Author: Mary Louise Kaleonahenahe Kekuewa
Publisher: Mutual Publishing Company
ISBN: 9781566477192
Category : Crafts & Hobbies
Languages : en
Pages : 96
Book Description
The art of featherworking has a long, cultural history in Hawaii. Rooted in the tradition of their Polynesian ancestors, the early Hawaiian perfected and transformed the art as they created feathered cloaks, capes, helmets, images, and standards for the alii. Many of the items made were considered sacredfrom both the process of their creation to their uses. Despite the influx of Western ideas, and the introduction of Christianity which, for a time, halted the practice of many traditional customs, this artform has survived and flourishes todaythanks in part to those in the community who continue their ancestors' legacy. This new edition of Feather Lei as an Art is meant to perpetuate the art of featherworking and bring it to a wide audience. It provides step-by-step instructions o how to make both traditional (round) and contemporary (flat) feather lei. Vibrant, color photographs complement instructions and provide a visual testament to the beauty of featherworking. Designed and written with the beginner in mind, the aspiring featherworker is guided not only through the steps of how to make the lei, but through the soul-satisfying journey which leads to its completion. Included is an overall look at the history of this ancient art; an explanation of the difference between traditional and contemporary lei; interpretations of the traditional colors used and color combinations; a detailed supply list; how to identify, prepare and work with feathers; how to store feather lei; and examples of what types of featherwork is being explore today.
Feather Lei as an Art
Author: Mary Louise Kaleonahenahe Kekuewa
Publisher: Mutual Publishing Company
ISBN: 9781566477192
Category : Crafts & Hobbies
Languages : en
Pages : 96
Book Description
The art of featherworking has a long, cultural history in Hawaii. Rooted in the tradition of their Polynesian ancestors, the early Hawaiian perfected and transformed the art as they created feathered cloaks, capes, helmets, images, and standards for the alii. Many of the items made were considered sacredfrom both the process of their creation to their uses. Despite the influx of Western ideas, and the introduction of Christianity which, for a time, halted the practice of many traditional customs, this artform has survived and flourishes todaythanks in part to those in the community who continue their ancestors' legacy. This new edition of Feather Lei as an Art is meant to perpetuate the art of featherworking and bring it to a wide audience. It provides step-by-step instructions o how to make both traditional (round) and contemporary (flat) feather lei. Vibrant, color photographs complement instructions and provide a visual testament to the beauty of featherworking. Designed and written with the beginner in mind, the aspiring featherworker is guided not only through the steps of how to make the lei, but through the soul-satisfying journey which leads to its completion. Included is an overall look at the history of this ancient art; an explanation of the difference between traditional and contemporary lei; interpretations of the traditional colors used and color combinations; a detailed supply list; how to identify, prepare and work with feathers; how to store feather lei; and examples of what types of featherwork is being explore today.
Publisher: Mutual Publishing Company
ISBN: 9781566477192
Category : Crafts & Hobbies
Languages : en
Pages : 96
Book Description
The art of featherworking has a long, cultural history in Hawaii. Rooted in the tradition of their Polynesian ancestors, the early Hawaiian perfected and transformed the art as they created feathered cloaks, capes, helmets, images, and standards for the alii. Many of the items made were considered sacredfrom both the process of their creation to their uses. Despite the influx of Western ideas, and the introduction of Christianity which, for a time, halted the practice of many traditional customs, this artform has survived and flourishes todaythanks in part to those in the community who continue their ancestors' legacy. This new edition of Feather Lei as an Art is meant to perpetuate the art of featherworking and bring it to a wide audience. It provides step-by-step instructions o how to make both traditional (round) and contemporary (flat) feather lei. Vibrant, color photographs complement instructions and provide a visual testament to the beauty of featherworking. Designed and written with the beginner in mind, the aspiring featherworker is guided not only through the steps of how to make the lei, but through the soul-satisfying journey which leads to its completion. Included is an overall look at the history of this ancient art; an explanation of the difference between traditional and contemporary lei; interpretations of the traditional colors used and color combinations; a detailed supply list; how to identify, prepare and work with feathers; how to store feather lei; and examples of what types of featherwork is being explore today.
