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Author: Roman Ingarden
Publisher: Universidad Iberoamericana
ISBN: 9789681903992
Category : Literature
Languages : es
Pages : 468
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Book Description
Author: Roman Ingarden
Publisher: Universidad Iberoamericana
ISBN: 9789681903992
Category : Literature
Languages : es
Pages : 468
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Book Description
Author: Jeff Mitscherling
Publisher: University of Ottawa Press
ISBN: 0776604252
Category : Aesthetics, Modern
Languages : en
Pages : 263
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Book Description
A leading Polish philosopher of the 20th century, Roman Ingarden is principally renowned in Western culture for his work in aesthetics and the theory of literature. Jeff Mitscherling demonstrates, in this extensive work, how Ingarden's thought constitutes a major contribution to the more fundamental fields of ontology and metaphysics. Unparalleled in existing literature, Mitscherling's comprehensive survey of Ingarden's philosophy will give the reader an informed introduction to this major work of phenomenological analysis.
Author: Edith Stein
Publisher: ICS Publications
ISBN: 1939272319
Category : Religion
Languages : en
Pages : 360
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Book Description
Edith Stein and Roman Ingarden, both students of Edmund Husserl, the founder of phenomenology, corresponded extensively between 1917 and 1938. These 162 letters, most published here for the first time, reveal a friendship that spanned the adult lives of these two important 20th-century thinkers. Through Stein’s letters, the reader can follow her through her student days, her conversion from Judaism to Catholicism, her professional life, and her decision to become a Carmelite nun in the Carmel of Cologne, where she took the name Teresa Benedicta of the Cross. The letters end in 1938, when the Nazi threat escalating throughout Eastern Europe made correspondence difficult, especially across national borders. Four years later Edith Stein was arrested in the Netherlands by the Nazi SS, transported to Auschwitz, and was killed in the gas chambers. Roman Ingarden survived World War II, continued his academic work in Poland, and died in 1970. Although Ingarden’s letters to her have not been found, Stein’s to him also help us understand the life of this Polish phenomenologist and aesthetician, his life in Poland, his intellectual development, his own writings and academic career, and the editorial assistance Stein provided for all of the works he published in German. Translated from the newest critical German edition by Dr. Hugh Candler Hunt, this premiere English edition of her correspondence—volume 12 of ICS Publications’ Collected Works of Edith Stein—gives us a fascinating and intimate window into Edith Stein’s rich life and personality, revealing her warmth and humor, deep capacity for friendship, and remarkable intellectual and spiritual depth. Book has 13 photos, bibliography and linked index.
Author: Roman Ingarden
Publisher: Springer
ISBN: 1349092541
Category : Music
Languages : en
Pages : 195
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Book Description
Author: Roman Ingarden
Publisher: Polish Contemporary Philosophy and Philosophical Humanities
ISBN: 9783631624104
Category : First philosophy
Languages : en
Pages : 0
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Book Description
This is the complete and critical translation into English of Controversy over the Existence of the World by the Polish phenomenologist Roman Ingarden (1893-1970), student and critic of Husserl. Volume I of his three-volume opus magnum offers a fundamental ontological analysis of the modes of being of various types of objects.
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages :
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Author: Roman Ingarden
Publisher: Springfield, Ill., Thomas
ISBN: 9780398008970
Category : Ontologie
Languages : en
Pages : 170
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Book Description
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 179
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Book Description
Author: Roman Ingarden
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 368
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Book Description
In these studies Roman Ingarden investigates the nature and mode of being of four kinds of art works: the musical work, the picture, the architectural work, and the film. He establishes that the work of art is a purely intentional object but considers also its connections to the real world. By analyzing a work of art in its "constitutive heterogeneous strata," Ingarden demonstrates that a work of art will reveal, when examined in the appropriate way, its own inherent structure. Further, he shows that in consequence of the art work's structure, we must distinguish between the work itself and the concretizations of it by the listener or viewer. Ingarden elaborates upon the conception of concretization which he present in The Literary Work of Art and applies it to music and visual art. He also employs the concept of aspect to clarify the ontic structure of these art works and the distinction between the concretization of the work and the work itself. The distinction between the work's concretization - effectuated in the mental experiences of the listener or viewer - and the work itself serves to help Ingarden confirm and account for the work's intersubjective identity. The problem of aesthetic value, Ingarden maintains, can be fruitfully treated only after the ontic structure of art work has been clarified. His primary concern in Ontology of the Work of Art is to ascertain and describe that structure and the mode of existence of works of art. In addition, he offers several discussions of aesthetic value, showing in the m the connections between questions of aesthetic value and the structure of the work of art.
Author: Roman Ingarden
Publisher: Northwestern University Press
ISBN: 0810105993
Category : Literary Criticism
Languages : en
Pages : 467
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Book Description
This long-awaited translation of Das literarische Kunstwerk makes available for the first time in English Roman Ingarden's influential study. Though it is inter-disciplinary in scope, situated as it is on the borderlines of ontology and logic, philosophy of literature and theory of language, Ingarden's work has a deliberately narrow focus: the literary work, its structure and mode of existence. The Literary Work of Art establishes the groundwork for a philosophy of literature, i.e., an ontology in terms of which the basic general structure of all literary works can be determined. This "essential anatomy" makes basic tools and concepts available for rigorous and subtle aesthetic analysis.
