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Author: Joseph Donnelly
Publisher: AuthorHouse
ISBN: 1491897899
Category : Science
Languages : en
Pages : 205
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Book Description
By the small presentation this book represents in much deference to all of our histories. Owing much to all of our own racial, ethnic, clannish, colour or tribal gatherings, whom from each group we have been delivered with giant shoulders to stand upon, because we alone in the universe are the single species to have aspired! The Fifth Dimension and Fifth Dimensionism, being of our species effort, along with attachments, have upgraded the fabled two keys for further progress. By calling no nation per nation can be civilised until all nations per nation are deemed to be civilised, must stand. Not least because we are too unrefined to really understand how to manage the concept! Godsome states we are the one species ever to call the future purpose. Under whos terms is a matter beyond our understanding? But accepts without historical or futuristic query. There is God. Happily to represent species, any species to call in name God, you are me and I am you, the tone of all religions ever! Refined by us from now who have Gathered our differences if called by Tribe, Clan, Colour, Race or Creed, into the one form Species, allowing we together might attract Gods interest in the one species ever to call above the sound of procreation! Godsome, Godspeed, Some future?
Author: Joseph Donnelly
Publisher: AuthorHouse
ISBN: 1491897899
Category : Science
Languages : en
Pages : 205
Get Book Here
Book Description
By the small presentation this book represents in much deference to all of our histories. Owing much to all of our own racial, ethnic, clannish, colour or tribal gatherings, whom from each group we have been delivered with giant shoulders to stand upon, because we alone in the universe are the single species to have aspired! The Fifth Dimension and Fifth Dimensionism, being of our species effort, along with attachments, have upgraded the fabled two keys for further progress. By calling no nation per nation can be civilised until all nations per nation are deemed to be civilised, must stand. Not least because we are too unrefined to really understand how to manage the concept! Godsome states we are the one species ever to call the future purpose. Under whos terms is a matter beyond our understanding? But accepts without historical or futuristic query. There is God. Happily to represent species, any species to call in name God, you are me and I am you, the tone of all religions ever! Refined by us from now who have Gathered our differences if called by Tribe, Clan, Colour, Race or Creed, into the one form Species, allowing we together might attract Gods interest in the one species ever to call above the sound of procreation! Godsome, Godspeed, Some future?
Author: Joseph Donnelly
Publisher: AuthorHouse
ISBN: 1504987454
Category : Science
Languages : en
Pages : 251
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Book Description
The essence of this my third effort at publication now stands to be the true basis of our human species new working philosophy. My main interest is of our relationship with God on all fronts. Simple when realised we under the split headings of humanity in tribe, clan, national or of different skin colour configurations, have amassed over 10.000 religious philosophies to meet our personal needs. Of which none seem to work for all over the limit of tribe, clan national or colour configuration?! Because of the very modern sophisticated trend of rejecting God, generally understood to have been the creator; and in using the guessed at elements of how science really works or had been given credit for how it must work. Many in that field of study have felt qualified enough to snub those 10,000 religions by stating there never is or was God in any case? My personal stand and standards revolve around humanity in us, getting the understanding of God right in the first place, but slightly askew in the opinion we were expressly chosen by God to promote enlightenment upon the universe! Yes we got it right, there is God, and no arguments can be valid against this acceptance. To endorse that statement I have been able and commit my to be our understanding of how and why God set the clock of creation from the beginning of all time, now scientifically proved by us, through the open discovery of the God particle, much more than a scientific phenomena? . Part of my style and method stands to the terms of all religions in best choice to be monotheistic by character. This fits with the full progress of all histories naturally connecting with the future of self. Self to be the individuals we each are, but hailed to be of species over tribe, clan, colour or national. Our monotheistic relationship stands also to self, in that however we are in style by colour or creed. We will meet to be the same image of God as seen in self, but only able to manage that wonderful spectacle on Gods terms from our solid belief in God, reality, and our future! See what you think, when from now you can also evaluate the latest of sciences exposs over and above some of the scientific ranting of how any form of intelligent life began, but more importantly, why, remembering we are here on Gods terms not ours!
