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Author: Francesco Ventrella
Publisher: Bloomsbury Publishing
ISBN: 1350187135
Category : Art
Languages : en
Pages : 288
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Book Description
A renowned art critic of the 1960s, Carla Lonzi abandoned the art world in 1970 to found Rivolta Femminile, a pioneering feminist collective in Italy. Rather than separating the art world luminary from the activist, however, this book looks at the two together. It demonstrates that even as Lonzi refused art, she articulated how feminist spaces and communities drew strength from creativity. The eleven essays in this book document the artistic and feminist circles of postwar Italy, a time characterised both by radical protest and avant-garde aesthetics, using primary and archival sources never before translated into English. They map Lonzi's deep connections to the influential Italian Arte Povera movement, and explore her complicated relationship with female artists of the time, such as Carla Accardi and Suzanne Santoro. Carla Lonzi's written work and activism represents a crucial, but previously overlooked, feminist intervention in traditional art history from beyond the Anglo-American canon. This book is a timely and urgent addition to our understanding of radical politics, separatist feminism and art criticism in the postwar period.
Author: Francesco Ventrella
Publisher: Bloomsbury Publishing
ISBN: 1350187135
Category : Art
Languages : en
Pages : 288
Get Book
Book Description
A renowned art critic of the 1960s, Carla Lonzi abandoned the art world in 1970 to found Rivolta Femminile, a pioneering feminist collective in Italy. Rather than separating the art world luminary from the activist, however, this book looks at the two together. It demonstrates that even as Lonzi refused art, she articulated how feminist spaces and communities drew strength from creativity. The eleven essays in this book document the artistic and feminist circles of postwar Italy, a time characterised both by radical protest and avant-garde aesthetics, using primary and archival sources never before translated into English. They map Lonzi's deep connections to the influential Italian Arte Povera movement, and explore her complicated relationship with female artists of the time, such as Carla Accardi and Suzanne Santoro. Carla Lonzi's written work and activism represents a crucial, but previously overlooked, feminist intervention in traditional art history from beyond the Anglo-American canon. This book is a timely and urgent addition to our understanding of radical politics, separatist feminism and art criticism in the postwar period.
Author: Victoria Horne
Publisher: Bloomsbury Publishing
ISBN: 1786722356
Category : Social Science
Languages : en
Pages : 288
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Book Description
To what extent have developments in global politics, artworld institutions, and local cultures reshaped the critical directions of feminist art historians? The significant new research gathered here engages with the rich inheritance of feminist historiography since around 1970, and considers how to maintain the forcefulness of its critique while addressing contemporary political struggles. Taking on subjects that reflect the museological, global and materialist trajectories of twenty-first-century art historical scholarship, the chapters address the themes of Invisibility, Temporality, Spatiality and Storytelling. They present new research on a diversity of topics that span political movements in Italy, urban gentrification in New York, community art projects in Scotland and Canada's contemporary indigenous culture. Individual chapter analyses focus on the art of Lee Krasner, The Emily Davison Lodge, Zoe Leonard, Martha Rosler, Carla Lonzi and Womanhouse. Together with a synthesising introductory essay, these studies provide readers with a view of feminist art histories of the past, present and future.
Author: Sharon Hecker
Publisher: Springer Nature
ISBN: 3031148169
Category : Literary Criticism
Languages : en
Pages : 448
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Book Description
This book is the first critical interdisciplinary examination in English of Italian women’s contributions to intellectual, artistic, and cultural production in modern Italy. Examining commonalities and diversities from the country’s Unification to today, the volume provides insight into the challenges that Italian women engaged in cultural production have faced, and the strategies they have deployed in order to achieve their objectives. The essays address a range of issues, from women’s self-identification and public ownership of their professional roles as laborers in the intellectual and cultural realm, to questions about motherhood and financial remuneration, to the role of creative foreign women in Italy. Through critical analysis and direct testimony from new and typically marginalized voices, including an Arab-Italian writer, an Italian-Dominican filmmaker, and a transgender activist, new forms of ongoing struggle emerge that redefine the culturally diverse landscape of female intellectual and creative production in Italy today. The volume rethinks a solely national “Made in Italy” reading of the subject of female intellectual labor, demonstrating instead the wide network of influences and relationships that have existed for Italian women in their professional aspirations.
