Fictional Representations of (Un)ethical Journalistic Practices in Graham Greene’s Work PDF Download
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Author: Beatriz Valverde
Publisher: Taylor & Francis
ISBN: 1040263062
Category : Literary Criticism
Languages : en
Pages : 205
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Book Description
British author Graham Greene pursued a professional career as a journalist before becoming a full-time writer. After that, he continued taking on reporting assignments as a correspondent for a variety of publications. Greene knew the profession inside out, and the role of the media in shaping the public’s views through information gathering and dissemination—a topic insufficiently researched by criticism—was among his main concerns. Greene’s fictional work features an array of journalists, and the representation of (un)ethical practices of the profession is a constant reference in his narrative. In this book, I intend to fill this research gap in Greenean studies, focusing on three main topics: the author’s reflection on the journalistic practice in connection with the classic paradigm of objectivity versus empathy; his questioning of the misuse of power when gathering and disseminating information by journalists, editors and news corporation owners; and finally, the relationship between journalists and their readership’s expectations, as well as the importance of fostering critical readers that make informed trustworthy decisions regarding journalism performance.
Author: Beatriz Valverde
Publisher: Taylor & Francis
ISBN: 1040263062
Category : Literary Criticism
Languages : en
Pages : 205
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Book Description
British author Graham Greene pursued a professional career as a journalist before becoming a full-time writer. After that, he continued taking on reporting assignments as a correspondent for a variety of publications. Greene knew the profession inside out, and the role of the media in shaping the public’s views through information gathering and dissemination—a topic insufficiently researched by criticism—was among his main concerns. Greene’s fictional work features an array of journalists, and the representation of (un)ethical practices of the profession is a constant reference in his narrative. In this book, I intend to fill this research gap in Greenean studies, focusing on three main topics: the author’s reflection on the journalistic practice in connection with the classic paradigm of objectivity versus empathy; his questioning of the misuse of power when gathering and disseminating information by journalists, editors and news corporation owners; and finally, the relationship between journalists and their readership’s expectations, as well as the importance of fostering critical readers that make informed trustworthy decisions regarding journalism performance.
Author: Truman Capote
Publisher: Modern Library
ISBN: 0812994388
Category : True Crime
Languages : en
Pages : 417
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Book Description
Selected by the Modern Library as one of the 100 best nonfiction books of all time From the Modern Library’s new set of beautifully repackaged hardcover classics by Truman Capote—also available are Breakfast at Tiffany’s and Other Voices, Other Rooms (in one volume), Portraits and Observations, and The Complete Stories Truman Capote’s masterpiece, In Cold Blood, created a sensation when it was first published, serially, in The New Yorker in 1965. The intensively researched, atmospheric narrative of the lives of the Clutter family of Holcomb, Kansas, and of the two men, Richard Eugene Hickock and Perry Edward Smith, who brutally killed them on the night of November 15, 1959, is the seminal work of the “new journalism.” Perry Smith is one of the great dark characters of American literature, full of contradictory emotions. “I thought he was a very nice gentleman,” he says of Herb Clutter. “Soft-spoken. I thought so right up to the moment I cut his throat.” Told in chapters that alternate between the Clutter household and the approach of Smith and Hickock in their black Chevrolet, then between the investigation of the case and the killers’ flight, Capote’s account is so detailed that the reader comes to feel almost like a participant in the events.
Author: Berys Gaut
Publisher: Oxford University Press
ISBN: 0199263213
Category : Art
Languages : en
Pages : 280
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Book Description
Can a good work of art be evil? 'Art, Ethics, and Emotion' explores this issue, arguing that artworks are always aesthetically flawed insofar as they have a moral defect that is aesthetically relevant. This book will be of interest to anyone who wants to understand the relation of art to morality.
Author: Jean Burgess
Publisher: John Wiley & Sons
ISBN: 0745675352
Category : Social Science
Languages : en
Pages : 186
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Book Description
YouTube is one of the most well-known and widely discussed sites of participatory media in the contemporary online environment, and it is the first genuinely mass-popular platform for user-created video. In this timely and comprehensive introduction to how YouTube is being used and why it matters, Burgess and Green discuss the ways that it relates to wider transformations in culture, society and the economy. The book critically examines the public debates surrounding the site, demonstrating how it is central to struggles for authority and control in the new media environment. Drawing on a range of theoretical sources and empirical research, the authors discuss how YouTube is being used by the media industries, by audiences and amateur producers, and by particular communities of interest, and the ways in which these uses challenge existing ideas about cultural ‘production’ and ‘consumption’. Rich with both concrete examples and featuring specially commissioned chapters by Henry Jenkins and John Hartley, the book is essential reading for anyone interested in the contemporary and future implications of online media. It will be particularly valuable for students and scholars in media, communication and cultural studies.
