Francesco II Gonzaga and Isabella D'Este: New Perspectives on Music and Art at the Mantuan Court, 1484-1519 PDF Download
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Languages : en
Pages :
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Book Description
Isabella d'Este (1474-1539), the wife of Francesco II Gonzaga (1466-1519), Marquis of Mantua, is widely acknowledged for her patronage of the arts at the Gonzaga court in Mantua, during a formative period in her life, 1490 to c.1523. This thesis draws attention to a dilemma in Renaissance studies: namely, that musicologists have a far great appreciation of Isabella's work as a patron of music, whereas she has been less positively appreciated in some of the art historical literature. A similar phenomenon is observed in the case of Francesco II, who was, for many years, the patron of the well-known artist, Andrea Mantegna, as well as being a strong patron of the liberal arts, including music, (sacred and secular), yet art historians have only recently begun to re-evaluate his contribution in a positive light, and some historians have undervalued his role as a politician, diplomat, and ruler. This study explores how this husband and wife team collaborated on various projects involving the visual arts and music to build up the cultural profile of their court at Mantua. It would seem that a greater cross-disciplinary interaction between art historians, historians, and musicologists, would broaden our understanding of patronage studies during the Renaissance.
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages :
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Book Description
Isabella d'Este (1474-1539), the wife of Francesco II Gonzaga (1466-1519), Marquis of Mantua, is widely acknowledged for her patronage of the arts at the Gonzaga court in Mantua, during a formative period in her life, 1490 to c.1523. This thesis draws attention to a dilemma in Renaissance studies: namely, that musicologists have a far great appreciation of Isabella's work as a patron of music, whereas she has been less positively appreciated in some of the art historical literature. A similar phenomenon is observed in the case of Francesco II, who was, for many years, the patron of the well-known artist, Andrea Mantegna, as well as being a strong patron of the liberal arts, including music, (sacred and secular), yet art historians have only recently begun to re-evaluate his contribution in a positive light, and some historians have undervalued his role as a politician, diplomat, and ruler. This study explores how this husband and wife team collaborated on various projects involving the visual arts and music to build up the cultural profile of their court at Mantua. It would seem that a greater cross-disciplinary interaction between art historians, historians, and musicologists, would broaden our understanding of patronage studies during the Renaissance.
Author: Inez Lesley Weston
Publisher:
ISBN:
Category : Art patronage
Languages : en
Pages : 196
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Book Description
Isabella d'Este (1474-1539), the wife of Francesco II Gonzaga (1466-1519), Marquis of Mantua, is widely acknowledged for her patronage of the arts at the Gonzaga court in Mantua, during a formative period in her life, 1490 to c.1523. This thesis draws attention to a dilemma in Renaissance studies: namely, that musicologists have a far great appreciation of Isabella's work as a patron of music, whereas she has been less positively appreciated in some of the art historical literature. A similar phenomenon is observed in the case of Francesco II, who was, for many years, the patron of the well-known artist, Andrea Mantegna, as well as being a strong patron of the liberal arts, including music, (sacred and secular), yet art historians have only recently begun to re-evaluate his contribution in a positive light, and some historians have undervalued his role as a politician, diplomat, and ruler. This study explores how this husband and wife team collaborated on various projects involving the visual arts and music to build up the cultural profile of their court at Mantua. It would seem that a greater cross-disciplinary interaction between art historians, historians, and musicologists, would broaden our understanding of patronage studies during the Renaissance.
Author: Inez Lesley Weston
Publisher:
ISBN:
Category : Art patronage
Languages : en
Pages : 0
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Book Description
Isabella d'Este (1474-1539), the wife of Francesco II Gonzaga (1466-1519), Marquis of Mantua, is widely acknowledged for her patronage of the arts at the Gonzaga court in Mantua, during a formative period in her life, 1490 to c.1523. This thesis draws attention to a dilemma in Renaissance studies: namely, that musicologists have a far great appreciation of Isabella's work as a patron of music, whereas she has been less positively appreciated in some of the art historical literature. A similar phenomenon is observed in the case of Francesco II, who was, for many years, the patron of the well-known artist, Andrea Mantegna, as well as being a strong patron of the liberal arts, including music, (sacred and secular), yet art historians have only recently begun to re-evaluate his contribution in a positive light, and some historians have undervalued his role as a politician, diplomat, and ruler. This study explores how this husband and wife team collaborated on various projects involving the visual arts and music to build up the cultural profile of their court at Mantua. It would seem that a greater cross-disciplinary interaction between art historians, historians, and musicologists, would broaden our understanding of patronage studies during the Renaissance.
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ISBN:
Category : Dissertations, Academic
Languages : en
Pages : 306
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Book Description
"Education, arts and social sciences, natural and technical sciences in the United States and Canada".
Author: Sarah D.P. Cockram
Publisher: Routledge
ISBN: 1317112725
Category : History
Languages : en
Pages : 275
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Book Description
In the first book systematically to give evidence of conjugal co-rule at an Italian Renaissance court, and the first full length scholarly study of Isabella d'Este and Francesco Gonzaga, Sarah Cockram shows their relationship in an entirely new light. The book draws on (and presents) a large amount of unpublished archival material, including almost unprecedented surviving correspondence between and around these Renaissance princely rulers. Using these sources, Cockram shows Isabella and Francesco's strategic teamwork in action, illuminating tactics of collaboration and dissimulation. She also reveals behind-the-scenes diplomatic activity; court procedures; sexual politics and seduction; gift-giving and network-building; rivalries, intrigues and assassinations. Several epistolary themes emerge: insights into the couple's communication practices and double-dealing, their use of intermediaries, and attention to security matters. This book's analysis of Isabella's co-rule with her husband, supported by other members of the Gonzaga dynasty, sees her sometimes in the role of subordinate partner, sometimes guiding the couple's actions. It shows how, despite appearances at times, the couple shared common diplomatic policy as well as human, material, and cultural resources; joint administration; and the exercise of authority and justice. Thus emerges a three-dimensional picture of the mechanisms of power and power sharing in the age of Machiavelli.
Author: Mary Harris Bourne
Publisher:
ISBN:
Category : Architecture
Languages : en
Pages : 848
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Book Description
Author: Julia Cartwright
Publisher:
ISBN:
Category : Italy
Languages : en
Pages : 466
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Book Description
Author: Julia Mary Cartwright Ady
Publisher:
ISBN:
Category : Italy
Languages : en
Pages : 694
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Book Description
Author: Egon Verheyen
Publisher:
ISBN: 9781597406765
Category : Art
Languages : en
Pages : 124
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Book Description
Author: William F. Prizer
Publisher: Gower Publishing Company, Limited
ISBN: 9780754659853
Category : History
Languages : en
Pages : 370
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Book Description
Summary: The court of Mantua, in northern Italy, was one of the most important centers of Italian music from the late fifteenth through the early seventeenth centuries, from the rise of the first written secular music of the Italian Renaissance through the time of Claudio Monteverdi. Based on newly uncovered documents, this collection of essays focuses on the beginnings of an active musical life there under the Marchesa Isabella d'Este (1474-1539) and her husband the Marchese Francesco Gonzaga (1466-1519). It considers the various genres of music at court-vocal, instrumental, sacred and seculartheir sources, the musicians at court, and the patronage of music by the ruling family. Particular emphasis is given to the frottola, the chief secular song of northern Italy, and to Isabella herself as important patron and avid performer.