Royal Hawaiian Featherwork
Author: Leah Pualahaole Caldeira
Publisher: University of Hawaii Press
ISBN: 9780824855888
Category : Art
Languages : en
Pages : 0
Book Description
Painstakingly constructed by hand of plant fiber and precious feathers from endemic birds of Hawai‘i, feather cloaks and capes provided spiritual protection to Hawaiian chiefs for centuries while proclaiming their royal status. Few of the artworks known as nā hulu ali‘i, or royal feathers, survive today except in museums and private collections. Through photographs and scholarly essays, Royal Hawaiian Featherwork highlights approximately seventy-five rare examples of the finest featherwork capes and cloaks (‘ahu‘ula) extant, as well as royal staffs of feathers (kāhili), feather lei (lei hulu manu), helmets (mahiole), feathered god images (akua hulu manu), and related eighteenth- and nineteenth-century paintings and works on paper. With their brilliant coloring and abstract compositions of crescents, triangles, circles, quadrilaterals, and lines, the artworks are both beautiful and rich in cultural significance. In the seventeenth and eighteenth centuries, featherworks were key items of indigenous Hawaiian diplomacy, used to secure political alliances and agreements, worn as battlefield regalia, and seized as spoils from defeated chiefs. Later, in the nineteenth and early twentieth centuries, the featherworks—used in trading and gifts to foreign visitors—became symbols of Hawaiian heritage and cultural pride. This stunningly illustrated volume also serves as the catalogue to accompany the first exhibition of Hawaiian featherwork to be staged on the U.S. continent, scheduled for a six-month run starting in late August 2015 at the Fine Arts Museums of San Francisco. The book and exhibition provide an overdue opportunity for the public to discover the central role these artworks played in the culture and history of the Hawaiian Islands, to explore their unparalleled technical craftsmanship, and to discover an aesthetic tradition unique to the Hawaiian archipelago. Essays by: Samuel M. Ohukaniōhia Gon III, Marques Marzan, Maile Andrade, Noelle Kahanu, Betty Kam, Adrienne Kaeppler, Stacy L. Kamehiro, Christina Hellmich, and Roger Rose.
Publisher: University of Hawaii Press
ISBN: 9780824855888
Category : Art
Languages : en
Pages : 0
Book Description
Painstakingly constructed by hand of plant fiber and precious feathers from endemic birds of Hawai‘i, feather cloaks and capes provided spiritual protection to Hawaiian chiefs for centuries while proclaiming their royal status. Few of the artworks known as nā hulu ali‘i, or royal feathers, survive today except in museums and private collections. Through photographs and scholarly essays, Royal Hawaiian Featherwork highlights approximately seventy-five rare examples of the finest featherwork capes and cloaks (‘ahu‘ula) extant, as well as royal staffs of feathers (kāhili), feather lei (lei hulu manu), helmets (mahiole), feathered god images (akua hulu manu), and related eighteenth- and nineteenth-century paintings and works on paper. With their brilliant coloring and abstract compositions of crescents, triangles, circles, quadrilaterals, and lines, the artworks are both beautiful and rich in cultural significance. In the seventeenth and eighteenth centuries, featherworks were key items of indigenous Hawaiian diplomacy, used to secure political alliances and agreements, worn as battlefield regalia, and seized as spoils from defeated chiefs. Later, in the nineteenth and early twentieth centuries, the featherworks—used in trading and gifts to foreign visitors—became symbols of Hawaiian heritage and cultural pride. This stunningly illustrated volume also serves as the catalogue to accompany the first exhibition of Hawaiian featherwork to be staged on the U.S. continent, scheduled for a six-month run starting in late August 2015 at the Fine Arts Museums of San Francisco. The book and exhibition provide an overdue opportunity for the public to discover the central role these artworks played in the culture and history of the Hawaiian Islands, to explore their unparalleled technical craftsmanship, and to discover an aesthetic tradition unique to the Hawaiian archipelago. Essays by: Samuel M. Ohukaniōhia Gon III, Marques Marzan, Maile Andrade, Noelle Kahanu, Betty Kam, Adrienne Kaeppler, Stacy L. Kamehiro, Christina Hellmich, and Roger Rose.
