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Author: Annette Kuhn
Publisher: Bloomsbury Publishing
ISBN: 0857735462
Category : Art
Languages : en
Pages : 289
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Book Description
'Little madnesses' are our most deeply felt enthusiasms, investments and attachments in the sphere of culture. The term was coined by the child psychoanalyst Donald Winnicott, whose work on transitional phenomena grew out of his naming of the transitional object, and extended into preliminary explorations of the crucial role played by cultural experience in a life that feels satisfying. In our socially and culturally sanctioned little madnesses, everyone can find relief from the burden of having to maintain a clear boundary between inner and outer worlds, fantasy and reality, because it is in the space between them that we can find the enthusiasms and passions that excite our creative imaginations. This idea offers intriguing pathways towards understanding how we can engage effectively with the world at a public, social level without setting aside our inner lives, our emotions and our most deeply felt attachments. In Little Madnesses, writers, artists, scholars and experts in a range of fields and disciplines explore the idea of transitional phenomena and consider its potential to extend and deepen our understanding of cultural experience in mental and social life, focusing on the importance of space, place and boundaries in cultural experience; on how we can negotiate media use and cultural identity; and on the aesthetic and creative aspects of cultural experience. Topics covered include cult films, computer use, installation art, trips to the cinema, museums and galleries, the agony and ecstasy of making art and the significance of life stage in cultural experience.
Author: Annette Kuhn
Publisher: Bloomsbury Publishing
ISBN: 0857735462
Category : Art
Languages : en
Pages : 289
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Book Description
'Little madnesses' are our most deeply felt enthusiasms, investments and attachments in the sphere of culture. The term was coined by the child psychoanalyst Donald Winnicott, whose work on transitional phenomena grew out of his naming of the transitional object, and extended into preliminary explorations of the crucial role played by cultural experience in a life that feels satisfying. In our socially and culturally sanctioned little madnesses, everyone can find relief from the burden of having to maintain a clear boundary between inner and outer worlds, fantasy and reality, because it is in the space between them that we can find the enthusiasms and passions that excite our creative imaginations. This idea offers intriguing pathways towards understanding how we can engage effectively with the world at a public, social level without setting aside our inner lives, our emotions and our most deeply felt attachments. In Little Madnesses, writers, artists, scholars and experts in a range of fields and disciplines explore the idea of transitional phenomena and consider its potential to extend and deepen our understanding of cultural experience in mental and social life, focusing on the importance of space, place and boundaries in cultural experience; on how we can negotiate media use and cultural identity; and on the aesthetic and creative aspects of cultural experience. Topics covered include cult films, computer use, installation art, trips to the cinema, museums and galleries, the agony and ecstasy of making art and the significance of life stage in cultural experience.
Author: Delphine Benezet
Publisher: Columbia University Press
ISBN: 0231169744
Category : Performing Arts
Languages : en
Pages : 170
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Book Description
Agnès Varda, a pioneer of the French New Wave, has been making radical films for over half a century. Many of these are considered by scholars, filmmakers, and audiences alike, as audacious, seminal, and unforgettable. This volme considers her production as a whole, revisiting overlooked films like Mur, Murs/Documenteur (1980–81), and connecting her cinema to recent installation work. This study demonstrates how Varda has resisted norms of representation and diktats of production. It also shows how she has elaborated a personal repertoire of images, characters, and settings, which all provide insight on their cultural and political contexts. The book thus offers new readings of this director’s multifaceted rêveries, arguing that her work should be seen as an aesthetically influential and ethically-driven production where cinema is both a political and collaborative practice, and a synesthetic art form.
Author: Sabine Schrader
Publisher: Cambridge Scholars Publishing
ISBN: 1443869945
Category : Performing Arts
Languages : en
Pages : 340
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Book Description
Italy is more strongly influenced by the experiences of migrants than many other European countries. This includes an historically ongoing internal migration from the south to the north, which is strongly echoed in neo-realism; a mass emigration mainly to western Europe and North and South America that is connected with mafia films, among others, in Italy's collective imaginary; as well as a more recent immigration influx from the southwestern Mediterranean, which is dealt with at a film leve...
