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Author: Gail Turley Houston
Publisher: SIU Press
ISBN: 9780809319534
Category : Literary Collections
Languages : en
Pages : 264
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Book Description
In this remarkable study, Gail Turley Houston examines the rich interplay of consumption as alimental process, medical entity, psychological construct, and economic practice in order to explore Charles Dickens’s fictional representations of Victorian culture as he presents it in his novels. Drawing from medical, historical, economic, psychoanalytic, and biographical materials from the Victorian period, Houston anchors her work in the belief that if class and gender are fictional constructions, real people’s lives are affected in complex and coercive ways by such constructions. Proceeding chronologically, Houston traces particular patterns throughout ten of Dickens’s major novels: The Pickwick Papers, Oliver Twist, The Old Curiosity Shop, Martin Chuzzlewit, Dombey and Son, David Copperfield, Bleak House, Little Dorrit, Great Expectations, and Our Mutual Friend. Houston maintains that Victorian codes of behavior prescribed for gender and class regarding sexual and alimental appetites were so extreme and complicated that numerous consequent eating disorders and related diseases developed. Ideologies about consumption translated into medically defined consumptions, such as anorexia. Using anorexia and its etiology as representative of an underlying cultural dynamics of consumption, Houston examines anorexia as a deep structure of the Victorian period. Further, consumption as economic process is reflected in the expansion of individual material desires at the expense of the designated body politic. In other words, extravagant consumption occurs in society only if certain groups—usually consisting of lower-class men and women and, in Dickens’s novels, women in general—are severely limited in their consumption. To support her approach, Houston turns to Rita Felski’s Beyond Feminist Aesthetics, agreeing with Felski’s argument that it is necessary to recognize the complex dialectics that take place between the individual and society. Not only does culture construct human beings, but human beings also construct culture. Felski’s theory aids Houston in emphasizing that Dickens not only influenced but was also greatly influenced by the Victorian dynamics of consumption. In fact, Houston argues that while Dickens dismantles Victorian ideologies about class and hunger by demonstrating the unnaturalness of expecting one class to starve so that another might gluttonize, he nevertheless accepts and perpetuates the Victorian identification of woman as the self-sacrificing, always-nurturing "angel in the house" without need of nurture herself. This extraordinary book will appeal to literary scholars, as well as to scholars in the social sciences, history, humanistically oriented medicine, and women’s studies.
Author: Gail Turley Houston
Publisher: SIU Press
ISBN: 9780809319534
Category : Literary Collections
Languages : en
Pages : 264
Get Book Here
Book Description
In this remarkable study, Gail Turley Houston examines the rich interplay of consumption as alimental process, medical entity, psychological construct, and economic practice in order to explore Charles Dickens’s fictional representations of Victorian culture as he presents it in his novels. Drawing from medical, historical, economic, psychoanalytic, and biographical materials from the Victorian period, Houston anchors her work in the belief that if class and gender are fictional constructions, real people’s lives are affected in complex and coercive ways by such constructions. Proceeding chronologically, Houston traces particular patterns throughout ten of Dickens’s major novels: The Pickwick Papers, Oliver Twist, The Old Curiosity Shop, Martin Chuzzlewit, Dombey and Son, David Copperfield, Bleak House, Little Dorrit, Great Expectations, and Our Mutual Friend. Houston maintains that Victorian codes of behavior prescribed for gender and class regarding sexual and alimental appetites were so extreme and complicated that numerous consequent eating disorders and related diseases developed. Ideologies about consumption translated into medically defined consumptions, such as anorexia. Using anorexia and its etiology as representative of an underlying cultural dynamics of consumption, Houston examines anorexia as a deep structure of the Victorian period. Further, consumption as economic process is reflected in the expansion of individual material desires at the expense of the designated body politic. In other words, extravagant consumption occurs in society only if certain groups—usually consisting of lower-class men and women and, in Dickens’s novels, women in general—are severely limited in their consumption. To support her approach, Houston turns to Rita Felski’s Beyond Feminist Aesthetics, agreeing with Felski’s argument that it is necessary to recognize the complex dialectics that take place between the individual and society. Not only does culture construct human beings, but human beings also construct culture. Felski’s theory aids Houston in emphasizing that Dickens not only influenced but was also greatly influenced by the Victorian dynamics of consumption. In fact, Houston argues that while Dickens dismantles Victorian ideologies about class and hunger by demonstrating the unnaturalness of expecting one class to starve so that another might gluttonize, he nevertheless accepts and perpetuates the Victorian identification of woman as the self-sacrificing, always-nurturing "angel in the house" without need of nurture herself. This extraordinary book will appeal to literary scholars, as well as to scholars in the social sciences, history, humanistically oriented medicine, and women’s studies.
