Five Graphic Music Analyses (Fnf Urlinie-Tafeln) PDF Download
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Author: Heinrich Schenker
Publisher: Courier Corporation
ISBN: 0486222942
Category : Music
Languages : en
Pages : 66
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Book Description
Published originally by the David Mannes Music School, New York, in 1933 under the German title.
Author: Heinrich Schenker
Publisher: Courier Corporation
ISBN: 0486222942
Category : Music
Languages : en
Pages : 66
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Book Description
Published originally by the David Mannes Music School, New York, in 1933 under the German title.
Author: Heinrich Schenker
Publisher:
ISBN: 9780486222943
Category : Piano music
Languages : en
Pages : 46
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Book Description
Author: Heinrich Schenker
Publisher: Courier Corporation
ISBN: 0486317064
Category : Music
Languages : en
Pages : 66
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Book Description
Five analytical sketches by a great theorist offer highly developed examples of an influential method of musical structural analysis: a J. S. Bach chorale and prelude, a section of a Haydn sonata, and two Chopin ètudes.
Author: Eric Wen
Publisher: Rowman & Littlefield
ISBN: 1538104679
Category : Music
Languages : en
Pages : 390
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Book Description
This book approaches Schenkerian analysis in a practical and accessible manner fit for the classroom, guiding readers through a step-by-step process. It is suitable for advanced undergraduates and graduate students of musicology, music theory, composition, and performance, and it is replete with a wide variety of musical examples.
Author: John David White
Publisher: Rowman & Littlefield
ISBN: 081082681X
Category : Musical analysis
Languages : en
Pages : 316
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Book Description
Presents material on Heinrich Schenker and reductive linear analysis and additional material on set theoretical analysis. Replete with musical examples, charts, and diagrams.
Author: Daniel R. Melamed
Publisher: Oxford University Press
ISBN: 0195122313
Category : Music
Languages : en
Pages : 202
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Book Description
Subjects covered include bibliographic tools of Bach research and sources of literature; Bach's family; Bach biographies; places Bach lived and worked; Bach's teaching; the liturgy; Bach source studies and the transmission of his music; repertory and editions; genres and individual vocal and instrumental works; performance practice; the reception and analysis of Bach's music; and many others.
Author: Jamie C. Kassler
Publisher: Taylor & Francis
ISBN: 100094669X
Category : Music
Languages : en
Pages : 321
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Book Description
This book stresses the interrelatedness of knowledge by extricating models that cut across traditional disciplinary boundaries. For example, science can find models from the technology and semantic field of music, music can find its models from the technology and semantic field of science, and each domain may be guided by a philosophical or metaphysical principle - thus, the title of the book. But the book itself is structured as a mirror image of its title. Chapters 1-6 provide instances of the role of music in such domains as epistemology and logic, as well as in the early modern sciences of developmental biology, continuum mechanics, anatomy and physiological psychology, whereas Chapters 7-10 provide instances of what some other domains of knowledge have given back to the philosophy and theory of music.
Author: Joel Lester
Publisher: Oxford University Press
ISBN: 0195171446
Category : Music
Languages : en
Pages : 197
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Book Description
J.S. Bach's sonatas and partitas for solo violin have been central to the violin repertoire since the mid-18th century. This engaging introduction to these works is the first comprehensive exploration of their place within Bach's music, focusing on their structural and stylistic features as they have been perceived since their creation. Combining an analytical study, a historical guide, and an insightful introduction to Bach's style, this book will help violinists, scholars, and other listeners develop a deeper personal involvement with many aspects of these wonderful pieces.
Author: KathrynBailey Puffett
Publisher: Routledge
ISBN: 1351569740
Category : Music
Languages : en
Pages : 830
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Book Description
'I listen to a piece and ask myself what has made the greatest impression on me. What has moved me the most about it, what has excited me the most, what it is I want to write about, what sets my mind working, what sets off my imagination.' Derrick Puffett's description to a group of Cambridge graduate students of his approach to listening and writing about music is clearly evident in the articles reprinted in this collection. For the first time, the book makes available in one place writings previously widely dispersed amongst many journals and symposia. Resonances emerge that cross from essay to essay, with the result that a larger, coherent project is revealed. Insistent on the need of music analysis to be accompanied by a wider historical knowledge, Puffett believed strongly that the methods to be adopted on each occasion must be dictated by the music at hand. His work on Bruckner, Strauss, Webern, Zemlinsky, Delius and Debussy is of enduring importance to the study of music. With a prose style distinguished for its elegance and clarity, Puffett's writings will enhance the understanding and enjoyment of the music that he discusses amongst students and teachers alike.
Author: Carl Schachter
Publisher: Oxford University Press
ISBN: 0190227397
Category : Music
Languages : en
Pages : 313
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Book Description
Carl Schachter is the world's leading practitioner of Schenkerian theory and analysis. His articles and books have been broadly influential, and are seen by many as models of musical insight and lucid prose. Yet, perhaps his greatest impact has been felt in the classroom. At the Mannes College of Music, the Juilliard School of Music, Queens College and the Graduate Center of the City University of New York, and at special pedagogical events around the world, he has taught generations of musical performers, composers, historians, and theorists over the course of his long career. In Fall 2012, Schachter taught a doctoral seminar at the CUNY Graduate Center in which he talked about the music and the musical issues that have concerned him most deeply; the course was in essence a summation of his extensive and renowned teaching. In The Art of Tonal Analysis, winner of the Society for Music Theory's 2017 Citation of Special Merit, music theorist Joseph Straus presents edited transcripts of those lectures. Accompanied by abundant music examples, including analytical examples transcribed from the classroom blackboard, Straus's own visualizations of material that Schachter presented aurally at the piano, and Schachter's own extended Schenkerian graphs and sketches, this book offers a vivid account of Schachter's masterful pedagogy and his deep insight into the central works of the tonal canon. In making the lectures of one of the world's most extraordinary musicians and musical thinkers available to a wide audience, The Art of Tonal Analysis is an invaluable resource for students and scholars of music.
