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Author: Christopher Rieger
Publisher: Bloomsbury Publishing USA
ISBN:
Category : Literary Criticism
Languages : en
Pages : 260
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Book Description
The first book-length study of clothing and dress across William Faulkner's novels and short stories. Clothing is one of the most important and pervasive material items throughout William Faulkner's fiction. Faulkner's Fashion analyzes the writer's use of clothing from a variety of critical approaches, considering how clothing and dress intersect with race, class, and gender across Faulkner's works. It also considers clothes as material objects, using Thing Theory and Object Oriented Ontology to illuminate the role clothing plays as an object in conjunction with its multiple layers of symbolic meaning to both the wearer and the observer. Faulkner's Fashion reveals how much attention Faulkner pays to garments and fashion in his own life and in his fiction, arguing that dress is often a means of characterization for Faulkner, while it also connects his narrative representations of gender, sexuality, class, poverty, race, and modernity.
Author: Christopher Rieger
Publisher: Bloomsbury Publishing USA
ISBN:
Category : Literary Criticism
Languages : en
Pages : 260
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Book Description
The first book-length study of clothing and dress across William Faulkner's novels and short stories. Clothing is one of the most important and pervasive material items throughout William Faulkner's fiction. Faulkner's Fashion analyzes the writer's use of clothing from a variety of critical approaches, considering how clothing and dress intersect with race, class, and gender across Faulkner's works. It also considers clothes as material objects, using Thing Theory and Object Oriented Ontology to illuminate the role clothing plays as an object in conjunction with its multiple layers of symbolic meaning to both the wearer and the observer. Faulkner's Fashion reveals how much attention Faulkner pays to garments and fashion in his own life and in his fiction, arguing that dress is often a means of characterization for Faulkner, while it also connects his narrative representations of gender, sexuality, class, poverty, race, and modernity.
Author: Joseph R. Urgo
Publisher: Univ. Press of Mississippi
ISBN: 1628468645
Category : Literary Collections
Languages : en
Pages : 326
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Book Description
Essays by Susan V. Donaldson, Lael Gold, Adam Gussow, Martin Kreiswirth, Jay Parini, Noel Polk, Judith L. Sensibar, Jon Smith, and Priscilla Wald William Faulkner once said that the writer “collects his material all his life from everything he reads, from everything he listens to, everything he sees, and he stores that away in sort of a filing cabinet . . . in my case it's not anything near as neat as a filing case; it's more like a junk box.” Faulkner tended to be quite casual about his influences. For example, he referred to the South as “not very important to me. I just happen to know it, and don't have time in one life to learn another one and write at the same time.” His Christian background, according to him, was simply another tool he might pick up on one of his visits to “the lumber room” that would help him tell a story. Sometimes he claimed he never read James Joyce's Ulysses or had never heard of Thomas Mann—writers he would elsewhere declare as “the two great men in my time.” Sometimes he expressed annoyance at readers who found esoteric theory in his fiction, when all he wanted them to find was Faulkner: “I have never read [Freud]. Neither did Shakespeare. I doubt if Melville did either, and I'm sure Moby-Dick didn't.” Nevertheless, Faulkner's life was rich in what he did, saw, and read, and he seems to have remembered all of it and put it to use in his fiction. Faulkner's Inheritance is a collection of essays that examines the influences on Faulkner's fiction, including his own family history, Jim Crow laws, contemporary fashion, popular culture, and literature.
