Film Review Annual, 1996

Film Review Annual, 1996 PDF Author: Jerome S. Ozer
Publisher:
ISBN: 9780891981497
Category :
Languages : en
Pages : 0

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Film Review Annual, 1996

Film Review Annual, 1996 PDF Author: Jerome S. Ozer
Publisher:
ISBN: 9780891981497
Category :
Languages : en
Pages : 0

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Book Description


Annual Review 1996-97

Annual Review 1996-97 PDF Author: British Film Institute
Publisher:
ISBN:
Category :
Languages : en
Pages : 56

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Films in Review

Films in Review PDF Author:
Publisher:
ISBN:
Category :
Languages : en
Pages :

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British Film Institute

British Film Institute PDF Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 56

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Book Description


Annual review / British Film Institute. 1996/97(1997)

Annual review / British Film Institute. 1996/97(1997) PDF Author: British Film Institute
Publisher:
ISBN:
Category : Motion pictures
Languages : en
Pages :

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Annual Review 1996-7 (British Film Institute).

Annual Review 1996-7 (British Film Institute). PDF Author: British Film Institute
Publisher:
ISBN:
Category : Motion pictures, British
Languages : en
Pages :

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BFI

BFI PDF Author: British Film Institute
Publisher:
ISBN:
Category :
Languages : en
Pages : 56

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Sharp Cut

Sharp Cut PDF Author: Steven H. Gale
Publisher: University Press of Kentucky
ISBN: 081318083X
Category : Drama
Languages : en
Pages : 476

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Book Description
While best known as one of the most important playwrights of the twentieth century, Harold Pinter (1930–2008) had an equally successful career writing screenplays. His collaborations with director Joseph Losey garnered great attention and esteem, and two of his screenplays earned Academy Award nominations: The French Lieutenant's Woman (1981) and Betrayal (1983). He is also credited for writing an unproduced script to remake Stanley Kubrick's 1962 adaptation of Lolita. Much scholarship has been dedicated to the subject of Pinter as playwright, but the rich landscape of his work in film has been left largely undisturbed. In Sharp Cut: Harold Pinter's Screenplays and the Artistic Process, Steven H. Gale, the world's foremost Pinter scholar, analyzes Pinter's creative process from initial conception to finished film. Gale makes careful, point-by-point comparisons of each stage in the screenplay's creation—the source material, the adaptations themselves, and the films made from the scripts—in order to reveal the meaning behind each film script and to explain the cinematic techniques used to express that meaning. Unlike most Pinter scholars, who focus almost solely on the written word, Gale devotes discussion to the cinematic interpretation of the scripts through camera angles and movement, cutting, and other techniques. Pinter does not merely convert his stage scripts to screenplays; he adapts the works to succeed in the other medium, avoiding elements of the live play that do not work onscreen and using the camera's focusing operations in ways that are not possible on the stage. As Pinter's career progressed and his writing evolved, screenplays became for him an increasingly vital means of creative expression. Sharp Cut is the first study to fully explore this important component of the Pinter canon.

Film Review, 1995-96

Film Review, 1995-96 PDF Author: James Cameron-Wilson
Publisher: Virgin Books Limited
ISBN: 9780863699283
Category : Performing Arts
Languages : en
Pages : 196

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Book Description
This edition covers all the UK film releases from July 1994 to June 1995. It provides key facts and opinions on a wide range of movies from The Lion King and Forrest Gump to Shallow Grave and Pulp Fiction.

Culture Meets Culture in the Movies

Culture Meets Culture in the Movies PDF Author: David H. Budd
Publisher: McFarland
ISBN: 9780786483150
Category : Performing Arts
Languages : en
Pages : 284

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Book Description
This is an examination of the interactions between people of different cultures as portrayed in relatively modern, commonly available American and European films. The cinema is a desirable medium through which to show cultural differences because it vividly portrays settings, actions and emotions, all of which greatly influence viewers' perceptions. Films showing relations of the United States, north and south; Japan, China, India, Asia, and Africa meeting the West; the clash between American Indians and white settlers; various other intercultural contrasts, multicultural voices in film, and the connection between popular film and intercultural studies--all are examined in this work. Each chapter concludes with a filmography.