Author: Wylie Sypher
Publisher: Garden City, N.Y. : Doubleday
ISBN:
Category : Art
Languages : en
Pages : 368
Book Description
Four Stages of Renaissance Style
Author: Wylie Sypher
Publisher: Garden City, N.Y. : Doubleday
ISBN:
Category : Art
Languages : en
Pages : 368
Book Description
Publisher: Garden City, N.Y. : Doubleday
ISBN:
Category : Art
Languages : en
Pages : 368
Book Description
Luxury Arts of the Renaissance
Author: Marina Belozerskaya
Publisher: Getty Publications
ISBN: 0892367857
Category : Art
Languages : en
Pages : 292
Book Description
Today we associate the Renaissance with painting, sculpture, and architecture—the “major” arts. Yet contemporaries often held the “minor” arts—gem-studded goldwork, richly embellished armor, splendid tapestries and embroideries, music, and ephemeral multi-media spectacles—in much higher esteem. Isabella d’Este, Marchesa of Mantua, was typical of the Italian nobility: she bequeathed to her children precious stone vases mounted in gold, engraved gems, ivories, and antique bronzes and marbles; her favorite ladies-in-waiting, by contrast, received mere paintings. Renaissance patrons and observers extolled finely wrought luxury artifacts for their exquisite craftsmanship and the symbolic capital of their components; paintings and sculptures in modest materials, although discussed by some literati, were of lesser consequence. This book endeavors to return to the mainstream material long marginalized as a result of historical and ideological biases of the intervening centuries. The author analyzes how luxury arts went from being lofty markers of ascendancy and discernment in the Renaissance to being dismissed as “decorative” or “minor” arts—extravagant trinkets of the rich unworthy of the status of Art. Then, by re-examining the objects themselves and their uses in their day, she shows how sumptuous creations constructed the world and taste of Renaissance women and men.
Publisher: Getty Publications
ISBN: 0892367857
Category : Art
Languages : en
Pages : 292
Book Description
Today we associate the Renaissance with painting, sculpture, and architecture—the “major” arts. Yet contemporaries often held the “minor” arts—gem-studded goldwork, richly embellished armor, splendid tapestries and embroideries, music, and ephemeral multi-media spectacles—in much higher esteem. Isabella d’Este, Marchesa of Mantua, was typical of the Italian nobility: she bequeathed to her children precious stone vases mounted in gold, engraved gems, ivories, and antique bronzes and marbles; her favorite ladies-in-waiting, by contrast, received mere paintings. Renaissance patrons and observers extolled finely wrought luxury artifacts for their exquisite craftsmanship and the symbolic capital of their components; paintings and sculptures in modest materials, although discussed by some literati, were of lesser consequence. This book endeavors to return to the mainstream material long marginalized as a result of historical and ideological biases of the intervening centuries. The author analyzes how luxury arts went from being lofty markers of ascendancy and discernment in the Renaissance to being dismissed as “decorative” or “minor” arts—extravagant trinkets of the rich unworthy of the status of Art. Then, by re-examining the objects themselves and their uses in their day, she shows how sumptuous creations constructed the world and taste of Renaissance women and men.
Shakespeare and the Mannerist Tradition
Author: Jean-Pierre Maquerlot
Publisher: Cambridge University Press
ISBN: 9780521410830
Category : Drama
Languages : en
Pages : 220
Book Description
This 1996 book offers an original approach to Shakespeare's so-called 'problem plays' by contending that they can be viewed as experiments in the Mannerist style. The plays reappraised here are Julius Caesar, Hamlet, Troilus and Cressida, All's Well That Ends Well and Measure for Measure. How can a term used to define a movement in art history be made relevant to theatrical analysis? Maquerlot shows how famous painters of sixteenth-century Italy cultivated structural ambiguity or dissonance in reaction to the classical canons of the High Renaissance. Close readings of Shakespeare's plays, from the period 1599 to 1604, reveal intriguing analogies with Mannerist art and the dramatist's response to Elizabethan formalism. Maquerlot concludes by examining Othello, which marks the end of Shakespeare's Mannerist experiments, and the less equivocal use of artifice in his late romances.
Publisher: Cambridge University Press
ISBN: 9780521410830
Category : Drama
Languages : en
Pages : 220
Book Description
This 1996 book offers an original approach to Shakespeare's so-called 'problem plays' by contending that they can be viewed as experiments in the Mannerist style. The plays reappraised here are Julius Caesar, Hamlet, Troilus and Cressida, All's Well That Ends Well and Measure for Measure. How can a term used to define a movement in art history be made relevant to theatrical analysis? Maquerlot shows how famous painters of sixteenth-century Italy cultivated structural ambiguity or dissonance in reaction to the classical canons of the High Renaissance. Close readings of Shakespeare's plays, from the period 1599 to 1604, reveal intriguing analogies with Mannerist art and the dramatist's response to Elizabethan formalism. Maquerlot concludes by examining Othello, which marks the end of Shakespeare's Mannerist experiments, and the less equivocal use of artifice in his late romances.
