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Author: Magnús Magnússon
Publisher: Mainstream Publishing
ISBN:
Category : Art
Languages : en
Pages : 432
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Book Description
In "Fakers, Forgers and Phoneys", Magnus Magnusson masterfully explores the shadowy world of deception and counter-feiting. Through the 16 case studies in this intriguing collection, the author reveals: how a house-painter-cum-art-restorer fooled the art world and became a national TV celebrity in 1979; the identity of the person who fabricated the 'missing link' human skull which was discovered in a gravel pit at Piltdown in Essex in 1912; how a mystery man known by the unlikely name of George Psalmanazar fooled the London literary world in 1704 with his lurid accounts of cannibalism and polygamy in his native island of Formosa (Taiwan); how an obese cockney adventurer resident in Australia succeeded in passing himself off as a slim young English aristocrat who had disappeared more than ten years earlier in 1854 ('The Tichborne Claimant'); and how a suave London conman inveigled a struggling artist to become involved in the greatest British art scam of the twentieth century. "Fakers, Forgers and Phoneys" is the essential guide to the most ingenious art and literary forgeries, archaeological frauds, and imposters and hoaxers in the world.
Author: Magnús Magnússon
Publisher: Mainstream Publishing
ISBN:
Category : Art
Languages : en
Pages : 432
Get Book
Book Description
In "Fakers, Forgers and Phoneys", Magnus Magnusson masterfully explores the shadowy world of deception and counter-feiting. Through the 16 case studies in this intriguing collection, the author reveals: how a house-painter-cum-art-restorer fooled the art world and became a national TV celebrity in 1979; the identity of the person who fabricated the 'missing link' human skull which was discovered in a gravel pit at Piltdown in Essex in 1912; how a mystery man known by the unlikely name of George Psalmanazar fooled the London literary world in 1704 with his lurid accounts of cannibalism and polygamy in his native island of Formosa (Taiwan); how an obese cockney adventurer resident in Australia succeeded in passing himself off as a slim young English aristocrat who had disappeared more than ten years earlier in 1854 ('The Tichborne Claimant'); and how a suave London conman inveigled a struggling artist to become involved in the greatest British art scam of the twentieth century. "Fakers, Forgers and Phoneys" is the essential guide to the most ingenious art and literary forgeries, archaeological frauds, and imposters and hoaxers in the world.
Author: Paul Craddock
Publisher: Routledge
ISBN: 1136436022
Category : Antiques & Collectibles
Languages : en
Pages : 640
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Book Description
The faking and forgery of works of art and antiquities is probably now more extensive than ever before. The frauds are aided by new technologies, from ink jet printers to epoxy resins, and driven by the astronomic prices realised on the global market. This book aims to provide a comprehensive survey of the subject over a wide range of materials, emphasising how the fakes and forgeries are produced and how they may be detected by technical and scientific examination. The subject is exemplified by numerous case studies, some turning out not to be as conclusive as is sometimes believed. The book is aimed at those likely to have a serious interest in these investigations, be they curator, collector, conservator or scientist. Paul Craddock has recently retired from the Department of Conservation, Documentation and Science at the British Museum, where he was a materials scientist.
Author: Jonathon Keats
Publisher: Oxford University Press
ISBN: 019931148X
Category : Art
Languages : en
Pages : 208
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Book Description
According to Vasari, the young Michelangelo often borrowed drawings of past masters, which he copied, returning his imitations to the owners and keeping originals. Half a millennium later, Andy Warhol made a game of "forging" the Mona Lisa, questioning the entire concept of originality. Forged explores art forgery from ancient times to the present. In chapters combining lively biography with insightful art criticism, Jonathon Keats profiles individual art forgers and connects their stories to broader themes about the role of forgeries in society. From the Renaissance master Andrea del Sarto who faked a Raphael masterpiece at the request of his Medici patrons, to the Vermeer counterfeiter Han van Meegeren who duped the avaricious Hermann Göring, to the frustrated British artist Eric Hebborn, who began forging to expose the ignorance of experts, art forgers have challenged "legitimate" art in their own time, breaching accepted practices and upsetting the status quo. They have also provocatively confronted many of the present-day cultural anxieties that are major themes in the arts. Keats uncovers what forgeries--and our reactions to them--reveal about changing conceptions of creativity, identity, authorship, integrity, authenticity, success, and how we assign value to works of art. The book concludes by looking at how artists today have appropriated many aspects of forgery through such practices as street-art stenciling and share-and-share-alike licensing, and how these open-source "copyleft" strategies have the potential to make legitimate art meaningful again. Forgery has been much discussed--and decried--as a crime. Forged is the first book to assess great forgeries as high art in their own right.
