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Author: Catherine L. Cooper
Publisher:
ISBN:
Category :
Languages : en
Pages : 204
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Book Description
Author: Catherine L. Cooper
Publisher:
ISBN:
Category :
Languages : en
Pages : 204
Get Book Here
Book Description
Author: William Shakespeare
Publisher: Penguin
ISBN: 9780140434507
Category : Literary Criticism
Languages : en
Pages : 884
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Book Description
This volume contains the tetralogy of plays-Richard II, Henry IV-Parts 1 and 2 and Henry V-written by Shakespeare c. 1595-1599. In this collection each play is accompanied by notes and an introduction, making this edition of particular value to students and theatre-goers.
Author: Edna Zwick Boris
Publisher: Fairleigh Dickinson Univ Press
ISBN: 9780838619902
Category : Drama
Languages : en
Pages : 274
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Book Description
Demonstrates that knowledge of constitutional history can add to our understanding of the politics of the English history plays and suggests that the nine historical plays that Shakespeare wrote before Elizabeth's death record a transformation in constitutional organization.
Author: Ernst H. Kantorowicz
Publisher:
ISBN:
Category :
Languages : en
Pages : 568
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Book Description
Author: Kay Stockholder
Publisher: John Wiley & Sons
ISBN: 1119059011
Category : Literary Criticism
Languages : en
Pages : 248
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Book Description
Explores the challenges of maintaining bonds, living up to ideals, and fulfilling desire in Shakespeare’s plays In Thinking About Shakespeare, Kay Stockholder reveals the rich inner lives of some of Shakespeare’s most enigmatic characters and the ways in which their emotions and actions shape and are shaped by the social and political world around them. In addressing all genres in the Shakespeare canon, the authors explore the possibility of people being constant to each other in many different kinds of relationships: those of lovers, kings and subjects, friends, and business partners. While some bonds are irrevocably broken, many are reaffirmed. In all cases, the authors offer insight into what drives Shakespeare’s characters to do what they do, what draws them together or pulls them apart, and the extent to which bonds can ever be eternal. Ultimately, the most durable bond may be between the playwright and the audience, whereby the playwright pleases and the audience approves. The book takes an in-depth look at a dozen of The Bard’s best-loved works, including: A Midsummer Night’s Dream; Romeo and Juliet; The Merchant of Venice; Richard II; Henry IV, Part I; Hamlet; Troilus and Cressida; Othello; Macbeth; King Lear; Antony and Cleopatra; and The Tempest. It also provides an epilogue titled: Prospero and Shakespeare. Written in a style accessible for all levels Discusses 12 plays, making it a comprehensive study of Shakespeare’s work Covers every genre of The Bard’s work, giving readers a full sense of Shakespeare’s art/thought over the course of his oeuvre Provides a solid overall sense of each play and the major characters/plot lines in them Providing new and sometimes unconventional and provocative ways to think about characters that have had a long critical heritage, Thinking About Shakespeare is an enlightening read that is perfect for scholars, and ideal for any level of student studying one of history’s greatest storytellers.
Author: Matthew H Wikander
Publisher: University of Iowa Press
ISBN: 1587294176
Category : Performing Arts
Languages : en
Pages : 265
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Book Description
The idea that actors are hypocrites and fakes and therefore dangerous to society was widespread in the seventeenth and eighteenth centuries. Fangs of Malice examines the equation between the vice of hypocrisy and the craft of acting as it appears in antitheatrical tracts, in popular and high culture, and especially in plays of the period. Rousseau and others argue that actors, expert at seeming other than they are, pose a threat to society; yet dissembling seems also to be an inevitable consequence of human social intercourse. The “antitheatrical prejudice” offers a unique perspective on the high value that modern western culture places on sincerity, on being true to one's own self. Taking a cue from the antitheatrical critics themselves, Matthew Wikander structures his book in acts and scenes, each based on a particular slander against actors. A prologue introduces his main issues. Act One deals with the proposition “They Dress Up”: foppish slavery to fashion, cross-dressing, and dressing as clergy. Act Two treats the proposition “They Lie” by focusing on social dissembling and the phenomenon of the self-deceiving hypocrite and the public, princely hypocrite. Act Three, “They Drink,” examines a wide range of antisocial behavior ascribed to actors, such as drinking, gambling, and whoring. An epilogue ties the ancient ideas of possession and the panic that actors inspire to contemporary anxieties about representation not only in theatre but also in the visual and literary arts. Fangs of Malice will be of great interest to scholars and students of drama as well as to theatre professionals and buffs.
