Author: Granville L. Howe
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 728
Book Description
A Hundred Years of Music in America
Author: Granville L. Howe
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 728
Book Description
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 728
Book Description
Grant Park
Author: Dennis H Cremin
Publisher: SIU Press
ISBN: 0809332523
Category : History
Languages : en
Pages : 256
Book Description
On November 4, 2008, when president-elect Barack Obama celebrated his victory with more than one hundred thousand supporters in Chicago, everyone knew where to meet. Long considered the showplace and cultural center of Chicago, Grant Park has been the site of tragedy and tension, as well as success and joy. In addition to serving as the staging grounds for Abraham Lincoln’s funeral procession through the city, the park has been the setting for civil rights protests and the 1968 Democratic National Convention demonstrations. The faithful attended the open-air mass of Pope John Paul II in Grant Park, and fans gathered there to cheer for the Chicago Bulls after their championship wins. The long park overlooking the beautiful waters of Lake Michigan has played an active part in Chicago and U. S. history. In 1836, only three years after Chicago was founded, Chicagoans set aside the first narrow shoreline as public ground and declared it “forever open, clear, and free. . . .” Chicago historian and author Dennis H. Cremin reveals that despite such intent, the transformation of Grant Park to the spectacular park it is more than 175 years later was a gradual process, at first fraught with a lack of funding and organization, and later challenged by erosion, the railroads, automobiles, and a continued battle between original intent and conceptions of progress. Throughout the book, Cremin shows that while Grant Park’s landscape and uses have changed throughout its rocky history, the public ground continues to serve “as a display case for the city and a calling card to visitors.” Amply illustrated with maps and images from throughout Chicago’s history, Grant Park shows readers how Chicago’s “front yard” developed into one of the finest urban parks in the country today. 2014 Illinois State Historical Society Book of the Year
Publisher: SIU Press
ISBN: 0809332523
Category : History
Languages : en
Pages : 256
Book Description
On November 4, 2008, when president-elect Barack Obama celebrated his victory with more than one hundred thousand supporters in Chicago, everyone knew where to meet. Long considered the showplace and cultural center of Chicago, Grant Park has been the site of tragedy and tension, as well as success and joy. In addition to serving as the staging grounds for Abraham Lincoln’s funeral procession through the city, the park has been the setting for civil rights protests and the 1968 Democratic National Convention demonstrations. The faithful attended the open-air mass of Pope John Paul II in Grant Park, and fans gathered there to cheer for the Chicago Bulls after their championship wins. The long park overlooking the beautiful waters of Lake Michigan has played an active part in Chicago and U. S. history. In 1836, only three years after Chicago was founded, Chicagoans set aside the first narrow shoreline as public ground and declared it “forever open, clear, and free. . . .” Chicago historian and author Dennis H. Cremin reveals that despite such intent, the transformation of Grant Park to the spectacular park it is more than 175 years later was a gradual process, at first fraught with a lack of funding and organization, and later challenged by erosion, the railroads, automobiles, and a continued battle between original intent and conceptions of progress. Throughout the book, Cremin shows that while Grant Park’s landscape and uses have changed throughout its rocky history, the public ground continues to serve “as a display case for the city and a calling card to visitors.” Amply illustrated with maps and images from throughout Chicago’s history, Grant Park shows readers how Chicago’s “front yard” developed into one of the finest urban parks in the country today. 2014 Illinois State Historical Society Book of the Year
Louis Sullivan
Author: Hugh Morrison
Publisher: W. W. Norton & Company
ISBN: 9780393321616
Category : Architecture
Languages : en
Pages : 404
Book Description
"The first definitive biography of the now-famous architect, Hugh Morrison's Louis Sullivan: Prophet of Modern Architecture is still the best introduction to his work. This reissue provides Morrison's original text and illustrations in a larger, more modern format. It also offers an assessment of Morrison's ground-breaking research, in Timothy J. Samuelson's Introduction, and, most important, an authoritative revision of the chronological List of Buildings, including corrections of the data in light of six decades of research. Working from Morrison's original notes, Samuelson has restored a number of photographic images intended for the original edition and has replaced some photographs with alternate images that more accurately represent the buildings. He has also added a selected bibliography of important works about Sullivan"--Page 4 of cover
Publisher: W. W. Norton & Company
ISBN: 9780393321616
Category : Architecture
Languages : en
Pages : 404
Book Description
