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Author: Nancy Armstrong
Publisher: Harvard University Press
ISBN: 0674008014
Category : Art
Languages : en
Pages : 354
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Book Description
In this study of British realism, Armstrong explains how fiction entered into a relationship with the new popular art of Victorian photography that transformed the world into a picture.
Author: Nancy Armstrong
Publisher: Harvard University Press
ISBN: 0674008014
Category : Art
Languages : en
Pages : 354
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Book Description
In this study of British realism, Armstrong explains how fiction entered into a relationship with the new popular art of Victorian photography that transformed the world into a picture.
Author: Stuart Burrows
Publisher: University of Georgia Press
ISBN: 0820337412
Category : Literary Criticism
Languages : en
Pages : 302
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Book Description
Literary critics have traditionally suggested that the invention of photography led to the rise of the realist novel, which is believed to imitate the detail and accuracy of the photographic image. Instead, says Stuart Burrows, photography's influence on American fiction had less to do with any formal similarity between the two media than with the capacity of photography to render American identity and history homogeneous and reproducible. The camera, according to Burrows, provoked a representational crisis, one broadly modernist in character. Since the photograph is not only a copy of its subject but a physical product of it, the camera can be seen as actually challenging mimetic or realistic theories of representation, which depend on a recognizable gap between original and reproduction. Burrows argues for the centrality of photography to a set of writers commonly thought of as hostile to the camera-including Nathaniel Hawthorne, Henry James, William Faulkner, and Zora Neale Hurston. The photographic metaphors and allusions to the medium that appear throughout these writers' work demonstrate the ways in which one representational form actually influences another--by changing how artists conceive of identity, history, and art itself. A Familiar Strangeness thus challenges the notion of an absolute break between nineteenth-century realism and twentieth-century modernism, a break that typically centers precisely on the two movements' supposedly differing relation to the camera. Just as modernist fiction interrupts and questions the link between visuality and knowledge, so American realist fiction can be understood as making the world less knowable precisely by making it more visible.
Author: Daniel A. Novak
Publisher: Cambridge University Press
ISBN: 0521885256
Category : Literary Criticism
Languages : en
Pages : 0
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Book Description
An illustrated study of the interactions between photographic technique and literary representation in the nineteenth century.
Author: Pedro Gadanho
Publisher: Hirmer Verlag GmbH
ISBN: 9783777432892
Category : Architectural photography
Languages : en
Pages : 0
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Book Description
An exciting change is currently taking place in architecture photography: apparently neutral, realistic illustrations are giving way to the creation of an individual reality. New techniques permit unusual angles and perspectives, and digital processing allows for the manipulation of reality. Fine artists have long discovered the formal language of architecture as a subject. By means of a wide range of contemporary artworks this volume shows the visual bandwidth which architecture photography demonstrates in our post-digital age. With works by: Doug Aitken, Thomas Demand, Filip Dujardin, Roland Fischer, Andreas Gursky, Edgar Martins, Erwin Olaf, Hans Op de Beeck, Bas Princen, Thomas Ruff, Philipp Schaerer, Hiroshi Sugimoto, Wolfgang Tillmans, Jeff Wall and many more.
Author: Fred Ritchin
Publisher: W. W. Norton & Company
ISBN: 9780393050240
Category : Art
Languages : en
Pages : 208
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Book Description
Ritchin--one of the most influential commentators on photography--offers a fascinating look at the perils and possibilities of photography in a digital age. 50 color illustrations.
Author: Whitney Scharer
Publisher: Little, Brown
ISBN: 0316524093
Category : Fiction
Languages : en
Pages : 328
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Book Description
One of the Best Books of the Year: Parade, Glamour, Real Simple, Refinery29, Yahoo! Lifestyle. "A startlingly modern love story and a mesmerizing portrait of a woman's self-transformation from muse to artist." --Celeste Ng, author of Little Fires Everywhere "I'd rather take a photograph than be one," Lee Miller declares after she arrives in Paris in 1929, where she soon catches the eye of the famous Surrealist Man Ray. Though he wants to use her only as a model, Lee convinces him to take her on as his assistant and teach her everything he knows. As they work together in the darkroom, their personal and professional lives become intimately entwined, changing the course of Lee's life forever. Lee's journey of self-discovery takes took her from the cabarets of bohemian Paris to the battlefields of war-torn Europe during WWII, from inventing radical new photography techniques to documenting the liberation of the concentration camps as one of the first female war correspondents. Through it all, Lee must grapple with the question of whether it's possible to stay true to herself while also fulfilling her artistic ambition--and what she will have to sacrifice to do so.
