Author: National Gallery of Art (U.S.)
Publisher: Washington : Publications Department, National Gallery of Art
ISBN:
Category : Engraving
Languages : en
Pages : 334
Book Description
Fifteenth Century Woodcuts and Metalcuts from the National Gallery of Art, Washington, D.C.
Author: National Gallery of Art (U.S.)
Publisher: Washington : Publications Department, National Gallery of Art
ISBN:
Category : Engraving
Languages : en
Pages : 334
Book Description
Publisher: Washington : Publications Department, National Gallery of Art
ISBN:
Category : Engraving
Languages : en
Pages : 334
Book Description
A Catalogue of Books Printed in the Fifteenth Century Now in the Bodleian Library
Author: Bodleian Library
Publisher:
ISBN: 9780199519057
Category : Reference
Languages : en
Pages : 450
Book Description
Publisher:
ISBN: 9780199519057
Category : Reference
Languages : en
Pages : 450
Book Description
United States Government Organization Manual
Author:
Publisher:
ISBN:
Category : Executive departments
Languages : en
Pages : 860
Book Description
Publisher:
ISBN:
Category : Executive departments
Languages : en
Pages : 860
Book Description
Origins of European Printmaking
Author: Peter W. Parshall
Publisher: Yale University Press
ISBN: 0300113390
Category : Art
Languages : en
Pages : 396
Book Description
The first comprehensive history of late medieval printmaking, which transformed image production and led to profound changes in Western culture
Publisher: Yale University Press
ISBN: 0300113390
Category : Art
Languages : en
Pages : 396
Book Description
The first comprehensive history of late medieval printmaking, which transformed image production and led to profound changes in Western culture
German Paintings in the Metropolitan Museum of Art, 1350-1600
Author: Maryan W. Ainsworth
Publisher: Metropolitan Museum of Art
ISBN: 1588394875
Category : History
Languages : en
Pages : 386
Book Description
Paintings by Renaissance masters Lucas Cranach the Elder, Albrecht Durer, and Hans Holbein the Younger are among the works featured in this lavish volume, the first to comprehensively study the largest collection of early German paintings in America. These works, created in the 14th through 16th centuries in the region that comprises present-day Germany, Austria, and Switzerland, include religious images - such as "Virgin and Child with Saint Anne" by Durer and the double-sided altarpiece "The Dormition of the Virgin" by Hans Schaufelein - as well as remarkable portraits by Holbein and the iconic "Judgment of Paris" by Cranach. In all, more than 70 works are thoroughly discussed and analyzed, making this volume an incomparable resource for the study of this rich artistic period.
Publisher: Metropolitan Museum of Art
ISBN: 1588394875
Category : History
Languages : en
Pages : 386
Book Description
Paintings by Renaissance masters Lucas Cranach the Elder, Albrecht Durer, and Hans Holbein the Younger are among the works featured in this lavish volume, the first to comprehensively study the largest collection of early German paintings in America. These works, created in the 14th through 16th centuries in the region that comprises present-day Germany, Austria, and Switzerland, include religious images - such as "Virgin and Child with Saint Anne" by Durer and the double-sided altarpiece "The Dormition of the Virgin" by Hans Schaufelein - as well as remarkable portraits by Holbein and the iconic "Judgment of Paris" by Cranach. In all, more than 70 works are thoroughly discussed and analyzed, making this volume an incomparable resource for the study of this rich artistic period.
Gothic and Renaissance Art in Nuremberg, 1300-1550
Author: Metropolitan Museum of Art (New York, N.Y.)
Publisher: Metropolitan Museum of Art
ISBN: 0870994662
Category : Art, German
Languages : en
Pages : 501
Book Description
Publisher: Metropolitan Museum of Art
ISBN: 0870994662
Category : Art, German
Languages : en
Pages : 501
Book Description
The Viewer and the Printed Image in Late Medieval Europe
Author: DavidS. Areford
Publisher: Routledge
ISBN: 135153968X
Category : Art
Languages : en
Pages : 347
Book Description
Structured around in-depth and interconnected case studies and driven by a methodology of material, contextual, and iconographic analysis, this book argues that early European single-sheet prints, in both the north and south, are best understood as highly accessible objects shaped and framed by individual viewers. Author David Areford offers a synthetic historical narrative of early prints that stresses their unusual material nature, as well as their accessibility to a variety of viewers, both lay and monastic. This volume represents a shift in the study of the early printed image, one that mirrors the widespread movement in art history away from issues of production, style, and the artist toward issues of reception, function, and the viewer. Areford's approach is intensely grounded in the object, especially the unacknowledged material complexity of the print as a portable, malleable, and accessible image that depended on a response that was not only visual but often physical, emotional, and psychological. Recognizing that early prints were not primarily designed for aesthetic appreciation, the author analyzes how their meanings stemmed from specific functions involving private devotion, protection, indulgences, the cult of saints, pilgrimage, exorcism, the art of memory, and anti-Semitic propaganda. Although the medium's first century was clearly transitional and experimental, Areford explores how its potential to impact viewers in new ways?both positive and negative?was quickly realized.
