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Author: John Ruskin
Publisher:
ISBN:
Category : Aesthetics
Languages : en
Pages : 518
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Book Description
Author: John Ruskin
Publisher:
ISBN:
Category : Aesthetics
Languages : en
Pages : 518
Get Book Here
Book Description
Author: John Ruskin
Publisher:
ISBN:
Category : Aesthetics
Languages : en
Pages : 904
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Book Description
Author: David Smith
Publisher: Wm. B. Eerdmans Publishing
ISBN: 0802866859
Category : Education
Languages : en
Pages : 238
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Book Description
In Teaching and Christian Practices several university professors describe and reflect on their efforts to allow historic Christian practices to reshape and redirect their pedagogical strategies. Whether allowing spiritually formative reading to enhance a literature course, employing table fellowship and shared meals to reinforce concepts in a pre-nursing nutrition course, or using Christian hermeneutical practices to interpret data in an economics course, these teacher-authors envision ways of teaching and learning that are rooted in the rich tradition of Christian practices, as together they reconceive classrooms and laboratories as vital arenas for faith and spiritual growth.
Author: Derrick Leon
Publisher: Routledge
ISBN: 1317440463
Category : History
Languages : en
Pages : 661
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Book Description
This book, first published in 1949, is an important work in Victorian studies, and directs light on Ruskin’s personal tragedy, his public life, and on the character of his work. This book will be of interest to students of history and cultural studies.
Author: Michael Dominic Hurley
Publisher: Oxford University Press
ISBN: 0198737823
Category : Language Arts & Disciplines
Languages : en
Pages : 374
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Book Description
What is 'style', and how does it relate to thought in language? It has often been treated as something merely linguistic, independent of thought, ornamental; stylishness for its own sake. Or else it has been said to subserve thought, by mimicking, delineating, or heightening ideas that are already expressed in the words. This ambitious and timely book explores a third, more radical possibility in which style operates as a verbal mode of thinking through. Rather than figure thought as primary and pre-verbal, and language as a secondary delivery system, style is conceived here as having the capacity to clarify or generate thinking. The book's generic focus is on non-fiction prose, and it looks across the long nineteenth century. Leading scholars survey twenty authors to show where writers who have gained reputations as either 'stylists' or as 'thinkers' exploit the interplay between 'the what' and 'the how' of their prose. The study demonstrates how celebrated stylists might, after all, have thoughts worth attending to, and that distinguished thinkers might be enriched for us if we paid more due to their style. More than reversing the conventional categories, this innovative volume shows how 'style' and 'thinking' can be approached as a shared concern. At a moment when, especially in nineteenth-century studies, interest in style is re-emerging, this book revaluates some of the most influential figures of that age, re-imagining the possible alliances, interplays, and generative tensions between thinking, thinkers, style, and stylists.
Author: John Ruskin
Publisher:
ISBN:
Category : Art critics
Languages : en
Pages : 838
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Book Description
Volume 1-35, works. Volume 36-37, letters. Volume 38 provides an extensive bibliography of Ruskin's writings and a catalogue of his drawings, with corrections to earlier volumes in George Allen's Library Edition of the Works of John Ruskin. Volume 39, general index.
Author: John Ruskin
Publisher:
ISBN:
Category : Bible
Languages : en
Pages : 322
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Book Description
Author: Paul Thomas Murphy
Publisher: Simon and Schuster
ISBN: 1639364927
Category : Art
Languages : en
Pages : 322
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Book Description
The untold story of the artistic battle between James Abbot MacNeill Whistler and John Ruskin over Whistler’s controversial, ground-breaking Nocturne in Black and Gold: The Falling Rocket. In November 1878, America’s greatest painter sued England’s greatest critic for a bad review. The painter won—but ruined himself in the process. The painter: James Abbot MacNeill Whistler, whose combination of incredible talent, unflagging energy, and relentless self-promotion had by that time brought him to the very edge of artistic preeminence. The critic: John Ruskin, Slade Professor of Art at Oxford University, whose four-decades’ worth of prolific and highly respected literary output on aesthetics had made him England’s unchallenged and seemingly unchallengeable arbiter of art. Though Whistler and Ruskin both lived in London and moved in the same artistic world, they had, until June, 1877, managed to remain entirely clear of one another. This was unusual because Whistler had a mercurial temperament, a belligerent personality, and seemed to thrive on opposition: he once challenged a man to a duel because the man accused the painter of sleeping with his wife. (Whistler had, in fact, slept with the man’s wife.) That November, John Ruskin walked into the Grosvenor Gallery’s new exhibition of art and gazed with horror upon Whistler’s Nocturne in Black and Gold: The Falling Rocket. The painting was Whistler’s interpretation of a fireworks display at a local pleasure garden. But to Ruskin it was nothing more than a chaotic, incomprehensible mess of bright spots upon dark masses: not art but its antithesis—a disturbing and disgusting assault upon everything he had ever written or taught on the subject. He quickly channeled that anger into a seething review. The internationally-reported, widely discussed, and hugely-entertaining trial that followed was a titanic battle between the opposing ideas and ideals of two larger-than-life personalities. For these two protagonists, Whistler v Ruskin was the battle of a lifetime—or more accurately, a battle of their two lifetimes. Paul Thomas Murphy’s Falling Rocket also recounts James Whistler’s turbulent but triumphant development from artistic oblivion in the 1880s to artistic deification in the 1890s, and also Ruskin’s isolated, befogged, silent final years after his public humiliation. The story of Whistler v Ruskin has a dramatic arc of its own, but this riveting new book also vividly evokes an artistic world in energetic motion, culturally and socially, in the last decades of the nineteenth century.
Author:
Publisher:
ISBN:
Category : United States
Languages : en
Pages : 710
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Book Description
Author: John Ruskin
Publisher:
ISBN:
Category :
Languages : en
Pages : 472
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Book Description
