Author: Charles Coleman
Publisher:
ISBN:
Category : String sextets (Viols (6))
Languages : en
Pages : 84
Book Description
Charles Coleman's fantasias for six violas da gamba. Edition consists of score and parts.
The six-part fantasias for viol consort
Author: Charles Coleman
Publisher:
ISBN:
Category : String sextets (Viols (6))
Languages : en
Pages : 84
Book Description
Charles Coleman's fantasias for six violas da gamba. Edition consists of score and parts.
Publisher:
ISBN:
Category : String sextets (Viols (6))
Languages : en
Pages : 84
Book Description
Charles Coleman's fantasias for six violas da gamba. Edition consists of score and parts.
Twelve fantasias for two bass viols and organ and eleven pieces for three lyra viols
Author: John Coperario
Publisher: A-R Editions, Inc.
ISBN: 0895791803
Category : Chamber music
Languages : en
Pages : 138
Book Description
Publisher: A-R Editions, Inc.
ISBN: 0895791803
Category : Chamber music
Languages : en
Pages : 138
Book Description
Six fantasias for viols in six parts
Author: Orlando Gibbons
Publisher:
ISBN:
Category : Canons, fugues, etc. (Organ)
Languages : en
Pages : 80
Book Description
Publisher:
ISBN:
Category : Canons, fugues, etc. (Organ)
Languages : en
Pages : 80
Book Description
Early English Viols: Instruments, Makers and Music
Author: Michael Fleming
Publisher: Taylor & Francis
ISBN: 1317147162
Category : Music
Languages : en
Pages : 422
Book Description
Winner of the Nicholas Bessaraboff Prize Musical repertory of great importance and quality was performed on viols in sixteenth- and early seventeenth-century England. This is reported by Thomas Mace (1676) who says that ’Your Best Provision’ for playing such music is a chest of old English viols, and he names five early English viol makers than which ’there are no Better in the World’. Enlightened scholars and performers (both professional and amateur) who aim to understand and play this music require reliable historical information and need suitable viols, but so little is known about the instruments and their makers that we cannot specify appropriate instruments with much precision. Our ignorance cannot be remedied exclusively by the scrutiny or use of surviving antique viols because they are extremely rare, they are not accessible to performers and the information they embody is crucially compromised by degradation and alteration. Drawing on a wide variety of evidence including the surviving instruments, music composed for those instruments, and the documentary evidence surrounding the trade of instrument making, Fleming and Bryan draw significant conclusions about the changing nature and varieties of viol in early modern England.
Publisher: Taylor & Francis
ISBN: 1317147162
Category : Music
Languages : en
Pages : 422
Book Description
Winner of the Nicholas Bessaraboff Prize Musical repertory of great importance and quality was performed on viols in sixteenth- and early seventeenth-century England. This is reported by Thomas Mace (1676) who says that ’Your Best Provision’ for playing such music is a chest of old English viols, and he names five early English viol makers than which ’there are no Better in the World’. Enlightened scholars and performers (both professional and amateur) who aim to understand and play this music require reliable historical information and need suitable viols, but so little is known about the instruments and their makers that we cannot specify appropriate instruments with much precision. Our ignorance cannot be remedied exclusively by the scrutiny or use of surviving antique viols because they are extremely rare, they are not accessible to performers and the information they embody is crucially compromised by degradation and alteration. Drawing on a wide variety of evidence including the surviving instruments, music composed for those instruments, and the documentary evidence surrounding the trade of instrument making, Fleming and Bryan draw significant conclusions about the changing nature and varieties of viol in early modern England.
Four-part Madrigals "apt Both for Voyals and Voices" from the Second Set, 1609
Author: John Wilbye
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 96
Book Description
Pricing: Score and parts, US$26; Score also available separately, US$14
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 96
Book Description
Pricing: Score and parts, US$26; Score also available separately, US$14
The fantasias for two bass viols and organ
Author: John Coperario
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 98
Book Description
Twelve fantasias for two bass viols. Edition consists of score, which includes the organ part, and two viol parts.
