Author: Karal Ann Marling
Publisher: U of Minnesota Press
ISBN: 9780816636730
Category : Art
Languages : en
Pages : 370
Book Description
From the back cover of the book, quoted in part:"The America Karal Ann Marling (the author) refers to is small-town America during the depression era; in particular those communities that were portrayed in the 1000-odd murals that appeared in post offices around the country under the auspices of the Treasury Department Section of Fine Arts. She goes far beyond an investigation of the murals as art, and 'Wall to Wall America' becomes an intelligent, often irreverent, discussion of popular taste and culture during the depression decade. "
Wall-to-wall America
Author: Karal Ann Marling
Publisher: U of Minnesota Press
ISBN: 9780816636730
Category : Art
Languages : en
Pages : 370
Book Description
From the back cover of the book, quoted in part:"The America Karal Ann Marling (the author) refers to is small-town America during the depression era; in particular those communities that were portrayed in the 1000-odd murals that appeared in post offices around the country under the auspices of the Treasury Department Section of Fine Arts. She goes far beyond an investigation of the murals as art, and 'Wall to Wall America' becomes an intelligent, often irreverent, discussion of popular taste and culture during the depression decade. "
Publisher: U of Minnesota Press
ISBN: 9780816636730
Category : Art
Languages : en
Pages : 370
Book Description
From the back cover of the book, quoted in part:"The America Karal Ann Marling (the author) refers to is small-town America during the depression era; in particular those communities that were portrayed in the 1000-odd murals that appeared in post offices around the country under the auspices of the Treasury Department Section of Fine Arts. She goes far beyond an investigation of the murals as art, and 'Wall to Wall America' becomes an intelligent, often irreverent, discussion of popular taste and culture during the depression decade. "
New Deal Art in North Carolina
Author: Anita Price Davis
Publisher: McFarland
ISBN: 0786437790
Category : Art
Languages : en
Pages : 255
Book Description
As the people and economy of the United States struggled to recover during the Great Depression, 42 towns in North Carolina would benefit directly from the $83 million the federal government allocated for public art as part of the New Deal. The result was some of the state's most memorable murals, sculptures, reliefs, paintings, oils, and frescoes, most of which were installed in post offices and courthouses. This book is the only record of all of the North Carolina public art works under the program. It provides in-depth accounts of the works themselves and the artists who created them. Photographs of all of the buildings that originally received the art, the works themselves, and almost all of the 41 artists are provided. An appendix describes federal art projects, 1933-1943. There are detailed footnotes, an extensive bibliography, and an index.
Publisher: McFarland
ISBN: 0786437790
Category : Art
Languages : en
Pages : 255
Book Description
As the people and economy of the United States struggled to recover during the Great Depression, 42 towns in North Carolina would benefit directly from the $83 million the federal government allocated for public art as part of the New Deal. The result was some of the state's most memorable murals, sculptures, reliefs, paintings, oils, and frescoes, most of which were installed in post offices and courthouses. This book is the only record of all of the North Carolina public art works under the program. It provides in-depth accounts of the works themselves and the artists who created them. Photographs of all of the buildings that originally received the art, the works themselves, and almost all of the 41 artists are provided. An appendix describes federal art projects, 1933-1943. There are detailed footnotes, an extensive bibliography, and an index.
Public Art and Architecture in New Mexico 1933-1943
Author: Kathryn A. Flynn
Publisher: Sunstone Press
ISBN: 0865348820
Category : Art
Languages : en
Pages : 377
Book Description
A Guide to the New Deal Legacy in New Mexico, 1933-1943
Publisher: Sunstone Press
ISBN: 0865348820
Category : Art
Languages : en
Pages : 377
Book Description
A Guide to the New Deal Legacy in New Mexico, 1933-1943
New Deal Art in Alabama
Author: Anita Price Davis
Publisher: McFarland
ISBN: 1476621144
Category : Art
Languages : en
Pages : 231
Book Description
As the United States struggled to recover from the Great Depression, 24 towns in Alabama would directly benefit from some of the $83 million allocated by the Federal Government for public art works under the New Deal. In the words of Harold Lloyd Hopkins, administrator of the Federal Emergency Relief Act, "artists had to eat, too," and these funds aided people who needed employment during this difficult period in American history. This book examines some of the New Deal art--murals, reliefs, sculptures, frescoes and paintings--of Alabama and offers biographical sketches of the artists who created them. An appendix describes federal art programs and projects of the period (1933-1943).