Author: Ted Atkinson
Publisher: University of Georgia Press
ISBN: 082033085X
Category : Literary Criticism
Languages : en
Pages : 286
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Book Description
“Remarkably,” writes Ted Atkinson, “during a period roughly corresponding to the Great Depression, Faulkner wrote the novels and stories most often read, taught, and examined by scholars.” This is the first comprehensive study to consider his most acclaimed works in the context of those hard times. Atkinson sees Faulkner’s Depression-era novels and stories as an ideological battleground--in much the same way that 1930s America was. With their contrapuntal narratives that present alternative accounts of the same events, these works order multiple perspectives under the design of narrative unity. Thus, Faulkner’s ongoing engagement with cultural politics gives aesthetic expression to a fundamental ideological challenge of Depression-era America: how to shape what FDR called a “new order of things” out of such conflicting voices as the radical left, the Popular Front, and the Southern Agrarians. Focusing on aesthetic decadence in Mosquitoes and dispossession in The Sound and the Fury, Atkinson shows how Faulkner anticipated and mediated emergent sociocultural forces of the late 1920s and early 1930s. In Sanctuary; Light in August; Absalom, Absalom!; and “Dry September,” Faulkner explores social upheaval (in the form of lynching and mob violence), fascism, and the appeal of strong leadership during troubled times. As I Lay Dying, The Hamlet, “Barn Burning,” and “The Tall Men” reveal his “ambivalent agrarianism”--his sympathy for, yet anxiety about, the legions of poor and landless farmers and sharecroppers. In The Unvanquished, Faulkner views Depression concerns through the historical lens of the Civil War, highlighting the forces of destruction and reconstruction common to both events. Faulkner is no proletarian writer, says Atkinson. However, the dearth of overt references to the Depression in his work is not a sign that Faulkner was out of touch with the times or consumed with aesthetics to the point of ignoring social reality. Through his comprehensive social vision and his connections to the rural South, Hollywood, and New York, Faulkner offers readers remarkable new insight into Depression concerns.
Author: Peter Swiggart
Publisher: University of Texas Press
ISBN: 0292769393
Category : Literary Criticism
Languages : en
Pages : 241
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Book Description
To say that the entirety of human experience can be a novelist’s theme is to voice an absurdity. But, as Peter Swiggart convincingly argues, Faulkner’s work can be viewed as an extraordinary attempt to transform the panorama of man’s social experience into thematic material. Faulkner’s two-dimensional characters, his rhetorical circumlocutions, and his technical experiments are efforts to achieve a dramatic focus upon material too unwieldy, at least in principle, for any kind of fictional condensation. Faulkner makes use of devices of stylization that apply to virtually every aspect of his successful novels. For example, the complex facts of Southern history and culture are reduced to the scale of a simplified and yet grandiose social mythology: the degeneration of the white aristocracy, the rise of Snopesism, and the white Southerner’s gradual recognition of his latent sense of racial guilt. Within Faulkner’s fictional universe, human psychology takes the form of absolute distinctions between puritan and nonpuritan characters, between individuals corrupted by moral rationality and those who are simultaneously free of moral corruption and social involvement. In this way Faulkner is able to create the impression of a comprehensive treatment of important social concerns and universal moral issues. Like Henry James, he makes as much as he can of clearly defined dramatic events, until they seem to echo the potential complexity and depth of situations outside the realm of fiction. When this technique is successful the reader is left with the impression that he knows a Faulkner character far better than he could know an actual person. At the same time, the character retains the atmosphere of complexity and mystery imposed upon it by Faulkner’s handling of style and structure. This method of characterization reflects Faulkner’s simplifications of experience and yet suggests the inadequacy of any rigid interpretation of actual behavior. The reader is supplied with special eyeglasses through which the tragedy of the South, as well as humanity’s general inhumanity to itself, can be viewed in a perspective of simultaneous mystery and symbolic clarity.
Author: Joseph R. Urgo
Publisher: Univ. Press of Mississippi
ISBN: 160473163X
Category : History
Languages : en
Pages : 179
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Book Description
Essays by Charles S. Aiken, Katherine R. Henninger, T. J. Jackson Lears, Miles Orvell, Kevin Railey, D. Matthew Ramsey, Joseph R. Urgo, Jay Watson, and Patricia Yaeger. Photographs, lumber, airplanes, hand-hewn coffins--in every William Faulkner novel and short story worldly material abounds. The essays in Faulkner and Material Culture provide a fresh understanding of the things Faulkner brought from the world around him to the one he created. Charles S. Aiken surveys Faulkner's representation of terrain and concludes, contrary to established criticism, that to Faulkner, Yoknapatawpha was not a microcosm of the South but a very particular and quite specifically located place. Jay Watson works with literary theory, philosophy, the history of woodworking and furniture-making, and social and intellectual history to explore how Light in August is tied intimately to the region's logging and woodworking industries. Other essays in the volume include Kevin Railey's on the consumer goods that appear in Flags in the Dust . Miles Orvell discusses the Confederate Soldier monuments installed in small towns throughout the South and how such monuments enter Faulkner's work. Katherine Henninger analyzes Faulkner's fictional representation of photographs and the function of photography within his fiction, particularly in The Sound and the Fury, Light in August, and Absalom, Absalom!. Joseph R. Urgo is dean of the faculty at Hamilton College. Ann J. Abadie is associate director of the Center for the Study of Southern Culture at the University of Mississippi.