Na Lei Makamae
Author: Marie A. McDonald
Publisher: University of Hawaii Press
ISBN: 9780824826499
Category : Social Science
Languages : en
Pages : 228
Book Description
Lei are the very expression of traditional Hawaiian culture and were once an essential part of community and family life. Following in the footsteps of Samuel Kamakau, Abraham Fornander, and others, the authors have collected here a wealth of written and oral information to reveal the significance of making and wearing lei and their role in Hawaiian ritual and dance. This volume covers eighty-five flowers and plants (and another dozen color variations) used in traditional lei construction. They are arranged according to their Hawaiian names and accompanied by botanical information and descriptions gleaned from legends and chants that illustrate the cultural uses and special meanings of lei prior to Western contact. Many are introduced by poems written especially for this work by master kumu hula, linguist, and ethnologist Pualani Kanakaole Kanahele. The authors present the lei art form in not only words, but also pictures. Lavish color photographs by Jean Coté showcase each plant and lei (shown by itself or worn), as well as places throughout the Islands associated with specific flowers and plants. An appendix includes a complete list of lei plants, basic instructions for their propagation, and other sources for material.
Publisher: University of Hawaii Press
ISBN: 9780824826499
Category : Social Science
Languages : en
Pages : 228
Book Description
Lei are the very expression of traditional Hawaiian culture and were once an essential part of community and family life. Following in the footsteps of Samuel Kamakau, Abraham Fornander, and others, the authors have collected here a wealth of written and oral information to reveal the significance of making and wearing lei and their role in Hawaiian ritual and dance. This volume covers eighty-five flowers and plants (and another dozen color variations) used in traditional lei construction. They are arranged according to their Hawaiian names and accompanied by botanical information and descriptions gleaned from legends and chants that illustrate the cultural uses and special meanings of lei prior to Western contact. Many are introduced by poems written especially for this work by master kumu hula, linguist, and ethnologist Pualani Kanakaole Kanahele. The authors present the lei art form in not only words, but also pictures. Lavish color photographs by Jean Coté showcase each plant and lei (shown by itself or worn), as well as places throughout the Islands associated with specific flowers and plants. An appendix includes a complete list of lei plants, basic instructions for their propagation, and other sources for material.
Collage Workshop for Kids
Author: Shannon Merenstein
Publisher: Quarry Books
ISBN: 1631595202
Category : Crafts & Hobbies
Languages : en
Pages : 155
Book Description
Be inspired and delighted by Collage Workshop for Kids, a colorful art instruction book on collage techniques for children—made in cooperation with The Eric Carle Museum of Picture Book Art. Collage Workshop for Kids pairs essays by educators from The Eric Carle Museum of Picture Book Art with instructions on collage technique. Chapters explore favorite art themes for kids and demonstrate how to work with colored tissue paper, newspaper, fabric and buttons, painted paper, torn paper, and more. In each chapter, Reggio-inspired author and teacher Shannon Merenstein explores each technique with original ideas. Members of the museum's education staff offer expert advice on creating art with children. Everything you need to know about collage is in this book, making it a great reference for teachers, librarians, and parents.
Publisher: Quarry Books
ISBN: 1631595202
Category : Crafts & Hobbies
Languages : en
Pages : 155
Book Description
Be inspired and delighted by Collage Workshop for Kids, a colorful art instruction book on collage techniques for children—made in cooperation with The Eric Carle Museum of Picture Book Art. Collage Workshop for Kids pairs essays by educators from The Eric Carle Museum of Picture Book Art with instructions on collage technique. Chapters explore favorite art themes for kids and demonstrate how to work with colored tissue paper, newspaper, fabric and buttons, painted paper, torn paper, and more. In each chapter, Reggio-inspired author and teacher Shannon Merenstein explores each technique with original ideas. Members of the museum's education staff offer expert advice on creating art with children. Everything you need to know about collage is in this book, making it a great reference for teachers, librarians, and parents.
Making Ribbon Leis and Other Gifts of Aloha
Author: Coryn Tanaka
Publisher: Bess PressInc
ISBN: 9781573061384
Category : Crafts & Hobbies
Languages : en
Pages : 44
Book Description
Offers step-by-step instructions for making seventeen ribbon leis, including tips on threading, marking, stitching, shredding, pinching, and folding.