"The first definitive biography of the now-famous architect, Hugh Morrison's Louis Sullivan: Prophet of Modern Architecture is still the best introduction to his work. This reissue provides Morrison's original text and illustrations in a larger, more modern format. It also offers an assessment of Morrison's ground-breaking research, in Timothy J. Samuelson's Introduction, and, most important, an authoritative revision of the chronological List of Buildings, including corrections of the data in light of six decades of research. Working from Morrison's original notes, Samuelson has restored a number of photographic images intended for the original edition and has replaced some photographs with alternate images that more accurately represent the buildings. He has also added a selected bibliography of important works about Sullivan"--Page 4 of cover
Cather and Opera
Author: David McKay Powell
Publisher: LSU Press
ISBN: 0807177792
Category : Literary Criticism
Languages : en
Pages : 211
Book Description
Throughout her fiction, Willa Cather mentioned forty-seven operas. References to opera appear in all but three of her twelve novels and in roughly half of her short stories. Despite a dearth of musical education, Cather produced astute writing about the genre beginning in her earliest criticism and continuing throughout her career. She counted opera stars among her close friends, and according to Edith Lewis, her companion throughout adulthood, the two women frequently visited the theater, even in the early days, when purchasing tickets to attend performances proved a financial sacrifice. Melding cultural history with thoughtful readings of her works and discussions of opera’s complex place in turn-of-the-century America, David McKay Powell’s Cather and Opera offers the first book-length study of what drew the writer so powerfully and repeatedly to the art form. With close attention to Cather’s fiction and criticism, Powell posits that at the heart of both her work and the operatic corpus dwells an innate tension between high artistic ideals and popular acceptance, often figured as a clash between compositional integrity and raw, personal emotion. Considering her connection to opera in both historical and intertextual terms, Cather and Opera investigates what operatic references mean in Cather’s writing, along with what the opera represented to her throughout her life.
Publisher: LSU Press
ISBN: 0807177792
Category : Literary Criticism
Languages : en
Pages : 211
Book Description
Throughout her fiction, Willa Cather mentioned forty-seven operas. References to opera appear in all but three of her twelve novels and in roughly half of her short stories. Despite a dearth of musical education, Cather produced astute writing about the genre beginning in her earliest criticism and continuing throughout her career. She counted opera stars among her close friends, and according to Edith Lewis, her companion throughout adulthood, the two women frequently visited the theater, even in the early days, when purchasing tickets to attend performances proved a financial sacrifice. Melding cultural history with thoughtful readings of her works and discussions of opera’s complex place in turn-of-the-century America, David McKay Powell’s Cather and Opera offers the first book-length study of what drew the writer so powerfully and repeatedly to the art form. With close attention to Cather’s fiction and criticism, Powell posits that at the heart of both her work and the operatic corpus dwells an innate tension between high artistic ideals and popular acceptance, often figured as a clash between compositional integrity and raw, personal emotion. Considering her connection to opera in both historical and intertextual terms, Cather and Opera investigates what operatic references mean in Cather’s writing, along with what the opera represented to her throughout her life.
Chicago Counterpoint
Author: Mark Clague
Publisher:
ISBN:
Category : Chicago (Ill.)
Languages : en
Pages : 564
Book Description
Publisher:
ISBN:
Category : Chicago (Ill.)
Languages : en
Pages : 564
Book Description
The Soundscape of Modernity
Author: Emily Thompson
Publisher: MIT Press
ISBN: 9780262701068
Category : Architecture
Languages : en
Pages : 518
Book Description
A vibrant history of acoustical technology and aural culture in early-twentieth-century America. In this history of aural culture in early-twentieth-century America, Emily Thompson charts dramatic transformations in what people heard and how they listened. What they heard was a new kind of sound that was the product of modern technology. They listened as newly critical consumers of aural commodities. By examining the technologies that produced this sound, as well as the culture that enthusiastically consumed it, Thompson recovers a lost dimension of the Machine Age and deepens our understanding of the experience of change that characterized the era. Reverberation equations, sound meters, microphones, and acoustical tiles were deployed in places as varied as Boston's Symphony Hall, New York's office skyscrapers, and the soundstages of Hollywood. The control provided by these technologies, however, was applied in ways that denied the particularity of place, and the diverse spaces of modern America began to sound alike as a universal new sound predominated. Although this sound—clear, direct, efficient, and nonreverberant—had little to say about the physical spaces in which it was produced, it speaks volumes about the culture that created it. By listening to it, Thompson constructs a compelling new account of the experience of modernity in America.
