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Author: John Encarnacao
Publisher: Routledge
ISBN: 1317073207
Category : Music
Languages : en
Pages : 317
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Book Description
Joanna Newsom, Will Oldham (a.k.a. 'Bonnie Prince Billy'), and Devendra Banhart are perhaps the best known of a generation of independent artists who use elements of folk music in contexts that are far from traditional. These (and other) so called ’new folk’ artists challenge our notions of 'finished product' through their recordings, intrinsically guided by practices and rhetoric inherited from punk. This book traces a fractured trajectory that includes Harry Smith's Anthology of American Folk Music, Bob Dylan, psych-folk of the sixties (from Vashti Bunyan to John Fahey), lo-fi and outsider recordings (from Captain Beefheart and The Residents to Jandek, Daniel Johnston and Smog), and recent experimental folk (Animal Collective, Six Organs of Admittance, Charalambides) to contextualise the first substantial consideration of new folk. In the process, Encarnacao reviews the literature on folk and punk to argue that tropes of authenticity, though constructions, carry considerable power in the creation and reception of recorded works. New approaches to music require new analytical tools, and through the analysis of some 50 albums, Encarnacao introduces the categories of labyrinth, immersive and montage forms. This book makes a compelling argument for a reconsideration of popular music history that highlights the eternal compulsion for spontaneous, imperfect and performative recorded artefacts.
Author: John Encarnacao
Publisher: Routledge
ISBN: 1317073207
Category : Music
Languages : en
Pages : 317
Get Book Here
Book Description
Joanna Newsom, Will Oldham (a.k.a. 'Bonnie Prince Billy'), and Devendra Banhart are perhaps the best known of a generation of independent artists who use elements of folk music in contexts that are far from traditional. These (and other) so called ’new folk’ artists challenge our notions of 'finished product' through their recordings, intrinsically guided by practices and rhetoric inherited from punk. This book traces a fractured trajectory that includes Harry Smith's Anthology of American Folk Music, Bob Dylan, psych-folk of the sixties (from Vashti Bunyan to John Fahey), lo-fi and outsider recordings (from Captain Beefheart and The Residents to Jandek, Daniel Johnston and Smog), and recent experimental folk (Animal Collective, Six Organs of Admittance, Charalambides) to contextualise the first substantial consideration of new folk. In the process, Encarnacao reviews the literature on folk and punk to argue that tropes of authenticity, though constructions, carry considerable power in the creation and reception of recorded works. New approaches to music require new analytical tools, and through the analysis of some 50 albums, Encarnacao introduces the categories of labyrinth, immersive and montage forms. This book makes a compelling argument for a reconsideration of popular music history that highlights the eternal compulsion for spontaneous, imperfect and performative recorded artefacts.
Author: Nicolae Sfetcu
Publisher: Nicolae Sfetcu
ISBN:
Category : Music
Languages : en
Pages : 6042
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Book Description
A guide for music: compositions, events, forms, genres, groups, history, industry, instruments, language, live music, musicians, songs, musicology, techniques, terminology , theory, music video. Music is a human activity which involves structured and audible sounds, which is used for artistic or aesthetic, entertainment, or ceremonial purposes. The traditional or classical European aspects of music often listed are those elements given primacy in European-influenced classical music: melody, harmony, rhythm, tone color/timbre, and form. A more comprehensive list is given by stating the aspects of sound: pitch, timbre, loudness, and duration. Common terms used to discuss particular pieces include melody, which is a succession of notes heard as some sort of unit; chord, which is a simultaneity of notes heard as some sort of unit; chord progression, which is a succession of chords (simultaneity succession); harmony, which is the relationship between two or more pitches; counterpoint, which is the simultaneity and organization of different melodies; and rhythm, which is the organization of the durational aspects of music.
Author: Matt Walker
Publisher: Arcadia Publishing
ISBN: 1625852975
Category : History
Languages : en
Pages : 160
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Book Description
Known for The Fest, Less Than Jake and Hot Water Music, Gainesville became a creative hub in the 1980s and '90s for many of punk rock's greats. Whether playing at the Hardback or wild house parties, earnest acts like Against Me!, Spoke and Roach Motel all emerged and thrived in the small northern Florida city. Radon burst onto the scene with chaotic energy while Mutley Chix helped inspire local torchbearers No Idea Records. Through this succinct history, author Matt Walker traces each successive generation's contributions and amplifies the fidelity of the Gainesville scene.