Publisher: Bess PressInc
ISBN: 9781573061384
Category : Crafts & Hobbies
Languages : en
Pages : 44
Book Description
Offers step-by-step instructions for making seventeen ribbon leis, including tips on threading, marking, stitching, shredding, pinching, and folding.
Pushing Back
Author: John Kinsella
Publisher: Transit Lounge
ISBN: 1925760723
Category : Fiction
Languages : en
Pages : 287
Book Description
'The tall trees nearby called them up and red-tailed black cockatoos carried messages to them that they told no one else about.' Pushing Back is John Kinsella's most haunting and timely fiction to date. It is populated with eccentric, compelling characters, drifters, unlikely friendships, the silences of dissolving relationships, haunted dwellings and lonely highways, the ghosts of cleared bushland and the threats of right-wing nationalists and senseless destruction. A couple make love in an abandoned asbestos house, a desperate carpet cleaner beholden to the gig economy begs a financially distressed client not to cancel his booking, an addict cannot bear to see his partner without the watch he once gave her, a mother casts her shearer son's ashes on the property on which he worked, fascists pile into a little red car with the intent of terrorising tourists on the Nullarbor, a man more at home with machinery than people rescues a drowning kitten. Yet throughout this assured distillation of contemporary Australian life, empathy rises like the red- tailed black cockatoos that appear and reappear, nature coalescing with the human spirit, the animals, the trees, the land, the people pushing back. These stories are at once disturbing, tender and hopeful. 'One of the nation's most significant living writers.' — Tony Hughes-d'Aeth, Australian Book Review
Publisher: Transit Lounge
ISBN: 1925760723
Category : Fiction
Languages : en
Pages : 287
Book Description
'The tall trees nearby called them up and red-tailed black cockatoos carried messages to them that they told no one else about.' Pushing Back is John Kinsella's most haunting and timely fiction to date. It is populated with eccentric, compelling characters, drifters, unlikely friendships, the silences of dissolving relationships, haunted dwellings and lonely highways, the ghosts of cleared bushland and the threats of right-wing nationalists and senseless destruction. A couple make love in an abandoned asbestos house, a desperate carpet cleaner beholden to the gig economy begs a financially distressed client not to cancel his booking, an addict cannot bear to see his partner without the watch he once gave her, a mother casts her shearer son's ashes on the property on which he worked, fascists pile into a little red car with the intent of terrorising tourists on the Nullarbor, a man more at home with machinery than people rescues a drowning kitten. Yet throughout this assured distillation of contemporary Australian life, empathy rises like the red- tailed black cockatoos that appear and reappear, nature coalescing with the human spirit, the animals, the trees, the land, the people pushing back. These stories are at once disturbing, tender and hopeful. 'One of the nation's most significant living writers.' — Tony Hughes-d'Aeth, Australian Book Review
‘Ike Ulana Lau Hala
Author: Lia O’Neill M. A. Keawe
Publisher: University of Hawaii Press
ISBN: 0824840933
Category : Crafts & Hobbies
Languages : en
Pages : 154
Book Description
The weaving of lau hala represents a living tradition borne on the great arc of Pacific voyaging history. This thriving tradition is made immediate by masters of the art who transmit their knowledge to those who are similarly devoted to, and delighted by, the smoothness, softness, and that particular warm fragrance of a woven lau hala treasure. The third volume in the Hawai‘inuiākea series, ‘Ike Ulana Lau Hala is an intriguing collection of articles and images about the Hawaiian tradition of ulana lau hala: the weaving, by hand, of dried Pandanus tectorius leaves. ‘Ike Ulana Lau Hala considers the humble hala leaf through several, very different lenses: an analysis of lau hala items that occur in historic photographs from the Bishop Museum collections; the ecological history on hala in Hawai‘i and the Pacific including serious challenges to its survival and strategies to prevent its extinction; perspectives–in Hawaiian–of a native speaker from Ni‘ihau on master weavers and the relationship between teacher and learner; a review–also in Hawaiian– of references to lau hala in poetical sayings and idioms; a survey of lau hala in Hawaiian cultural heritage and the documentation project underway to share the art with a broader audience; and a conversation with a master artisan known for his distinct and intricate construction of the lei hala. Rich with imagery, this extraordinary volume will guide the reader to a better understanding of the cultural scope and importance of lau hala, fostering an appreciation of the level of excellence to which the art of ulana lau hala has risen under the guidance of masters who continue to steer the Hawaiian form of the tradition into the future.