Author: Taylor Hagood
Publisher: LSU Press
ISBN: 0807157287
Category : Literary Criticism
Languages : en
Pages : 262
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Book Description
From the emerging field of disability studies, Taylor Hagood offers the first book-length consideration of impairment in William Faulkner's life and writing. Blending biography, textual analysis, and theory in an experimental style, Hagood explores in both form and content the constructs of normality and their power. Hagood brings to light little-known and rarely discussed ways in which Faulkner's personal and familial background were marked by disability and discusses the ways the writer incorporates disability into his fiction. He reevaluates Faulkner's so-called "idiots"-Benjy Compson, Ike Snopes, and others-as characters whose narratives both satisfy and shock the reader. Hagood also examines the roles that impairment and abnormality play in texts such as the stories "The Leg" and "The Kingdom of God" and the novels A Fable and Flags in the Dust. Highly original readings result, including new understandings of: the centrality of the visually impaired Pap in Sanctuary; the disability-centric social order based on interdependence in Pylon; and the disabled speech of Linda Snopes Kohl in The Mansion. Hagood argues that Faulkner's poetics are deeply invested in disability, both in promoting a disability-inclusive fictional world and in exposing and subverting the devaluation of disabled bodies and minds. Hagood draws on firsthand knowledge of his native of Ripley, Mississippi, the ancestral home of the Faulkners, to offer readers otherwise inaccessible contextual information. Moreover, by framing each section of his study within a different kind of discourse-newspaper style, biography, email, and advertisement-he uses the very structure of the book to underscore the questions of normalcy prevalent in disability studies. This rich and unconventional study offers insight into a Faulkner haunted by experiences of disablement and compelled to narrate them in his own writing.
Author: Philip Weinstein
Publisher: Oxford University Press
ISBN: 0195341538
Category : Biography & Autobiography
Languages : en
Pages : 267
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Book Description
William Faulkner was the greatest American novelist of the twentieth century, yet he lived a life marked by a pervasive sense of failure. Throughout his career, he remained haunted by his inability to master a series of personal and professional challenges: his less-than-heroic military career; the loss of his brother in an airplane crash; a disappointing stint as a Hollywood screenwriter; and a destructive bout with alcoholism. In this imaginative biography, Philip Weinstein--a leading authority on the great novelist--targets Faulkner's embattled sense of self as central to both his life and his work. Weinstein shows how Faulkner's troubled interactions with time, place, and history--with antebellum practices and racial division--take on their fullest meanings in his fiction. Exploring the resonance of his own unpreparedness, Faulkner invented a singular language that captured human consciousness under stress as never before. Becoming Faulkner joins Faulkner's life and art in a bold new way, giving readers a full vantage from which to better understand this twentieth-century literary genius.Weinstein shows how Faulkner's troubled interactions with time, place, and history--with antebellum practices and southern heritage--form a pattern that played out over the course of his entire life. At the same time, these incidents take on their fullest meanings in his fiction. It was in meditating on his failures, his own unreadiness, Weinstein argues, that Faulkner came up with his singular language, one that captured human consciousness under stress as never before. His fruitless striving catapulted American literature to a new level of sophistication.Narrating the events that comprised Faulkner's life, biographers have long struggled to depict his personal complexity, the paradoxes that shaped his decisions and dogged his relationships. But without a consideration of the writing as well, the troubles in the life fail to reveal their deeper resonance. By skillfully analyzing the work while tracing the events, Weinstein achieves a full portrait, revealing struggles that animate his life and shadows that complicate his work. Becoming Faulkner thus conjoins Faulkner's life and art in a bold new way, giving readers a full vantage from which to better understand this twentieth-century literary genius.