Publisher: McFarland
ISBN: 1476621144
Category : Art
Languages : en
Pages : 231
Book Description
As the United States struggled to recover from the Great Depression, 24 towns in Alabama would directly benefit from some of the $83 million allocated by the Federal Government for public art works under the New Deal. In the words of Harold Lloyd Hopkins, administrator of the Federal Emergency Relief Act, "artists had to eat, too," and these funds aided people who needed employment during this difficult period in American history. This book examines some of the New Deal art--murals, reliefs, sculptures, frescoes and paintings--of Alabama and offers biographical sketches of the artists who created them. An appendix describes federal art programs and projects of the period (1933-1943).
The Arts at a New Frontier
Author: Fannie Taylor
Publisher: Springer Science & Business Media
ISBN: 1461327318
Category : Political Science
Languages : en
Pages : 283
Book Description
Profound changes were taking place in American society during the period of the 1960s and 1970s when legislation for the National Foundation for the Arts and the Humanities was enacted and the agencies went into operation. It was a period of soul-searching by the American public when the cherished prejudices and civil inequities of the past decades were wiped out and old wounds began to heal; at the same time, however, the Vietnam War was creating new fissures and antagonisms. Into this newly healing, newly questioning society, congressional action thrust the National Council on the Arts in 1964, and the National Endowment for the Arts in 1965. Their mission was to encourage and support the arts, and the men and women charged with this responsibility went about their work with the zeal and enthusiasm of religious converts. The idea of even a minute amount of federal financial assistance to the country's chronically beleaguered and often impoverished artists and arts organi zations seemed strange to a segment of the population that had existed in forgot ten independence from government intervention. Many of the nation's artists and arts leaders were wary, partly because of the uncertainties and constraints of previous patterns of governmental support.
Publisher: Springer Science & Business Media
ISBN: 1461327318
Category : Political Science
Languages : en
Pages : 283
Book Description
Profound changes were taking place in American society during the period of the 1960s and 1970s when legislation for the National Foundation for the Arts and the Humanities was enacted and the agencies went into operation. It was a period of soul-searching by the American public when the cherished prejudices and civil inequities of the past decades were wiped out and old wounds began to heal; at the same time, however, the Vietnam War was creating new fissures and antagonisms. Into this newly healing, newly questioning society, congressional action thrust the National Council on the Arts in 1964, and the National Endowment for the Arts in 1965. Their mission was to encourage and support the arts, and the men and women charged with this responsibility went about their work with the zeal and enthusiasm of religious converts. The idea of even a minute amount of federal financial assistance to the country's chronically beleaguered and often impoverished artists and arts organi zations seemed strange to a segment of the population that had existed in forgot ten independence from government intervention. Many of the nation's artists and arts leaders were wary, partly because of the uncertainties and constraints of previous patterns of governmental support.
Patronizing the Arts
Author: Marjorie Garber
Publisher: Princeton University Press
ISBN: 1400830036
Category : Education
Languages : en
Pages : 252
Book Description
What is the role of the arts in American culture? Is art an essential element? If so, how should we support it? Today, as in the past, artists need the funding, approval, and friendship of patrons whether they are individuals, corporations, governments, or nonprofit foundations. But as Patronizing the Arts shows, these relationships can be problematic, leaving artists "patronized"--both supported with funds and personal interest, while being condescended to for vocations misperceived as play rather than serious work. In this provocative book, Marjorie Garber looks at the history of patronage, explains how patronage has elevated and damaged the arts in modern culture, and argues for the university as a serious patron of the arts. With clarity and wit, Garber supports rethinking prejudices that oppose art's role in higher education, rejects assumptions of inequality between the sciences and humanities, and points to similarities between the making of fine art and the making of good science. She examines issues of artistic and monetary value, and transactions between high and popular culture. She even asks how college sports could provide a new way of thinking about arts funding. Using vivid anecdotes and telling details, Garber calls passionately for an increased attention to the arts, not just through government and private support, but as a core aspect of higher education. Compulsively readable, Patronizing the Arts challenges all who value the survival of artistic creation both in the present and future.
