Author: Gil Vicente
Publisher:
ISBN:
Category :
Languages : en
Pages : 156
Book Description
Four Plays of Gil Vicente
Author: Gil Vicente
Publisher:
ISBN:
Category :
Languages : en
Pages : 156
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 156
Book Description
Four Plays of Gil Vicente
Author:
Publisher: CUP Archive
ISBN:
Category :
Languages : en
Pages : 162
Book Description
Publisher: CUP Archive
ISBN:
Category :
Languages : en
Pages : 162
Book Description
Four Plays of Gil Vicente
Author: Gil Vicente
Publisher:
ISBN:
Category :
Languages : en
Pages : 98
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 98
Book Description
Gil Vicente
Author: Gil Vicente
Publisher: Ardent Media
ISBN:
Category :
Languages : en
Pages : 184
Book Description
Publisher: Ardent Media
ISBN:
Category :
Languages : en
Pages : 184
Book Description
Gil Vicente: Three Discovery Plays: Auto da Barca do Inferno, Exortacao da Guerra, Auto da India
Author: Anthony Lappin
Publisher: Liverpool University Press
ISBN: 1800345984
Category : Drama
Languages : en
Pages : 237
Book Description
The three plays edited and translated in this volume are strongly linked to what we now think of as the Portuguese Discoveries. All three are fundamentally concerned with the expansion of Portugal in Africa and India through either crusade or commerce.
Publisher: Liverpool University Press
ISBN: 1800345984
Category : Drama
Languages : en
Pages : 237
Book Description
The three plays edited and translated in this volume are strongly linked to what we now think of as the Portuguese Discoveries. All three are fundamentally concerned with the expansion of Portugal in Africa and India through either crusade or commerce.
The Carnival Stage
Author: José I. Suárez
Publisher: Fairleigh Dickinson Univ Press
ISBN: 9780838634912
Category : Literary Criticism
Languages : en
Pages : 180
Book Description
"The application of Bakhtin's critical theories to Gil Vicente has helped in understanding the genre and plot-compositional traits and sources of Vicente's drama. Until now, these have been virtually ignored by Vicentine scholars, most of whom have limited themselves to biographical/historical approaches in an effort to explain the playlets as products of a particular epoch - the Middle Ages and/or the Renaissance - and the corresponding literary modes. The author concludes that it is not the subjective memory of the playwrights but the objective memory of the genre in which they compose their plays that preserves its fundamental characteristics through the centuries, characteristics that derive from the incursion of the popular element into the realm of literary creation." "Direct in its presentation, this study presents a concise and scholarly synthesis of Peninsular drama from its origins and the impact that the popular element had on its formation, and it will continue to be regarded as an original facet in the overall complexity of Vicentine studies."--BOOK JACKET.
Publisher: Fairleigh Dickinson Univ Press
ISBN: 9780838634912
Category : Literary Criticism
Languages : en
Pages : 180
Book Description
"The application of Bakhtin's critical theories to Gil Vicente has helped in understanding the genre and plot-compositional traits and sources of Vicente's drama. Until now, these have been virtually ignored by Vicentine scholars, most of whom have limited themselves to biographical/historical approaches in an effort to explain the playlets as products of a particular epoch - the Middle Ages and/or the Renaissance - and the corresponding literary modes. The author concludes that it is not the subjective memory of the playwrights but the objective memory of the genre in which they compose their plays that preserves its fundamental characteristics through the centuries, characteristics that derive from the incursion of the popular element into the realm of literary creation." "Direct in its presentation, this study presents a concise and scholarly synthesis of Peninsular drama from its origins and the impact that the popular element had on its formation, and it will continue to be regarded as an original facet in the overall complexity of Vicentine studies."--BOOK JACKET.
Bibliography of Medieval Drama
Author: Carl J. Stratman
Publisher: Univ of California Press
ISBN: 0520345576
Category : Literary Criticism
Languages : en
Pages : 436
Book Description
This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1954.