Author: Vanja V. Malloy
Publisher: National Geographic Books
ISBN: 0262038471
Category : Art
Languages : en
Pages : 0
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Book Description
The first book to document how artists of the early twentieth century responded to new scientific conceptions of reality. In the early twentieth century, influenced by advances in science that included Einstein's theory of relativity and newly powerful microscopic and telescopic lenses, artists were inspired to expand their art—to capture a new metareality that went beyond human perception into unseen dimensions. In 1936, the Hungarian poet Charles Sirató authored the Dimensionist Manifesto, signaling a new movement that called on artists to transcend “all the old borders and barriers of the arts.” The manifesto was the first attempt to systematize the mass of changes that we now call modern art, and was endorsed by an impressive array of artists, including Jean Arp, Alexander Calder, Robert Delaunay, Sonia Delaunay, César Domela, Marcel Duchamp, Wassily Kandinsky, Joan Miró, László Moholy-Nagy, Ben Nicholson, Enrico Prampolini, and Sophie Taeuber-Arp. Dimensionism is the first book in English to explore how these and other “Dimensionists” responded to the scientific breakthroughs of their era. The book, which accompanies a traveling exhibition, reproduces works by the manifesto's initial endorsers and by such artists as Georges Braque, Joseph Cornell, Helen Lundeberg, Man Ray, Herbert Matter, Isamu Noguchi, Pablo Picasso, Kay Sage, Patrick Sullivan, and Dorothea Tanning. It also offers essays by prominent art historians that examine Sirató's now almost-forgotten text and the artists who searched for a means of expression that obliterated old conceptions and parameters. Appearing for the first time in English is Sirató's own “History of the Dimensionist Manifesto,” written in 1966. The book brings aa long-forgotten voice and text back into circulation. Artists Alexander Archipenko, Jean Arp, Herbert Bayer, Georges Braque, Alexander Calder, Joseph Cornell, John Covert, Robert Delaunay, Sonia Delaunay, César Domela, Marcel Duchamp, Harold Edgerton, Max Ernst, Naum Gabo, Barbara Hepworth, Wassily Kandinsky, Gerome Kamrowski, Frederick Kann, Helen Lundeberg, Man Ray, André Masson, Roberto Matta, Herbert Matter, Joan Miró, László Moholy-Nagy, Henry Moore, Nina Negri, Ben Nicholson, Isamu Noguchi, Gordon Onslow Ford, Wolfgang Paalen, Antoine Pevsner, Pablo Picasso, Enrico Prampolini, Anton Prinner, Kay Sage, Charles Sirató, Will Henry Stevens, Patrick Sullivan, Sophie Taeuber-Arp, Yves Tanguy, Dorothea Tanning Copublished with the Mead Art Museum, Amherst College
Author: Hilary Thompson
Publisher: Bloomsbury Publishing
ISBN: 1350373826
Category : Literary Criticism
Languages : en
Pages : 241
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Book Description
Engaging a diverse range of contemporary anglophone literature from authors of the Asian, Middle Eastern and Caribbean diasporas, this book explores how such works turn to spirit forces, spirit realms and spirit beings - were-animals, mystical birds, and snake goddesses - as positive forces that assert perceptual dimensions beyond those of the human, and present a vision of Earth as agentive and animate. With previous scholarship downplaying these aspects of modern works as uncanny hauntings or symptoms of capitalism's or anthropocentrism's destructiveness, or within a blanket rubric of 'magical realism', Hilary Thompson rejects this partitioning of them as products of an exotic East or global South. By contrast, this book builds a new critical framework for analysis of worldly spirits, drawing on anthropological discussions of animism, the newly recovered 1930s boundary-crossing art movement Dimensionism, and multispecies theories of animals' diverse perceptual worlds. Taking stock of novels published from 2018-2020 by such writers as Amitav Ghosh, André Alexis, Yangsze Choo, Azareen Van der Vliet Oloomi, Zeyn Joukhadar, and Tanya Tagaq, Thompson illuminates how these works extend an ecological call to decentre the human and align with multidimensional theories of art and literature to provide ways to read for rather than reduce the extra-human dimensions emerging in contemporary fiction. A refreshing rejection of ecological apocalypticism, this book unsettles typical conceptualizations of both anglophone and Anthropocene literatures by invoking European art theory, philosophy, and non-Western ideas on animism and spirits to put forward perceptions of the extra-human as a form of dealing with the many uncertainties of today's different crises.