Author: Jan Frans van Dijkhuizen
Publisher: DS Brewer
ISBN: 9781843841142
Category : Literary Criticism
Languages : en
Pages : 238
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Book Description
The so-called "Devil Theatre" is here set against its context of non-dramatic texts on possession and exorcism, providing many new insights. Representations of demonic possession and exorcism rituals abound in English Renaissance drama, an area which this book seeks to illuminate by comparison with non-dramatic works. The author investigates stage images of possessionin relation to a range of early modern demonological, theological and medical prose texts on the subject, looking specifically at how the theatre responded to these texts. He argues that the stage appropriated debates over demonicpossession to explore the competing roles of the inner life and the body in early modern definitions of selfhood. The theatre also employed the contemporary controversy over possession and exorcism to investigate the politics ofreligion, and to consider the nature of monarchic power. Moreover, because demonic possession cases and exorcism rituals were frequently dismissed by conformist writers as a piece of theatre, they offered an opportunity to reflecton the nature of drama and role-playing. JAN FRANS VAN DIJKHUIZEN is lecturer and research fellow at the University of Leiden.
Author: Bradd Shore
Publisher: Routledge
ISBN: 1000429784
Category : Literary Criticism
Languages : en
Pages : 266
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Book Description
This book provides a bridge between Shakespeare studies and classical social theory, opening up readings of Shakespeare to a new audience outside of literary studies and the humanities. Shakespeare has long been known as a “great thinker” and this book reads his plays through the lens of an anthropologist, revealing new connections between Shakespeare’s plays and the lives we now lead. Close readings of a selection of frequently studied plays—Hamlet, The Winter’s Tale, Romeo and Juliet, A Midsummer Night’s Dream, Julius Caesar, and King Lear—engage with the texts in detail while connecting them with some of the biggest questions we all ask ourselves, about love, friendship, ritual, language, human interactions, and the world around us. The plays are examined through various social theories including performance theory, cognitive theory, semiotics, exchange theory, and structuralism. The book concludes with a consideration of how “the new astronomy” of his day and developments in optics changed the very idea of “perspective,” and shaped Shakespeare’s approach to embedding social theory in his dramatic texts. This accessible and engaging book will appeal to those approaching Shakespeare from outside literary studies but will also be valuable to literature students approaching Shakespeare for the first time, or looking for a new angle on the plays.
Author: Alban K. Forcione
Publisher: Yale University Press
ISBN: 0300153309
Category : Literary Criticism
Languages : en
Pages : 298
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Book Description
In reinterpreting two of Lope de Vega's plays, Forcione places his texts in the context of political and institutional history philosophy, theology, and art history. In doing so he shows how Spanish theatre anticipated the decisive changes in human consciousness that characterized the ascendence of the absolutist state.
Author: Maurice Charney
Publisher: Columbia University Press
ISBN: 0231068638
Category :
Languages : en
Pages : 444
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Book Description
In All of Shakespeare, Maurice Charney, former president of the Shakespeare Association of America, provides a play by play, poem by poem guide to all of Shakespeare's works. In succinct and lucid chapters, Charney brings to life every play, from The Comedy of Errors to The Tempest, in addition to the long poems and the Sonnets. The book is divided into sections according to genre: comedies, histories, tragedies, romances, and poems. Charney also considers works that may be only partly by Shakespeare: The Two Noble Kinsmen, Pericles, and A Lover's Complaint. Charney's account is accessibly written and infused with the belief that Shakespeare's works are intelligible and relevant to modern readers and audiences. The result is a volume that will be cherished and celebrated by readers who are just beginning to read Shakespeare and see his plays as well as those who are reacquainting themselves with his many delights.
