Author: John Vinycomb
Publisher: Library of Alexandria
ISBN: 1465552553
Category : Fiction
Languages : en
Pages : 348
Book Description
Fictitious and Symbolic Creatures in Art With Special Reference to Their Use in British Heraldry
Author: John Vinycomb
Publisher: Library of Alexandria
ISBN: 1465552553
Category : Fiction
Languages : en
Pages : 348
Book Description
Publisher: Library of Alexandria
ISBN: 1465552553
Category : Fiction
Languages : en
Pages : 348
Book Description
Fictitious & Symbolic Creatures in Art
Author: John Vinycomb
Publisher: Litres
ISBN: 5041203873
Category : Art
Languages : en
Pages : 359
Book Description
Publisher: Litres
ISBN: 5041203873
Category : Art
Languages : en
Pages : 359
Book Description
Fictitious and Symbolic Creatures in Art
Author: John Vinycomb
Publisher: Library of Alexandria
ISBN: 1465535551
Category : Fiction
Languages : en
Pages : 195
Book Description
Publisher: Library of Alexandria
ISBN: 1465535551
Category : Fiction
Languages : en
Pages : 195
Book Description
Fictitious & Symbolic Creatures in Art with Special Reference to Their Use in British Heraldry
Author: John Vinycomb
Publisher:
ISBN:
Category : Animals
Languages : en
Pages : 306
Book Description
Publisher:
ISBN:
Category : Animals
Languages : en
Pages : 306
Book Description
Animal Symbolism in Ecclesiastical Architecture
Author: Edward Payson Evans
Publisher:
ISBN:
Category : Animals in art
Languages : en
Pages : 720
Book Description
Publisher:
ISBN:
Category : Animals in art
Languages : en
Pages : 720
Book Description
The Origin of Consciousness in the Breakdown of the Bicameral Mind
Author: Julian Jaynes
Publisher: Houghton Mifflin Harcourt
ISBN: 0547527543
Category : Psychology
Languages : en
Pages : 580
Book Description
National Book Award Finalist: “This man’s ideas may be the most influential, not to say controversial, of the second half of the twentieth century.”—Columbus Dispatch At the heart of this classic, seminal book is Julian Jaynes's still-controversial thesis that human consciousness did not begin far back in animal evolution but instead is a learned process that came about only three thousand years ago and is still developing. The implications of this revolutionary scientific paradigm extend into virtually every aspect of our psychology, our history and culture, our religion—and indeed our future. “Don’t be put off by the academic title of Julian Jaynes’s The Origin of Consciousness in the Breakdown of the Bicameral Mind. Its prose is always lucid and often lyrical…he unfolds his case with the utmost intellectual rigor.”—The New York Times “When Julian Jaynes . . . speculates that until late in the twentieth millennium BC men had no consciousness but were automatically obeying the voices of the gods, we are astounded but compelled to follow this remarkable thesis.”—John Updike, The New Yorker “He is as startling as Freud was in The Interpretation of Dreams, and Jaynes is equally as adept at forcing a new view of known human behavior.”—American Journal of Psychiatry
Publisher: Houghton Mifflin Harcourt
ISBN: 0547527543
Category : Psychology
Languages : en
Pages : 580
Book Description
National Book Award Finalist: “This man’s ideas may be the most influential, not to say controversial, of the second half of the twentieth century.”—Columbus Dispatch At the heart of this classic, seminal book is Julian Jaynes's still-controversial thesis that human consciousness did not begin far back in animal evolution but instead is a learned process that came about only three thousand years ago and is still developing. The implications of this revolutionary scientific paradigm extend into virtually every aspect of our psychology, our history and culture, our religion—and indeed our future. “Don’t be put off by the academic title of Julian Jaynes’s The Origin of Consciousness in the Breakdown of the Bicameral Mind. Its prose is always lucid and often lyrical…he unfolds his case with the utmost intellectual rigor.”—The New York Times “When Julian Jaynes . . . speculates that until late in the twentieth millennium BC men had no consciousness but were automatically obeying the voices of the gods, we are astounded but compelled to follow this remarkable thesis.”—John Updike, The New Yorker “He is as startling as Freud was in The Interpretation of Dreams, and Jaynes is equally as adept at forcing a new view of known human behavior.”—American Journal of Psychiatry
Reasoned and Unreasoned Images
Author: Josh Ellenbogen
Publisher: Penn State Press
ISBN: 0271052597
Category : Photography
Languages : en
Pages : 281
Book Description
