Author: Vjeran Pavlaković
Publisher: Routledge
ISBN: 1351381784
Category : Social Science
Languages : en
Pages : 245
Book Description
This book analyzes top-down and bottom-up strategies of framing the nation and collective identities through commemorative practices relating to events from the Second World War and the 1990s "Homeland War" in Croatia. With attention to media representations of commemorative events and opinion poll data, it draws on interviews and participant observation at commemorative events to focus on the speeches of political elites, together with the speeches of opposition politicians and other social actors (such as the Catholic Church, anti-fascist organizations and war veterans’ and victims’ organizations) who challenge official narratives. Offering innovative approaches to researching and analyzing commemorative practices in post-conflict societies, this examination of a nation’s transition from a Yugoslav republic to an independent state – and now the newest member of the European Union – constitutes a unique case study for scholars of cultural memory and identity politics interested in the production and representation of national identities in official narratives.
Framing the Nation and Collective Identities
Author: Vjeran Pavlaković
Publisher: Routledge
ISBN: 1351381784
Category : Social Science
Languages : en
Pages : 245
Book Description
This book analyzes top-down and bottom-up strategies of framing the nation and collective identities through commemorative practices relating to events from the Second World War and the 1990s "Homeland War" in Croatia. With attention to media representations of commemorative events and opinion poll data, it draws on interviews and participant observation at commemorative events to focus on the speeches of political elites, together with the speeches of opposition politicians and other social actors (such as the Catholic Church, anti-fascist organizations and war veterans’ and victims’ organizations) who challenge official narratives. Offering innovative approaches to researching and analyzing commemorative practices in post-conflict societies, this examination of a nation’s transition from a Yugoslav republic to an independent state – and now the newest member of the European Union – constitutes a unique case study for scholars of cultural memory and identity politics interested in the production and representation of national identities in official narratives.
Publisher: Routledge
ISBN: 1351381784
Category : Social Science
Languages : en
Pages : 245
Book Description
This book analyzes top-down and bottom-up strategies of framing the nation and collective identities through commemorative practices relating to events from the Second World War and the 1990s "Homeland War" in Croatia. With attention to media representations of commemorative events and opinion poll data, it draws on interviews and participant observation at commemorative events to focus on the speeches of political elites, together with the speeches of opposition politicians and other social actors (such as the Catholic Church, anti-fascist organizations and war veterans’ and victims’ organizations) who challenge official narratives. Offering innovative approaches to researching and analyzing commemorative practices in post-conflict societies, this examination of a nation’s transition from a Yugoslav republic to an independent state – and now the newest member of the European Union – constitutes a unique case study for scholars of cultural memory and identity politics interested in the production and representation of national identities in official narratives.
Framing the Nation
Author: Alison J. Murray Levine
Publisher: Bloomsbury Publishing USA
ISBN: 1441169229
Category : Performing Arts
Languages : en
Pages : 238
Book Description
Framing the Nation: Documentary Film in Interwar France argues that, between World Wars I and II, documentary film made a substantial contribution to the rewriting of the French national narrative to include rural France and the colonies. The book mines a significant body of virtually unknown films and manuscripts for their insight into revisions of French national identity in the aftermath of the Great War. From 1918 onwards, government institutions sought to advance social programs they believed were crucial to national regeneration. They turned to documentary film, a new form of mass communication, to do so. Many scholars of French film state that the French made no significant contribution to documentary film prior to the Vichy period. Using until now overlooked films, Framing the Nation refutes this misconception and shows that the French were early and active believers in the uses of documentary film for social change - and these films reached audiences far beyond the confines of commercial cinema circuits in urban areas.
