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Author: John and Barbara Gerlach
Publisher: Taylor & Francis
ISBN: 1135054339
Category : Photography
Languages : en
Pages : 212
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Book Description
Photographing landscape with a film camera is different than with a digital camera. There are several books on the market that cover landscape photography but few of them are specifically for the digital photographer. This book is what you are looking for! Digital Landscape Photography covers: * equipment such as accessories and lenses * exposure from shutter speed and other common mistakes * shooting * light and its importance * composing your perfect photo * printing * and a special section on specific subjects such as waterfalls and sunrises Digital Landscape Photography, written by experts that have been shooting outdoors for decades, is a fresh look at current ways to shoot landscapes by making the most of digital format.
Author: John and Barbara Gerlach
Publisher: Taylor & Francis
ISBN: 1135054339
Category : Photography
Languages : en
Pages : 212
Get Book Here
Book Description
Photographing landscape with a film camera is different than with a digital camera. There are several books on the market that cover landscape photography but few of them are specifically for the digital photographer. This book is what you are looking for! Digital Landscape Photography covers: * equipment such as accessories and lenses * exposure from shutter speed and other common mistakes * shooting * light and its importance * composing your perfect photo * printing * and a special section on specific subjects such as waterfalls and sunrises Digital Landscape Photography, written by experts that have been shooting outdoors for decades, is a fresh look at current ways to shoot landscapes by making the most of digital format.
Author: John and Barbara Gerlach
Publisher: Taylor & Francis
ISBN: 1136100695
Category : Photography
Languages : en
Pages : 212
Get Book Here
Book Description
Photographing landscape with a film camera is different than with a digital camera. There are several books on the market that cover landscape photography, but none of them are specifically for the digital photographer. This book is what you are looking for! Digital Landscape Photography covers: * equipment such as accessories and lenses * exposure from shutter speed to common mistakes * shooting * light and its importance * composing your perfect photo * printing * and a special section on specific subjects such as waterfalls and sunrises Digital Landscape Photography, written by experts that have been shooting outdoors for decades, is a fresh look at current ways to shoot landscapes by making the most of digital format.
Author:
Publisher:
ISBN:
Category : Photography
Languages : en
Pages : 306
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Book Description
Author: Tyler Green
Publisher: Univ of California Press
ISBN: 0520963024
Category : History
Languages : en
Pages : 594
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Book Description
"[A] fascinating and indispensable book."—Christopher Knight, Los Angeles Times Best Books of 2018—The Guardian Gold Medal for Contribution to Publishing, 2019 California Book Awards Carleton Watkins (1829–1916) is widely considered the greatest American photographer of the nineteenth century and arguably the most influential artist of his era. He is best known for his pictures of Yosemite Valley and the nearby Mariposa Grove of giant sequoias. Watkins made his first trip to Yosemite Valley and Mariposa Grove in 1861 just as the Civil War was beginning. His photographs of Yosemite were exhibited in New York for the first time in 1862, as news of the Union’s disastrous defeat at Fredericksburg was landing in newspapers and while the Matthew Brady Studio’s horrific photographs of Antietam were on view. Watkins’s work tied the West to Northern cultural traditions and played a key role in pledging the once-wavering West to Union. Motivated by Watkins’s pictures, Congress would pass legislation, signed by Abraham Lincoln, that preserved Yosemite as the prototypical “national park,” the first such act of landscape preservation in the world. Carleton Watkins: Making the West American includes the first history of the birth of the national park concept since pioneering environmental historian Hans Huth’s landmark 1948 “Yosemite: The Story of an Idea.” Watkins’s photographs helped shape America’s idea of the West, and helped make the West a full participant in the nation. His pictures of California, Oregon, and Nevada, as well as modern-day Washington, Utah, and Arizona, not only introduced entire landscapes to America but were important to the development of American business, finance, agriculture, government policy, and science. Watkins’s clients, customers, and friends were a veritable “who’s who” of America’s Gilded Age, and his connections with notable figures such as Collis P. Huntington, John and Jessie Benton Frémont, Eadweard Muybridge, Frederick Billings, John Muir, Albert Bierstadt, and Asa Gray reveal how the Gilded Age helped make today’s America. Drawing on recent scholarship and fresh archival discoveries, Tyler Green reveals how an artist didn’t just reflect his time, but acted as an agent of influence. This telling of Watkins’s story will fascinate anyone interested in American history; the West; and how art and artists impacted the development of American ideas, industry, landscape, conservation, and politics.
