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Author:
Publisher:
ISBN:
Category : Europe
Languages : en
Pages : 10
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Book Description
![Focus on Europe [exhibition Catalogue]. PDF](https://books.google.com/books/content/images/frontcover/mqSbswEACAAJ?fife=w80-h100)
Author:
Publisher:
ISBN:
Category : Europe
Languages : en
Pages : 10
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Book Description
Author: Nicolas Whybrow
Publisher: Bloomsbury Publishing
ISBN: 1350166995
Category : Art
Languages : en
Pages : 237
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Book Description
Through its examination of five quite different art events in cities across Europe, Contemporary Art Biennials in Europe offers a compelling exploration of how public art takes place in the modern city. Roughly tracing a central horizontal trajectory from the western to the eastern edges of the continent, Nicolas Whybrow considers the Folkestone Triennial in the UK, Sculpture Projects Münster in Germany, the Venice Biennale in Italy, Belgrade's Mikser Festival in Serbia and the Istanbul Biennial in Turkey. Writing within the context of a thirty-year international 'biennial boom', Whybrow interrogates the extent to which biennial events and their artworks seek to engage with the socio-cultural and political complexity of cities, in particular the work that is involved in this relationship. With its focus on Europe, he also tells a composite story of continental difference at a moment of high tension, centering on issues of migration, political populism and uncertainty around the future form of the European Union.
Author: Kristoffer Arvidsson
Publisher:
ISBN: 9789198460162
Category :
Languages : en
Pages :
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Book Description
För första gången presenteras den svenska nya sakligheten i ett internationellt sammanhang där både likheter och nationella särdrag framträder. Utställningskatalogens rika bildmaterial och nyskrivna essäer ger en fördjupande inblick i en vital konstströmning och dynamisk period i europeisk kulturhistoria.
Author: Mark Gordon
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 372
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Book Description
Text by Mark Gordon.
Author: Petra Gärtner
Publisher: Néprajzi Múzeum - Museum of Ethnography
ISBN: 6155682356
Category : Art
Languages : en
Pages : 40
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Book Description
The title of the first temporary exhibition opened in the new building of the Museum of Ethnography refers to the former temporary headquarters of the institution and the experience of arrival. In the past ten years, the presented artefacts have come into focus in connection with museum background work, restoration, material testing, and research. A significant part of them rarely or never left the warehouse, but in the temporary exhibition celebrating the move to a new home, they are included together with the museum’s most popular pieces. The material is organized around twenty ethnographic/anthropological and museological concepts, a few key concepts of the discipline, comparing distant objects in space and time. The summary texts speak in the voice of the curators: they provide a subjective interpretation and an explanation of the classification. The object inscriptions combine the historical traditions and new viewpoints of the examination of material culture, also revealing the workshop secrets of the invisible, multi-actor museum work. Detailed object histories, research background, individual interest, method and style – a variety of contexts drawn by thirty museologists. The previous stages of the institution’s 150-year history are flashed by a selection compiled from archival footage: all the locations where the ever-growing collection was kept, researched and presented. Apart from the photos, we can get to know the new buildings, the storage center that houses the collection and the main building that ensures the operation of the museum with the help of the designers’ thoughts and drawings. The catalog follows the structure and concept of the exhibition, inviting a new approach to ethnographic objects. It evokes the atmosphere of the exhibition space, reproduces its contents, and its freshly taken photos of objects often allow us to see more: they show the many fine details of the objects up close, the different possibilities and methods of processing and decorating wood, metal, textiles, ceramics, and paper. The photographs and texts not only convey knowledge about traditional cultures, but also convey the expanding perception of the ethnographic object and ethnographic research. Buy the full e-book here: https://etnoshop.hu/en/termekek/kiadvanyok-en/we-ha-arrived-e-book/ Authors: Gabriella