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Author: William Faulkner
Publisher: DigiCat
ISBN:
Category : Fiction
Languages : en
Pages : 305
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Book Description
DigiCat Publishing presents to you this special edition of "Absalom, Absalom!" by William Faulkner. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.
Author: William Faulkner
Publisher: DigiCat
ISBN:
Category : Fiction
Languages : en
Pages : 305
Get Book Here
Book Description
DigiCat Publishing presents to you this special edition of "Absalom, Absalom!" by William Faulkner. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.
Author: Gerald Langford
Publisher: Austin : University of Texas
ISBN:
Category : Literary Criticism
Languages : en
Pages : 382
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Book Description
Author: William Faulkner
Publisher: Harper Collins
ISBN: 144342319X
Category : Fiction
Languages : en
Pages : 30
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Book Description
Quentin Compson narrates the story of his family’s African-American washerwoman, Nancy, who fears that her husband will murder her because she is pregnant with a white-man’s child. The events in the story are witnessed by a young Quentin and his two siblings, Caddy and Jason, who do not fully understand the adult world of race and class conflict that they are privy to. Although primarily known for his novels, William Faulkner wrote in a variety of formats, including plays, poetry, essays, screenplays, and short stories, many of which are highly acclaimed and anthologized. Like his novels, many of Faulkner’s short stories are set in fictional Yoknapatawapha County, a setting inspired by Lafayette County, where Faulkner spent most of his life. His first short story collection, These 13 (1931), includes many of his most frequently anthologized stories, including "A Rose for Emily", "Red Leaves" and "That Evening Sun." HarperCollins brings great works of literature to life in digital format, upholding the highest standards in ebook production and celebrating reading in all its forms. Look for more titles in the HarperCollins short-stories collection to build your digital library.
Author: Michael Gorra
Publisher: Liveright Publishing
ISBN: 1631491717
Category : Literary Criticism
Languages : en
Pages : 418
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Book Description
A New York Times Notable Book of 2020 How do we read William Faulkner in the twenty-first century? asks Michael Gorra, in this reconsideration of Faulkner's life and legacy. William Faulkner, one of America’s most iconic writers, is an author who defies easy interpretation. Born in 1897 in Mississippi, Faulkner wrote such classic novels as Absolom, Absolom! and The Sound and The Fury, creating in Yoknapatawpha county one of the most memorable gallery of characters ever assembled in American literature. Yet, as acclaimed literary critic Michael Gorra explains, Faulkner has sustained justified criticism for his failures of racial nuance—his ventriloquism of black characters and his rendering of race relations in a largely unreconstructed South—demanding that we reevaluate the Nobel laureate’s life and legacy in the twenty-first century, as we reexamine the junctures of race and literature in works that once rested firmly in the American canon. Interweaving biography, literary criticism, and rich travelogue, The Saddest Words argues that even despite these contradictions—and perhaps because of them—William Faulkner still needs to be read, and even more, remains central to understanding the contradictions inherent in the American experience itself. Evoking Faulkner’s biography and his literary characters, Gorra illuminates what Faulkner maintained was “the South’s curse and its separate destiny,” a class and racial system built on slavery that was devastated during the Civil War and was reimagined thereafter through the South’s revanchism. Driven by currents of violence, a “Lost Cause” romanticism not only defined Faulkner’s twentieth century but now even our own age. Through Gorra’s critical lens, Faulkner’s mythic Yoknapatawpha County comes alive as his imagined land finds itself entwined in America’s history, the characters wrestling with the ghosts of a past that refuses to stay buried, stuck in an unending cycle between those two saddest words, “was” and “again.” Upending previous critical traditions, The Saddest Words returns Faulkner to his sociopolitical context, revealing the civil war within him and proving that “the real war lies not only in the physical combat, but also in the war after the war, the war over its memory and meaning.” Filled with vignettes of Civil War battles and generals, vivid scenes from Gorra’s travels through the South—including Faulkner’s Oxford, Mississippi—and commentaries on Faulkner’s fiction, The Saddest Words is a mesmerizing work of literary thought that recontextualizes Faulkner in light of the most plangent cultural issues facing America today.
Author: William Faulkner
Publisher: DigiCat
ISBN:
Category : Fiction
Languages : en
Pages : 363
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Book Description
DigiCat Publishing presents to you this special edition of "Light in August" by William Faulkner. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.
Author: Charles Hannon
Publisher: LSU Press
ISBN: 0807143685
Category : Literary Criticism
Languages : en
Pages : 209
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Book Description
Throughout his career, William Faulkner produced a literary discourse remarkably contiguous with other discourses of American culture, but seldom has his work been explored as a participant in the shifts and ruptures that characterize modern discursive systems. Charles Hannon argues in his brilliant new study that the language of Faulkner's fiction is replete with the voiced conflicts that shaped America and the South from the 1920s to1950. Specifically, Hannon takes five contemporary debates -- in historiography, law, labor, ethnography, and film -- and relates them both to canonical and less-discussed texts of Faulkner. Hannon employs a theoretical middle ground between Michael Bakhtin's stylistics of the novel and Michel Foucault's model of discourse as an autonomous self-regulated domain, while also drawing from the vast critical literature on Faulkner's fiction. He begins by linking the story cycle The Unvanquished to the battle over interpretations of American history as voiced by the Nashville Agrarians on the one hand and W. E. B. DuBois on the other. Next Hannon shows how Faulkner's detective fiction of the early 1930s and portions of his novel The Hamlet were affected by the emerging schism between adherents of a new school of legal realism and those bound to a more conservative formalist jurisprudence. According to Hannon, Faulkner's great novel Absalom, Absalom! reflects in its depiction of various forms of labor one of Franklin Roosevelt's major New Deal accomplishments -- the Wagner Act of 1935 -- as well as contract disputes in the agricultural and manufacturing South and in the film studios of Hollywood. Hannon discusses Faulkner's experimentation in The Hamlet vis-á-vis the development of the ethnographic method in the field of anthropology. He concludes with a fascinating analysis of the filming of Intruder in the Dust in Faulkner's hometown of Oxford, Mississippi. Through Hannon's keen interpretive readings, Faulkner's texts emerge as a complex "node" in the larger discursive conflicts of his time. Though he often seemed to be detached from influence, Faulkner was, Hannon reveals, intensely attentive to ideas at the fore.