Author: Molly Tambor
Publisher: Oxford University Press
ISBN: 0199392579
Category : History
Languages : en
Pages : 240
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Book Description
As Italy emerged from World War II, the first women entered the national government. The 45 women who became parliamentarians when Italian women were first entitled to vote in 1946 represented a "lost wave" of feminist action, argues Molly Tambor. In this work, Tambor reconstructs the role that these female politicians played in Italy's new democratic Republic. They proved critical in ensuring that the new Constitution formally guaranteed the equality of all citizens regardless of sex, translating the general constitutional guarantees into direct legislative rights and protections. They used a specific electoral and legislative strategy, "constitutional rights feminism," to construct an image of the female citizen as a bulwark of democracy. Mining existing tropes of femininity such as the Resistance heroine, the working mother, the sacrificial Catholic, and the "mamma Italiana," they searched for social consensus for women's equality that could reach across religious, ideological, and gender divides. The political biographies of woman politicians are intertwined with the history of the laws they created and helped pass, including paid maternity leave, the closing of state-run brothels, and women's right to become judges. Women politicians navigated gendered political identity as they picked and chose among competing models of femininity in Cold War Italy. In so doing, The Lost Wave shows, they forged a political legacy that affected the rights and opportunities of all Italian citizens.
Author: Emma Katherine Van Ness
Publisher: Anthem Press
ISBN: 1785273183
Category : Performing Arts
Languages : en
Pages : 272
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Book Description
One of the founding fathers of neorealism in the postwar period in Italy, Antonio Pietrangeli went on to focus his lens upon the female subject. Eight of his ten full-length films feature female protagonists. This study seeks to better understand both his achievements and his failings as a feminist auteur as well as analyse his films by applying new critical and theoretical approaches. Pietrangeli’s representations of women struggling with questions of identity was a revolutionary act in the 1950s and 1960s. The book makes a case why we should recuperate these films today since the standards for representing women in film continue to fall behind the reality of women’s lives off-screen.
Author: Carla Lonzi
Publisher: SCB Distributors
ISBN: 1739843193
Category : Art
Languages : en
Pages : 430
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Book Description
Recorded and transcribed throughout the 1960s, Carla Lonzi's Self-portrait ruptures the linear tradition of art-historical writing. Lonzi first abolishes the role of the critic, her own, seeking change over self-preservation by theorising against the act of theorising. This is the voice of feminist experimentalism in Italian art and literature, and here Lonzi speaks for herself in English. Self-portrait montages her verbatim conversations with fourteen prominent artists working at the time, all men except one. Lonzi's vital feeling that it was impossible to respond professionally to the political and existential problems embedded in the production and distribution of artworks drives the book's contingent structure. Artmaking struck Lonzi as the invitation to be together in a humanly satisfying way. This first English translation brings Lonzi's final work of criticism before her break with 'art' to an international audience. Her uncompromising enactment and pragmatic drop-out discontinues the narration of postwar modern art in Italy and beyond.
Author: Robin Pickering-Iazzi
Publisher: U of Minnesota Press
ISBN: 9780816626519
Category : Social Science
Languages : en
Pages : 308
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Book Description
In the Mother of Invention in their analyses of literature, painting, sculptures, film, and fashion, the contributors explore the politics of invention articulated by these women as they negotiated prevailing ideologies.
Author: Raffaella Perna
Publisher:
ISBN: 9788894154085
Category : Art
Languages : en
Pages : 216
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Book Description
Author:
Publisher:
ISBN: 9780199378258
Category : Feminism
Languages : en
Pages :
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Book Description
As Italy emerged from World War II, the first women entered the national government. The 45 women who became parliamentarians when Italian women were first entitled to vote in 1946 represented a ""lost wave"" of feminist action, argues Molly Tambor. In this work, Tambor reconstructs the role that these female politicians played in Italy's new democratic Republic. They proved critical in ensuring that the new Constitution formally guaranteed the equality of all citizens regardless of sex, translating the general constitutional guarantees into direct legislative rights and protections. They used.
Author: Véronique Chagnon-Burke
Publisher: Bloomsbury Publishing
ISBN: 1350292435
Category : Art
Languages : en
Pages : 333
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Book Description
Women Art Dealers brings together fascinating case studies of galleries run by women between the 1940s and 1980s. It marks a departure from other work in the field of art markets, challenging male-dominated histories by analyzing the work of female dealers who anticipated the global model, worked to promote art across continents, and thus developed an international art market. Part 1 focuses on the women gallerists behind the promotion of modern art after World War II who participated in important research about the neo-Avant-Garde. Part 2 examines the contributions by women art dealers toward the birth of new markets – through establishing the reputation of artistic genres, such as video art and photography, and working at the forefront of advancing contemporary art. Finally, Part 3 analyzes case studies from the southern European art scene, paying fresh attention to several under-researched markets in the region like Italy and Portugal. Each chapter study provides a historiographic profile of the gallery under discussion and critical analysis is supported with a wide range of visual material including portraits of the women art dealers, photographs of the exhibitions they managed, and printed documentation like catalogues, invitations, and posters that were often used to support artists on display in experimental ways.
