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Author: Peter Sutoris
Publisher:
ISBN: 9781849045711
Category : Community development
Languages : en
Pages : 0
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Book Description
Visions of Development examines the Indian state's postcolonial development ideology between Independence in 1947 and the Emergency of 1975-77. Sutoris pioneers a novel methodology for the study of development thought and its cinematic representations, analysing films made by the Films Division of India between 1948 and 1975. By comparing these documentaries to late-colonial films on 'progress', his book highlights continuities with and departures from colonial notions of development in modern India. It is the first scholarly volume to be published on the history of Indian documentary film. Of the approximately 250 documentaries analysed by Peter Sutoris, many of which have never been discussed in the existing literature, most are concerned with economic planning and industrialisation, large dams, family planning, schemes aimed at the integration of tribal peoples (Adivasis) into society, and civic education. Almost all films analysed in this volume are available for free online viewing through the website of the Films Division. Links are provided on the companion website www.visionsofdevelopment.com.
Author: Peter Sutoris
Publisher:
ISBN: 9781849045711
Category : Community development
Languages : en
Pages : 0
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Book Description
Visions of Development examines the Indian state's postcolonial development ideology between Independence in 1947 and the Emergency of 1975-77. Sutoris pioneers a novel methodology for the study of development thought and its cinematic representations, analysing films made by the Films Division of India between 1948 and 1975. By comparing these documentaries to late-colonial films on 'progress', his book highlights continuities with and departures from colonial notions of development in modern India. It is the first scholarly volume to be published on the history of Indian documentary film. Of the approximately 250 documentaries analysed by Peter Sutoris, many of which have never been discussed in the existing literature, most are concerned with economic planning and industrialisation, large dams, family planning, schemes aimed at the integration of tribal peoples (Adivasis) into society, and civic education. Almost all films analysed in this volume are available for free online viewing through the website of the Films Division. Links are provided on the companion website www.visionsofdevelopment.com.
Author: Giulia Battaglia
Publisher: Routledge
ISBN: 1351375636
Category : Social Science
Languages : en
Pages : 425
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Book Description
This book maps a hundred years of documentary film practices in India. It demonstrates that in order to study the development of a film practice, it is necessary to go beyond the classic analysis of films and filmmakers and focus on the discourses created around and about the practice in question. The book navigates different historical moments of the growth of documentary filmmaking in India from the colonial period to the present day. In the process, it touches upon questions concerning practices and discourses about colonial films, postcolonial institutions, independent films, filmmakers and filmmaking, the influence of feminism and the articulation of concepts of performance and performativity in various films practices. It also reflects on the centrality of technological change in different historical moments and that of film festivals and film screenings across time and space. Grounded in anthropological fieldwork and archival research and adopting Foucault’s concept of ‘effective history’, this work searches for points of origin that creates ruptures and deviations taking distance from conventional ways of writing film histories. Rather than presenting a univocal set of arguments and conclusions about changes or new developments of film techniques, the originality of the book is in offering an open structure (or an open archive) to enable the reader to engage with mechanisms of creation, engagement and participation in film and art practices at large. In adopting this form, the book conceptualises ‘Anthropology’ as also an art practice, interested, through its theoretico-methodological approach, in creating an open archive of engagement rather than a representation of a distant ‘other’. Similarly, documentary filmmaking in India is seen as primarily a process of creation based on engagement and participation rather than a practice interested in representing an objective reality. Proposing an innovative way of perceiving the growth of the documentary film genre in the subcontinent, this book will be of interest to film historians and specialists in Indian cinema(s) as well as academics in the field of anthropology of art, media and visual practices and Asian media studies.
Author: Aparna Sharma
Publisher: Springer
ISBN: 1137395443
Category : Performing Arts
Languages : en
Pages : 274
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Book Description
This book introduces the diverse practices of three non-canonical practitioners: David MacDougall, Desire Machine Collective and Kumar Shahani. It offers analysis of their documentary methods and aesthetics, exploring how their oeuvres constitute a critical and self-reflexive approach to documentary-making in India.