Author: Nicolas Lietzau
Publisher:
ISBN: 9783982216737
Category :
Languages : en
Pages : 826
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Book Description
In a tropical island empire where wealth defines worth, a troubled mercenary and a dying magnate's nightmares hold the keys to preventing a catastrophe.
Author: György Galántai
Publisher: Artpool Art Research Center
ISBN: 9630872250
Category : Art, East European
Languages : en
Pages : 540
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Book Description
This volume is a collection of texts and documents selected from and illustrating the history of Artpool, a non-profit artist run institution in Budapest, established in 1979 by György Galántai and Júlia Klaniczay and operating since 1992 under the name of Artpool Art Research Center. The book focuses on Artpool’s direct antecedents (among them the events at György Galántai's Chapel Studio in Balatonboglár, 1970–1973), on the foundation, development, art projects and events, as well as the preferences and issues pertaining to art research (not independent of the historical and social environment they were conceived in) that had formed throughout the course of many years and decades. "The occasion of the publication of ARTPOOL The Experimental Art Archive of East-Central Europe is a milestone in the history of art for its documentation of a remarkable period in the chronicles of conceptual, performance, installation, and video art, as well ephemeral mediums such as mail art and artists’ stamp sheets, postcards, rubber stamp imprints, artists’ writings and samizdat publications. The work represented in the Artpool archive is astonishing in its scope and quantity, quality of imagination, intellectual force, and the courage of the artists who created it. This volume presents an opportunity to reflect on the events that brought Artpool into being, to acknowledge that while originating in the context of East-Central Europe, Artpool’s community has always been international, and to evaluate its broad contributions to world culture and society." (Kristine Stiles)
Author: Hanif Abdurraqib
Publisher: University of Texas Press
ISBN: 1477318445
Category : Music
Languages : en
Pages : 216
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Book Description
A New York Times Best Seller 2019 National Book Award Longlist, Nonfiction 2019 Kirkus Book Prize Finalist, Nonfiction A February IndieNext Pick Named A Most Anticipated Book of 2019 by Buzzfeed, Nylon, The A. V. Club, CBC Books, and The Rumpus, and a Winter's Most Anticipated Book by Vanity Fair and The Week Starred Reviews: Kirkus and Booklist "Warm, immediate and intensely personal."—New York Times How does one pay homage to A Tribe Called Quest? The seminal rap group brought jazz into the genre, resurrecting timeless rhythms to create masterpieces such as The Low End Theory and Midnight Marauders. Seventeen years after their last album, they resurrected themselves with an intense, socially conscious record, We Got It from Here . . . Thank You 4 Your Service, which arrived when fans needed it most, in the aftermath of the 2016 election. Poet and essayist Hanif Abdurraqib digs into the group’s history and draws from his own experience to reflect on how its distinctive sound resonated among fans like himself. The result is as ambitious and genre-bending as the rap group itself. Abdurraqib traces the Tribe's creative career, from their early days as part of the Afrocentric rap collective known as the Native Tongues, through their first three classic albums, to their eventual breakup and long hiatus. Their work is placed in the context of the broader rap landscape of the 1990s, one upended by sampling laws that forced a reinvention in production methods, the East Coast–West Coast rivalry that threatened to destroy the genre, and some record labels’ shift from focusing on groups to individual MCs. Throughout the narrative Abdurraqib connects the music and cultural history to their street-level impact. Whether he’s remembering The Source magazine cover announcing the Tribe’s 1998 breakup or writing personal letters to the group after bandmate Phife Dawg’s death, Abdurraqib seeks the deeper truths of A Tribe Called Quest; truths that—like the low end, the bass—are not simply heard in the head, but felt in the chest.