Author: Ute Fendler
Publisher: Akademische Verlagsgemeinschaft München
ISBN: 3960915306
Category : History
Languages : en
Pages : 368
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Book Description
From the visual politics of the FRELIMO-liberation script in Mozambique via the brooms and spoons of Le Balai Citoyen in Burkina Faso, to the updating of images from past revolutions on Twitter and Facebook, often in the diaspora – images play a key role in the envisioning of futures and social utopia. And more than that: Revolutions, understood as moments of radical social and cultural change, are driven by images, as empirical investigations on- and offline show. But what actually constitutes the 'seismographic power' of images, and the sustainability of icons from past ruptures in terms of radicalism, such as the portraits of Burkina Faso's and Mozambiques first presidents' Thomas Sankara and Samora Machel? What possibilities do images offer – and what is cut and edited in the process of creating a 'new' image? How do the visual tactics of analogue and digital protesters alike constitute, alter and create visual and multi-media archives? This book brings together a wide range of papers by international researchers and artists focusing on the relationship of images and revolution mostly in the African context. Images in various artistic media such as photography, art in public space, performance, fashion are discussed, but also the relation of visual culture and politics in Mozambique, Angola and Burkina Faso among others. With contributions from: Stefanie Alisch, Petrus Amuthenu, Ana Balona de Oliveira, Ute Fendler, Katharina Fink, Raí Gandra, Goldendean, Jelsen Lee Innocent, Onejoon Che, Luís Carlos Patraquim, Marco Russo, Nadine Siegert, Serubiri Moses, Johan Thom, Drew Thompson, Fabio Vanin, Ulf Vierke
Author: Jacob Leigh
Publisher: Bloomsbury Publishing USA
ISBN: 1441168370
Category : Performing Arts
Languages : en
Pages : 251
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Book Description
Since the death of the French film director Eric Rohmer in 2010, interest in his work has reignited. Known as the last of the established directors in the French New Wave, Rohmer took complete control over all his films, acting as his own producer throughout his career, and writing the scripts. He also made his mark by taking the lead in casting and location scouting - as French seaside resorts with beautiful young people are some of the elements present in most of his films. Combining history and criticism, Jacob Leigh pens the first chronological survey of this understudied filmmaker in order to give readers clear insights into how Rohmer's films came about and what he intended them to be. The book provides in-depth analysis of the themes and ideas of Rohmer's twenty-three feature films, and illustrates the complexity of their cinematic style. Leigh's study is the perfect introduction to the work of this great filmmaker, for both students and the general reader.
Author:
Publisher:
ISBN:
Category : Motion picture plays
Languages : en
Pages : 162
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Book Description
Author: Kevin J. Harty
Publisher: McFarland
ISBN: 1476608431
Category : Performing Arts
Languages : en
Pages : 325
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Book Description
Those tales of old--King Arthur, Robin Hood, The Crusades, Marco Polo, Joan of Arc--have been told and retold, and the tradition of their telling has been gloriously upheld by filmmaking from its very inception. From the earliest of Georges Melies's films in 1897, to a 1996 animated Hunchback of Notre Dame, film has offered not just fantasy but exploration of these roles so vital to the modern psyche. St. Joan has undergone the transition from peasant girl to self-assured saint, and Camelot has transcended the soundstage to evoke the Kennedys in the White House. Here is the first comprehensive survey of more than 900 cinematic depictions of the European Middle Ages--date of production, country of origin, director, production company, cast, and a synopsis and commentary. A bibliography, index, and over 100 stills complete this remarkable work.
Author: Melissa Thackway
Publisher: Boydell & Brewer
ISBN: 1847012426
Category : Biography & Autobiography
Languages : en
Pages : 255
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Book Description
Weaving together critical analysis and a filmic conversation, this book journeys through the multiple layers of Cameroonian filmmaker Jean-Marie Teno's thematically and aesthetically challenging body of work, framed here as a formof decolonial cinematic resistance.
Author: Joyce Sebag
Publisher: Springer Nature
ISBN: 3031336968
Category : Social Science
Languages : en
Pages : 249
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Book Description
This book is an exploration of the intellectual resources offered by the hybridisation of sociology and cinema: practicing sociology, or other human sciences, through images and sound. In the age of the image, the book invites sociological research, not only through the discipline's approach, but also through the joint learning of techniques (shooting and sound recording, derushing, editing, etc.) and film writing. Using concrete examples, the authors analyse what it means to think through the image, explain the different phases of making a sociological documentary, and question, through sociological film, the representations of reality and, more specifically, what remains invisible in the social world. The result is a reflective look at the theories and practices presented, to better equip the sociologist-filmmaker. Illustrated with numerous photographs that mark the history of documentary photography and film, the book is intended for both teachers-researchers and students in all disciplines of the humanities and social sciences who practice video and photography or wish to discover their uses. Students in documentary and film schools, as well as students on information and communication programs will also benefit from the book.
Author:
Publisher: Odile Jacob
ISBN: 273817969X
Category :
Languages : en
Pages : 323
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Book Description