Publisher: Bloomsbury Publishing USA
ISBN: 1441169229
Category : Performing Arts
Languages : en
Pages : 238
Book Description
Framing the Nation: Documentary Film in Interwar France argues that, between World Wars I and II, documentary film made a substantial contribution to the rewriting of the French national narrative to include rural France and the colonies. The book mines a significant body of virtually unknown films and manuscripts for their insight into revisions of French national identity in the aftermath of the Great War. From 1918 onwards, government institutions sought to advance social programs they believed were crucial to national regeneration. They turned to documentary film, a new form of mass communication, to do so. Many scholars of French film state that the French made no significant contribution to documentary film prior to the Vichy period. Using until now overlooked films, Framing the Nation refutes this misconception and shows that the French were early and active believers in the uses of documentary film for social change - and these films reached audiences far beyond the confines of commercial cinema circuits in urban areas.
Framing the Nation
Author: Ajanta Sircar
Publisher:
ISBN:
Category : English language
Languages : en
Pages : 590
Book Description
Publisher:
ISBN:
Category : English language
Languages : en
Pages : 590
Book Description
Framing the South
Author: Allison Graham
Publisher: JHU Press
ISBN: 9780801874451
Category : Art
Languages : en
Pages : 246
Book Description
What patterns emerge in media coverage and character depiction of Southern men and women, blacks and whites, in the years between 1954 and 1976? Allison Graham examines the ways in which the media, particularly television and film, presented Southerners during the civil rights revolution.
Publisher: JHU Press
ISBN: 9780801874451
Category : Art
Languages : en
Pages : 246
Book Description
What patterns emerge in media coverage and character depiction of Southern men and women, blacks and whites, in the years between 1954 and 1976? Allison Graham examines the ways in which the media, particularly television and film, presented Southerners during the civil rights revolution.
Framing Blackness
Author: Ed Guerrero
Publisher: Temple University Press
ISBN: 1439904138
Category : Performing Arts
Languages : en
Pages : 270
Book Description
A challenge to Hollywood's one-dimensional images of African Americans.
Publisher: Temple University Press
ISBN: 1439904138
Category : Performing Arts
Languages : en
Pages : 270
Book Description
A challenge to Hollywood's one-dimensional images of African Americans.
Imaging The Great Puerto Rican Family
Author: Hilda Lloréns
Publisher: Lexington Books
ISBN: 0739189190
Category : Social Science
Languages : en
Pages : 289
Book Description
In Imaging The Great Puerto Rican Family: Framing Nation, Race and Gender during the American Century, Hilda Lloréns offers a ground-breaking study of images—photographs, postcards, paintings, posters, and films—about Puerto Rico and Puerto Ricans made by American and Puerto Rican image-makers between 1890 and 1990. Through illuminating discussions of artists, images, and social events, the book offers a critical analysis of the power-laden cultural and historic junctures imbricated in the creation of re-presentations of Puerto Rico and Puerto Ricans by Americans (“outsiders”) and Puerto Ricans (“insiders”) during an historical epoch marked by the twin concepts of “modernization” and “progress.” The study excavates the ways in which colonial power and resistance to it have shaped representations of Puerto Rico and its people. Hilda Lloréns demonstrates how nation, race, and gender figure in representation, and how these representations in turn help shape the discourses of nation, race, and gender. Imaging The Great Puerto Rican Family masterfully illustrates that as significant actors in the shaping of national conceptions of history image-makers have created iconic symbols deeply enmeshed in an “emotional aesthetics of nation.” The book proposes that images as important conveyers of knowledge and information are a fertile data site. At the same time, Lloréns underscores how colonial modernity turned global, the conceptual framework informing the analysis, not only calls attention to the national and global networks in which image-makers have been a part of, and by which they have been influenced, but highlights the manners by which technologies of imaging and “seeing” have been prime movers as well as critics of modernity.
