Author: Albert Cook
Publisher: Peter Lang
ISBN: 9780820451343
Category : Literary Criticism
Languages : en
Pages : 258
Book Description
Forces in Modern and Postmodern Poetry examines the works of classic authors in the modern and postmodern literary tradition, including Stéphane Mallarmé, Wallace Stevens, Samuel Beckett, Gertrude Stein, Charles Olson, Paul Celan, Ezra Pound, William Carlos Williams, Louis Zukofsky, and John Ashbery, all from a comparative perspective. The concepts, modern and postmodern, are not used to provide definitive answers but to raise questions concerning the status of representation, issues of the self, and the use of imagery and musical invention. The wide range of the study is matched by the richly detailed analysis of specific poetic texts from an author noted for the scope and acuity of his attention to modern poetry in all its varied forms.
Forces in Modern & Postmodern Poetry
Author: Albert Cook
Publisher: Peter Lang
ISBN: 9780820451343
Category : Literary Criticism
Languages : en
Pages : 258
Book Description
Forces in Modern and Postmodern Poetry examines the works of classic authors in the modern and postmodern literary tradition, including Stéphane Mallarmé, Wallace Stevens, Samuel Beckett, Gertrude Stein, Charles Olson, Paul Celan, Ezra Pound, William Carlos Williams, Louis Zukofsky, and John Ashbery, all from a comparative perspective. The concepts, modern and postmodern, are not used to provide definitive answers but to raise questions concerning the status of representation, issues of the self, and the use of imagery and musical invention. The wide range of the study is matched by the richly detailed analysis of specific poetic texts from an author noted for the scope and acuity of his attention to modern poetry in all its varied forms.
Publisher: Peter Lang
ISBN: 9780820451343
Category : Literary Criticism
Languages : en
Pages : 258
Book Description
Forces in Modern and Postmodern Poetry examines the works of classic authors in the modern and postmodern literary tradition, including Stéphane Mallarmé, Wallace Stevens, Samuel Beckett, Gertrude Stein, Charles Olson, Paul Celan, Ezra Pound, William Carlos Williams, Louis Zukofsky, and John Ashbery, all from a comparative perspective. The concepts, modern and postmodern, are not used to provide definitive answers but to raise questions concerning the status of representation, issues of the self, and the use of imagery and musical invention. The wide range of the study is matched by the richly detailed analysis of specific poetic texts from an author noted for the scope and acuity of his attention to modern poetry in all its varied forms.
Unending Design
Author: Joseph M. Conte
Publisher: Cornell University Press
ISBN: 1501703234
Category : Literary Criticism
Languages : en
Pages : 330
Book Description
Drawing on the work of contemporary American poets from Ashbery to Zukofsky, Joseph M. Conte elaborates an innovative typology of postmodern poetic forms. In Conte's view, looking at recent poetry in terms of the complementary methods of seriality and proceduralism offers a rewarding alternative to the familiar analytic dichotomy of "open" and "closed" forms.
Publisher: Cornell University Press
ISBN: 1501703234
Category : Literary Criticism
Languages : en
Pages : 330
Book Description
Drawing on the work of contemporary American poets from Ashbery to Zukofsky, Joseph M. Conte elaborates an innovative typology of postmodern poetic forms. In Conte's view, looking at recent poetry in terms of the complementary methods of seriality and proceduralism offers a rewarding alternative to the familiar analytic dichotomy of "open" and "closed" forms.
Postmodern American Poetry
Author: Paul Hoover
Publisher: W W Norton & Company Incorporated
ISBN: 9780393310900
Category : Poetry
Languages : en
Pages : 701
Book Description
A survey of major poets and movements of American postmodern poetry includes more than four hundred poems by 103 poets
Publisher: W W Norton & Company Incorporated
ISBN: 9780393310900
Category : Poetry
Languages : en
Pages : 701
Book Description
A survey of major poets and movements of American postmodern poetry includes more than four hundred poems by 103 poets
The Forces of Form in German Modernism
Author: Malika Maskarinec
Publisher: Northwestern University Press
ISBN: 0810137712
Category : Literary Criticism
Languages : en
Pages : 314
Book Description
The Forces of Form in German Modernism charts a modern history of form as emergent from force. Offering a provocative alternative to the imagery of crisis and estrangement that has preoccupied scholarship on modernism, Malika Maskarinec shows that German modernism conceives of human bodies and aesthetic objects as shaped by a contest of conflicting and reciprocally intensifying forces: the force of gravity and a self-determining will to form. Maskarinec thereby discloses, for the first time, German modernism's sustained preoccupation with classical mechanics and with how human bodies and artworks resist gravity. Considering canonical artists such as Rodin and Klee, seminal authors such as Kafka and Döblin, and largely neglected thinkers in aesthetics and art history such as those associated with Empathy Aesthetics, Maskarinec unpacks the manifold anthropological and aesthetic concerns and historical lineage embedded in the idea of form as the precarious achievement of uprightness. The Forces of Form in German Modernism makes a decisive contribution to our understanding of modernism and to contemporary discussions about form, empathy, materiality, and human embodiment.