Shakespeare's Theatre
Author: Hugh Macrae Richmond
Publisher: A&C Black
ISBN: 9780826477767
Category : Literary Criticism
Languages : en
Pages : 590
Book Description
Under an alphabetical list of relevant terms, names and concepts, the book reviews current knowledge of the character and operation of theatres in Shakespeare's time, with an explanation of their origins>
Publisher: A&C Black
ISBN: 9780826477767
Category : Literary Criticism
Languages : en
Pages : 590
Book Description
Under an alphabetical list of relevant terms, names and concepts, the book reviews current knowledge of the character and operation of theatres in Shakespeare's time, with an explanation of their origins>
The Variorum Edition of the Poetry of John Donne, Volume 7, Part 2
Author: John Donne
Publisher: Indiana University Press
ISBN: 0253050413
Category : Literary Collections
Languages : en
Pages : 826
Book Description
Based on an exhaustive study of the manuscripts and printed editions in which these poems have appeared, the eighth in the series of The Variorum Edition of the Poetry of John Donne presents newly edited critical texts of thirteen Divine Poems and details the genealogical history of each poem, accompanied by a thorough prose discussion. Arranged chronologically within sections, the material is organized under the following headings: Dates and Circumstances; General Commentary; Genre; Language, Versification, and Style; the Poet/Persona; and Themes. The volume also offers a comprehensive digest of general and topical commentary on the Divine Poems from Donne's time through 2012.
Publisher: Indiana University Press
ISBN: 0253050413
Category : Literary Collections
Languages : en
Pages : 826
Book Description
Based on an exhaustive study of the manuscripts and printed editions in which these poems have appeared, the eighth in the series of The Variorum Edition of the Poetry of John Donne presents newly edited critical texts of thirteen Divine Poems and details the genealogical history of each poem, accompanied by a thorough prose discussion. Arranged chronologically within sections, the material is organized under the following headings: Dates and Circumstances; General Commentary; Genre; Language, Versification, and Style; the Poet/Persona; and Themes. The volume also offers a comprehensive digest of general and topical commentary on the Divine Poems from Donne's time through 2012.
John Donne and Baroque Allegory
Author: Hugh Grady
Publisher: Cambridge University Press
ISBN: 1107195802
Category : Literary Criticism
Languages : en
Pages : 237
Book Description
Provides a new appreciation of John Donne through the lens of Walter Benjamin's critical theory of baroque allegory.
Publisher: Cambridge University Press
ISBN: 1107195802
Category : Literary Criticism
Languages : en
Pages : 237
Book Description
Provides a new appreciation of John Donne through the lens of Walter Benjamin's critical theory of baroque allegory.
The Anglican tradition in eighteenth-century verse
Author: H. Grant Sampson
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3111343871
Category : Language Arts & Disciplines
Languages : en
Pages : 380
Book Description
No detailed description available for "The Anglican tradition in eighteenth-century verse".
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3111343871
Category : Language Arts & Disciplines
Languages : en
Pages : 380
Book Description
No detailed description available for "The Anglican tradition in eighteenth-century verse".
Hölderlin’s “Ars poetica”
Author: Emery Edward George
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3111342565
Category : Language Arts & Disciplines
Languages : en
Pages : 700
Book Description
No detailed description available for "Hölderlin's "Ars poetica"".
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3111342565
Category : Language Arts & Disciplines
Languages : en
Pages : 700
Book Description
No detailed description available for "Hölderlin's "Ars poetica"".
Seventeenth-Century Science and the Arts
Author: Hedley Howell Rhys
Publisher: Princeton University Press
ISBN: 1400878918
Category : Science
Languages : en
Pages : 153
Book Description
Was there a continuity between the "vigorous art and the seminal science" of the seventeenth century? How did they affect one another? Which, if either, was dominant? Four distinguished scholars explore the relation between seventeenth century science and the creative arts in a series of four essays: Introduction, by Stephen E. Toulmin of Columbia; Science and Literature, by Douglas Bush of Harvard; Science and Visual Art, by James S. Ackerman of Harvard; and Scientific Empiricism in Musical Thought, by Claude V. Palisca of Yale. Originally published in 1961. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Publisher: Princeton University Press
ISBN: 1400878918
Category : Science
Languages : en
Pages : 153
Book Description
Was there a continuity between the "vigorous art and the seminal science" of the seventeenth century? How did they affect one another? Which, if either, was dominant? Four distinguished scholars explore the relation between seventeenth century science and the creative arts in a series of four essays: Introduction, by Stephen E. Toulmin of Columbia; Science and Literature, by Douglas Bush of Harvard; Science and Visual Art, by James S. Ackerman of Harvard; and Scientific Empiricism in Musical Thought, by Claude V. Palisca of Yale. Originally published in 1961. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
The Lodger Shakespeare
Author: Charles Nicholl
Publisher: Penguin
ISBN: 1101011254
Category : Biography & Autobiography
Languages : en
Pages : 417
Book Description
In 1612, Shakespeare gave evidence in a court case at Westminster-and it is the only occasion on which his actual spoken words were recorded. In The Lodger Shakespeare, Charles Nicholl applies a powerful biographical magnifying glass to this fascinating but little-known episode in the Bard's life. Drawing on evidence from a wide variety of sources, Nicholl creates a compellingly detailed account of the circumstances in which Shakespeare lived and worked amid the bustle of early seventeenth-century London. This elegant, often unexpected exploration presents a new and original look at Shakespeare as he was writing such masterpieces as Othello, Measure for Measure, and King Lear.
Publisher: Penguin
ISBN: 1101011254
Category : Biography & Autobiography
Languages : en
Pages : 417
Book Description
In 1612, Shakespeare gave evidence in a court case at Westminster-and it is the only occasion on which his actual spoken words were recorded. In The Lodger Shakespeare, Charles Nicholl applies a powerful biographical magnifying glass to this fascinating but little-known episode in the Bard's life. Drawing on evidence from a wide variety of sources, Nicholl creates a compellingly detailed account of the circumstances in which Shakespeare lived and worked amid the bustle of early seventeenth-century London. This elegant, often unexpected exploration presents a new and original look at Shakespeare as he was writing such masterpieces as Othello, Measure for Measure, and King Lear.