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Author: Stuart Burrows
Publisher: Cambridge University Press
ISBN: 1009419730
Category : Literary Criticism
Languages : en
Pages : 231
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Book Description
What is the relation between the novel and ethical thought? Henry James and the Promise of Fiction argues that the answer to this question lies not in the content of a work of fiction but in its form. Stuart Burrows explores the relationship between James's ethical vision and his densely metaphorical style, his experiments with narrative time, and his radical reimagining of perspective. Each chapter takes as its starting point a different aspect of an issue at the heart of moral philosophy: the act of promising. Engaging with a range of moral philosophers and literary theorists, most notably David Hume, Friedrich Nietzsche, Paul Ricoeur, and Jacques Derrida, Henry James and the Promise of Fiction argues that James's formal experimentation represents a significant contribution to ethical thought in its own right.
Author: Stuart Burrows
Publisher: Cambridge University Press
ISBN: 1009419730
Category : Literary Criticism
Languages : en
Pages : 231
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Book Description
What is the relation between the novel and ethical thought? Henry James and the Promise of Fiction argues that the answer to this question lies not in the content of a work of fiction but in its form. Stuart Burrows explores the relationship between James's ethical vision and his densely metaphorical style, his experiments with narrative time, and his radical reimagining of perspective. Each chapter takes as its starting point a different aspect of an issue at the heart of moral philosophy: the act of promising. Engaging with a range of moral philosophers and literary theorists, most notably David Hume, Friedrich Nietzsche, Paul Ricoeur, and Jacques Derrida, Henry James and the Promise of Fiction argues that James's formal experimentation represents a significant contribution to ethical thought in its own right.
Author: Gary Westfahl
Publisher: McFarland
ISBN: 0786484764
Category : Literary Criticism
Languages : en
Pages : 271
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Book Description
Science fiction has always challenged readers with depictions of the future. Can the genre actually provide glimpses of the world of tomorrow? This collection of fifteen international and interdisciplinary essays examines the genre's predictions and breaks new ground by considering the prophetic functions of science fiction films as well as SF literature. Among the texts and topics examined are classic stories by Murray Leinster, C. L. Moore, and Cordwainer Smith; 2001: A Space Odyssey and its sequels, Japanese anime and Hong Kong cinema; and electronic fiction.
Author: Grant Martin Overton
Publisher:
ISBN:
Category : Fiction
Languages : en
Pages : 392
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Book Description
Author: Gary K. Wolfe
Publisher: Wesleyan University Press
ISBN: 0819571040
Category : Literary Criticism
Languages : en
Pages : 280
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Book Description
A series of provocative essays on how the fantastic genres evolve and grow In this wide-ranging series of essays, an award-winning science fiction critic explores how the related genres of science fiction, fantasy, and horror evolve, merge, and finally "evaporate" into new and more dynamic forms. Beginning with a discussion of how literary readers "unlearned" how to read the fantastic during the heyday of realistic fiction, Gary K. Wolfe goes on to show how the fantastic reasserted itself in popular genre literature, and how these genres themselves grew increasingly unstable in terms of both narrative form and the worlds they portray. More detailed discussions of how specific contemporary writers have promoted this evolution are followed by a final essay examining how the competing discourses have led toward an emerging synthesis of critical approaches and vocabularies. The essays cover a vast range of authors and texts, and include substantial discussions of very current fiction published within the last few years.
Author: Richard G. Kyle
Publisher: Wipf and Stock Publishers
ISBN: 162189410X
Category : Religion
Languages : en
Pages : 378
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Book Description
How will the world end? Doomsday ideas in Western history have been both persistent and adaptable, peaking at various times, including in modern America. Public opinion polls indicate that a substantial number of Americans look for the return of Christ or some catastrophic event. The views expressed in these polls have been reinforced by the market process. Whether through purchasing paperbacks or watching television programs, millions of Americans have expressed an interest in end-time events. Americans have a tremendous appetite for prophecy, more than nearly any other people in the modern world. Why do Americans love doomsday? In Apocalyptic Fever, Richard Kyle attempts to answer this question, showing how dispensational premillennialism has been the driving force behind doomsday ideas. Yet while several chapters are devoted to this topic, this book covers much more. It surveys end-time views in modern America from a wide range of perspectives--dispensationalism, Catholicism, science, fringe religions, the occult, fiction, the year 2000, Islam, politics, the Mayan calendar, and more.
Author: James J. Miracky
Publisher: Routledge
ISBN: 1135377847
Category : Literary Criticism
Languages : en
Pages : 193
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Book Description
In this exploration of the most innovative and iconoclastic modernist fiction, James J. Miracky studies the ways in which cultural forces and discourses of gender inflect the practice and theory of four British novelists: Virginia Woolf, E. M. Forster, May Sinclair, and D. H. Lawrence. Building on analyses of gender theory and formal innovation in Virginia Woolf's novels, this book examines Forster's queered use of fantasy, Sinclair's representation of manly genius in both male and female streams of consciousness, and Lawrence's quest for the novel of phallic consciousness. Reading each author's fiction alongside his or her theoretical writing, Miracky provides four diverse examples of how literary modernism wrestled with the gender crisis of the early twentieth century.
