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Author: Owen Williams
Publisher: Folger Shakespeare Lib
ISBN: 9780295991603
Category : Literary Criticism
Languages : en
Pages : 72
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Book Description
Mr. William Shakespeare's Comedies, Histories, & Tragedies, first published in 1623, is among the most studied books in the English language. As the first collected edition of Shakespeare's plays, the First Folio largely established Shakespeare's canon and saved from loss eighteen plays that had not previously appeared in print, among them The Tempest, Measure for Measure, and Macbeth. The revival of Shakespeare's work in the 18th century inspired a mania to own a copy of this rare book--"foliomania"--that has extended into the 21st century. Accompanying the exhibition "Fame, Fortune, and Theft: The Shakespeare First Folio," Foliomanio tells stories about the collectors who have possessed a copy of the First Folio and what this iconic book has meant to readers over the years.
Author: Owen Williams
Publisher: Folger Shakespeare Lib
ISBN: 9780295991603
Category : Literary Criticism
Languages : en
Pages : 72
Get Book Here
Book Description
Mr. William Shakespeare's Comedies, Histories, & Tragedies, first published in 1623, is among the most studied books in the English language. As the first collected edition of Shakespeare's plays, the First Folio largely established Shakespeare's canon and saved from loss eighteen plays that had not previously appeared in print, among them The Tempest, Measure for Measure, and Macbeth. The revival of Shakespeare's work in the 18th century inspired a mania to own a copy of this rare book--"foliomania"--that has extended into the 21st century. Accompanying the exhibition "Fame, Fortune, and Theft: The Shakespeare First Folio," Foliomanio tells stories about the collectors who have possessed a copy of the First Folio and what this iconic book has meant to readers over the years.
Author: William Shakespeare
Publisher: Oxford University Press
ISBN: 0192517570
Category : Literary Collections
Languages : en
Pages :
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Book Description
The New Oxford Shakespeare is a landmark print and online project, which for the first time provides fully edited and annotated texts of all extant versions of all Shakespeare's works, including collaborations, revisions, and adaptations. Based on a fresh examination of the surviving original documents, it draws upon the latest interdisciplinary scholarship, supplemented by new research undertaken by a diverse international team. Although closely connected and systematically cross-referenced, each part can be used independently of the others. The New Oxford Shakespeare: The Complete Works: Critical Reference Edition collects the same versions of the same works found in the Modern Critical Edition, keyed to the same line-numbering. But the Critical Reference Edition emphasizes book history and the documentary origins of each text. It preserves the spelling, punctuation, capitalization, abbreviations, typographical contrasts, ambiguities, and inconsistencies of the early documents. Introductions focus on early modern manuscript and print culture, setting each text within the material circumstances of its production, transmission, and early reception. The works are arranged in the chronological order of the surviving texts: the first volume covers documents manufactured in Shakespeare's lifetime, and the second covers documents made between 1622 and 1728. The illustrated general introduction presents an overview of the texts available to editors and describes how they define Shakespeare. An essay on error surveys kinds of error characteristic of these early text technologies. It is followed by a general introduction to the music of Shakespeare's plays. Introductions to individual works and an extensive foot-of-the-page textual apparatus record and discuss editorial corrections of scribal and printing errors in the early documents; marginal notes record press variants and key variants in different documents. Original music notation is provided for the songs (where available). Because the plays were written and copied within the framework of theatrical requirements, casting charts identify the length and type of each role, discuss potential doubling possibilities, and note essential props. The New Oxford Shakespeare consists of four interconnected publications: the Modern Critical Edition (with modern spelling), the Critical Reference Edition (with original spelling), a companion volume on Authorship, and an online version integrating all of this material on OUP's high-powered scholarly editions platform. Together, they provide the perfect resource for the future of Shakespeare studies.
Author: Andrew Murphy
Publisher: Cambridge University Press
ISBN: 1108942989
Category : Literary Criticism
Languages : en
Pages : 770
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Book Description
Described by the TLS as 'a formidable bibliographical achievement ... destined to become a key reference work for Shakespeareans', Shakespeare in Print is now issued in a revised and expanded edition offering a wealth of new material, including a chapter which maps the history of digital editions from the earliest computer-generated texts to the very latest digital resources. Murphy's narrative offers a masterful overview of the history of Shakespeare publishing and editing, teasing out the greater cultural significance of the ways in which the plays and poems have been disseminated and received over the centuries from Shakespeare's time to our own. The opening chapters have been completely rewritten to offer close engagement with the careers of the network of publishers and printers who first brought Shakespeare to print, additional material has been added to all chapters, and the chronological appendix has been updated and expanded.
Author: S.P. Cerasano
Publisher: Associated University Presse
ISBN: 0838644848
Category : Literary Criticism
Languages : en
Pages : 248
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Book Description
Medieval and Renaissance Drama in England is an annual volume committed to the publication of essays and reviews related to drama and theatre history to 1642. Volume 30, an anniversary issue, contains eight essays, three review essays, and 12 briefer reviews of important books in the field.
Author: Alan Galey
Publisher: Cambridge University Press
ISBN: 1316061264
Category : Literary Criticism
Languages : en
Pages : 349
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Book Description
Why is Shakespeare so often associated with information technologies and with the idea of archiving itself? Alan Galey explores this question through the entwined histories of Shakespearean texts and archival technologies over the past four centuries. In chapters dealing with the archive, the book, photography, sound, information, and data, Galey analyzes how Shakespeare became prototypical material for publishing experiments, and new media projects, as well as for theories of archiving and computing. Analyzing examples of the Shakespearean archive from the seventeenth century to today, he takes an original approach to Shakespeare and new media that will be of interest to scholars of the digital humanities, Shakespeare studies, archives, and media history. Rejecting the idea that current forms of computing are the result of technical forces beyond the scope of humanist inquiry, this book instead offers a critical prehistory of digitization read through the afterlives of Shakespeare's texts.
