Fifty More Contemporary One-Act Plays PDF Download
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Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 530
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Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 530
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Book Description
Author: Boston Public Library
Publisher:
ISBN:
Category : Bibliography
Languages : en
Pages : 902
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Book Description
Issues consist of lists of new books added to the library ; also articles about aspects of printing and publishing history, and about exhibitions held in the library, and important acquisitions.
Author: Elizabeth Lay Green
Publisher:
ISBN:
Category : African American authors
Languages : en
Pages : 108
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Author: Clare Virginia Eby
Publisher: University of Chicago Press
ISBN: 022608597X
Category : History
Languages : en
Pages : 263
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Book Description
For centuries, people have been thinking and writing—and fiercely debating—about the meaning of marriage. Just a hundred years ago, Progressive era reformers embraced marriage not as a time-honored repository for conservative values, but as a tool for social change. In Until Choice Do Us Part, Clare Virginia Eby offers a new account of marriage as it appeared in fiction, journalism, legal decisions, scholarly work, and private correspondence at the turn into the twentieth century. She begins with reformers like sexologist Havelock Ellis, anthropologist Elsie Clews Parsons, and feminist Charlotte Perkins Gilman, who argued that spouses should be “class equals” joined by private affection, not public sanction. Then Eby guides us through the stories of three literary couples—Upton and Meta Fuller Sinclair, Theodore and Sara White Dreiser, and Neith Boyce and Hutchins Hapgood—who sought to reform marriage in their lives and in their writings, with mixed results. With this focus on the intimate side of married life, Eby views a historical moment that changed the nature of American marriage—and that continues to shape marital norms today.
Author: Serafín Álvarez Quintero
Publisher:
ISBN:
Category : Love
Languages : en
Pages : 86
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Author: Library of Congress. Copyright Office
Publisher: Copyright Office, Library of Congress
ISBN:
Category : Copyright
Languages : en
Pages : 810
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Book Description
Includes Part 1, Number 2: Books and Pamphlets, Including Serials and Contributions to Periodicals (July - December)
Author: Werner Sollors
Publisher: Oxford University Press, USA
ISBN: 019505282X
Category : Literary Criticism
Languages : en
Pages : 593
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Book Description
In this study of "inter-racial" literature, the author examines: why, in the US, a "white" woman can give birth to a "black" baby, but a "black" woman will never give birth to a "white" baby; what makes racial "passing" different from social mobility; and how "miscegenation" is presented as incest
Author: Dorothy Chansky
Publisher: University of Iowa Press
ISBN: 1609383753
Category : Literary Criticism
Languages : en
Pages : 307
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Book Description
From 1918’s Tickless Time through Waiting for Lefty, Death of a Salesman, A Streetcar Named Desire, A Raisin in the Sun, and The Prisoner of Second Avenue to 2005’s The Clean House, domestic labor has figured largely on American stages. No dramatic genre has done more than the one often dismissively dubbed “kitchen sink realism” to both support and contest the idea that the home is naturally women’s sphere. But there is more to the genre than even its supporters suggest. In analyzing kitchen sink realisms, Dorothy Chansky reveals the ways that food preparation, domestic labor, dining, serving, entertaining, and cleanup saturate the lives of dramatic characters and situations even when they do not take center stage. Offering resistant readings that rely on close attention to the particular cultural and semiotic environments in which plays and their audiences operated, she sheds compelling light on the changing debates about women’s roles and the importance of their household labor across lines of class and race in the twentieth century. The story begins just after World War I, as more households were electrified and fewer middle-class housewives could afford to hire maids. In the 1920s, popular mainstream plays staged the plight of women seeking escape from the daily grind; African American playwrights, meanwhile, argued that housework was the least of women’s worries. Plays of the 1930s recognized housework as work to a greater degree than ever before, while during the war years domestic labor was predictably recruited to the war effort—sometimes with gender-bending results. In the famously quiescent and anxious 1950s, critiques of domestic normalcy became common, and African American maids gained a complexity previously reserved for white leading ladies. These critiques proliferated with the re-emergence of feminism as a political movement from the 1960s on. After the turn of the century, the problems and comforts of domestic labor in black and white took center stage. In highlighting these shifts, Chansky brings the real home.
![Bulletin [Accessions to the Library] PDF](https://books.google.com/books/content/images/frontcover/AxguAQAAIAAJ?fife=w80-h100)
Author: Mercantile Library Association (New York, N.Y.)
Publisher:
ISBN:
Category :
Languages : en
Pages : 382
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Author: Taylor Hagood
Publisher: Rowman & Littlefield
ISBN: 1683343638
Category : Biography & Autobiography
Languages : en
Pages : 265
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Book Description
Theodore Pratt (1901-1969) was the author of fifteen books that depict the Sunshine State, earning him the informal title of “Literary Laureate of Florida” in the mid-twentieth century. He portrayed the culture of south Florida, especially in his “Florida Trilogy”—which includes his most famous book, The Barefoot Mailman (1943), and continues with The Flame Tree (1948) and The Big Bubble (1949). He also wrote vividly about the Florida Keys in Mercy Island (1941), the Everglades in Escape to Eden (1953), and Chief Osceola in a novel and a play both called Seminole (1953/1954). Pratt did research for his books that created an archive that is valuable for researchers today and a collection of stories and essays, Florida Roundabout (1959),that offers a deep insight into the lives of poor whites in the state.This biography tells the story of Pratt’s life and work to Florida fans, teachers, young writers, and literary scholars who are interested in southern literature, Florida literature, and mid-century American film and literature.
