Film Criticism in Cape Town 1928-1930 PDF Download
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Author: Michael Eckardt
Publisher: AFRICAN SUN MeDIA
ISBN: 191998061X
Category : Performing Arts
Languages : en
Pages : 124
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Book Description
This book examines the development of film criticism in Cape Town’s daily press from 1928 to 1930, using film reviews from the Cape Times and Die Burger. The character of film criticism in the period under discussion is explained by describing the general function of film criticism, as well as comparing the local with the international film press. The basis for the comparative analysis is a list of films screened in three selected cinemas in Cape Town.
Author: Michael Eckardt
Publisher: AFRICAN SUN MeDIA
ISBN: 191998061X
Category : Performing Arts
Languages : en
Pages : 124
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Book Description
This book examines the development of film criticism in Cape Town’s daily press from 1928 to 1930, using film reviews from the Cape Times and Die Burger. The character of film criticism in the period under discussion is explained by describing the general function of film criticism, as well as comparing the local with the international film press. The basis for the comparative analysis is a list of films screened in three selected cinemas in Cape Town.
Author:
Publisher:
ISBN: 9781919980744
Category : Burger
Languages : en
Pages : 118
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Book Description
Author: Kellen Kurschinski
Publisher: Wilfrid Laurier Univ. Press
ISBN: 1771120517
Category : History
Languages : en
Pages : 440
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Book Description
The Great War: From Memory to History offers a new look at the multiple ways the Great War has been remembered and commemorated through the twentieth century and into the twenty-first. Drawing on contributions from history, cultural studies, film, and literary studies this collection offers fresh perspectives on the Great War and its legacy at the local, national, and international levels. More importantly, it showcases exciting new research on the experiences and memories of “forgotten” participants who have often been ignored in dominant narratives or national histories. Contributors to this international study highlight the transnational character of memory-making in the Great War’s aftermath. No single memory of the war has prevailed, but many symbols, rituals, and expressions of memory connect seemingly disparate communities and wartime experiences. With groundbreaking new research on the role of Aboriginal peoples, ethnic minorities, women, artists, historians, and writers in shaping these expressions of memory, this book will be of great interest to readers from a variety of national and academic backgrounds.
Author: Roel Vande Winkel
Publisher: Springer
ISBN: 0230289320
Category : History
Languages : en
Pages : 385
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Book Description
This is the first publication to bring together comparative research on the international expansion of Third Reich cinema. This volume investigates various attempts to infiltrate - economically, politically and culturally - the film industries of 20 countries and regions either occupied by, friendly with or neutral towards Nazi Germany.
Author: James Burns
Publisher: Springer
ISBN: 1137308028
Category : History
Languages : en
Pages : 194
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Book Description
By 1940 going to the movies was the most popular form of public leisure in Britain's empire. This book explores the social and cultural impact of the movies in colonial societies in the early cinema age.
Author:
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Category : Africa
Languages : en
Pages : 576
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Book Description
Author:
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ISBN:
Category : Performing arts
Languages : en
Pages : 386
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Book Description
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ISBN:
Category : Motion pictures
Languages : en
Pages : 920
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Book Description
Author: Oscar Thompson
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 2506
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Book Description
Author: Jeffrey Knapp (Professor of English)
Publisher: Oxford University Press
ISBN: 0190634065
Category : Art
Languages : en
Pages : 312
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Book Description
Shakespeare's plays were immensely popular in their own day -- so why do we refuse to think of them as mass entertainment? In Pleasing Everyone, author Jeffrey Knapp opens our eyes to the uncanny resemblance between Renaissance drama and the incontrovertibly mass medium of Golden-Age Hollywood cinema. Through fascinating explorations of such famous plays as Hamlet, The Roaring Girl, and The Alchemist, and such celebrated films as Citizen Kane, The Jazz Singer, and City Lights, Knapp challenges some of our most basic assumptions about the relationship between art and mass audiences. Above all, Knapp encourages us to resist the prejudice that mass entertainment necessarily simplifies and cheapens whatever it touches. As Knapp shows, it was instead the ceaseless pressure to please everyone that helped generate the astonishing richness and complexity of Renaissance drama as well as of Hollywood film.
