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Author: Elizabeth Morrison
Publisher: Getty Publications
ISBN:
Category : Art
Languages : en
Pages : 218
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Book Description
A companion to the Getty’s prize-winning exhibition catalogue Illuminating the Renaissance: The Triumph of Flemish Manuscript Painting in Europe, this volume contains thirteen selected papers presented at two conferences held in conjunction with that exhibition. The first was organized by the Getty Museum, and the second was held at the Courtauld Institute of Art under the sponsorship of the Courtauld Institute and the Royal Academy of Arts. Added here is an essay by Margaret Scott on the role of dress during the reign of Charles the Bold. Texts include Lorne Campbell’s research into Rogier van der Weyden’s work as an illuminator, Nancy Turner’s investigation of materials and methods of painting in Flemish manuscripts, and trenchant commentary by Jonathan Alexander and James Marrow on the state of current research on Flemish illumination. A recurring theme is the structure of collaboration in manuscript production. The essays also reveal an important new patron of manuscript illumination and address the role of illuminated manuscripts at the Burgundian court. A series of biographies of Burgundian scribes is featured.
Author: Elizabeth Morrison
Publisher: Getty Publications
ISBN:
Category : Art
Languages : en
Pages : 218
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Book Description
A companion to the Getty’s prize-winning exhibition catalogue Illuminating the Renaissance: The Triumph of Flemish Manuscript Painting in Europe, this volume contains thirteen selected papers presented at two conferences held in conjunction with that exhibition. The first was organized by the Getty Museum, and the second was held at the Courtauld Institute of Art under the sponsorship of the Courtauld Institute and the Royal Academy of Arts. Added here is an essay by Margaret Scott on the role of dress during the reign of Charles the Bold. Texts include Lorne Campbell’s research into Rogier van der Weyden’s work as an illuminator, Nancy Turner’s investigation of materials and methods of painting in Flemish manuscripts, and trenchant commentary by Jonathan Alexander and James Marrow on the state of current research on Flemish illumination. A recurring theme is the structure of collaboration in manuscript production. The essays also reveal an important new patron of manuscript illumination and address the role of illuminated manuscripts at the Burgundian court. A series of biographies of Burgundian scribes is featured.
Author: Thomas Kren
Publisher: Getty Publications
ISBN: 0892367040
Category : Art
Languages : en
Pages : 593
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Book Description
This comprehensive and richly illustrated catalogue focuses on the finest illustrated manuscripts produced in Europe during the great epoch in Flemish illumination. During this aesthetically fertile period – beginning in 1467 with the reign of the Burgundian duke Charles the Bold and ending in 1561 with the death of the artist Simon Bening – the art of book painting was raised to a new level of sophistication. Sharing inspiration with the celebrated panel painters of the time, illuminators achieved astonishing innovations in the handling of color, light, texture, and space, creating a naturalistic style that would dominate tastes throughout Europe for nearly a century. Centering on the notable artists of the period – Simon Marmion, the Vienna Master of Mary of Burgundy, Gerard David, Gerard Horenbout, Bening, and others – the catalogue examines both devotional and secular manuscript illumination within a broad context: the place of illuminators within the visual arts, including artistic exchange between book painters and panel painters; the role of court patronage and the emergence of personal libraries; and the international appeal of the new Flemish illumination style. Contributors to the catalogue include Maryan W. Ainsworth, curator of European paintings at the Metropolitan Museum of Art; independent scholar Catherine Reynolds; and Elizabeth Morrison, assistant curator of manuscripts at the Getty Museum. Illuminating the Renaissance is published in conjunction with an exhibition organized by the Getty Museum, the Royal Academy of Arts, London, and the British Library to be held at the Getty Museum from June 17 to September 7, 2003, and at the Royal Academy of Arts from November 25, 2003 to February 22, 2004.
Author: Elizabeth Morrison
Publisher: Getty Publications
ISBN: 0892368527
Category : Art
Languages : en
Pages : 212
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Book Description
A companion to the Getty’s prize-winning exhibition catalogue Illuminating the Renaissance: The Triumph of Flemish Manuscript Painting in Europe, this volume contains thirteen selected papers presented at two conferences held in conjunction with that exhibition. The first was organized by the Getty Museum, and the second was held at the Courtauld Institute of Art under the sponsorship of the Courtauld Institute and the Royal Academy of Arts. Added here is an essay by Margaret Scott on the role of dress during the reign of Charles the Bold. Texts include Lorne Campbell’s research into Rogier van der Weyden’s work as an illuminator, Nancy Turner’s investigation of materials and methods of painting in Flemish manuscripts, and trenchant commentary by Jonathan Alexander and James Marrow on the state of current research on Flemish illumination. A recurring theme is the structure of collaboration in manuscript production. The essays also reveal an important new patron of manuscript illumination and address the role of illuminated manuscripts at the Burgundian court. A series of biographies of Burgundian scribes is featured.
Author: Elizabeth Morrison
Publisher:
ISBN:
Category :
Languages : en
Pages : 0
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Book Description
Author: Scot McKendrick
Publisher:
ISBN:
Category : Antiques & Collectibles
Languages : en
Pages : 172
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Book Description
"The remarkable and distinctive art of early Netherlandish painters such as Jan van Eyck and Rogier van der Weyden is well known to visitors of art galleries and museums. Yet illuminated manuscripts, rarely seen except by scholars and curators, offer some of the best evidence for our understanding of early Netherlandish painting through a remarkable period of 150 years. Unlike paintings, which have been varnished, cleaned, repainted and exposed to light, the illuminations kept secure within the bindings of a book retain their original colour and clarity of definition."--Book Flap.