Author: Dr Barry J Faulk
Publisher: Ashgate Publishing, Ltd.
ISBN: 1472410572
Category : Music
Languages : en
Pages : 217
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Book Description
Punk Rock Warlord explores the relevance of Joe Strummer within the continuing legacies of both punk rock and progressive politics. It is aimed at scholars and general readers interested in The Clash, punk culture, and the intersections between pop music and politics, on both sides of the Atlantic. Contributors to the collection represent a wide range of disciplines, including history, sociology, musicology, and literature; their work examines all phases of Strummer’s career, from his early days as ‘Woody’ the busker to the whirlwind years as front man for The Clash, to the ‘wilderness years’ and Strummer’s final days with the Mescaleros. Punk Rock Warlord offers an engaging survey of its subject, while at the same time challenging some of the historical narratives that have been constructed around Strummer the Punk Icon. The essays in Punk Rock Warlord address issues including John Graham Mellor’s self-fashioning as ‘Joe Strummer, rock revolutionary’; critical and media constructions of punk; and the singer’s complicated and changing relationship to feminism and anti-racist politics. These diverse essays nevertheless cohere around the claim that Strummer’s look, style, and musical repertoire are so rooted in both English and American cultures that he cannot finally be extricated from either.
Author: Sravana Borkataky-Varma
Publisher: Taylor & Francis
ISBN: 1000878627
Category : Religion
Languages : en
Pages : 388
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Book Description
Living Folk Religions presents cutting-edge contributions from a range of disciplines to examine religious folkways across cultures. This collection embraces the non-elite and non-sanctioned, the oral, fluid, accessible, evolving religions of people (volk) on the ground. Split into five sections, this book covers: What Is Folk Religion? Spirit Beings and Deities Performance and Ritual Praxis Possession and Exorcism Health, Healing, and Lifestyle Topics include demons and ambivalent gods, tree and nature spirits, revolutionary renunciates, oral lore, possession and exorcism, divination, midwestern American spiritualism, festivals, queer sexuality among ritual specialists, the dead returned, vernacular religions, diaspora adaptations, esoteric influences underlying public cultures, unidentified flying objects (UFOs), music and sound experiences, death rituals, and body and wellness cultures. Living Folk Religions is a must-read for those studying Comparative Religions, World Religions, and Religious Studies, and it will also interest specialists and general readers, particularly enthusiastic readers of Anthropology, Folklore and Folk Studies, Global Studies, and Sociology.
Author: Jane Hendrix
Publisher:
ISBN: 9781091229440
Category :
Languages : en
Pages : 109
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Book Description
Cool jounal for someone who is into Folk Punk, bands from Ireland, Boston or Los Angelos. Get one for your son, daughter, grandson, granddaughter or friend. On the cover a skull with an Irish flatcap with banjos. Very useful for school or college. Write down your ideas, thoughts, lyrics and notes. Features: Journal ruled 7" x 10" in trim size 110 pages
Author: Patrick Schneeweis
Publisher:
ISBN:
Category :
Languages : en
Pages : 172
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Book Description
There are artists out there able to lift the spirits of the downtrodden, who point towards a better world with all they are. Sometimes, they do this in DIY punk style: raw, unplugged, and deeply human. Patrick Schneeweis, better known as Pat the Bunny, is an artist who chose the road less travelled, instinctively deeming it more honest and less controlling. Freer. He grew up in Vermont, where he found people liked his voice and the controversial topics he tackled, and by 16 years old, he had released his first album 'Fire Hazard'. Pat had the courage to test his reality, and then nakedly vocalise it (in both the metaphorical and literal senses). His lyrics saw conflicting ideologies meet and fight to the death, in outlooks that were as captivating as his personal anecdotes were relatable. Pat's journey offers direction to the lost, if only in the promise that so is he; and for all his youthful anarchism and burn-it-to-the-ground spiritedness, his commentary of the world is ironically sobering. Pat's music career only spanned thirteen years, from 2003-2016. He reincarnated several times in different bands of his own making, and split albums with other folk-punk artists equally hungry to change the world. He fought like hell for a vision of peace, and made the battlegrounds his own state of consciousness. Like a flashfire burning everything in its wake, towards the end of his career, Pat's had simmered down, but shoots of new life had sprung up from the ashes, a new direction in which his life could take. This book paints the picture of Pat's fallings and risings, a final cadence before he left the punk scene behind him for good.
