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Author: Gerald Pratley
Publisher: University of Delaware Press
ISBN: 0874131944
Category : Motion picture industry
Languages : en
Pages : 334
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Book Description
The history of Canadian filmmaking is a fascinating topic and, in this book, the author takes the reader through the early years of the twentieth century when Hollywood monopolized the industry, Edison's Kinctoscope enthralled the public, and motion picture exhibitions swept across Canada.
Author: Gerald Pratley
Publisher: University of Delaware Press
ISBN: 0874131944
Category : Motion picture industry
Languages : en
Pages : 334
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Book Description
The history of Canadian filmmaking is a fascinating topic and, in this book, the author takes the reader through the early years of the twentieth century when Hollywood monopolized the industry, Edison's Kinctoscope enthralled the public, and motion picture exhibitions swept across Canada.
Author: Manjunath Pendakur
Publisher: Wayne State University Press
ISBN: 9780814319994
Category : Business & Economics
Languages : en
Pages : 340
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Book Description
A history of the Canadian film industry from its inception to 1980s, providing a chronological record of the conflicting priorities between American capital, which seeks to shape the Canadian film industry to its own image, and Canada's stated goal, which is to serve the Canadian people with films autonomously conceived, produced, and exhibited.
Author: Charles R. Acland
Publisher: Duke University Press
ISBN: 9780822331636
Category : Performing Arts
Languages : en
Pages : 356
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Book Description
In Screen Traffic, Charles R. Acland examines how, since the mid-1980s, the U.S. commercial movie business has altered conceptions of moviegoing both within the industry and among audiences. He shows how studios, in their increasing reliance on revenues from international audiences and from the ancillary markets of television, videotape, DVD, and pay-per-view, have cultivated an understanding of their commodities as mutating global products. Consequently, the cultural practice of moviegoing has changed significantly, as has the place of the cinema in relation to other sites of leisure. Integrating film and cultural theory with close analysis of promotional materials, entertainment news, trade publications, and economic reports, Acland presents an array of evidence for the new understanding of movies and moviegoing that has developed within popular culture and the entertainment industry. In particular, he dissects a key development: the rise of the megaplex, characterized by large auditoriums, plentiful screens, and consumer activities other than film viewing. He traces its genesis from the re-entry of studios into the movie exhibition business in 1986 through 1998, when reports of the economic destabilization of exhibition began to surface, just as the rise of so-called e-cinema signaled another wave of change. Documenting the current tendency toward an accelerated cinema culture, one that appears to arrive simultaneously for everyone, everywhere, Screen Traffic unearths and critiques the corporate and cultural forces contributing to the “felt internationalism” of our global era.
Author:
Publisher: Treasury of Xxth Century Murde
ISBN: 9781561635559
Category : Comics & Graphic Novels
Languages : en
Pages : 0
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Book Description
It's the early days of Hollywood - movies are just starting to come into their own and gain in popularity. New stars are made, but they are certainly not in the scandal sheets. Amidst this new world, Willian Desmond Taylor, a successful director at the Famous Players Studio, is found shot dead in his home - could it have been the star Mary Miles Minter, or a former butler? Another delectable mystery as only Geary can tell them!
Author: Richard Koszarski
Publisher: Rutgers University Press
ISBN: 9780813542935
Category : Motion picture industry
Languages : en
Pages : 592
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Book Description
Thomas Edison invented his motion picture system in New Jersey in the 1890s, and within a few years most American filmmakers could be found within a mile or two of the Hudson River. They planted themselves here because they needed the artistic and entrepreneurial energy that D. W. Griffith realized New York had in abundance. But as the going rate for land and labor skyrocketed and their business grew more industrialized, most of them moved out. The way most historians explain it, the role of New York in the development of American film ends here. In Hollywood on the Hudson, Richard Koszarski rewrites an important part of the history of American cinema. During the 1920s and 1930s, film industry executives had centralized the mass production of feature pictures in a series of gigantic film factories scattered across Southern California, while maintaining New York as the economic and administrative center. But as Koszarski reveals, many writers, producers, and directors also continued to work here, especially if their independent vision was too big for the Hollywood production line. East Coast filmmakers-Oscar Micheaux, Rudolph Valentino, Ben Hecht, Charles MacArthur, Paul Robeson, Gloria Swanson, Max Fleischer, and others-quietly created a studio system without back-lots, long-term contracts or seasonal production slates. They substituted "newsreel photography" for Hollywood glamour, targeted niche audiences instead of middle-American families, ignored accepted dramatic conventions, and pushed the boundaries of motion picture censorship. Rebellious and unconventional, they saw the New York studios as laboratories, not factories-and used them to pioneer the development of new technologies (from talkies to television), new genres, new talent, and ultimately, an entirely new vision of commercial cinema.
Author: Richard Abel
Publisher: Taylor & Francis
ISBN: 0415234409
Category : Performing Arts
Languages : en
Pages : 824
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Book Description
One-volume reference work on the first twenty-five years of the cinema's international emergence from the early 1890s to the mid-1910s.
Author:
Publisher:
ISBN:
Category : American literature
Languages : en
Pages : 1114
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Book Description
Author: United States. Federal Trade Commission
Publisher:
ISBN:
Category : Competition
Languages : en
Pages : 794
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Book Description
Author: Richard Abel
Publisher: University of California Press
ISBN: 0520286782
Category : Performing Arts
Languages : en
Pages : 434
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Book Description
At the turn of the past century, the main function of a newspaper was to offer “menus” by which readers could make sense of modern life and imagine how to order their daily lives. Among those menus in the mid-1910s were several that mediated the interests of movie manufacturers, distributors, exhibitors, and the rapidly expanding audience of fans. This writing about the movies arguably played a crucial role in the emergence of American popular film culture, negotiating among national, regional, and local interests to shape fans’ ephemeral experience of moviegoing, their repeated encounters with the fantasy worlds of “movieland,” and their attractions to certain stories and stars. Moreover, many of these weekend pages, daily columns, and film reviews were written and consumed by women, including one teenage girl who compiled a rare surviving set of scrapbooks. Based on extensive original research, Menus for Movieland substantially revises what moviegoing meant in the transition to what we now think of as Hollywood.
Author: Library of Congress. Copyright Office
Publisher:
ISBN:
Category : Copyright
Languages : en
Pages : 862
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Book Description
