes new research on matters relating to the political economy of contemporary French cinema, developments in cinema policy, audience attendance, and the types, building, and renovation of theaters Utilizes groundbreaking research on cinema beyond the fiction film and the cinema-theater such as documentary, amateur, and digital filmmaking Contains an unusually large range of methodological approaches and perspectives, including those of genre, gender, auteur, industry, economic, star, postcolonial and psychoanalytic studies Includes essays by important French cinema scholars from France, the U.S., and New Zealand, many of whose work is here presented in English for the first time
