Author: Ernst van Alphen
Publisher: Valiz/Vis-A-VIS
ISBN: 9789492095459
Category : Art
Languages : en
Pages : 285
Book Description
'Failed Images' attempts to understand the divergence between photography and the reality it portrays, analysing the various ways the photograph transforms that which exists before the camera. Because the photographic medium enables very different practices, which in turn results in many kinds of images, it must also be examined from a perspective outside of the dominant approach to the medium, generally called the 'snapshot.' This book therefore explores the photographic image by focusing on practices which refuse this conventional approach, namely staged, blurred, under- and overexposed, and archival photography.
Failed Images
Author: Ernst van Alphen
Publisher: Valiz/Vis-A-VIS
ISBN: 9789492095459
Category : Art
Languages : en
Pages : 285
Book Description
'Failed Images' attempts to understand the divergence between photography and the reality it portrays, analysing the various ways the photograph transforms that which exists before the camera. Because the photographic medium enables very different practices, which in turn results in many kinds of images, it must also be examined from a perspective outside of the dominant approach to the medium, generally called the 'snapshot.' This book therefore explores the photographic image by focusing on practices which refuse this conventional approach, namely staged, blurred, under- and overexposed, and archival photography.
Publisher: Valiz/Vis-A-VIS
ISBN: 9789492095459
Category : Art
Languages : en
Pages : 285
Book Description
'Failed Images' attempts to understand the divergence between photography and the reality it portrays, analysing the various ways the photograph transforms that which exists before the camera. Because the photographic medium enables very different practices, which in turn results in many kinds of images, it must also be examined from a perspective outside of the dominant approach to the medium, generally called the 'snapshot.' This book therefore explores the photographic image by focusing on practices which refuse this conventional approach, namely staged, blurred, under- and overexposed, and archival photography.
Singular Images, Failed Copies
Author: Vered Maimon
Publisher: U of Minnesota Press
ISBN: 1452944210
Category : Photography
Languages : en
Pages : 258
Book Description
Focusing on early nineteenth-century England?and on the works and texts of the inventor of paper photography, William Henry Fox Talbot?Singular Images, Failed Copies historicizes the conceptualization of photography in that era as part of a major historical change. Treating photography not merely as a medium or a system of representation but also as an epistemology, Vered Maimon challenges today’s prevalent association of the early photograph with the camera obscura. Instead, she points to material, formal, and conceptual differences between those two types of images by considering the philosophical and aesthetic premises linked with early photography. Through this analysis she argues that the emphasis in Talbot’s accounts on the removal of the “artist’s hand” in favor of “the pencil of nature” did not mark a shift from manual to “mechanical” and more accurate or “objective” systems of representation. In Singular Images, Failed Copies, Maimon shows that the perception of the photographic image in the 1830s and 1840s was in fact symptomatic of a crisis in the epistemological framework that had informed philosophical, scientific, and aesthetic thought for two centuries.
Publisher: U of Minnesota Press
ISBN: 1452944210
Category : Photography
Languages : en
Pages : 258
Book Description
Focusing on early nineteenth-century England?and on the works and texts of the inventor of paper photography, William Henry Fox Talbot?Singular Images, Failed Copies historicizes the conceptualization of photography in that era as part of a major historical change. Treating photography not merely as a medium or a system of representation but also as an epistemology, Vered Maimon challenges today’s prevalent association of the early photograph with the camera obscura. Instead, she points to material, formal, and conceptual differences between those two types of images by considering the philosophical and aesthetic premises linked with early photography. Through this analysis she argues that the emphasis in Talbot’s accounts on the removal of the “artist’s hand” in favor of “the pencil of nature” did not mark a shift from manual to “mechanical” and more accurate or “objective” systems of representation. In Singular Images, Failed Copies, Maimon shows that the perception of the photographic image in the 1830s and 1840s was in fact symptomatic of a crisis in the epistemological framework that had informed philosophical, scientific, and aesthetic thought for two centuries.
Failed It!