"Examines three projects in late nineteenth-century scientific photography: the endeavors of Alphonse Bertillon, Francis Galton, and Etienne-Jules Marey. Develops new theoretical perspectives on the history of photographic technology, as well as the history of scientific imaging more generally"--
Publisher: Penn State Press
ISBN: 0271052597
Category : Photography
Languages : en
Pages : 281
Book Description
"Examines three projects in late nineteenth-century scientific photography: the endeavors of Alphonse Bertillon, Francis Galton, and Etienne-Jules Marey. Develops new theoretical perspectives on the history of photographic technology, as well as the history of scientific imaging more generally"--
Art Perception
Author: David Cycleback
Publisher: Lulu.com
ISBN: 1312117494
Category : Art
Languages : en
Pages : 205
Book Description
A complex and fascinating question is why do humans have such strong emotional reactions and human connections to art? Why do viewers become scared, even haunted for days, by a movie monster they know doesn't exist? Why do humans become enthralled by distorted figures and scenes that aren't realistic? Why do viewers have emotional attachments to comic book characters? The answer lies in that, while humans know art is human made artifice, they view and decipher art using the same often nonconscious methods that they use to view and decipher reality. Looking at how we perceive reality shows us how we perceive art, and looking at how we perceive art helps show us how we perceive reality. Written by the prominent art historian and philosopher Cycleback, this book is a concise introduction to understanding art perception, covering key psychological, cognitive science, physiological and philosophical concepts.
Publisher: Lulu.com
ISBN: 1312117494
Category : Art
Languages : en
Pages : 205
Book Description
A complex and fascinating question is why do humans have such strong emotional reactions and human connections to art? Why do viewers become scared, even haunted for days, by a movie monster they know doesn't exist? Why do humans become enthralled by distorted figures and scenes that aren't realistic? Why do viewers have emotional attachments to comic book characters? The answer lies in that, while humans know art is human made artifice, they view and decipher art using the same often nonconscious methods that they use to view and decipher reality. Looking at how we perceive reality shows us how we perceive art, and looking at how we perceive art helps show us how we perceive reality. Written by the prominent art historian and philosopher Cycleback, this book is a concise introduction to understanding art perception, covering key psychological, cognitive science, physiological and philosophical concepts.
The Oera Linda Book
Author:
Publisher:
ISBN:
Category : Frisians
Languages : en
Pages : 300
Book Description
Publisher:
ISBN:
Category : Frisians
Languages : en
Pages : 300
Book Description
Religion and Its Monsters
Author: Timothy Beal
Publisher: Routledge
ISBN: 1135283486
Category : Religion
Languages : en
Pages : 248
Book Description
Religion's great and powerful mystery fascinates us, but it also terrifies. So too the monsters that haunt the stories of the Judeo-Christian mythos and earlier traditions: Leviathan, Behemoth, dragons, and other beasts. In this unusual and provocative book, Timothy K. Beal writes about the monsters that lurk in our religious texts, and about how monsters and religion are deeply entwined. Horror and faith are inextricable. Ans as monsters are part of religious texts and traditions, so religion lurks in the modern horror genre, from its birth in Dante's Inferno to the contemporary spookiness of H.P. Lovecraft and the Hellraiser films. Religion and Its Monsters is essential reading for students of religion and popular culture, as well as any readers with an interest in horror.
Publisher: Routledge
ISBN: 1135283486
Category : Religion
Languages : en
Pages : 248
Book Description
Religion's great and powerful mystery fascinates us, but it also terrifies. So too the monsters that haunt the stories of the Judeo-Christian mythos and earlier traditions: Leviathan, Behemoth, dragons, and other beasts. In this unusual and provocative book, Timothy K. Beal writes about the monsters that lurk in our religious texts, and about how monsters and religion are deeply entwined. Horror and faith are inextricable. Ans as monsters are part of religious texts and traditions, so religion lurks in the modern horror genre, from its birth in Dante's Inferno to the contemporary spookiness of H.P. Lovecraft and the Hellraiser films. Religion and Its Monsters is essential reading for students of religion and popular culture, as well as any readers with an interest in horror.