Author: Laney Salisbury
Publisher: Penguin
ISBN: 1101105003
Category : History
Languages : en
Pages : 352
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Book Description
A tautly paced investigation of one the 20th century's most audacious art frauds, which generated hundreds of forgeries-many of them still hanging in prominent museums and private collections today Provenance is the extraordinary narrative of one of the most far-reaching and elaborate deceptions in art history. Investigative reporters Laney Salisbury and Aly Sujo brilliantly recount the tale of a great con man and unforgettable villain, John Drewe, and his sometimes unwitting accomplices. Chief among those was the struggling artist John Myatt, a vulnerable single father who was manipulated by Drewe into becoming a prolific art forger. Once Myatt had painted the pieces, the real fraud began. Drewe managed to infiltrate the archives of the upper echelons of the British art world in order to fake the provenance of Myatt's forged pieces, hoping to irrevocably legitimize the fakes while effectively rewriting art history. The story stretches from London to Paris to New York, from tony Manhattan art galleries to the esteemed Giacometti and Dubuffet associations, to the archives at the Tate Gallery. This enormous swindle resulted in the introduction of at least two hundred forged paintings, some of them breathtakingly good and most of them selling for hundreds of thousands of dollars. Many of these fakes are still out in the world, considered genuine and hung prominently in private houses, large galleries, and prestigious museums. And the sacred archives, undermined by John Drewe, remain tainted to this day. Provenance reads like a well-plotted thriller, filled with unforgettable characters and told at a breakneck pace. But this is most certainly not fiction; Provenance is the meticulously researched and captivating account of one of the greatest cons in the history of art forgery.
Author: Nicky Beer
Publisher: Milkweed Editions
ISBN: 157131749X
Category : Poetry
Languages : en
Pages : 78
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Book Description
What is illusion—a deception, or a revelation? What is a poem—the truth, or “a diverting flash, / a mirror showing everything / but itself”? Nicky Beer’s latest collection of poems is a labyrinthine academy specializing in the study of subterfuge; Marlene Dietrich, Dolly Parton, and Batman are its instructors. With an energetic eye, she thumbs through our collective history books—and her personal one, too—in an effort to chart the line between playful forms of duplicity and those that are far more insidious. Through delicious japery, poems that can be read multiple ways, and allusions ranging from Puccini’s operas to Law & Order, Beer troubles the notion of truth. Often, we settle for whatever brand of honesty is convenient for us, or whatever is least likely to spark confrontation—but this, Beer knows, is how we invite others to weigh in on what kind of person we are. This is how we trick ourselves into believing they’re right. “Listen / to how quiet it is when I lose the self-doubt played / for so long I mistook it for music.” Real Phonies and Genuine Fakes asks us to look through the stereoscope: which image is the real one? This one—or this one, just here? With wisdom, humility, and a forthright tenderness, Nicky Beer suggests that we consider both—together, they might contribute to something like truth.
Author: John Townsend
Publisher: Heinemann-Raintree Library
ISBN: 9781410914248
Category : Juvenile Nonfiction
Languages : en
Pages : 56
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Book Description
Describes the different ways con artists use fraud to get money, including stealing identities, copying paintings, and counterfeiting money, and how they are caught.