Publisher: MIT Press
ISBN: 9780262701068
Category : Architecture
Languages : en
Pages : 518
Book Description
A vibrant history of acoustical technology and aural culture in early-twentieth-century America. In this history of aural culture in early-twentieth-century America, Emily Thompson charts dramatic transformations in what people heard and how they listened. What they heard was a new kind of sound that was the product of modern technology. They listened as newly critical consumers of aural commodities. By examining the technologies that produced this sound, as well as the culture that enthusiastically consumed it, Thompson recovers a lost dimension of the Machine Age and deepens our understanding of the experience of change that characterized the era. Reverberation equations, sound meters, microphones, and acoustical tiles were deployed in places as varied as Boston's Symphony Hall, New York's office skyscrapers, and the soundstages of Hollywood. The control provided by these technologies, however, was applied in ways that denied the particularity of place, and the diverse spaces of modern America began to sound alike as a universal new sound predominated. Although this sound—clear, direct, efficient, and nonreverberant—had little to say about the physical spaces in which it was produced, it speaks volumes about the culture that created it. By listening to it, Thompson constructs a compelling new account of the experience of modernity in America.
The American Catalogue
Author:
Publisher:
ISBN:
Category : American literature
Languages : en
Pages : 956
Book Description
Publisher:
ISBN:
Category : American literature
Languages : en
Pages : 956
Book Description
Who's who in America
Author:
Publisher:
ISBN:
Category : United States
Languages : en
Pages : 2716
Book Description
Publisher:
ISBN:
Category : United States
Languages : en
Pages : 2716
Book Description
Music and Musicians in Chicago
Author:
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 264
Book Description
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 264
Book Description
The Auditorium Building
Author: Jay Pridmore
Publisher: Pomegranate
ISBN: 9780764924965
Category : Architecture
Languages : en
Pages : 74
Book Description
Commissioned by Ferdinand Peck and produced by architects Louis Sullivan and Dankmar Adler--soon to be leaders of the Chicago School--in 1889, the Auditorium Building was a wondrous complex, housing a hotel, offices, stores, and a theater. Adler's engineering skills overcame the problem of a foundation that had to support an unevenly distributed weight; Sullivan designed the stunning theater, which was spanned by four elliptical arches studded with 3,500 incandescent electric lights and decorated with gold leaf. Adler created a hydraulic stage--with twenty-six lifts--and one of the first air-conditioning systems in a public building. Among the many design features in the interior of the Auditorium were murals, onyx, marble, open loggias, stained glass, filigreed vents, wainscoting, and bronze-plated posts. Scholars considered the Auditorium Building the most important single structure in Chicago. The Auditorium thrived until its closing in 1940. In 1946 Roosevelt University purchased the building, and the Auditorium Theatre Council restored the theater to its former glory. Today, the Auditorium Building is thriving as a showcase for major theatrical events, Roosevelt University concerts, and other events.
Publisher: Pomegranate
ISBN: 9780764924965
Category : Architecture
Languages : en
Pages : 74
Book Description
Commissioned by Ferdinand Peck and produced by architects Louis Sullivan and Dankmar Adler--soon to be leaders of the Chicago School--in 1889, the Auditorium Building was a wondrous complex, housing a hotel, offices, stores, and a theater. Adler's engineering skills overcame the problem of a foundation that had to support an unevenly distributed weight; Sullivan designed the stunning theater, which was spanned by four elliptical arches studded with 3,500 incandescent electric lights and decorated with gold leaf. Adler created a hydraulic stage--with twenty-six lifts--and one of the first air-conditioning systems in a public building. Among the many design features in the interior of the Auditorium were murals, onyx, marble, open loggias, stained glass, filigreed vents, wainscoting, and bronze-plated posts. Scholars considered the Auditorium Building the most important single structure in Chicago. The Auditorium thrived until its closing in 1940. In 1946 Roosevelt University purchased the building, and the Auditorium Theatre Council restored the theater to its former glory. Today, the Auditorium Building is thriving as a showcase for major theatrical events, Roosevelt University concerts, and other events.