Author: Joe Greer
Publisher: HarperCollins
ISBN: 0063111799
Category : Photography
Languages : en
Pages : 195
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Book Description
A spiritually uplifting and beautiful designed visual memoir by the hugely popular photographer on Instagram, Joe Greer, combining thoughtful essays and more than 100 gorgeous landscape photos—half fan favorites, and half never-before-seen. “Each photograph really does come down to a split second when you decide to freeze that moment in time. . . . You ask yourself what the story is that you want to tell, and let the rest unfold: Click.”—from the introduction Joe Greer never imagined he would become a photographer. Raised in Florida by an aunt and uncle after his mother’s death when he was four, Joe had a seemingly normal childhood, spending summers at church camp and dreaming of going to college. But nearly fifteen years later, the ground shifted beneath his feet when he discovered a family secret that would impact the rest of his life. Trying to make sense of that revelation and what it meant for his future, Greer set his sights on becoming a pastor at Spokane’s Moody Bible Institute. There, he discovered Instagram—and a passion for photography. His pictures of the lush, wild beauty of the Pacific Northwest landscape attracted a large following that has grown to more than three quarters of a millions fans and continues to expand. The Lay of the Land is Joe’s story in words and pictures. In this stunning compendium, he reflects on the trauma of his early life and what photography has taught him: how to find his light; how to slow down; how to appreciate the world around him, a reverence for the nature world that that both nurtures and amplifies his creativity and faith; how to love—his photography led him to his wife, Madison—and how to heal. For Joe, photography has been a way to find purpose, better understand his faith, and express himself. Though he began with landscapes, meeting his wife sparked a new love of portraiture, and he turned to making photos of street scenes that explored his complicated feelings about family. A love letter to the natural world, to faith, and to finding your calling in the most unexpected places, The Lay of the Land is a window into the beautiful mind and heart of one of the internet’s favorite photographers. Moving and inspiring, it is a creative and spiritual journey that offers lessons on life and living. As Greer reminds us all, whatever it is you want, it’s up to you to make the moment (and the photograph).
Author: Marta Weiss
Publisher: National Geographic Books
ISBN: 0500480370
Category : Photography
Languages : en
Pages : 0
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Book Description
A revealing and timely book, Making It Up is an illustrated history of staged photography. Presenting work from the earliest to the most contemporary photographers, Making It Up challenges the idea that the camera never lies. With approximately one hundred photographs supported by extended commentaries, the book illustrates that, though we often recognize the staged, constructed, or the tableau as a feature of contemporary photography, this way of working is almost as old as the practice itself. Remarkable in themselves, these photographic fictions, whether created by early practitioners such as Lewis Carroll or Roger Fenton, internationally renowned artists such as Cindy Sherman and Jeff Wall, or contemporary figures such as Hannah Starkey and Bridget Smith, find new, intriguing relevance in our Photoshopped and so-called post-truth age.
Author: Emmanuel Guibert
Publisher: Macmillan
ISBN: 9781596433755
Category : Biography & Autobiography
Languages : en
Pages : 296
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Book Description
In 1986, Afghanistan was torn apart by a war with the Soviet Union. This graphic novel/photo-journal is a record of one reporter’s arduous and dangerous journey through Afghanistan, accompanying the Doctors Without Borders. Didier Lefevre’s photography, paired with the art of Emmanuel Guibert, tells the powerful story of a mission undertaken by men and women dedicated to mending the wounds of war. Emmanuel Guibert’s most recent book for First Second was the critically acclaimed Alan’s War, the memoir of a WWII G.I. His close friendship with Didier Lefevre inspired him to combine art and photography to create this momentous book.
Author: David Levi Strauss
Publisher: David Zwirner Books
ISBN: 9781644230473
Category : Photography
Languages : en
Pages : 0
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Book Description
In this exploration of contemporary photography, David Levi Strauss questions the concept that “seeing is believing” Identifying a recent shift in the dominance of photography, David Levi Strauss looks at the power of the medium in the age of Photoshop, smart phones, and the internet, asking important questions about how we look and what we trust. In the first ekphrasis title on photography, Strauss challenges the aura of believability and highlights the potential dangers around this status. He examines how images produced on cameras gradually gained an inordinate power to influence public opinion, prompt action, comfort and assuage, and direct or even create desire. How and why do we believe technical images the way we do? Offering a poignant argument in the era of “fake news,” Strauss draws attention to new changes in the technology of seeing. Some uses of "technical images" are causing the connection between images and belief (between seeing and believing) to fray and pull apart. How is this shifting our relationship to images? Will this crisis in what we can believe come to threaten our very purchase on the real? This book is an inquiry into the history and future of our belief in images.