Author: Peter Knight
Publisher: Cambridge Scholars Press
ISBN: 1904303404
Category : Arts
Languages : en
Pages : 233
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Book Description
The possibility that works of art and literature might be forged and that identity might be faked has haunted the cultural imagination for centuries. That spectre seems to have returned with a vengeance recently, with a series of celebrated hoaxes and scandals ranging from the Alan Sokal hoax article in Social Text to Binjamin Wilkomirskiâ (TM)s â oefakeâ Holocaust memoir. But as well as creating anxiety, the possibility of â oefaking itâ has now been turned into entertainment. Traditionally these activities have been dismissed as dangerous and immoral, but more recently some scholars have begun to speculate, for example, that all forms of national identity rely on forged myths of origin. Recent cultural theory has likewise called into question traditional notions of authenticity and originality in both personal identity and in works of art. Despite critical pronouncements of the death of the author and the substitution of the simulacrum for the original, however, making a distinction between the genuine and the fake continues to play a major role in our everyday understanding and evaluation of culture, law and politics. Consider, for example, the fiasco surrounding the â oeforgedâ Hitler diaries, law suits against auction houses for failing to detect forgeries in the art market, or the problem of plagiarism at universities. It still seems to matter that we can spot the difference, especially in the historical moment when we are capable of making copies that are indistinguishableâ "perhaps even better thanâ "the original. This collection of essays considers the moral, aesthetic and political questions that are raised by the long history and current prevalence of fakes and forgeries. The international team of contributors consider the issues thrown up by a wide range of examples, drawn from fields ranging from literature to art history. These case studies include little-known subjects such as Eddie Burrup, the Australian aboriginal artist who turned out to be an 81-year-old white woman, as well as new interpretations of familiar cases such as faked holocaust memoirs. The strength of the collection is that it brings together not only a wide range of cultural examples of fakes and forgeries from different historical periods, but also offers a wide variety of theoretical takes that will form a useful introduction and casebook on this growing field of inquiry.
Author: Emma Williams
Publisher: BRILL
ISBN: 1848883544
Category : Social Science
Languages : en
Pages : 225
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Book Description
This volume explores the concept of deception from a multidisciplinary perspective, reflecting how deception is considered across numerous fields ranging from literature and historical cases to psychological science.
Author: Karen Ascani
Publisher: BRILL
ISBN: 9004290834
Category : History
Languages : en
Pages : 279
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Book Description
Renowned for his work within the fields of Numismatics, Archaeology, Egyptology and Coptic studies, Georg Zoëga was a figure of outstanding importance both in Rome and in Europe, at the end of the eighteenth century. Although highly valued by his contemporaries, Zoëga’s scientific legacy fell almost entirely into oblivion with the end of the Enlightenment. The Forgotten Scholar: Georg Zoëga (1755-1819): At the Dawn of Egyptology and Coptic Studies represents an exceptional occasion to rediscover the largely unknown scientific legacy of this Danish scholar consisting of hundreds of letters, drawings, sketches, notes, and other documents, mainly preserved in the Royal Library and in the Thorvaldsen Museum of Copenhagen.
Author: Proietti, Enrico
Publisher: IGI Global
ISBN: 1799810615
Category : Social Science
Languages : en
Pages : 347
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Book Description
Communicating archaeological heritage at the institutional level reflects on the current status of archeology, and a lack of communication between archaeologists and the general public only serves to widen the gap of understanding. As holders of this specific scientific expertise, effective openness and communication is essential to understanding how a durable future can be built through comprehension of the past and the importance of heritage sites and collections. Developing Effective Communication Skills in Archaeology is an essential research publication that examines archeology as a method for present researchers to interact and communicate with the past, and as a methods for identifying the overall trends in the needs of humanity as a whole. Presenting a vast range of topics such as digital transformation, artificial intelligence, and heritage awareness, this book is essential for archaeologists, journalists, heritage managers, sociologists, educators, anthropologists, museum curators, historians, communication specialists, industry professionals, researchers, academicians, and students.