Author: John E. Bassett
Publisher: Scarecrow Press
ISBN: 0810867427
Category : Literary Criticism
Languages : en
Pages : 603
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Book Description
Considered one of the great American authors of the 20th century, William Faulkner (1897-1962) produced such enduring novels as The Sound and the Fury, Light in August, and As I Lay Dying, as well as many short stories. His works continue to be a source of interest to scholars and students of literature, and the immense amount of criticism about the Nobel-prize winner continues to grow. Following his book Faulkner in the Eighties (Scarecrow, 1991) and two previous volumes published in 1972 and 1983, John E. Bassett provides a comprehensive, annotated listing of commentary in English on William Faulkner since the late 1980s. This volume dedicates its sections to book-length studies of Faulkner, commentaries on individual novels and short works, criticism covering multiple works, biographical and bibliographical sources, and other materials such as book reviews, doctoral dissertations, and brief commentaries. This bibliography provides an organized and accessible list of all significant recent commentary on Faulkner, and the annotations direct readers to those materials of most interest to them. The information contained in this volume is beneficial for scholars and students of this author but also general readers of fiction who have a special interest in Faulkner.
Author: Joel Williamson
Publisher: Oxford University Press
ISBN: 0195356403
Category : Literary Criticism
Languages : en
Pages : 539
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Book Description
One of America's great novelists, William Faulkner was a writer deeply rooted in the American South. In works such as The Sound and the Fury, As I Lay Dying, Light in August, and Absalom, Absalom! Faulkner drew powerfully on Southern themes, attitudes, and atmosphere to create his own world and place--the mythical Yoknapatawpha County--peopled with quintessential Southerners such as the Compsons, Sartorises, Snopes, and McCaslins. Indeed, to a degree perhaps unmatched by any other major twentieth-century novelist, Faulkner remained at home and explored his own region--the history and culture and people of the South. Now, in William Faulkner and Southern History, one of America's most acclaimed historians of the South, Joel Williamson, weaves together a perceptive biography of Faulkner himself, an astute analysis of his works, and a revealing history of Faulkner's ancestors in Mississippi--a family history that becomes, in Williamson's skilled hands, a vivid portrait of Southern culture itself. Williamson provides an insightful look at Faulkner's ancestors, a group sketch so brilliant that the family comes alive almost as vividly as in Faulkner's own fiction. Indeed, his ancestors often outstrip his characters in their colorful and bizarre nature. Williamson has made several discoveries: the Falkners (William was the first to spell it "Faulkner") were not planter, slaveholding "aristocrats"; Confederate Colonel Falkner was not an unalloyed hero, and he probably sired, protected, and educated a mulatto daughter who married into America's mulatto elite; Faulkner's maternal grandfather Charlie Butler stole the town's money and disappeared in the winter of 1887-1888, never to return. Equally important, Williamson uses these stories to underscore themes of race, class, economics, politics, religion, sex and violence, idealism and Romanticism--"the rainbow of elements in human culture"--that reappear in Faulkner's work. He also shows that, while Faulkner's ancestors were no ordinary people, and while he sometimes flashed a curious pride in them, Faulkner came to embrace a pervasive sense of shame concerning both his family and his culture. This he wove into his writing, especially about sex, race, class, and violence, psychic and otherwise. William Faulkner and Southern History represents an unprecedented publishing event--an eminent historian writing on a major literary figure. By revealing the deep history behind the art of the South's most celebrated writer, Williamson evokes new insights and deeper understanding, providing anyone familiar with Faulkner's great novels with a host of connections between his work, his life, and his ancestry.
Author: William Faulkner
Publisher:
ISBN:
Category : New Orleans (La.)
Languages : en
Pages : 366
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Book Description
Satirisk roman fra New Orleans
