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Author: Daniel Talbot
Publisher: Univ of California Press
ISBN: 9780520012516
Category : Performing Arts
Languages : en
Pages : 426
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Book Description
Collected essays explore the artistic, social, and historical aspects of film production
Author: Daniel Talbot
Publisher: Univ of California Press
ISBN: 9780520012516
Category : Performing Arts
Languages : en
Pages : 426
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Book Description
Collected essays explore the artistic, social, and historical aspects of film production
Author: Noël Carroll
Publisher: John Wiley & Sons
ISBN: 140515201X
Category : Philosophy
Languages : en
Pages : 432
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Book Description
Designed for classroom use, this authoritative anthology presentskey selections from the best contemporary work in philosophy offilm. The featured essays have been specially chosen for theirclarity, philosophical depth, and consonance with the current movetowards cognitive film theory Eight sections with introductions cover topics such as thenature of film, film as art, documentary cinema, narration andemotion in film, film criticism, and film's relation to knowledgeand morality Issues addressed include the objectivity of documentary films,fear of movie monsters, and moral questions surrounding the viewingof pornography Replete with examples and discussion of moving picturesthroughout
Author: Robert Knopf
Publisher: Yale University Press
ISBN: 9780300128703
Category : Performing Arts
Languages : en
Pages : 458
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Book Description
This is the first book in more than twenty-five years to examine the complex historical, cultural, and aesthetic relationship between theater and film, and the effect that each has had on the other’s development.Robert Knopf here assembles essays from performers, directors, writers, and critics that illuminate this ongoing inquiry. The book is divided into five parts—historical influence, comparisons and contrasts, writing, directing, and acting—with interludes by major artists whose work and words have shaped the development of theater and film. A comprehensive bibliography and filmography support further work in this area.The book contains contributions from Susan Sontag, Stanley Kauffmann, Sarah Bey-Cheng, Bertolt Brecht, Ingmar Bergman, Harold Pinter, David Mamet, Julia Taymor, Judi Dench, Sam Waterston, Orson Welles, Antonin Artaud, and Milos Forman, among others.
Author: Bill Nichols
Publisher: Univ of California Press
ISBN: 9780520054097
Category : Film criticism
Languages : en
Pages : 770
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Book Description
VOLUME 2: "Movies and Methods," Volume II, captures the developments that have given history and genre studies imaginative new models and indicates how feminist, structuralist, and psychoanalytic approaches to film have achieved fresh, valuable insights. In his thoughtful introduction, Nichols provides a context for the paradoxes that confront film studies today. He shows how shared methods and approaches continue to stimulate much of the best writing about film, points to common problems most critics and theorists have tried to resolve, and describes the internal contraditions that have restricted the usefulness of post-structuralism. Mini-introductions place each essay in a larger context and suggest its linkages with other essays in the volume. A great variety of approaches and methods characterize film writing today, and the final part conveys their diversity--from statistical style analysis to phenomenology and from gay criticisms to neoformalism. This concluding part also shows how the rigorous use of a broad range of approaches has helped remove post-structuralist criticism from its position of dominance through most of the seventies and early eighties. -- Publisher description.
Author: Robert Lapsley
Publisher: Manchester University Press
ISBN: 9780719026027
Category : Performing Arts
Languages : en
Pages : 260
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Book Description
An account of film theory aimed at teh cinemagoer and the student. It ranges from the late 1960s to the present, a period in which a number of conceptual strands were woven together. The authors chart the construction of this synthesis and its subsequent fragmentation, and elucidate the various intellectual currents contributing to it. The authors trace the shift from Althusserian Marxism to Lacanian psychoanalysis as the dominant paradigms for discussing aesthetic questions.--From book jacket.
Author: Scott MacKenzie
Publisher: University of California Press
ISBN: 0520377478
Category : Performing Arts
Languages : en
Pages : 674
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Book Description
Film Manifestos and Global Cinema Cultures is the first book to collect manifestoes from the global history of cinema, providing the first historical and theoretical account of the role played by film manifestos in filmmaking and film culture. Focusing equally on political and aesthetic manifestoes, Scott MacKenzie uncovers a neglected, yet nevertheless central history of the cinema, exploring a series of documents that postulate ways in which to re-imagine the cinema and, in the process, re-imagine the world. This volume collects the major European “waves” and figures (Eisenstein, Truffaut, Bergman, Free Cinema, Oberhausen, Dogme ‘95); Latin American Third Cinemas (Birri, Sanjinés, Espinosa, Solanas); radical art and the avant-garde (Buñuel, Brakhage, Deren, Mekas, Ono, Sanborn); and world cinemas (Iimura, Makhmalbaf, Sembene, Sen). It also contains previously untranslated manifestos co-written by figures including Bollaín, Debord, Hermosillo, Isou, Kieslowski, Painlevé, Straub, and many others. Thematic sections address documentary cinema, aesthetics, feminist and queer film cultures, pornography, film archives, Hollywood, and film and digital media. Also included are texts traditionally left out of the film manifestos canon, such as the Motion Picture Production Code and Pius XI's Vigilanti Cura, which nevertheless played a central role in film culture.
Author: Karyn Kay
Publisher: Plume
ISBN:
Category : Fiction
Languages : en
Pages : 498
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Book Description
Author: Lindsay Patterson
Publisher: Dodd Mead
ISBN: 9780396068433
Category : Performing Arts
Languages : en
Pages : 326
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Book Description
Collects twenty-nine essays and articles on the development and importance of black films, examining their images of black life and character, outstanding individual films, black actors and film-makers, and current trends.
Author: Toby Miller
Publisher: Wiley-Blackwell
ISBN: 9780631206255
Category : Literary Criticism
Languages : en
Pages : 862
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Book Description
This anthology aims to offer a collection of provocative and influential writings on film theory. Rather than look at film theory in terms of schools and allegiances, it investigates questions and problematics such as what is the cinema, what is realism and what does the spectator want?
Author: Cari Beauchamp
Publisher:
ISBN: 9781940412146
Category : Hollywood (Los Angeles, Calif.)
Languages : en
Pages : 0
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Book Description
Over forty legends of the film business recount their first trip to Hollywood. Actors, directors, screenwriters, cinematographers, and editors-half of them women-recall the long joinery, their initial impressions, their struggle to find work, and the love for making movies that kept them going. Drawn from letters, speeches, oral histories, memoirs, and autobiographies-and illustrated with over sixty vintage photographs and illustrations-each story is intimate and unique, but all speak to our universal need to follow our passions and be part of a community that feeds the soul. This anthology is edited and annotated by award-winning author and film historian Cari Beauchamp, the only person to twice be named as an Academy of Motion Picture Arts and Sciences Scholar. Of MY FIRST TIME IN HOLLYWOOD, Academy-Award-winning film preservationist, historian, and author Kevin Brownlow writes: "What every film fan years for-first-hand, eyewitness accounts of a Hollywood none of us can remember and all of us wish we'd known. Completely fascinating." And film critic and historian Leonard Maltin writes: "What a priceless parade of evocative and highly entertaining memories. Once you start reading you won't want to stop."