Author: Sonja K. Foss
Publisher: Waveland Press
ISBN: 1478608692
Category : Language Arts & Disciplines
Languages : en
Pages : 268
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Book Description
Essential for anyone who seeks to understand the contemporary gender landscape, Gender Stories defines gender as the socially constructed meanings that are assigned to bodies. The book helps readers navigate issues of gender by introducing them to the ubiquitous gender binary, the problems with much of the research on gender differences, and the variety of gender stories in popular culture. At the heart of the book is a description of the process of becoming a gendered person through crafting and performing gender stories. Because each gender performance is unique, a virtually unlimited number of genders existsnot just two, as the gender binary would have us believe. The same multiplicity that characterizes the gender landscape characterizes the individual, who typically changes gender multiple times a day and across the lifespan. In Gender Stories, personal gender performances are framed within a philosophy of choice. Readers are encouraged to become more conscious of the choices they have in constructing their gender identities and to allow others the same choice by respecting their gender performances. Readers will easily find a place for themselves in the book, regardless of their views on gender, because one perspective on gender is not presented as the right one. Gender Stories affirms and legitimizes diverse perspectives as providing more comprehensive knowledge about gender for everyone.
Author: Tassie Gwilliam
Publisher: Stanford University Press
ISBN: 0804725225
Category : Literary Criticism
Languages : en
Pages : 218
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Book Description
In developing a new gender theory for analyzing Samuel Richardson's three major novels - Pamela, Clarissa, and Sir Charles Grandison - the author argues that these novels of sexual threat expose, sometimes unwillingly, the extraordinary labor required to construct and maintain the eighteenth-century ideology of gender, that apparently natural dream of perfect symmetry between the sexes. The instability of that model is revealed notably in Richardson's fascination with cross-gender identification and other instances of transgressive desires. The author demonstrates that these violations of the supposedly unbreachable barriers between masculinity and femininity produce what is most moving and imaginative in Richardson's fiction and create an equally powerful repression in the form of punishment of transgressive characters and desires. She also illustrates, through a reading of recurrent fantasies about the composition of bodies - especially women's bodies - the complex interaction between those fantasies and the construction of masculinity and femininity. The genesis of Richardson's own writing is located in a dynamic, reciprocal idea of gender that allows him to see femininity from the inside while retaining the privileges of the masculine viewpoint; the relation between this origin and the novels themselves forms the basis for the discussions of the novels. Each of the three chapters in the book seeks to investigate particular turn of gender construction and a particular mode of the reiterative story of sexual differences. The first chapter, on Pamela, calls on eighteenth-century discourse about opposing ideologies of gender and sexuality to elucidate Richardson's project. The next chapter, on Clarissa, shifts to a more intricate analysis of fantasies about sex and gender, in particular the double reading of masculinity and femininity in the form of of masculinity reading itself through the feminine. The final chapter, on The History of Sir Charles Grandison, examines Richardson's attempt to solidify masculinity in the person of the "good man."
Author: Jorge Sacido-Romero
Publisher: Routledge
ISBN: 1351604899
Category : Literary Criticism
Languages : en
Pages : 515
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Book Description
In their new monograph, Gender and Short Fiction: Women's Tales in Contemporary Britain, Jorge Sacido-Romero and Laura M Lojo-Rodriguez explain why artistically ambitious women writers continue turning to the short story, a genre that has not yet attained the degree of literary prestige and social recognition the novel has had in the modern period. In this timely volume, the editors endorse the view that the genre still retains its potential as a vehicle for the expression of female experience alternative to and/or critical with dominant patriarchal ideology present at the very onset of the development of the modern British short story at the turn of the nineteenth century.
Author: Ingrid Hotz-Davies
Publisher: Cambridge Scholars Publishing
ISBN: 1443803030
Category : Computers
Languages : en
Pages : 215
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Book Description
The Internet is nothing less than a medium for the indiscriminate and global dissemination of information if we take "information" in its cybernetic sense as bits of data – any data. As such, it is also a massive, amorphous, rhizomic collection of substantiated facts, guesswork, fantasy, madness, debate, criminal energy, big business, stupidity, brilliance, all in all a seemingly limitless multiplication of voices, all clamouring to be heard. It is a medium which proliferates stories, narratives, fictions, in ways which are both new and familiar. It is as a generator of fictions that the Internet seems to be just waiting to be explored by the disciplines of literary, cultural and linguistic studies: Fan-fiction, slash and straight; scam baiting; fan sites; ‘wild’ or ‘rogue’ interpretive universes; gossip, theories, musings, opinions. As a singularly unstructured – and hence as yet uncanonizable – body of texts, the stories told on the Internet have a distinct element of ‘grass-roots’ fictionalization and so offer an unprecedented opportunity to access, hear and investigate the stories and fantasies woven by non-professional writers alongside their more formally recognized colleagues. As a medium which is beginning to investigate itself by means of various meta-debates within the vast community of Internet fictionalizers, it is also a location where emergent phenomena may be debated in their process of being generated. This collection seeks to explore this for the most part uncharted territory in creative, innovative, theory-savvy ways using the manifold fictions the Internet generates. It brings together a wide variety of expertise from the fields of linguistic, literary, media and cultural studies. All contributors bring to the collection their individual voices and approaches which speak from various positions of involvedness or critique to provide searching and passionate discussions of the issues involved in Internet Fictions.