Publisher: Northwestern University Press
ISBN: 0810137712
Category : Literary Criticism
Languages : en
Pages : 314
Book Description
The Forces of Form in German Modernism charts a modern history of form as emergent from force. Offering a provocative alternative to the imagery of crisis and estrangement that has preoccupied scholarship on modernism, Malika Maskarinec shows that German modernism conceives of human bodies and aesthetic objects as shaped by a contest of conflicting and reciprocally intensifying forces: the force of gravity and a self-determining will to form. Maskarinec thereby discloses, for the first time, German modernism's sustained preoccupation with classical mechanics and with how human bodies and artworks resist gravity. Considering canonical artists such as Rodin and Klee, seminal authors such as Kafka and Döblin, and largely neglected thinkers in aesthetics and art history such as those associated with Empathy Aesthetics, Maskarinec unpacks the manifold anthropological and aesthetic concerns and historical lineage embedded in the idea of form as the precarious achievement of uprightness. The Forces of Form in German Modernism makes a decisive contribution to our understanding of modernism and to contemporary discussions about form, empathy, materiality, and human embodiment.
The Universal Deep Structure of Modern Poetry
Author: John A.F. Hopkins
Publisher: Cambridge Scholars Publishing
ISBN: 1527549100
Category : Poetry
Languages : en
Pages : 255
Book Description
With something of a poetry renaissance currently under way worldwide, there is now, more than ever, a need for a solidly-based methodology for interpreting poems: something more empirical than traditional âlit-critâ approaches, and something more linguistically-informed than the version of âpostmodernismâ rampant in certain Anglophone universities. The latter approach, which tends to allow the individual reader to do what he/she likes with a poetic text, is inadequate to interpret modernist poetry, whose English-language precursors may be found in the late Romantics; its pioneers were already writing (in France) as early as 1840. What is so different about the modernists? Most importantly, their works are monumental, in that they are strongly resistant to deconstruction. Contributing to this resistance is the fact that they are built around two deep-level propositions, each of which generates a set of indirectly-signifying images, sharing the same internal structure, but having a different vocabulary. Thus, they do not signify according to linear narrative, but according to these propositionsâand the relation between themâwhich may be reconstructed by a careful comparison of images on the textual surface. Every textâas subject-signârefers to an intertextual object-sign, which is usually another poem, but may also be a film or other form of art. Mediating between these two signs is their reader-constructed interpretant, which completes the semiotic triad. As this book shows, the novelty of this sign is thrown into relief by the contrast it makes with a lexical counterpart from the readerâs experience, which differs from the interpretant in structure. The bookâs inclusion of French and Japanese, as well as English poems, shows that deep-level signifying mechanisms may well be universal, with considerable research and pedagogical implications.
Publisher: Cambridge Scholars Publishing
ISBN: 1527549100
Category : Poetry
Languages : en
Pages : 255
Book Description
With something of a poetry renaissance currently under way worldwide, there is now, more than ever, a need for a solidly-based methodology for interpreting poems: something more empirical than traditional âlit-critâ approaches, and something more linguistically-informed than the version of âpostmodernismâ rampant in certain Anglophone universities. The latter approach, which tends to allow the individual reader to do what he/she likes with a poetic text, is inadequate to interpret modernist poetry, whose English-language precursors may be found in the late Romantics; its pioneers were already writing (in France) as early as 1840. What is so different about the modernists? Most importantly, their works are monumental, in that they are strongly resistant to deconstruction. Contributing to this resistance is the fact that they are built around two deep-level propositions, each of which generates a set of indirectly-signifying images, sharing the same internal structure, but having a different vocabulary. Thus, they do not signify according to linear narrative, but according to these propositionsâand the relation between themâwhich may be reconstructed by a careful comparison of images on the textual surface. Every textâas subject-signârefers to an intertextual object-sign, which is usually another poem, but may also be a film or other form of art. Mediating between these two signs is their reader-constructed interpretant, which completes the semiotic triad. As this book shows, the novelty of this sign is thrown into relief by the contrast it makes with a lexical counterpart from the readerâs experience, which differs from the interpretant in structure. The bookâs inclusion of French and Japanese, as well as English poems, shows that deep-level signifying mechanisms may well be universal, with considerable research and pedagogical implications.