Author:
Publisher: Phaidon Press
ISBN: 9780714871196
Category : Business & Economics
Languages : en
Pages : 0
Book Description
A fun and fabulous take on the art of making mistakes. Erik Kessels celebrates imperfection and failure and shows why they are an essential part of the creative process. Failed it! celebrates the power of mistakes and shows how they can enrich the creative process. This is part photobook and part guide to loosening up and making mistakes to take the fear out of failure and encourage experimentation. It showcases the best and most hilarious examples of imperfection and failure across a broad range of creative forms, including art, design, photography, architecture and product design, to inspire and encourage creatives to embrace and celebrate their mistakes. We live in an era when everyone is striving for perfection and we have become afraid of failure, which limits our potential. Mistakes help us find new ways of thinking and innovative solutions, and failures can change our perceptions and open up new ways of looking things. This book transforms mistakes from something to be embarrassed about into a cause for celebration. It includes over 150 visual examples drawn from Kessels personal collection of artworks and found photographs, along with tips, quotes, anecdotes and wisdom for celebrating with failure. To quote Kessels: 'the ubiquity of Apple + Z, means that we can literally undo any mistake before it has had time to breathe, be considered and — perhaps — evolve into something else: a fascinating, strange, provocative or even original piece of work. This book asks readers to embrace their fuck-ups, learn from them and celebrate their tawdry glory'.
Publisher: Phaidon Press
ISBN: 9780714871196
Category : Business & Economics
Languages : en
Pages : 0
Book Description
A fun and fabulous take on the art of making mistakes. Erik Kessels celebrates imperfection and failure and shows why they are an essential part of the creative process. Failed it! celebrates the power of mistakes and shows how they can enrich the creative process. This is part photobook and part guide to loosening up and making mistakes to take the fear out of failure and encourage experimentation. It showcases the best and most hilarious examples of imperfection and failure across a broad range of creative forms, including art, design, photography, architecture and product design, to inspire and encourage creatives to embrace and celebrate their mistakes. We live in an era when everyone is striving for perfection and we have become afraid of failure, which limits our potential. Mistakes help us find new ways of thinking and innovative solutions, and failures can change our perceptions and open up new ways of looking things. This book transforms mistakes from something to be embarrassed about into a cause for celebration. It includes over 150 visual examples drawn from Kessels personal collection of artworks and found photographs, along with tips, quotes, anecdotes and wisdom for celebrating with failure. To quote Kessels: 'the ubiquity of Apple + Z, means that we can literally undo any mistake before it has had time to breathe, be considered and — perhaps — evolve into something else: a fascinating, strange, provocative or even original piece of work. This book asks readers to embrace their fuck-ups, learn from them and celebrate their tawdry glory'.
On Pictures and the Words that Fail Them
Author: James Elkins
Publisher: Cambridge University Press
ISBN: 9780521624992
Category : Art
Languages : en
Pages : 348
Book Description
In this innovative, interdisciplinary study, James Elkins argues against the assumption that images can be adequately described in words. In his view, words must always fail because pictures possess a residue of 'meaningless' marks that cannot be apprehended as signs. On Pictures and the Words that Fail Them is a 1998 text which provides detailed, incisive critiques of fundamental notions about pictures: their allegedly semiotic structures; the 'rational' nature of realism; and the ubiquity of the figure-ground relation. Elkins then opens the concept of images to non-Western and prehistoric ideas, exploring Chinese concepts of magic, Mesopotamian practices of counting and sculpture, religious ideas about hypostasis, philosophical discussions concerning invisibility and blindness, and questions on the limits of the destruction of meaning.
Publisher: Cambridge University Press
ISBN: 9780521624992
Category : Art
Languages : en
Pages : 348
Book Description
In this innovative, interdisciplinary study, James Elkins argues against the assumption that images can be adequately described in words. In his view, words must always fail because pictures possess a residue of 'meaningless' marks that cannot be apprehended as signs. On Pictures and the Words that Fail Them is a 1998 text which provides detailed, incisive critiques of fundamental notions about pictures: their allegedly semiotic structures; the 'rational' nature of realism; and the ubiquity of the figure-ground relation. Elkins then opens the concept of images to non-Western and prehistoric ideas, exploring Chinese concepts of magic, Mesopotamian practices of counting and sculpture, religious ideas about hypostasis, philosophical discussions concerning invisibility and blindness, and questions on the limits of the destruction of meaning.
Confronting Images
Author: Georges Didi-Huberman
Publisher: Penn State Press
ISBN: 9780271024714
Category : Philosophy
Languages : en
Pages : 354
Book Description
According to Didi-Huberman, visual representation has an "underside" in which intelligible forms lose clarity and defy rational understanding. Art historians, he contends, fail to engage this underside, and he suggests that art historians look to Freud's concept of the "dreamwork", a mobile process that often involves substitution and contradiction.