Publisher: Lexington Books
ISBN: 0739189190
Category : Social Science
Languages : en
Pages : 289
Book Description
In Imaging The Great Puerto Rican Family: Framing Nation, Race and Gender during the American Century, Hilda Lloréns offers a ground-breaking study of images—photographs, postcards, paintings, posters, and films—about Puerto Rico and Puerto Ricans made by American and Puerto Rican image-makers between 1890 and 1990. Through illuminating discussions of artists, images, and social events, the book offers a critical analysis of the power-laden cultural and historic junctures imbricated in the creation of re-presentations of Puerto Rico and Puerto Ricans by Americans (“outsiders”) and Puerto Ricans (“insiders”) during an historical epoch marked by the twin concepts of “modernization” and “progress.” The study excavates the ways in which colonial power and resistance to it have shaped representations of Puerto Rico and its people. Hilda Lloréns demonstrates how nation, race, and gender figure in representation, and how these representations in turn help shape the discourses of nation, race, and gender. Imaging The Great Puerto Rican Family masterfully illustrates that as significant actors in the shaping of national conceptions of history image-makers have created iconic symbols deeply enmeshed in an “emotional aesthetics of nation.” The book proposes that images as important conveyers of knowledge and information are a fertile data site. At the same time, Lloréns underscores how colonial modernity turned global, the conceptual framework informing the analysis, not only calls attention to the national and global networks in which image-makers have been a part of, and by which they have been influenced, but highlights the manners by which technologies of imaging and “seeing” have been prime movers as well as critics of modernity.
Framing First Contact
Author: Kate Elliott
Publisher: University of Oklahoma Press
ISBN: 0806168226
Category : Art
Languages : en
Pages : 301
Book Description
Representations of first contact—the first meetings of European explorers and Native Americans—have always had a central place in our nation’s historical and visual record. They have also had a key role in shaping and interpreting that record. In Framing First Contact author Kate Elliott looks at paintings by artists from George Catlin to Charles M. Russell and explores what first contact images tell us about the process of constructing national myths—and how those myths acquired different meanings at different points in our nation’s history. First contact images, with their focus on beginnings rather than conclusive action or determined outcomes, might depict historical events in a variety of ways. Elliott argues that nineteenth-century artists, responding to the ambiguity and indeterminacy of the subject, used the visualized space between cultures meeting for the first time to address critical contemporary questions and anxieties. Taking works from the 1840s through the 1910s as case studies—paintings by Robert W. Weir, Thomas Moran, and Albert Bierstadt, along with Catlin and Russell—Elliott shows how many first contact representations, especially those commissioned and conceived as official history, speak blatantly of conquest, racial superiority, and imperialism. Yet others communicate more nuanced messages that might surprise contemporary viewers. Elliott suggests it was the very openness of the subject of first contact that allowed artists, consciously or not, to speak of contemporary issues beyond imperialism and conquest. Uncovering those issues, Framing First Contact forces us to think about why we tell the stories we do, and why those stories matter.
Publisher: University of Oklahoma Press
ISBN: 0806168226
Category : Art
Languages : en
Pages : 301
Book Description
Representations of first contact—the first meetings of European explorers and Native Americans—have always had a central place in our nation’s historical and visual record. They have also had a key role in shaping and interpreting that record. In Framing First Contact author Kate Elliott looks at paintings by artists from George Catlin to Charles M. Russell and explores what first contact images tell us about the process of constructing national myths—and how those myths acquired different meanings at different points in our nation’s history. First contact images, with their focus on beginnings rather than conclusive action or determined outcomes, might depict historical events in a variety of ways. Elliott argues that nineteenth-century artists, responding to the ambiguity and indeterminacy of the subject, used the visualized space between cultures meeting for the first time to address critical contemporary questions and anxieties. Taking works from the 1840s through the 1910s as case studies—paintings by Robert W. Weir, Thomas Moran, and Albert Bierstadt, along with Catlin and Russell—Elliott shows how many first contact representations, especially those commissioned and conceived as official history, speak blatantly of conquest, racial superiority, and imperialism. Yet others communicate more nuanced messages that might surprise contemporary viewers. Elliott suggests it was the very openness of the subject of first contact that allowed artists, consciously or not, to speak of contemporary issues beyond imperialism and conquest. Uncovering those issues, Framing First Contact forces us to think about why we tell the stories we do, and why those stories matter.