Publisher: Univ of California Press
ISBN: 0520345576
Category : Literary Criticism
Languages : en
Pages : 436
Book Description
This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1954.
A Gil Vicente Bibliography, 1995-2000
Author: Constantine Christopher Stathatos
Publisher: Edition Reichenberger
ISBN: 9783935004312
Category :
Languages : en
Pages : 138
Book Description
Publisher: Edition Reichenberger
ISBN: 9783935004312
Category :
Languages : en
Pages : 138
Book Description
Bibliograpy of Medieval Drama
Author:
Publisher: Univ of California Press
ISBN:
Category :
Languages : en
Pages : 434
Book Description
Publisher: Univ of California Press
ISBN:
Category :
Languages : en
Pages : 434
Book Description
A Companion to the Medieval Theatre
Author: Ronald W. Vince
Publisher: Bloomsbury Publishing USA
ISBN: 1440808058
Category : Performing Arts
Languages : en
Pages : 458
Book Description
Vince has provided a useful and, for the most part, usable reference work. His introduction should be required reading for anyone approaching medieval theater. Choice Scholars increasingly see medieval theatre as a complex and vital performance medium related more closely to political, religious, and social life than to literature as we know it. Reflecting the current interest in performance, A Companion to the Medieval Theatre presents 250 alphabetically arranged entries offering a panoramic view of European and British theatrical productions between the years 900 and 1550. The volume features 30 essays contributed by an international group of specialists and includes many shorter entries as well as systematic cross-referencing, a chronology, a bibliography, and a full complement of indexes. Major entries focus on the theatres of the principal linguistic areas (the British Isles, France, Germany, Iberia, Italy, Scandinavia, the Low Countries, and Eastern Europe), and on dramatic forms and genres such as liturgical drama, Passion and saint plays, morality plays, folk drama, and Humanist drama. Other articles examine costume, acting, pageantry, and music, and explore the theatrical dimension of courtly entertainment, the dance, and the tournament. Short entries supply information on over one hundred playwrights, directors, actors and antiquarians whose contributions to the theatre have been documented. This informative guide brings new depth to our appreciation of the richness and color of medieval public entertainments and the symbolism and pageantry that were a part of daily life in the Middle Ages. Designed to appeal to general reader, this volume is also an attractive choice for libraries serving students and scholars of theatre history, English and European literatures, medieval history, cultural history, drama, and performance.
Publisher: Bloomsbury Publishing USA
ISBN: 1440808058
Category : Performing Arts
Languages : en
Pages : 458
Book Description
Vince has provided a useful and, for the most part, usable reference work. His introduction should be required reading for anyone approaching medieval theater. Choice Scholars increasingly see medieval theatre as a complex and vital performance medium related more closely to political, religious, and social life than to literature as we know it. Reflecting the current interest in performance, A Companion to the Medieval Theatre presents 250 alphabetically arranged entries offering a panoramic view of European and British theatrical productions between the years 900 and 1550. The volume features 30 essays contributed by an international group of specialists and includes many shorter entries as well as systematic cross-referencing, a chronology, a bibliography, and a full complement of indexes. Major entries focus on the theatres of the principal linguistic areas (the British Isles, France, Germany, Iberia, Italy, Scandinavia, the Low Countries, and Eastern Europe), and on dramatic forms and genres such as liturgical drama, Passion and saint plays, morality plays, folk drama, and Humanist drama. Other articles examine costume, acting, pageantry, and music, and explore the theatrical dimension of courtly entertainment, the dance, and the tournament. Short entries supply information on over one hundred playwrights, directors, actors and antiquarians whose contributions to the theatre have been documented. This informative guide brings new depth to our appreciation of the richness and color of medieval public entertainments and the symbolism and pageantry that were a part of daily life in the Middle Ages. Designed to appeal to general reader, this volume is also an attractive choice for libraries serving students and scholars of theatre history, English and European literatures, medieval history, cultural history, drama, and performance.