Author: Edith Sarra
Publisher: Stanford University Press
ISBN: 9780804733786
Category : Literary Collections
Languages : en
Pages : 362
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Book Description
The history of Japanese memoir literature began over a thousand years ago, its greatest practitioners being women of the middle ranks whose literary talents won many of them positions as ladies-in-waiting at the Heian imperial court. As female writers they both inhabited and helped create a discursive world obsessed with the arts of concealment and self-display, the perils and possibilitieserotic, political, and literaryof real and metaphorical peepholes. As memoirists they were virtuosos in the exacting art of feminine self-representation. Fictions of Femininity explores the Heian memoirists creations of themselves in four texts: Kagero nikki (The Kagero Memoir, after 974), Makura no soshi (The Pillow Book, after 994), Sarashina nikki (The Sarashina Memoir, after 1058), and Sanuki no suke nikki (The Memoir of the Sanuki Assistant Handmaid, after 1108). Essays on the individual memoirs pursue a dual interest, asking how each text works as a rhetorical construct and how it reflects the authors negotiations with Heian fictions about women and writing. Letting the memoirs themselves set the terms for exploring gender constructions, Fictions of Femininity addresses a spectrum of related issues. The reading of The Kagero Memoir probes two traditional avenues of feminine expression: the writing of waka and the discourse of Buddhist nunhood. Two essays on The Sarashina Memoir reveal a fine weave of literary, religious, and autoerotic fantasies, highlighting the intellectual gifts of a memoirist long misread as naive and girlish. The essay on The Memoir of the Sanuki Assistant Handmaid examines the use of spirit possession as metaphor for commemorative writing, tracing the balancing act its author performed in the midst of political intrigues at court. The relationship between the memoir and voyeurism takes center stage in the closing essay on The Pillow Book, which compares its authors treatment of the thematics of seeing and being seen with that of her chief rival, Murasaki Shikibu, creator of The Tale of Genji. Taken together, the essays in this book underscore the diversity of the Heian memoirists responses to their roles as women and as writers in one of the most unusual epochs of Japanese history.
Author: Heather Duerre Humann
Publisher: McFarland
ISBN: 1476668205
Category : Literary Criticism
Languages : en
Pages : 200
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Book Description
Since the middle of the last century, views on gender norms have shifted dramatically. Reflecting these changes, storylines that involve cross-dressing and transgender characters have frequently appeared in detective fiction--characters who subvert the conventions of the genre and challenge reader expectations. This examination of 20th and 21st century crime novels reveals what these narratives say about gender identity and gender expression and how they contributed to the evolution of detective fiction.
Author: Debra J. Rosenthal
Publisher: Univ of North Carolina Press
ISBN: 0807875953
Category : Literary Criticism
Languages : en
Pages : 195
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Book Description
Race mixture has played a formative role in the history of the Americas, from the western expansion of the United States to the political consolidation of emerging nations in Latin America. Debra J. Rosenthal examines nineteenth-century authors in the United States and Spanish America who struggled to give voice to these contemporary dilemmas about interracial sexual and cultural mixing. Rosenthal argues that many literary representations of intimacy or sex took on political dimensions, whether advocating assimilation or miscegenation or defending the status quo. She also examines the degree to which novelists reacted to beliefs about skin differences, blood taboos, incest, desire, or inheritance laws. Rosenthal discusses U.S. authors such as James Fenimore Cooper, Catharine Maria Sedgwick, Walt Whitman, William Dean Howells, and Lydia Maria Child as well as contemporary novelists from Cuba, Peru, and Ecuador, such as Gertrudis Gomez de Avellaneda, Clorinda Matto de Turner, and Juan Leon Mera. With her multinational approach, Rosenthal explores the significance of racial hybridity to national and literary identity and participates in the wider scholarly effort to broaden critical discussions about America to include the Americas.
Author: Ulrike Häßler
Publisher: GRIN Verlag
ISBN: 3638413357
Category : Literary Criticism
Languages : en
Pages : 14
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Book Description
Essay from the year 2001 in the subject English Language and Literature Studies - Literature, grade: B, Staffordshire University, language: English, abstract: The modernist writers were deeply influenced by the changing gender relations and the attitude towards sexuality within society, which is reflected in their literary works. The patriarchal society was more and more questioned, particularly by an awakening feminist movement, and sexuality became a present issue of discourse after new theories had been introduced. Virginia Woolf’s Mrs.Dalloway and James Joyce’s Ulysses are discussed as two examples of a modernist novel in order to explain in which ways modernist writers dealt with the aspects of gender and sexuality.
Author: Yoriko Ishida
Publisher: Peter Lang
ISBN: 9781433108754
Category : Biography & Autobiography
Languages : en
Pages : 282
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Book Description
The alleged affair between Thomas Jefferson, the third president of the United States, and his slave Sally Hemings was proven as a fact by DNA analysis in 1998. While many historians continue to deny the affair, some have accepted the love affair between Jefferson and Hemings as fact, and many historical omissions regarding the affair have been revised since the 1998 DNA results. However, the identity and the dignity of the Hemings family, which were previously ignored in the official history, have been restored not only by science but also by literature. This book examines how African American writers have depicted the issues of race, gender, and identity for Sally Hemings and her descendants in modern and postmodern novels.