Author: Cláudia Madeira
Publisher: Taylor & Francis
ISBN: 1003813577
Category : Performing Arts
Languages : en
Pages : 216
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Book Description
This book explores histories which have only recently been rediscovered by artists and researchers. This study explores the history of Portuguese performance art, in its various "speculative" and "performative" forms. The author approaches this relationship with the re-emergence and centrality of these (semi-)peripheral histories at an international level, whilst identifying some of their unique traits: their cycles of emergence and retraction in Portuguese history; their multiple and complex ontologies; the intertwined relations between the art of performance and the social performance of the Portuguese (regarding topics as sensitive and fracturing as those of the long dictatorship, the colonial war and the revolutionary process, or even the integration of Portugal in the European Community and, more recently, the various 21st century social, political and economic crises). This reading in turn covers the development of the relationship between performance and hybridism, namely, analyzing the recent dimension of meta-hybridism, in the processes of artistic homage that contemporary Portuguese creators have been establishing through access to the histories and archives of this historical genre. This book will be of great interest to students and scholars in theatre and performance studies, performance art and arts in general.
Author: Joseph Keim Campbell
Publisher: Polity
ISBN: 0745646662
Category : Philosophy
Languages : en
Pages : 136
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Book Description
What is free will? Why is it important? Can the same act be both free and determined? Is free will necessary for moral responsibility? Does anyone have free will, and if not, how is creativity possible and how can anyone be praised or blamed for anything? These are just some of the questions considered by Joseph Keim Campbell in this lively and accessible introduction to the concept of free will. Using a range of engaging examples the book introduces the problems, arguments, and theories surrounding free will. Beginning with a discussion of fatalism and causal determinism, the book goes on to focus on the metaphysics of moral responsibility, free will skepticism, and skepticism about moral responsibility. Campbell shows that no matter how we look at it, free will is problematic. Thankfully there are a plethora of solutions on offer and the best of these are considered in full in the final chapter on contemporary theories of free will. This includes a rigorous account of libertarianism, compatabilism, and naturalism. Free Will is the ideal introduction to the topic and will be a valuable resource for scholars and students seeking to understand the importance and relevance of the concept for contemporary philosophy.
Author: Esmé Weijun Wang
Publisher: Penguin UK
ISBN: 0141991542
Category : Biography & Autobiography
Languages : en
Pages : 175
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Book Description
'Dazzling ... in her kaleidoscopic essays, memoir has been shattered into sliding and overlapping pieces ... mind-expanding' The New York Times Book Review Esmé Weijun Wang was officially diagnosed with schizoaffective disorder in 2013, although the hallucinations and psychotic episodes had started years before that. In the midst of a high functioning life at Yale, Stanford and the literary world, she would find herself floored by an overwhelming terror that 'spread like blood', or convinced that she was dead, or that her friends were robots, or spiders were eating holes in her brain. What happens when your whole conception of yourself is turned upside down? When you're aware of what is occurring to you, but unable to do anything about it? Written with immediacy and unflinching honesty, this visceral and moving book is Wang's story, as she steps both inside and outside of her condition to bring it to light. Following her own diagnosis and the many manifestations of schizophrenia in her life, she ranges over everything from how we label mental illness to her own use of fashion and make-up to present herself as high-functioning, from the failures of the higher education system to how factors such as PTSD and Lyme disease compounded her experiences. Wang's analytical, intelligent eye, honed as a former lab researcher at Stanford, allows her to balance research with haunting personal narrative. The Collected Schizophrenias cuts right to the core and provides unique insight into a condition long misdiagnosed and much misunderstood.