Author: Andrea Mays
Publisher: Simon and Schuster
ISBN: 143914124X
Category : Biography & Autobiography
Languages : en
Pages : 368
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Book Description
The miraculous and romantic story of Shakespeare’s First Folio, and of the American industrialist whose thrilling pursuit of the book became a lifelong obsession: “Mays’s narrative is so fast-moving, and peppered with such fascinating detail, it almost reads like a thriller” (Entertainment Weekly, Grade: A). When Shakespeare died in 1616, half of his plays died with him. No one—not even their author—believed that his writings would last. In 1623, seven years after his death, Shakespeare’s business partners, companions, and fellow actors gathered copies of his plays and manuscripts and published thirty-six of them. This massive book, the First Folio, was intended as a memorial to their deceased friend. They could not have known that it would become one of the most important books ever published in the English language. Over two and a half centuries later, a young man fresh out of law school, Henry Folger, bought a book at auction—a later, 1685 edition Fourth Folio, for $107.50. It was the beginning of an obsession that would consume the rest of his life. Folger rose to be president of Standard Oil, and he used his fortune to create the greatest Shakespeare collection in the world. By the time he died, Folger owned more First Folios than anyone and had founded the Folger Shakespeare Library, where his collection still resides. In The Millionaire and the Bard, Andrea Mays spins the tale of Shakespeare and of his collector, of the genius whose work we nearly lost, the men who had the foresight to preserve it, and the millionaire who, centuries later, was consumed by his obsession with it. “Effortless in its unadorned storytelling and exacting in its research, this is a page-turning detective story” (Publishers Weekly).
Author: Adam G. Hooks
Publisher: Cambridge University Press
ISBN: 1316495566
Category : Literary Criticism
Languages : en
Pages : 379
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Book Description
Selling Shakespeare tells a story of Shakespeare's life and career in print, a story centered on the people who created, bought, and sold books in the early modern period. The interests and investments of publishers and booksellers have defined our ideas of what is 'Shakespearean', and attending to their interests demonstrates how one version of Shakespearean authorship surpassed the rest. In this book, Adam G. Hooks identifies and examines four pivotal episodes in Shakespeare's life in print: the debut of his narrative poems, the appearance of a series of best-selling plays, the publication of collected editions of his works, and the cataloguing of those works. Hooks also offers a new kind of biographical investigation and historicist criticism, one based not on external life documents, nor on the texts of Shakespeare's works, but on the books that were printed, published, sold, circulated, collected, and catalogued under his name.
Author: Emma Smith
Publisher: Cambridge University Press
ISBN: 131669240X
Category : Literary Criticism
Languages : en
Pages : 223
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Book Description
Shakespeare's First Folio, published in 1623, is one of the world's most studied books, prompting speculation about everything from proof-reading practices in the early modern publishing industry to the 'true' authorship of Shakespeare's plays. Arguments about the nature of the First Folio are crucial to every modern edition of Shakespeare and thus to every reader or student of the plays. This Companion surveys the critical methods brought to bear on the Folio and equips readers with the tools to understand it and to develop their skills in early modern book culture more generally. A team of international scholars surveys the range of bibliographic, historical and textual material relating to the Folio, its editors, collectors and critical reception. This revealing volume will be of wide interest to scholars of Shakespeare, the history of the book and early modern drama.
Author: Jean-Christophe Mayer
Publisher: Cambridge University Press
ISBN: 1107138337
Category : Drama
Languages : en
Pages : 277
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Book Description
This is the first dedicated account of the ways in which Shakespeare's texts were read in the two centuries after they were produced. A close examination of rare, often unpublished material offers a reconsideration of the role of readers in the history of Shakespeare's rise to fame.
Author: Andrew Dickson
Publisher: Henry Holt and Company
ISBN: 080509735X
Category : Literary Criticism
Languages : en
Pages : 514
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Book Description
A book about how Shakespeare became fascinated with the world, and how the world became fascinated with Shakespeare Ranging ambitiously across four continents and four hundred years, Worlds Elsewhere is an eye-opening account of how Shakespeare went global. Seizing inspiration from the playwright’s own fascination with travel, foreignness, and distant worlds—worlds Shakespeare never himself explored—Andrew Dickson takes us on an extraordinary journey: from Hamlet performed by English actors tramping through the Baltic states in the early sixteen hundreds to the skyscrapers of twenty-first-century Beijing and Shanghai, where “Shashibiya” survived Mao’s Cultural Revolution to become a revered Chinese author. En route, Dickson traces Nazi Germany’s strange love affair with, and attempted nationalization of, the Bard, and delves deep into the history of Bollywood, where Shakespearean stories helped give birth to Indian cinema. In Johannesburg, we discover how Shakespeare was enlisted in the fight to end apartheid. In nineteenth-century California, we encounter shoestring performances of Richard III and Othello in the dusty mining camps and saloon bars of the Gold Rush. No other writer’s work has been performed, translated, adapted, and altered in such a remarkable variety of cultures and languages. Both a cultural history and a literary travelogue, Worlds Elsewhere is an attempt to understand how Shakespeare has become the international phenomenon he is—and why.