Author: Gerald Langford
Publisher: University of Texas Press
ISBN: 0292769040
Category : Literary Criticism
Languages : en
Pages : 377
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Book Description
Faulkner’s Revision of Absalom, Absalom! is a study of the creative process as exemplified in one of the major achievements in twentieth-century fiction. Portions of the original handwritten version of the story are collated, line by line, with corresponding sections of the published version. In an introductory discussion the major changes are analyzed and evaluated. It is particularly interesting to observe Faulkner revising not only his choice of words and the construction of his sentences but also the central design of the story. Most notably, he changed his mind about having it known from the beginning that Charles Bon was Sutpen’s part-Negro son, and he developed Quentin Compson into the pivotal figure who finally supplies this missing piece of information. In the process of revision Absalom, Absalom! became a kind of detective story, and the reader is forced to join the quest and participate in the undertaking which is the basic subject of the book—the human attempt to comprehend and deal with the past. To trace the process of this revision is to experience a sharp focusing of theme and to witness a demonstration of how the meaning of a fictional work can shape its structure and, in turn, stand revealed by what has become the outward sign, or form, of that meaning.
Author: Joel Peckham
Publisher:
ISBN: 9781527508439
Category : Southern States
Languages : en
Pages : 85
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Book Description
Outraged and Amazed focuses on how Absalom, Absalom!'s complex narrative functions as a vehicle through which social order in the South is represented, challenged and renegotiated. Exploring Quentin Compson's attempt to understand his own identity through the complicated and incomplete story of Thomas Sutpen, Joel Peckham's Outraged and Amazed: Transgressing the South in Faulkner's Absalom, Absalom! demonstrates how the poetics, structure and central conflicts of the novel derive from a combination of its characters' intense resistance to their proscribed social limitations and their desire to wrest control of their identities through and from the act of storytelling. Intending to present a narrative that could explain the past in a way that makes sense of their world and their place in it, these would-be authors are instead confronted with their limitations and the inadequacy of their knowledge. Outraged and Amazed explores the bewildering, tangled, dislocated, and confused story we are left with a story of the South that is plausible but unverifiable, at once self-reflexively fictive and true.
Author: Olga W. Vickery
Publisher: LSU Press
ISBN: 9780807120064
Category : Literary Criticism
Languages : en
Pages : 340
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Book Description
Hailed by reviewers upon its publication more than thirty years ago, The Novels of William Faulkner remains the preeminent interpretation of Faulkner in the formalist critical tradition while it inspires Faulknerians of all methodologies. Part One contains detailed analyses of every novel from Soldiers’ Pay to The Reivers, with particular emphasis on elucidation of character, theme, and structural technique. Part Two discusses interrelated patterns and preoccupations in Faulkner’s writing generally. Insightful and well-reasoned, Olga W. Vickery’s work continues to be of enormous benefit to readers and scholars.
Author: Ted Atkinson
Publisher: University of Georgia Press
ISBN: 082033085X
Category : Literary Criticism
Languages : en
Pages : 286
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Book Description
“Remarkably,” writes Ted Atkinson, “during a period roughly corresponding to the Great Depression, Faulkner wrote the novels and stories most often read, taught, and examined by scholars.” This is the first comprehensive study to consider his most acclaimed works in the context of those hard times. Atkinson sees Faulkner’s Depression-era novels and stories as an ideological battleground--in much the same way that 1930s America was. With their contrapuntal narratives that present alternative accounts of the same events, these works order multiple perspectives under the design of narrative unity. Thus, Faulkner’s ongoing engagement with cultural politics gives aesthetic expression to a fundamental ideological challenge of Depression-era America: how to shape what FDR called a “new order of things” out of such conflicting voices as the radical left, the Popular Front, and the Southern Agrarians. Focusing on aesthetic decadence in Mosquitoes and dispossession in The Sound and the Fury, Atkinson shows how Faulkner anticipated and mediated emergent sociocultural forces of the late 1920s and early 1930s. In Sanctuary; Light in August; Absalom, Absalom!; and “Dry September,” Faulkner explores social upheaval (in the form of lynching and mob violence), fascism, and the appeal of strong leadership during troubled times. As I Lay Dying, The Hamlet, “Barn Burning,” and “The Tall Men” reveal his “ambivalent agrarianism”--his sympathy for, yet anxiety about, the legions of poor and landless farmers and sharecroppers. In The Unvanquished, Faulkner views Depression concerns through the historical lens of the Civil War, highlighting the forces of destruction and reconstruction common to both events. Faulkner is no proletarian writer, says Atkinson. However, the dearth of overt references to the Depression in his work is not a sign that Faulkner was out of touch with the times or consumed with aesthetics to the point of ignoring social reality. Through his comprehensive social vision and his connections to the rural South, Hollywood, and New York, Faulkner offers readers remarkable new insight into Depression concerns.
