Female Characters in the Victorian and Neo-Victorian Novel: an Intertextual Study PDF Download
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Author: Aleksandra Tryniecka
Publisher:
ISBN:
Category :
Languages : en
Pages :
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Book Description
Author: Aleksandra Tryniecka
Publisher:
ISBN:
Category :
Languages : en
Pages :
Get Book Here
Book Description
Author: Aleksandra Tryniecka
Publisher: Rowman & Littlefield
ISBN: 166690578X
Category : Literary Criticism
Languages : en
Pages : 263
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Book Description
Women's Literary Portraits in the Victorian and Neo-Victorian Novel is a dialogical and intertextual journey through the pages of nineteenth-century novels and their modern, revisionary counterparts. It is the book not only dedicated to the readers associated with academia, but also to all literature enthusiasts, students of literature, and those readers who are fascinated by the Victorian novel, as well as by its current neo-Victorian revival. The focus of this work revolves around the literary portrayals of Victorian and neo-Victorian women who, as the authoress believes, are located in the centre of socio-cultural and historical narratives shaping both the past and the present. Nineteenth-century narratives concerning women's placement and status in the Victorian social landscape are currently revived on the pages of neo-Victorian novels, thus attesting to the unceasing interest in the bygone. While neo-Victorian revisionary fiction endows nineteenth-century women with a redemptive potential, it also exposes modern paradoxes and ambiguities connected with universal expectations towards women, what further approximates our contemporaneity to the Victorian past. While examining these socio-cultural ambivalences, the authoress celebrates Victorian and neo-Victorian women characters in their attempts to thrive as individuals. Consequently, the book studies Victorian and neo-Victorian women characters in relation to their identities, unique voices and textual garments.
Author: Deborah Wynne
Publisher: Routledge
ISBN: 1134772335
Category : Literary Criticism
Languages : en
Pages : 188
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Book Description
How key changes to the married women's property laws contributed to new ways of viewing women in society are revealed in Deborah Wynne's study of literary representations of women and portable property during the period 1850 to 1900. While critical explorations of Victorian women's connections to the material world have tended to focus on their relationships to commodity culture, Wynne argues that modern paradigms of consumerism cannot be applied across the board to the Victorian period. Until the passing of the 1882 Married Women's Property Act, many women lacked full property rights; evidence suggests that, for women, objects often functioned not as disposable consumer products but as cherished personal property. Focusing particularly on representations of women and material culture in Charles Dickens, George Eliot, and Henry James, Wynne shows how novelists engaged with the vexed question of women's relationships to property. Suggesting that many of the apparently insignificant items that 'clutter' the Victorian realist novel take on new meaning when viewed through the lens of women's access to material culture and the vagaries of property law, her study opens up new possibilities for interpreting female characters in Victorian fiction and reveals the complex work of 'thing culture' in literary texts.
Author: Kathleen Renk
Publisher: Palgrave Macmillan
ISBN: 9783030482893
Category : Literary Criticism
Languages : en
Pages : 199
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Book Description
Women Writing the Neo-Victorian Novel: Erotic “Victorians” focuses on the work of British, Irish, and Commonwealth women writers such as A.S. Byatt, Emma Donoghue, Sarah Waters, Helen Humphreys, Margaret Atwood, and Ahdaf Soueif, among others, and their attempts to re-envision the erotic. Kathleen Renk argues that women writers of the neo-Victorian novel are far more philosophical in their approach to representing the erotic than male writers and draw more heavily on Victorian conventions that would proscribe the graphic depiction of sexual acts, thus leaving more to the reader’s imagination. This book addresses the following questions: Why are women writers drawn to the neo-Victorian genre and what does this reveal about the state of contemporary feminism? How do classical and contemporary forms of the erotic play into the ways in which women writers address the Victorian “woman question”? How exactly is the erotic used to underscore women’s creative potential?
Author: Anne-Marie Beller
Publisher: Routledge
ISBN: 1317754018
Category : Literary Criticism
Languages : en
Pages : 142
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Book Description
Scholarly understanding of the Victorian literary field has changed dramatically in the past thirty years, due in large part to the extensive recovery of sensation fiction and a corresponding recognition of that genre’s importance in the literary debates, trends, and wider cultural practices of the period. Yet until very recently, work on sensationalism has focused on a narrow range of authors and works, with Wilkie Collins, Mary Elizabeth Braddon, and Ellen Wood retaining the preponderance of critical attention. This collection examines the fiction of ten women sensation writers who were immensely popular in the Victorian period but remain critically neglected today – writers such as Annie Edwardes, M.C. Houstoun, Annie French, Dora Russell and others. The Victorian sensation novel was categorically associated with women by Victorian reviewers and this collection extends our current understanding of this sub-genre by showing that female sensation writers were often sophisticated in their textual strategies, employing a range of metafictional techniques and narrative innovations. By moving beyond the novelists who have come to represent the genre, this book presents a fuller, more nuanced, understanding of the spectrum of writing that constructed the concept of ‘sensationalism’ for Victorian readers and critics. The book was originally published as a special issue of Women’s Writing.