Poems for the Millennium
Author: Jerome Rothenberg
Publisher:
ISBN:
Category : Poetry, Modern
Languages : en
Pages :
Book Description
Publisher:
ISBN:
Category : Poetry, Modern
Languages : en
Pages :
Book Description
Poems for the Millennium, Volume One
Author: Jerome Rothenberg
Publisher: Univ of California Press
ISBN: 0520072278
Category : Literary Criticism
Languages : en
Pages : 844
Book Description
"Global anthology of twentieth-century poetry"--Back cover.
Publisher: Univ of California Press
ISBN: 0520072278
Category : Literary Criticism
Languages : en
Pages : 844
Book Description
"Global anthology of twentieth-century poetry"--Back cover.
Modern Poetry After Modernism
Author: James Longenbach
Publisher: Oxford University Press, USA
ISBN: 0195101782
Category : American poetry
Languages : en
Pages : 222
Book Description
Reading a diverse range of poets - John Ashbery, Elizabeth Bishop, Amy Clampitt, Jorie Graham, Richard Howard, Randall Jarrell, Robert Lowell, Robert Pinsky, and Richard Wilbur - Longenbach reveals that American poets since mid-century have not so much disowned their modernist past as extended elements of modernism that other readers have suppressed or neglected to see.
Publisher: Oxford University Press, USA
ISBN: 0195101782
Category : American poetry
Languages : en
Pages : 222
Book Description
Reading a diverse range of poets - John Ashbery, Elizabeth Bishop, Amy Clampitt, Jorie Graham, Richard Howard, Randall Jarrell, Robert Lowell, Robert Pinsky, and Richard Wilbur - Longenbach reveals that American poets since mid-century have not so much disowned their modernist past as extended elements of modernism that other readers have suppressed or neglected to see.
Prose Poetry in Theory and Practice
Author: Anne Caldwell
Publisher: Taylor & Francis
ISBN: 1000583805
Category : Language Arts & Disciplines
Languages : en
Pages : 251
Book Description
Prose Poetry in Theory and Practice vigorously engages with the Why? and the How? of prose poetry, a form that is currently enjoying a surge in popularity. With contributions by both practitioners and academics, this volume seeks to explore how its distinctive properties guide both writer and reader, and to address why this form is so well suited to the early twenty-first century. With discussion of both classic and less well- known writers, the essays both illuminate prose poetry’s distinctive features and explore how this "outsider" form can offer a unique way of viewing and describing the uncertainties and instabilities which shape our identities and our relationships with our surroundings in the early twenty-first century. Combining insights on the theory and practice of prose poetry, Prose Poetry in Theory and Practice offers a timely and valuable contribution to the development of the form, and its appreciation amongst practitioners and scholars alike. Largely approached from a practitioner perspective, this collection provides vivid snapshots of contemporary debates within the prose poetry field while actively contributing to the poetics and craft of the form.
Publisher: Taylor & Francis
ISBN: 1000583805
Category : Language Arts & Disciplines
Languages : en
Pages : 251
Book Description
Prose Poetry in Theory and Practice vigorously engages with the Why? and the How? of prose poetry, a form that is currently enjoying a surge in popularity. With contributions by both practitioners and academics, this volume seeks to explore how its distinctive properties guide both writer and reader, and to address why this form is so well suited to the early twenty-first century. With discussion of both classic and less well- known writers, the essays both illuminate prose poetry’s distinctive features and explore how this "outsider" form can offer a unique way of viewing and describing the uncertainties and instabilities which shape our identities and our relationships with our surroundings in the early twenty-first century. Combining insights on the theory and practice of prose poetry, Prose Poetry in Theory and Practice offers a timely and valuable contribution to the development of the form, and its appreciation amongst practitioners and scholars alike. Largely approached from a practitioner perspective, this collection provides vivid snapshots of contemporary debates within the prose poetry field while actively contributing to the poetics and craft of the form.
Poems for the Millennium, Volume Two
Author: Jerome Rothenberg
Publisher: Univ of California Press
ISBN: 0520208641
Category : Literary Criticism
Languages : en
Pages : 912
Book Description
"Global anthology of twentieth-century poetry"--Back cover.
Publisher: Univ of California Press
ISBN: 0520208641
Category : Literary Criticism
Languages : en
Pages : 912
Book Description
"Global anthology of twentieth-century poetry"--Back cover.