Author: Anne Margreet W. As-Vijvers
Publisher: Brepols Publishers
ISBN: 9782503516844
Category : Books of hours
Languages : en
Pages : 0
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Book Description
The subject of the present publication is the working practices of the Ghent-Bruges illuminators, active in Flanders in the decades around 1500. Its focus is on manuscripts featuring freestanding, isolated motifs painted in the margins of text pages. The author traces how this decorative system was created by the Master of the David Scenes in the Grimani Breviary, a prolific inventor of appealing borders, how it was applied by his closest collaborators, and how it was imitated and adapted by other illuminators. Among these were Simon Bening, the Carmelite sister Cornelia van Wulfschkercke, and a number of anonymous masters, including several whose oeuvres are identified here for the first time. The author elucidates the sources for the isolated motifs and demonstrates how the codicological structure of the manuscripts provides insight into the use and the dispersion of various models for border decorations. The book discusses the famous strewn-flower borders and other types of fully decorated borders as well. The author analyses the isolated motifs in relationship to the page layout and the decorative programme of Ghent-Bruges standardised books of hours. The stylistic examination of both the miniatures and the borders of the manuscripts under discussion completes the integrated approach of this study. The author demonstrates how the illuminators collaborated with each other and exchanged artistic models for the illumination of these precious manuscripts.
Author: Lieve Watteeuw
Publisher:
ISBN: 9789042932036
Category : Illumination of books and manuscripts
Languages : en
Pages : 0
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Book Description
The Proceedings of the Colloquium New Perspectives on Flemish Illuminations constitute an overview of recent research into manuscript illumination in Flanders under the Dukes of Burgundy. In 1959 Leon Delaisse organized the seminal exhibition La miniature flamande. Le mecenat de Philippe le Bon (Flemish Illumination. The Patronage of Philip the Good). Seen in Brussels, Amsterdam and Paris, it was a ground-breaking initiative. In 2014, more than fifty years later, our knowledge of the illuminated manuscript in the Southern Netherlands during the Burgundian period has vastly increased, as revealed in the exhibition Miniatures flamandes 1404-1482 (Flemish Miniatures 1404-1482) held in Brussels and Paris in 2011-2012. The associated Colloquium stimulated sixteen papers, by leading specialists in the field, presented here in six sections. The first is devoted to the context of Flanders in the 15th century with a focus on secular illumination; the second concentrates on individual illuminators: Jan de Tavernier, the Master of the Houghton Miniatures, the Painters of Philip the Good's Alexander and Loyset Liedet; the third considers text, traditions and images; the fourth, on the relationships between illumination and panel painting, is followed by codicological studies developing the topics of artistic Interchange, border decoration and portraits in musical manuscripts. The final section consists of technical studies of grisaille illuminations and methods of flesh painting. Through new research techniques and topics, together with established approaches such as connoisseurship and codicology, the papers advance our understanding of the intentions, processes, chronology and geographic distribution of Flemish manuscript production.
Author: Gregory T. Clark
Publisher: Brepols Publishers
ISBN:
Category : Art
Languages : en
Pages : 504
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Book Description
The subject of this monograph is the prolific mid-fifteenth-century Flemish book illuminator whom Friedrich Winkler first identified and named in 1915 after a richly decorated copy of the statutes and privileges of Ghent and Flanders made for Philip the Good, duke of Burgungy (Vienna, Ost. National-bibl., Cod.2583). While no fewer than 15 codices and cuttings have been ascribed to the painter in the 80 years since Winkler's pioneering essay, there has been no published effort to date to order, analyze, and evaluate the work of the Ghent Privileges Master in the larger context of the history and arts of the Burgundian Netherlands. The monograph's essay is divided into five chapters. The first caracterizes the style of the Vienna Privileges itself and then carefully trace its origins and development. Compositional and iconographic sources, innovations, and problems are identified and analyzed in the second chapter; ancillary decoration -especially decorated initials and floral borders- are described and localized and collaborating miniaturists identified in the third. In the fourth chapter the stylistic evidence obtained in the first three chapters is joint together with that provided by texts and provenances in order to date and localize the subject books and leaves. The final chapter positions those codices and cuttings in the larger context of Flemish illumination in the time of Philip the Good. Following the essay are 334 figures and 141 comparative illustrations and a catalogue raisonne of 30 books and 24 leaves in the Privileges style. A decisive majority of the figures and illustrations have never before been reproduced in the scholarly literature; the physical characteristics, texts, miniatures, provenance, and bibliography of each codex and cutting are described in full detail in the catalogue. Following the latter are appendices that provide the readings and textual authorities for the Hours of the Virgin.
Author: Annie Harris
Publisher:
ISBN:
Category : Illumination of books and manuscripts, Flemish
Languages : en
Pages : 20
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Book Description
Author: Susie Nash
Publisher: University of Toronto Press
ISBN: 9780802041142
Category : Language Arts & Disciplines
Languages : en
Pages : 430
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Book Description
Examining manuscript illumination in Amiens in its historical and socio-economic context, the author pinpoints the artistic interchange between France and Flanders.