Publisher: Princeton University Press
ISBN: 1400830036
Category : Education
Languages : en
Pages : 252
Book Description
What is the role of the arts in American culture? Is art an essential element? If so, how should we support it? Today, as in the past, artists need the funding, approval, and friendship of patrons whether they are individuals, corporations, governments, or nonprofit foundations. But as Patronizing the Arts shows, these relationships can be problematic, leaving artists "patronized"--both supported with funds and personal interest, while being condescended to for vocations misperceived as play rather than serious work. In this provocative book, Marjorie Garber looks at the history of patronage, explains how patronage has elevated and damaged the arts in modern culture, and argues for the university as a serious patron of the arts. With clarity and wit, Garber supports rethinking prejudices that oppose art's role in higher education, rejects assumptions of inequality between the sciences and humanities, and points to similarities between the making of fine art and the making of good science. She examines issues of artistic and monetary value, and transactions between high and popular culture. She even asks how college sports could provide a new way of thinking about arts funding. Using vivid anecdotes and telling details, Garber calls passionately for an increased attention to the arts, not just through government and private support, but as a core aspect of higher education. Compulsively readable, Patronizing the Arts challenges all who value the survival of artistic creation both in the present and future.
New Deal Art in Virginia
Author: Anita Price Davis
Publisher: McFarland
ISBN:
Category : Art
Languages : en
Pages : 228
Book Description
This book is the only record of federally-funded art projects in Virginia post offices during the Great Depression. It provides an historical overview of each city or town that is home to the artwork, information on federal structures housing the artwork, a photograph and description of the artwork itself, and a biographical sketch of the artist. Features 148 photographs.
Publisher: McFarland
ISBN:
Category : Art
Languages : en
Pages : 228
Book Description
This book is the only record of federally-funded art projects in Virginia post offices during the Great Depression. It provides an historical overview of each city or town that is home to the artwork, information on federal structures housing the artwork, a photograph and description of the artwork itself, and a biographical sketch of the artist. Features 148 photographs.
The Americans: The Democratic Experience
Author: Daniel J. Boorstin
Publisher: Vintage
ISBN: 0307756491
Category : History
Languages : en
Pages : 738
Book Description
Winner of the Pulitzer Prize. A study of the last 100 years of American history.
Publisher: Vintage
ISBN: 0307756491
Category : History
Languages : en
Pages : 738
Book Description
Winner of the Pulitzer Prize. A study of the last 100 years of American history.
Catalog of Copyright Entries. Third Series
Author: Library of Congress. Copyright Office
Publisher: Copyright Office, Library of Congress
ISBN:
Category : Copyright
Languages : en
Pages : 1216
Book Description
Publisher: Copyright Office, Library of Congress
ISBN:
Category : Copyright
Languages : en
Pages : 1216
Book Description
The Coit Tower Murals
Author: Robert W. Cherny
Publisher: University of Illinois Press
ISBN: 0252047567
Category : Art
Languages : en
Pages : 191
Book Description
Created in 1934, the Coit Tower murals were sponsored by the Public Works of Art Project (PWAP), the first of the New Deal art programs. Twenty-five master artists and their assistants worked there, most of them in buon fresco, Nearly all of them drew upon the palette and style of Diego Rivera. The project boosted the careers of Victor Arnautoff, Lucien Labaudt, Bernard Zakheim, and others, but Communist symbols in a few murals sparked the first of many national controversies over New Deal art. Sixty full-color photographs illustrate Robert Cherny’s history of the murals from their conception and completion through their evolution into a beloved San Francisco landmark. Cherny traces and critiques the treatment of the murals by art critics and historians. He also probes the legacies of Coit Tower and the PWAP before surveying San Francisco’s recent controversies over New Deal murals. An engaging account of an artistic landmark, The Coit Tower Murals tells the full story behind a public art masterpiece.
Publisher: University of Illinois Press
ISBN: 0252047567
Category : Art
Languages : en
Pages : 191
Book Description
Created in 1934, the Coit Tower murals were sponsored by the Public Works of Art Project (PWAP), the first of the New Deal art programs. Twenty-five master artists and their assistants worked there, most of them in buon fresco, Nearly all of them drew upon the palette and style of Diego Rivera. The project boosted the careers of Victor Arnautoff, Lucien Labaudt, Bernard Zakheim, and others, but Communist symbols in a few murals sparked the first of many national controversies over New Deal art. Sixty full-color photographs illustrate Robert Cherny’s history of the murals from their conception and completion through their evolution into a beloved San Francisco landmark. Cherny traces and critiques the treatment of the murals by art critics and historians. He also probes the legacies of Coit Tower and the PWAP before surveying San Francisco’s recent controversies over New Deal murals. An engaging account of an artistic landmark, The Coit Tower Murals tells the full story behind a public art masterpiece.