Author: Natalia Brizuela
Publisher: Stanford University Press
ISBN: 9781503605428
Category : Art
Languages : en
Pages : 0
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Book Description
Latin American and Latino artists have used photography to engage with modern media landscapes and critique globalized economies since the 1960s. But rarely are these artists considered leaders in discussions about the theory and scholarship of photography or included in conversations about the radical transformations of photography in the digital era. The Matter of Photography in the Americas presents the work of more than eighty artists working in Mexico, the Caribbean, Central America, South America, and Latino communities in the United States who all have played key roles in transforming the medium and critiquing its uses. Artists like Alfredo Jaar, Oscar Muñoz, Ana Mendieta, and Teresa Margolles highlight photography's ability to move beyond the impulse simply to document the world at large. Instead, their work questions the relationship between representation and visibility. With nearly 200 full-color images, this book brings together drawings, prints, installations, photocopies, and three-dimensional objects in an investigation and critique of the development and artistic function of photography. Essays on key works and artists shed new light on the ways photographs are made and consumed. Pressing at the boundaries of what defines culturally specific, photography-centric artwork, this book looks at how artists from across the Americas work with and through photography as a critical tool.
Author:
Publisher:
ISBN:
Category : Arts, Brazilian
Languages : pt-BR
Pages : 700
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Book Description
Author: Dora Longo Bahia
Publisher: Centro Cultural Banco Do Brasil
ISBN:
Category : Rio de Janeiro (Brazil)
Languages : pt-BR
Pages : 192
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Book Description
Author: Nancy Martha West
Publisher: University of Virginia Press
ISBN: 9780813919591
Category : Business & Economics
Languages : en
Pages : 284
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Book Description
The advertising campaigns launched by Kodak in the early years of snapshot photography stand at the center of a shift in American domestic life that goes deeper than technological innovations in cameras and film. Before the advent of Kodak advertising in 1888, writes Nancy Martha West, Americans were much more willing to allow sorrow into the space of the domestic photograph, as evidenced by the popularity of postmortem photography in the mid-nineteenth century. Through the taking of snapshots, Kodak taught Americans to see their experiences as objects of nostalgia, to arrange their lives in such a way that painful or unpleasant aspects were systematically erased. West looks at a wide assortment of Kodak's most popular inventions and marketing strategies, including the "Kodak Girl," the momentous invention of the Brownie camera in 1900, the "Story Campaign" during World War I, and even the Vanity Kodak Ensemble, a camera introduced in 1926 that came fully equipped with lipstick. At the beginning of its campaign, Kodak advertising primarily sold the fun of taking pictures. Ads from this period celebrate the sheer pleasure of snapshot photography--the delight of handling a diminutive camera, of not worrying about developing and printing, of capturing subjects in candid moments. But after 1900, a crucial shift began to take place in the company's marketing strategy. The preservation of domestic memories became Kodak's most important mission. With the introduction of the Brownie camera at the turn of the century, the importance of home began to replace leisure activity as the subject of ads, and at the end of World War I, Americans seemed desperately to need photographs to confirm familial unity. By 1932, Kodak had become so intoxicated with the power of its own marketing that it came up with the most bizarre idea of all, the "Death Campaign." Initiated but never published, this campaign based on pictures of dead loved ones brought Kodak advertising full circle. Having launched one of the most successful campaigns in advertising history, the company did not seem to notice that selling a painful subject might be more difficult than selling momentary pleasure or nostalgia. Enhanced with over 50 reproductions of the ads themselves, 16 of them in color, Kodak and the Lens of Nostalgia vividly illustrates the fundamental changes in American culture and the function of memory in the formative years of the twentieth century.
Author: Stefano Campana
Publisher: Archaeopress Publishing Ltd
ISBN: 1784913383
Category : Social Science
Languages : en
Pages : 1134
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Book Description
This volume brings together all the successful peer-reviewed papers submitted for the proceedings of the 43rd conference on Computer Applications and Quantitative Methods in Archaeology that took place in Siena (Italy) from March 31st to April 2nd 2015.
Author: Alice Rose George
Publisher: Scalo Verla AG
ISBN: 3908247667
Category : Photography
Languages : en
Pages : 861
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Book Description
Presents an exhibition of photographics originally shown at a store front in the Soho district of New York City. The focus of the exhibition is on the September 11, 2001 World Trade Center disaster and its aftermath.