Author: Jennifer Hedgecock
Publisher: Cambria Press
ISBN: 1604975180
Category : Literary Collections
Languages : en
Pages : 252
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Book Description
"examines the changing social and economic status of women from the 1860s through the 1880s, and rejects the stereotypical mid-Victorian femme fatale portrayed by conservative ideologues critiquing popular fiction by Wilkie Collins, Mary Elizabeth Braddon, Honore de Balzac, and William Makepeace Thackeray. In these book reviews, the female protagonist is simply minimized to a dangerous woman. Refuting this one-dimensional characterization, this book argues that the femme fatale comes to represent the real-life struggles of the middle-class Victorian woman who overcomes major adversities such as poverty, abusive husbands, abandonment, single parenthood, limited job opportunities, the criminal underworld, and Victorian society's harsh invective against her." --publisher description.
Author: Johanna Syring
Publisher:
ISBN:
Category : English literature
Languages : en
Pages : 62
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Book Description
This thesis explores the intertextual relationship between the chosen neo-Victorian novels, Charlotteby D.M. Thomas and Coldwater by Mardi McConnochie in relation to their pretexts, Wide Sargasso Sea by Jean Rhys and Jane Eyre. The aim of this thesis is to offer new ways in which to understand feminist and postcolonial theory within neo-Victorian rewritings. The focus on this analysis is on the development of the construction of Victorian womanhood presented in Jane Eyre and its impact on twenty-first century perception of female characters. In order to explore how the representations of women as well as the approach of writing back have evolved within neo-Victorian studies, this project adopts an intertextual comparative approach. Neo-Victorian novels have reshaped the literary heroine due to feminist and postcolonial criticism while partly supporting the development of female stereotypes as well.
Author: Nicola Diane Thompson
Publisher: Cambridge University Press
ISBN: 0521641020
Category : Literary Criticism
Languages : en
Pages : 275
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Book Description
This book was first published in 1999. This collection of essays by leading scholars from Britain, the USA and Canada opens up the limited landscape of Victorian novels by focusing attention on some of the women writers popular in their own time but forgotten or neglected by literary history. Spanning the entire Victorian period, this study investigates particularly the role and treatment of 'the woman question' in the second half of the century. There are discussions of marriage, matriarchy and divorce, satire, suffragette writing, writing for children, and links between literature and art. Moving from Margaret Oliphant and Charlotte Mary Yonge to Mary Ward, Marie Corelli, 'Ouida' and E. Nesbit, this book illuminates the complex cultural and literary roles, and the engaging contributions, of Victorian women writers.
Author: Jessica Cox
Publisher: Springer Nature
ISBN: 3030292908
Category : Literary Criticism
Languages : en
Pages : 255
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Book Description
This book represents the first full-length study of the relationship between neo-Victorianism and nineteenth-century sensation fiction. It examines the diverse and multiple legacies of Victorian popular fiction by authors such as Wilkie Collins and Mary Elizabeth Braddon, tracing their influence on a range of genres and works, including detective fiction, YA writing, Gothic literature, and stage and screen adaptations. In doing so, it forces a reappraisal of critical understandings of neo-Victorianism in terms of its origins and meanings, as well as offering an important critical intervention in popular fiction studies. The work traces the afterlife of Victorian sensation fiction, taking in the neo-Gothic writing of Daphne du Maurier and Victoria Holt, contemporary popular historical detective and YA fiction by authors including Elizabeth Peters and Philip Pullman, and the literary fiction of writers such as Joanne Harris and Charles Palliser. The work will appeal to scholars and students of Victorian fiction, neo-Victorianism, and popular culture alike.
Author: Sarah E. Maier
Publisher: Springer Nature
ISBN: 3030465829
Category : Literary Criticism
Languages : en
Pages : 315
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Book Description
Neo-Victorian Madness: Rediagnosing Nineteenth-Century Mental Illness in Literature and Other Media investigates contemporary fiction, cinema and television shows set in the Victorian period that depict mad murderers, lunatic doctors, social dis/ease and madhouses as if many Victorians were “mad.” Such portraits demand a “rediagnosing” of mental illness that was often reduced to only female hysteria or a general malaise in nineteenth-century renditions. This collection of essays explores questions of neo-Victorian representations of moral insanity, mental illness, disturbed psyches or non-normative imaginings as well as considers the important issues of legal righteousness, social responsibility or methods of restraint and corrupt incarcerations. The chapters investigate the self-conscious re-visions, legacies and lessons of nineteenth-century discourses of madness and/or those persons presumed mad rediagnosed by present-day (neo-Victorian) representations informed by post-nineteenth-century psychological insights.