Publisher: Routledge
ISBN: 135153968X
Category : Art
Languages : en
Pages : 347
Book Description
Structured around in-depth and interconnected case studies and driven by a methodology of material, contextual, and iconographic analysis, this book argues that early European single-sheet prints, in both the north and south, are best understood as highly accessible objects shaped and framed by individual viewers. Author David Areford offers a synthetic historical narrative of early prints that stresses their unusual material nature, as well as their accessibility to a variety of viewers, both lay and monastic. This volume represents a shift in the study of the early printed image, one that mirrors the widespread movement in art history away from issues of production, style, and the artist toward issues of reception, function, and the viewer. Areford's approach is intensely grounded in the object, especially the unacknowledged material complexity of the print as a portable, malleable, and accessible image that depended on a response that was not only visual but often physical, emotional, and psychological. Recognizing that early prints were not primarily designed for aesthetic appreciation, the author analyzes how their meanings stemmed from specific functions involving private devotion, protection, indulgences, the cult of saints, pilgrimage, exorcism, the art of memory, and anti-Semitic propaganda. Although the medium's first century was clearly transitional and experimental, Areford explores how its potential to impact viewers in new ways?both positive and negative?was quickly realized.
Prayer Books and Piety in Late Medieval and Early Modern Europe / Gebetbücher und Frömmigkeit in Spätmittelalter und Früher Neuzeit
Author: Maria Crăciun
Publisher: Vandenhoeck & Ruprecht
ISBN: 3647573450
Category : Religion
Languages : en
Pages : 408
Book Description
This collected volume is dedicated to the role of prayer books in lay piety in medieval and early modern contexts. Instead of focusing on individual examples, it places them within the broader genre of devotional literature and considers them in connection with prevailing cultural, religious and artistic developments, taking into account the Reformation, the printing press and growing interest in lay piety, in the context of increasing individualism, developing literacy, privatization and/or personalization of religion. Contextualising devotional literature, the volume refines understandings of religious practice fostered by traditional Catholicism and early modern Protestantism and its relationship with the written word, locating the use of books within a devotional 'diet' that included oral recitation of prayers as well as contemplation of images. Stressing continuities, often against the grain of existing literature, this volume highlights differences between regional cultures of prayer in contrast to norms set by the universal Church and emphasizes the tension between public/communal and private/individual devotion.
Publisher: Vandenhoeck & Ruprecht
ISBN: 3647573450
Category : Religion
Languages : en
Pages : 408
Book Description
This collected volume is dedicated to the role of prayer books in lay piety in medieval and early modern contexts. Instead of focusing on individual examples, it places them within the broader genre of devotional literature and considers them in connection with prevailing cultural, religious and artistic developments, taking into account the Reformation, the printing press and growing interest in lay piety, in the context of increasing individualism, developing literacy, privatization and/or personalization of religion. Contextualising devotional literature, the volume refines understandings of religious practice fostered by traditional Catholicism and early modern Protestantism and its relationship with the written word, locating the use of books within a devotional 'diet' that included oral recitation of prayers as well as contemplation of images. Stressing continuities, often against the grain of existing literature, this volume highlights differences between regional cultures of prayer in contrast to norms set by the universal Church and emphasizes the tension between public/communal and private/individual devotion.
Catalog of the Library of the Whitney Museum of American Art, New York, New York
Author: Whitney Museum of American Art. Library
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 708
Book Description
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 708
Book Description
The Renaissance Print, 1470-1550
Author: David Landau
Publisher: Yale University Press
ISBN: 0300068832
Category : Art
Languages : en
Pages : 453
Book Description
Through an examination of material and institutional circumstances, through the study of work shop practices and of technical and aesthetic experimentation, this book seeks to give an account of the ways in which Renaissance prints were realized, distributed, acquired, and handled by their public.
Publisher: Yale University Press
ISBN: 0300068832
Category : Art
Languages : en
Pages : 453
Book Description
Through an examination of material and institutional circumstances, through the study of work shop practices and of technical and aesthetic experimentation, this book seeks to give an account of the ways in which Renaissance prints were realized, distributed, acquired, and handled by their public.