Publisher: University of Hawaii Press
ISBN: 0824840933
Category : Crafts & Hobbies
Languages : en
Pages : 154
Book Description
The weaving of lau hala represents a living tradition borne on the great arc of Pacific voyaging history. This thriving tradition is made immediate by masters of the art who transmit their knowledge to those who are similarly devoted to, and delighted by, the smoothness, softness, and that particular warm fragrance of a woven lau hala treasure. The third volume in the Hawai‘inuiākea series, ‘Ike Ulana Lau Hala is an intriguing collection of articles and images about the Hawaiian tradition of ulana lau hala: the weaving, by hand, of dried Pandanus tectorius leaves. ‘Ike Ulana Lau Hala considers the humble hala leaf through several, very different lenses: an analysis of lau hala items that occur in historic photographs from the Bishop Museum collections; the ecological history on hala in Hawai‘i and the Pacific including serious challenges to its survival and strategies to prevent its extinction; perspectives–in Hawaiian–of a native speaker from Ni‘ihau on master weavers and the relationship between teacher and learner; a review–also in Hawaiian– of references to lau hala in poetical sayings and idioms; a survey of lau hala in Hawaiian cultural heritage and the documentation project underway to share the art with a broader audience; and a conversation with a master artisan known for his distinct and intricate construction of the lei hala. Rich with imagery, this extraordinary volume will guide the reader to a better understanding of the cultural scope and importance of lau hala, fostering an appreciation of the level of excellence to which the art of ulana lau hala has risen under the guidance of masters who continue to steer the Hawaiian form of the tradition into the future.
Eulogy for Burying a Crane and the Art of Chinese Calligraphy
Author: Lei Xue
Publisher: University of Washington Press
ISBN: 0295746351
Category : Art
Languages : en
Pages : 234
Book Description
Eulogy for Burying a Crane (Yi he ming) is perhaps the most eccentric piece in China’s calligraphic canon. Apparently marking the burial of a crane, the large inscription, datable to 514 CE, was once carved into a cliff on Jiaoshan Island in the Yangzi River. Since the discovery of its ruins in the early eleventh century, it has fascinated generations of scholars and calligraphers and been enshrined as a calligraphic masterpiece. Nonetheless, skeptics have questioned the quality of the calligraphy and complained that its fragmentary state and worn characters make assessment of its artistic value impossible. Moreover, historians have trouble fitting it into the storyline of Chinese calligraphy. Such controversies illuminate moments of discontinuity in the history of the art form that complicate the mechanism of canon formation. In this volume, Lei Xue examines previous epigraphic studies and recent archaeological finds to consider the origin of the work in the sixth century and then trace its history after the eleventh century. He suggests that formation of the canon of Chinese calligraphy over two millennia has been an ongoing process embedded in the sociopolitical realities of particular historical moments. This biography of the stone monument Eulogy for Burying a Crane reveals Chinese calligraphy to be a contested field of cultural and political forces that have constantly reconfigured the practice, theory, and historiography of this unique art form. Art History Publication Initiative A McLellan Book
Publisher: University of Washington Press
ISBN: 0295746351
Category : Art
Languages : en
Pages : 234
Book Description
Eulogy for Burying a Crane (Yi he ming) is perhaps the most eccentric piece in China’s calligraphic canon. Apparently marking the burial of a crane, the large inscription, datable to 514 CE, was once carved into a cliff on Jiaoshan Island in the Yangzi River. Since the discovery of its ruins in the early eleventh century, it has fascinated generations of scholars and calligraphers and been enshrined as a calligraphic masterpiece. Nonetheless, skeptics have questioned the quality of the calligraphy and complained that its fragmentary state and worn characters make assessment of its artistic value impossible. Moreover, historians have trouble fitting it into the storyline of Chinese calligraphy. Such controversies illuminate moments of discontinuity in the history of the art form that complicate the mechanism of canon formation. In this volume, Lei Xue examines previous epigraphic studies and recent archaeological finds to consider the origin of the work in the sixth century and then trace its history after the eleventh century. He suggests that formation of the canon of Chinese calligraphy over two millennia has been an ongoing process embedded in the sociopolitical realities of particular historical moments. This biography of the stone monument Eulogy for Burying a Crane reveals Chinese calligraphy to be a contested field of cultural and political forces that have constantly reconfigured the practice, theory, and historiography of this unique art form. Art History Publication Initiative A McLellan Book
Ka Lei
Author: Marie A. McDonald
Publisher: Ku Pa'a Publishing
ISBN:
Category : Art
Languages : en
Pages : 220
Book Description
Lei expert Marie McDonald's history of the lei in Hawai'i is an entertaining and informative mix of personal narrative, history, and song.