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 98
Book Description
Twelve fantasias for two bass viols. Edition consists of score, which includes the organ part, and two viol parts.
Chamber Music
Author: John H. Baron
Publisher: Psychology Press
ISBN: 9780415937368
Category : Music
Languages : en
Pages : 680
Book Description
Publisher: Psychology Press
ISBN: 9780415937368
Category : Music
Languages : en
Pages : 680
Book Description
Intimate Music
Author: John H. Baron
Publisher: Pendragon Press
ISBN: 9781576471005
Category : Juvenile Nonfiction
Languages : en
Pages : 506
Book Description
This is the first comprehensive overview of instrumental chamber music from the 16th century to the present. There are comparisons of different genres, composers, and periods. Situations for chamber music at different moments in history are brought into a continuum, and all aspects of chamber music are placed into perspective. A History of the Idea of Chamber Music is chronologically organized at the most general level. Beyond that, national schools figure prominently, as well as genres and personalities. Throughout this book the composition of chamber music, the performance of chamber music, and the social, economic, political, and aesthetic conditions for chamber music have been considered per se and as they interact. (From the Introduction)
Publisher: Pendragon Press
ISBN: 9781576471005
Category : Juvenile Nonfiction
Languages : en
Pages : 506
Book Description
This is the first comprehensive overview of instrumental chamber music from the 16th century to the present. There are comparisons of different genres, composers, and periods. Situations for chamber music at different moments in history are brought into a continuum, and all aspects of chamber music are placed into perspective. A History of the Idea of Chamber Music is chronologically organized at the most general level. Beyond that, national schools figure prominently, as well as genres and personalities. Throughout this book the composition of chamber music, the performance of chamber music, and the social, economic, political, and aesthetic conditions for chamber music have been considered per se and as they interact. (From the Introduction)
A History of Baroque Music
Author: George J. Buelow
Publisher: Indiana University Press
ISBN: 9780253343659
Category : Music
Languages : en
Pages : 732
Book Description
"A History of Baroque Music is a detailed treatment of the music of the Baroque era, with particular focus on the seventeenth century. The author's approach is a history of musical style with an emphasis on musical scores. The book is divided initially by time period into early and later Baroque (1600-1700 and 1700-1750 respectively), and secondarily by country and composer. An introductory chapter discusses stylistic continuity with the late Renaissance and examines the etymology of the term "Baroque." The concluding chapter on the composer Telemann addresses the stylistic shift that led to the end of the Baroque and the transition into the Classical period."--Jacket.
Publisher: Indiana University Press
ISBN: 9780253343659
Category : Music
Languages : en
Pages : 732
Book Description
"A History of Baroque Music is a detailed treatment of the music of the Baroque era, with particular focus on the seventeenth century. The author's approach is a history of musical style with an emphasis on musical scores. The book is divided initially by time period into early and later Baroque (1600-1700 and 1700-1750 respectively), and secondarily by country and composer. An introductory chapter discusses stylistic continuity with the late Renaissance and examines the etymology of the term "Baroque." The concluding chapter on the composer Telemann addresses the stylistic shift that led to the end of the Baroque and the transition into the Classical period."--Jacket.
The Consort Music of William Lawes, 1602-1645
Author: John Patrick Cunningham
Publisher: Boydell & Brewer
ISBN: 0954680979
Category : Music
Languages : en
Pages : 378
Book Description
This book looks at the work of one of England's finest composers, William Lawes. It provides a contextual examination of music at the court of Charles I, a detailed study of Lawes's autograph sources and an examination of his consort music.
Publisher: Boydell & Brewer
ISBN: 0954680979
Category : Music
Languages : en
Pages : 378
Book Description
This book looks at the work of one of England's finest composers, William Lawes. It provides a contextual examination of music at the court of Charles I, a detailed study of Lawes's autograph sources and an examination of his consort music.