Framing China
Author: Ariane Knüsel
Publisher: Routledge
ISBN: 1317133595
Category : History
Languages : en
Pages : 359
Book Description
Framing China sheds new light on Western relations with and perceptions of China in the first half of the twentieth century. In this ground-breaking book, Ariane Knüsel examines how China was portrayed in political debates and the media in Britain, the USA and Switzerland between 1900 and 1950. By focusing on the political, economic, cultural and social context that led to the construction of the particular images of China in each country, the author demonstrates that national interests, anxieties and issues influenced the way China was framed and resulted in different portrayals of China in each country. The author’s meticulous analysis of a vast amount of newspaper and magazine articles, commentaries, editorials, cartoons and newsreels that have previously not been studied before also focuses on the transnational circulation of images of China. While previous publications have dealt with the occurrence of the Yellow Peril and Red Menace in particular countries, Framing China reveals that these images were interpreted differently in every nation because they both reflected and contributed to the discursive construction of nationhood in each country and were influenced by domestic issues, cultural values, pre-existing stereotypes, pressure groups and geopolitical aspirations.
Publisher: Routledge
ISBN: 1317133595
Category : History
Languages : en
Pages : 359
Book Description
Framing China sheds new light on Western relations with and perceptions of China in the first half of the twentieth century. In this ground-breaking book, Ariane Knüsel examines how China was portrayed in political debates and the media in Britain, the USA and Switzerland between 1900 and 1950. By focusing on the political, economic, cultural and social context that led to the construction of the particular images of China in each country, the author demonstrates that national interests, anxieties and issues influenced the way China was framed and resulted in different portrayals of China in each country. The author’s meticulous analysis of a vast amount of newspaper and magazine articles, commentaries, editorials, cartoons and newsreels that have previously not been studied before also focuses on the transnational circulation of images of China. While previous publications have dealt with the occurrence of the Yellow Peril and Red Menace in particular countries, Framing China reveals that these images were interpreted differently in every nation because they both reflected and contributed to the discursive construction of nationhood in each country and were influenced by domestic issues, cultural values, pre-existing stereotypes, pressure groups and geopolitical aspirations.
Case Framing
Author: Mark Mandell
Publisher:
ISBN: 9781941007419
Category :
Languages : en
Pages :
Book Description
Publisher:
ISBN: 9781941007419
Category :
Languages : en
Pages :
Book Description
China-Africa Relations
Author: Kathryn Batchelor
Publisher: Routledge
ISBN: 135185805X
Category : Social Science
Languages : en
Pages : 250
Book Description
The recent rapid growth in China’s involvement in Africa is being promoted by both Chinese and African leaders as being conducted in a spirit of cooperation, friendship and equality. In the media and informally, however, a different, less harmonious picture emerges. This book explores how China and Africa really regard each other, how official images are manufactured, and how informal images are nevertheless shaped and put forward. The book covers a wide range of areas where China-Africa exchange exists, including diplomacy, technological cooperation, sport, culture and arts exchange. The book also discusses the historical development of the relationship and how it is likely to develop going forward.
Publisher: Routledge
ISBN: 135185805X
Category : Social Science
Languages : en
Pages : 250
Book Description
The recent rapid growth in China’s involvement in Africa is being promoted by both Chinese and African leaders as being conducted in a spirit of cooperation, friendship and equality. In the media and informally, however, a different, less harmonious picture emerges. This book explores how China and Africa really regard each other, how official images are manufactured, and how informal images are nevertheless shaped and put forward. The book covers a wide range of areas where China-Africa exchange exists, including diplomacy, technological cooperation, sport, culture and arts exchange. The book also discusses the historical development of the relationship and how it is likely to develop going forward.