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Author: Sophia Crawford Lomas
Publisher:
ISBN:
Category : Great Britain
Languages : en
Pages : 302
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Book Description
Author: Sophia Crawford Lomas
Publisher:
ISBN:
Category : Great Britain
Languages : en
Pages : 302
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Book Description
Author: Sophie C. Lomas
Publisher:
ISBN:
Category : London (England)
Languages : en
Pages : 292
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Book Description
Author: Kate Nichols
Publisher: Manchester University Press
ISBN: 1526114941
Category : Science
Languages : en
Pages : 373
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Book Description
Echoing Joseph Paxton's question at the close of the Great Exhibition, 'What is to become of the Crystal Palace?', this interdisciplinary essay collection argues that there is considerable potential in studying this unique architectural and art-historical document after 1851, when it was rebuilt in the South London suburb of Sydenham. It brings together research on objects, materials and subjects as diverse as those represented under the glass roof of the Sydenham Palace itself; from the Venus de Milo to Sheffield steel, souvenir 'peep eggs' to war memorials, portrait busts to imperial pageants, tropical plants to cartoons made by artists on the spot, copies of paintings from ancient caves in India to 1950s film. Essays do not simply catalogue and collect this eclectic congregation, but provide new ways for assessing the significance of the Sydenham Crystal Palace for both nineteenth- and twentieth-century studies. The volume will be of particular interest to researchers and students of British cultural history, museum studies, and art history.
Author: John M. MacKenzie
Publisher: Manchester University Press
ISBN: 1526119544
Category : History
Languages : en
Pages : 286
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Book Description
It has been said that the British Empire, on which the sun never set, meant little to the man in the street. Apart from the jingoist eruptions at the death of Gordon or the relief of Mafeking he remained stonily indifferent to the imperial destiny that beckoned his rulers so alluringly. Strange, then that for three-quarters of a century it was scarcely possible to buy a bar of soap or a tin of biscuits without being reminded of the idea of Empire. Packaging, postcards, music hall, cinema, boy's stories and school books, exhibitions and parades, all conveyed the message that Empire was an adventure and an ennobling responsibility. Army and navy were a sure shield for the mother country and the subject peoples alike. Boys' brigades and Scouts stiffened the backbone of youth who flocked to join. In this illuminating study John M. Mackenzie explores the manifestations of the imperial idea, from the trappings of royalty through writers like G. A. Henty to the humble cigarette card. He shows that it was so powerful and pervasive that it outlived the passing of Empire itself and, as events such as the Falklands 'adventure' showed, the embers continue to smoulder.
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 976
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Author: Ceylon Chamber of Commerce
Publisher:
ISBN:
Category :
Languages : en
Pages : 506
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Book Description
Reports for -1931 include Correspondence, circulars, etc. for the second half year.
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 754
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Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 898
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Book Description
Author: Cheryl Buckley
Publisher: Reaktion Books
ISBN: 9781861893222
Category : Design
Languages : en
Pages : 260
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Book Description
Employing numerous examples of classic British design, Designing Modern Britain delves into the history of British design culture, and thereby tracks the evolution of the British national identity.
Author: Kate Nichols
Publisher:
ISBN: 0199596468
Category : Art
Languages : en
Pages : 321
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Book Description
The marble halls of the British Museum might seem the natural habitat for classical sculpture, but in the nineteenth century its sombre displays were far from being the only place that people encountered antiquities. From 1854, a rival collection of classical sculpture, comprising plaster casts from major European museums and scaled down architectural features, was on show in the South London suburb of Sydenham, in the Crystal Palace which had housed the Great Exhibition of 1851. By the late 1850s, two million visitors were passing through the glass doors of the Sydenham Crystal Palace each year, more than twice as many as recorded at the British Museum. Many more people, and from a greater variety of social strata, saw the painted cast of the Parthenon frieze in Sydenham than the original in Bloomsbury. Utilizing an extensive variety of archival material, including diaries, scrapbooks and photographs, Greece and Rome at the Crystal Palace evokes visitor experiences at Sydenham, and examines the discussion that arose around the presentation of classical plaster casts to a mass audience. It uncovers the social, political, and aesthetic role of ancient Greek and Roman sculpture in modern Britain, assessing how classical art figured in debates over design reform, taste, beauty and morality, class and gender, and race and imperialism.