Author: Stefan Weißhampel
Publisher: diplom.de
ISBN: 383661006X
Category : Literary Collections
Languages : en
Pages : 106
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Book Description
Inhaltsangabe:Abstract: Since Kurt Vonnegut passed away aged 84 earlier this year (11th April 2007), his life and work received considerable media recognition. While FOX-news could not refrain from expressing rather hostile criticism in their Vonnegut obituary, admirers of Vonnegut's works reacted with angry comments to the aforementioned programme. All over the internet bloggers expressed their regrets and wrote their own obituaries commenting on Vonnegut's life as well as his books. Why does the death of an 84 year old author leaving a body of 14 novels, three collections of short stories, one compilation of fictitious interviews with dead celebrities, four works of non-fiction, five plays and one requiem lead to public reactions which differ so widely? How can the works of an author who persisted to write his last book on an old typewriter be so relevant for the technophiles of the blogosphere? These questions alone justify the continuation of an academic discourse on the works of Kurt Vonnegut which has been going on four almost forty years following the publication of Slaughterhouse-Five in 1969. Ever since that novel, critics rarely fail to mention the considerable influence of science fiction on Vonnegut's writing. Man's relationship to technology and the effects of technology on inter-human communication are central motifs in science fiction: hence, the web 2.0 generation's reaction to Vonnegut's death provides an extraordinary indication that the problems pondered upon in Vonnegut's science fiction are still relevant today. However, it has to be said that most critics' references to science fiction elements in Vonnegut's works remain limited to a surface level and evoke the impression that either the scholar is not well informed about the implications of the term 'science fiction' or fails to name his or her references. The effect of such an approach is that the works on the subject will either seem to be apologetic annexions of Vonnegut's novels by science fiction buffs and space opera fans or attempts to minimise the role of science fiction in the works of Kurt Vonnegut to mere parody. Neither impression is adequate for a thorough understanding of the role of science fiction in the works of Kurt Vonnegut. Therefore, in this paper a coordinate system discussing the implication of the term science fiction will be set up, in which Vonnegut's works can be located. In order to find a valid reference point, a fixed set of aspects will be [...]
Author: Tremper Longman
Publisher: Eisenbrauns
ISBN: 9780931464416
Category : History
Languages : en
Pages : 292
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Book Description
That autobiography in ancient literature is fictional has long been recognized. The purpose of Longman's study is to delineate the genre of fictional autobiography in Akkadian texts with similar texts from other ancient Near Eastern cultures. Included are the texts of all relevant fictional Akkadian autobiographies, as well as an appendix containing English translations of them. The results of the study are of interest to Assyriologists, but also have implications for students of comparative literature and the Bible.
Author: David Der-wei Wang
Publisher: Brandeis University Press
ISBN: 1684580277
Category : Education
Languages : en
Pages : 233
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Book Description
Contemporary discussions of China tend to focus on politics and economics, giving Chinese culture little if any attention. Why Fiction Matters in Contemporary China offers a corrective, revealing the crucial role that fiction plays in helping contemporary Chinese citizens understand themselves and their nation. Where history fails to address the consequences of man-made and natural atrocities, David Der-Wei Wang argues, fiction arises to bear witness to the immemorial and unforeseeable. Beginning by examining President Xi Jinping’s call in 2013 to “tell the good China story,” Wang illuminates how contemporary Chinese cultural politics have taken a “fictional turn,” which can trace its genealogy to early modern times. He does so by addressing a series of discourses by critics within China, including Liang Qichao, Lu Xun, and Shen Congwen, as well as critics from the West such as Arendt, Benjamin, and Deleuze. Wang highlights the variety and vitality of fictional works from China as well as the larger Sinophone world, ranging from science fiction to political allegory, erotic escapade to utopia and dystopia. The result is an insightful account of contemporary China, one that affords countless new insights and avenues for understanding.
Author: Craig Bourne
Publisher: Oxford University Press
ISBN: 0199675317
Category : Literary Criticism
Languages : en
Pages : 280
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Book Description
What can we learn about the world from engaging with fictional time-series--stories involving time travellers, recurring and rewinding time, and foreknowledge of the future? Do they show us radical alternative possibilities concerning the nature of time, or do they show that even the impossible can be represented in fiction? Neither, so this book argues. Defending the view that a fiction represents a single possible world, the authors show how apparentrepresentations of radically different time-series can be explained in terms of how worlds are represented without there being any fictional world which has such a time-series. In this way, the book uses thecomplexities of fictional time to get to the core of the relation between truth in fiction and possibility. It provides a logic and metaphysics to deal with the fact that fictions can leave certain features of their fictional worlds indefinite, and draws comparisons and connections between fictional and scientific representations and hypotheses.