Author: Ian Aitken
Publisher:
ISBN:
Category : Performing Arts
Languages : en
Pages : 280
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Book Description
This book is the first to bring together the most important material by and on the documentary film movement which has laid the foundations of British national film culture. It includes generous selections from the work of John Grierson as well as writings by Paul Rotha, Humphrey Jennings, Alberto Cavalcanti and Basil Wright. Each section is accompanied by short commentaries. A full introduction examines the historical development of the documentary film movement between 1927 and 1950, the types of films made by the movement, its relationship to other British film genres and to contemporary debates on British national cinema. An accessible, comprehensive and illuminating source book for courses on Documentary Film and the History of British Cinema.
Author: Shweta Kishore
Publisher: Edinburgh University Press
ISBN: 1474433081
Category : Performing Arts
Languages : en
Pages : 256
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Book Description
Based on detailed onsite observation of documentary production, circulation practices and the analysis of film texts, this book identifies independence as a'tactical practice', contesting the normative definitions and functions assigned to culture, cultural production and producers in a neoliberal economic system.
Author: Erik Barnouw
Publisher: Oxford University Press, USA
ISBN: 9780195078985
Category : Performing Arts
Languages : en
Pages : 414
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Book Description
Presents a history of the documentary film
Author: Michael Ray FitzGerald
Publisher: Rowman & Littlefield
ISBN: 1442229624
Category : Performing Arts
Languages : en
Pages : 279
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Book Description
The American Indian has figured prominently in many films and television shows, portrayed variously as a villain, subservient friend, or a hapless victim of progress. Many Indian stereotypes that were derived from European colonial discourse—some hundreds of years old—still exist in the media today. Even when set in the contemporary era, novels, films, and programs tend to purvey rehashed tropes such as Pocahontas or man Friday. In Native Americans on Network TV: Stereotypes, Myths, and the “Good Indian,” Michael Ray FitzGerald argues that the colonial power of the U.S. is clearly evident in network television’s portrayals of Native Americans. FitzGerald contends that these representations fit neatly into existing conceptions of colonial discourse and that their messages about the “Good Indian” have become part of viewers’ understandings of Native Americans. In this study, FitzGerald offers close examinations of such series as The Lone Ranger, Daniel Boone, Broken Arrow, Hawk, Nakia, and Walker, Texas Ranger. By examining the traditional role of stereotypes and their functions in the rhetoric of colonialism, the volume ultimately offers a critical analysis of images of the “Good Indian”—minority figures that enforce the dominant group’s norms. A long overdue discussion of this issue, Native Americans on Network TV will be of interest to scholars of television and media studies, but also those of Native American studies, subaltern studies, and media history.
Author: Erik Barnouw
Publisher:
ISBN: 9780735102941
Category :
Languages : en
Pages : 0
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Book Description
Author: K. P. Jayasankar
Publisher: Sage Publications Pvt. Limited
ISBN: 9789353881597
Category :
Languages : en
Pages : 276
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Book Description
An engaging read on independent documentary filmmaking in India
Author: Rajesh James
Publisher: Bloomsbury Publishing PLC
ISBN: 150138015X
Category : Performing Arts
Languages : en
Pages : 0
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Book Description
India Retold: Dialogues with Independent Documentary Filmmakers in India is an attempt to situate and historicize the engagement of independent documentary filmmakers with the postcolonial India and its discourses with a focus on their independent documentary practices. Structured as an interview collection, the book examines how these documentary filmmakers, though not a homogeneous category, practice their independence through their ideology, their filmmaking praxis, their engagement with the everyday and their formal experiments. As a sparsely studied filmmakers, the book through meticulously tracing a wide ranging historical transitions (often marked by communal conflicts and the forces of globalization) not only details the ways in which independent filmmakers in India address the questions of postcolonial nation and its modernist projects but also explores their idiosyncratic views of these filmmakers which are characterized by a definitive departure from the logic of commercial films or state-sponsored documentary films. More important in many ways, these documentary filmmakers expose incongruences in national institutions and programs, embrace the voice of the underrepresented, and thus, imagine an alternative vision of the nation. During the last three years of the execution of the project, thirty Indian documentary filmmakers are interviewed in this book. Given the dearth of quality interviews and little theoretical engagement with documentary as a genre, this book would not only fill in the gap in scholarship but also would serve as an authentic guide for interested readers and for documentary filmmakers alike.