Author: Daniel Wojcik
Publisher: Folk Art and Artists (Hardcove
ISBN: 9780878057351
Category : Art
Languages : en
Pages : 72
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Book Description
Punk body adornment, the most notorious and celebrated of recent styles among youth the subculture, emerged in the mid-1970s and in varying forms has persisted to the present day. This study illustrates the confrontational aesthetic of punk and neo-tribalism, the most shocking form of art. Like members of previous counter groups, denizens of the punk subculture have created a coherent and elaborate system of adornment calculated to horrify the general public. Their aesthetic of shock and negation expresses nihilism, apocalypse, and a profound cultural pessimism. These philosophies are revealed not only through adornment but also through music, art, dance, "fanzines," and dramatizations of violence and other antisocial behavior. Their symbolic inversions, ritual pollutions, and carnivalesque antics violate conventions of daily life. Their anti-commercial, do-it-yourself ethos, with its emphasis on parody and gender confusion and its interest in the exotic and the forbidden, further challenges dominant cultural values and ideologies. As mainstream society and the fashion industry incorporate such countercultural styles, the vanguard in shock aesthetics permutates into new forms of outrage. Here, along with a survey of distinctive styles that have been influenced by punk ethos and aesthetic, is a focus on one new-tribalist, Perry Farrell, who has utilized forms of adornment inspired by non-Western body art and modification (tattooing, piercing, scarification). This informally-taught artist and musician, who once lived in the streets of Los Angeles, founded the band Jane's Addiction and created the Lollapalooza tour. Understanding this key figure in the alternative culture illuminates the subversive and transformative appeal that body art has for American youth.
Author: Dr Pete Dale
Publisher: Ashgate Publishing, Ltd.
ISBN: 140945665X
Category : Music
Languages : en
Pages : 411
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Book Description
For more than three decades, a punk underground has repeatedly insisted that 'anyone can do it'. This underground punk movement has evolved via several micro-traditions, each offering distinct and novel presentations of what punk is, isn't, or should be. Underlying all these punk micro-traditions is a politics of empowerment that claims to be anarchistic in character, in the sense that it is contingent upon a spontaneous will to liberty (anyone can do it - in theory). How valid, though, is punk's faith in anarchistic empowerment? Exploring theories from Derrida and Marx, Anyone Can Do It: Empowerment, Tradition and the Punk Underground examines the cultural history and politics of punk. In its political resistance, punk bears an ideological relationship to the folk movement, but punk's faith in novelty and spontaneous liberty distinguish it from folk: where punk's traditions, from the 1970s onwards, have tended to search for an anarchistic 'new-sense', folk singers have more often been socialist/Marxist traditionalists, especially during the 1950s and 60s. Detailed case studies show the continuities and differences between four micro-traditions of punk: anarcho-punk, cutie/'C86', riot grrrl and math rock, thus surveying UK and US punk-related scenes of the 1980s, 1990s and beyond.
Author: Edgar Wind
Publisher: Northwestern University Press
ISBN: 9780810106628
Category : Architecture
Languages : en
Pages : 184
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Book Description
Will works of the imagination ever regain the power they once had to challenge and mould society and the individual? This was the question posed by Edgar Wind's influential Reith Lectures delivered in 1960 and later expanded into his book Art and Anarchy. The book examines the various forces that have fashioned the modern view of the art, from mechanization and fear of intellect to connoisseurship and--perhaps the fundamental weakness of our age--the dispassionate acceptance of art. In the course of his discussion, Wind surveyed a wide range of topics in the history of painting, literature, music, and the plastic arts from the Renaissance to modern times.