Author: Claire Bishop
Publisher: Verso Books
ISBN: 1781683972
Category : Art
Languages : en
Pages : 483
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Book Description
Since the 1990s, critics and curators have broadly accepted the notion that participatory art is the ultimate political art: that by encouraging an audience to take part an artist can promote new emancipatory social relations. Around the world, the champions of this form of expression are numerous, ranging from art historians such as Grant Kester, curators such as Nicolas Bourriaud and Nato Thompson, to performance theorists such as Shannon Jackson. Artificial Hells is the first historical and theoretical overview of socially engaged participatory art, known in the US as "social practice." Claire Bishop follows the trajectory of twentieth-century art and examines key moments in the development of a participatory aesthetic. This itinerary takes in Futurism and Dada; the Situationist International; Happenings in Eastern Europe, Argentina and Paris; the 1970s Community Arts Movement; and the Artists Placement Group. It concludes with a discussion of long-term educational projects by contemporary artists such as Thomas Hirschhorn, Tania Bruguera, Pawe? Althamer and Paul Chan. Since her controversial essay in Artforum in 2006, Claire Bishop has been one of the few to challenge the political and aesthetic ambitions of participatory art. In Artificial Hells, she not only scrutinizes the emancipatory claims made for these projects, but also provides an alternative to the ethical (rather than artistic) criteria invited by such artworks. Artificial Hells calls for a less prescriptive approach to art and politics, and for more compelling, troubling and bolder forms of participatory art and criticism.
Author: Graham Greene
Publisher:
ISBN:
Category :
Languages : en
Pages : 320
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Book Description
Author: Matthew C. Ehrlich
Publisher: University of Illinois Press
ISBN: 0252096991
Category : Social Science
Languages : en
Pages : 257
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Book Description
Whether it's the rule-defying lifer, the sharp-witted female newshound, or the irascible editor in chief, journalists in popular culture have shaped our views of the press and its role in a free society since mass culture arose over a century ago. Drawing on portrayals of journalists in television, film, radio, novels, comics, plays, and other media, Matthew C. Ehrlich and Joe Saltzman survey how popular media has depicted the profession across time. Their creative use of media artifacts provides thought-provoking forays into such fundamental issues as how pop culture mythologizes and demythologizes key events in journalism history and how it confronts issues of race, gender, and sexual orientation on the job. From Network to The Wire, from Lois Lane to Mikael Blomkvist, Heroes and Scoundrels reveals how portrayals of journalism's relationship to history, professionalism, power, image, and war influence our thinking and the very practice of democracy.
Author: Gavin Miller
Publisher:
ISBN: 1789620600
Category : History
Languages : en
Pages : 296
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Book Description
This book offers an in-depth exploration of science fiction literature's varied use of psychological discourses, beginning at the birth of modern psychology in the late nineteenth century and condluding wtith the ascendance of neuroscience in the late twnetieth century.
Author: Allan M. Brandt
Publisher: Basic Books
ISBN: 0786721901
Category : History
Languages : en
Pages : 644
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Book Description
The invention of mass marketing led to cigarettes being emblazoned in advertising and film, deeply tied to modern notions of glamour and sex appeal. It is hard to find a photo of Humphrey Bogart or Lauren Bacall without a cigarette. No product has been so heavily promoted or has become so deeply entrenched in American consciousness. And no product has received such sustained scientific scrutiny. The development of new medical knowledge demonstrating the dire harms of smoking ultimately shaped the evolution of evidence-based medicine. In response, the tobacco industry engineered a campaign of scientific disinformation seeking to delay, disrupt, and suppress these studies. Using a massive archive of previously secret documents, historian Allan Brandt shows how the industry pioneered these campaigns, particularly using special interest lobbying and largesse to elude regulation. But even as the cultural dominance of the cigarette has waned and consumption has fallen dramatically in the U.S., Big Tobacco remains securely positioned to expand into new global markets. The implications for the future are vast: 100 million people died of smoking-related diseases in the 20th century; in the next 100 years, we expect 1 billion deaths worldwide.
Author: Lee Server
Publisher: Infobase Publishing
ISBN: 1438109121
Category : Literary Collections
Languages : en
Pages : 321
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Book Description
Provides an introduction to American pulp fiction during the twentieth century with brief author biographies and lists of their works.