Cs. Tóth, Judit Dorottya Csorba, István Csupor (†), Marcel Ferencz, Klára Fogarasi, Hannah Daisy Foster, Edina Földessy, Vilma Főzy, Zsófia Frazon, Hajnalka Fülöp, Petra Gärtner, Péter Granasztói, János Gyarmati, Ágnes Hajdu, Edit Katona, Lajos Kemecsi, Ágnes Kerezsi, Margit Kiss, Erika Koltay, Mónika Lackner, Boglárka Mácsai, György Máté, Krisztina Pálóczy, Vera Schleicher, Krisztina Sedlmayr, Magdolna Szabó, Zsuzsa Szarvas, Emese Szojka, Péter Szuhay, Zsuzsanna Tasnádi, Gábor Vargyas, Zsolt Vasáros, Gabriella Vida, Gabriella Vörös, Gábor Wilhelm Editors of the printed catalogue: Petra Gärtner, Krisztina Sedlmayr, Dóra Szentirmai Photography: Edit Garai, László Incze, Eszter Kerék, Krisztina Sarnyai, Marcell Szász English text: Rachel Jane Maltese English proofreading: Szilvia Lakatos Contributors to the e-book: Petra Gärtner, Krisztina Sedlmayr, Dóra Szentirmai, Szilvia Lakatos, Tamás Huszár ISBN 978-615-5682-35-3 © Museum of Ethnography, Budapest, 2023 Managing publisher: Dr. Lajos Kemecsi Managing editor: Dr. Gábor Veres
Author: Katarzyna Jagodzińska
Publisher: Routledge
ISBN: 1351372092
Category : Art
Languages : en
Pages : 281
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Book Description
Museums and Centers of Contemporary Art in Central Europe is a comprehensive study of the ecosystem of art museums and centers in the Czech Republic, Hungary, Poland and Slovakia. Focusing on institutions founded after 1989, the book analyses a thirty-year boom in art exhibition space in these regions, as well as a range of socio-political influences and curatorial debates that had a significant impact upon their development. Tracing the inspiration for the increase in art institutions and the models upon which these new spaces were based, Jagodzińska offers a unique insight into the history of museums in Central Europe. Providing analysis of a range of issues, including private and public patronage, architecture, and changing visions of national museums of art, the book situates these newly-founded institutions within their historical, political and museological contexts. Considering whether - and in what ways - they can be said to have a shared regional identity that is distinct from institutions elsewhere, this valuable contribution paints a picture of the region in its entirety from the perspective of new institutions of art. Offering the first comprehensive study on the topic, Museums and Centers of Contemporary Art in Central Europe should be of great interest to academics, researchers and postgraduate students engaged in the study of museums, art, history and architecture.
Author: William Gross
Publisher: BRILL
ISBN: 9004406980
Category : Religion
Languages : en
Pages : 879
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Book Description
Catalog of Catalogs documents nearly 2,300 temporary exhibition catalogs, 1876-2018, that include objects of Judaica. It provides highly-detailed indices of these publications' subjects, exhibited objects and geographical foci.
Author: Sulieman Mleahat
Publisher:
ISBN: 9780863561481
Category : ART
Languages : en
Pages : 0
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Book Description
The first monograph of pioneering Palestinian artist Nabil Anani, considered to be a founder of the contemporary Palestinian art movement.
Author: Matthew Rampley
Publisher: BRILL
ISBN: 9004218777
Category : History
Languages : en
Pages : 586
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Book Description
This book undertakes a critical survey of art history across Europe, examining the recent conceptual and methodological concerns informing the discipline as well as the political, social and ideological factors that have shaped its development in specific national contexts.
Author: Octavian Esanu
Publisher: Manchester University Press
ISBN: 1526157993
Category : Art
Languages : en
Pages : 199
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Book Description
The postsocialist contemporary joins a growing body of scholarship debating the definition and nature of contemporary art. It comes to these debates from a historicist perspective, taking as its point of departure one particular art programme, initiated in Eastern Europe by the Hungarian-American billionaire George Soros. First implemented in Hungary, the Soros Center for Contemporary Art (SCCA) expanded to another eighteen ex-socialist countries throughout the 1990s. Its mission was to build a western ‘open society’ by means of art. This book discusses how network managers and artists participated in the construction of this new social order by studying the programme’s rise, evolution, impact and broader ideological and political consequences. Rather than recounting a history, its engages critically with ‘contemporary art’ as the aesthetic paradigm of late-capitalist market democracy.