Publisher: Ku Pa'a Publishing
ISBN:
Category : Art
Languages : en
Pages : 220
Book Description
Lei expert Marie McDonald's history of the lei in Hawai'i is an entertaining and informative mix of personal narrative, history, and song.
Chang'an Avenue and the Modernization of Chinese Architecture
Author: Shuishan Yu
Publisher: University of Washington Press
ISBN: 0295804483
Category : Architecture
Languages : en
Pages : 366
Book Description
In this interdisciplinary narrative, the never-ending "completion" of China's most important street offers a broad view of the relationship between art and ideology in modern China. Chang'an Avenue, named after China's ancient capital (whose name means "Eternal Peace"), is supremely symbolic. Running east-west through the centuries-old heart of Beijing, it intersects the powerful north-south axis that links the traditional centers of political and spiritual legitimacy (the imperial Forbidden City and the Temple of Heaven). Among its best-known features are Tiananmen Square and the Great Hall of the People, as well as numerous other monuments and prominent political, cultural, financial, and travel-related institutions. Drawing on Chang'an Avenue's historic ties and modern transformations, this study explores the deep structure of the Chinese modernization project, providing both a big picture of Beijing's urban texture alteration and details in the design process of individual buildings. Political winds shift, architectural styles change, and technological innovations influence waves of demolition and reconstruction in this analysis of Chang'an Avenue's metamorphosis. During collective design processes, architects, urban planners, and politicians argue about form, function, and theory, and about Chinese vs. Western and traditional vs. modern style. Every decision is fraught with political significance, from the 1950s debate over whether Tiananmen Square should be open or partially closed; to the 1970s discussion of the proper location, scale, and design of the Mao Memorial/Mausoleum; to the more recent controversy over whether the egg-shaped National Theater, designed by the French architect Paul Andreu, is an affront to Chinese national pride. Art History Publication Initiative. For more information, visit http://arthistorypi.org/books/chang-an
Publisher: University of Washington Press
ISBN: 0295804483
Category : Architecture
Languages : en
Pages : 366
Book Description
In this interdisciplinary narrative, the never-ending "completion" of China's most important street offers a broad view of the relationship between art and ideology in modern China. Chang'an Avenue, named after China's ancient capital (whose name means "Eternal Peace"), is supremely symbolic. Running east-west through the centuries-old heart of Beijing, it intersects the powerful north-south axis that links the traditional centers of political and spiritual legitimacy (the imperial Forbidden City and the Temple of Heaven). Among its best-known features are Tiananmen Square and the Great Hall of the People, as well as numerous other monuments and prominent political, cultural, financial, and travel-related institutions. Drawing on Chang'an Avenue's historic ties and modern transformations, this study explores the deep structure of the Chinese modernization project, providing both a big picture of Beijing's urban texture alteration and details in the design process of individual buildings. Political winds shift, architectural styles change, and technological innovations influence waves of demolition and reconstruction in this analysis of Chang'an Avenue's metamorphosis. During collective design processes, architects, urban planners, and politicians argue about form, function, and theory, and about Chinese vs. Western and traditional vs. modern style. Every decision is fraught with political significance, from the 1950s debate over whether Tiananmen Square should be open or partially closed; to the 1970s discussion of the proper location, scale, and design of the Mao Memorial/Mausoleum; to the more recent controversy over whether the egg-shaped National Theater, designed by the French architect Paul Andreu, is an affront to Chinese national pride. Art History Publication Initiative. For more information, visit http://arthistorypi.org/books/chang-an