Publisher: Penn State Press
ISBN: 9780271024714
Category : Philosophy
Languages : en
Pages : 354
Book Description
According to Didi-Huberman, visual representation has an "underside" in which intelligible forms lose clarity and defy rational understanding. Art historians, he contends, fail to engage this underside, and he suggests that art historians look to Freud's concept of the "dreamwork", a mobile process that often involves substitution and contradiction.
Ghost Image
Author: Hervé Guibert
Publisher: University of Chicago Press
ISBN: 022613248X
Category : Photography
Languages : en
Pages : 161
Book Description
Ghost Image is made up of sixty-three short essays—meditations, memories, fantasies, and stories bordering on prose poems—and not a single image. Hervé Guibert’s brief, literary rumination on photography was written in response to Roland Barthes’s Camera Lucida, but its deeply personal contents go far beyond that canonical text. Some essays talk of Guibert’s parents and friends, some describe old family photographs and films, and spinning through them all are reflections on remembrance, narcissism, seduction, deception, death, and the phantom images that have been missed. Both a memoir and an exploration of the artistic process, Ghost Image not only reveals Guibert’s particular experience as a gay artist captivated by the transience and physicality of his media and his life, but also his thoughts on the more technical aspects of his vocation. In one essay, Guibert searches through a cardboard box of family portraits for clues—answers, or even questions—about the lives of his parents and more distant relatives. Rifling through vacation snapshots and the autographed images of long-forgotten film stars, Guibert muses, “I don’t even recognize the faces, except occasionally that of an aunt or great-aunt, or the thin, fair face of my mother as a young girl.” In other essays, he explains how he composes his photographs, and how—in writing—he seeks to escape and correct the inherent limits of his technique, to preserve those images lost to his technical failings as a photographer. With strains of Jean Genet and recurring themes that speak to the work of contemporary artists across a range of media, Guibert’s Ghost Image is a beautifully written, melancholic ode to existence and art forms both fleeting and powerful—a unique memoir at the nexus of family, memory, desire, and photography.
Publisher: University of Chicago Press
ISBN: 022613248X
Category : Photography
Languages : en
Pages : 161
Book Description
Ghost Image is made up of sixty-three short essays—meditations, memories, fantasies, and stories bordering on prose poems—and not a single image. Hervé Guibert’s brief, literary rumination on photography was written in response to Roland Barthes’s Camera Lucida, but its deeply personal contents go far beyond that canonical text. Some essays talk of Guibert’s parents and friends, some describe old family photographs and films, and spinning through them all are reflections on remembrance, narcissism, seduction, deception, death, and the phantom images that have been missed. Both a memoir and an exploration of the artistic process, Ghost Image not only reveals Guibert’s particular experience as a gay artist captivated by the transience and physicality of his media and his life, but also his thoughts on the more technical aspects of his vocation. In one essay, Guibert searches through a cardboard box of family portraits for clues—answers, or even questions—about the lives of his parents and more distant relatives. Rifling through vacation snapshots and the autographed images of long-forgotten film stars, Guibert muses, “I don’t even recognize the faces, except occasionally that of an aunt or great-aunt, or the thin, fair face of my mother as a young girl.” In other essays, he explains how he composes his photographs, and how—in writing—he seeks to escape and correct the inherent limits of his technique, to preserve those images lost to his technical failings as a photographer. With strains of Jean Genet and recurring themes that speak to the work of contemporary artists across a range of media, Guibert’s Ghost Image is a beautifully written, melancholic ode to existence and art forms both fleeting and powerful—a unique memoir at the nexus of family, memory, desire, and photography.
Photographic Returns
Author: Shawn Michelle Smith
Publisher: Duke University Press
ISBN: 147800553X
Category : Photography
Languages : en
Pages : 178
Book Description
In Photographic Returns Shawn Michelle Smith traces how historical moments of racial crisis come to be known photographically and how the past continues to inhabit, punctuate, and transform the present through the photographic medium in contemporary art. Smith engages photographs by Rashid Johnson, Sally Mann, Deborah Luster, Lorna Simpson, Jason Lazarus, Carrie Mae Weems, Taryn Simon, and Dawoud Bey, among others. Each of these artists turns to the past—whether by using nineteenth-century techniques to produce images or by re-creating iconic historic photographs—as a way to use history to negotiate the present and to call attention to the unfinished political project of racial justice in the United States. By interrogating their use of photography to recall, revise, and amplify the relationship between racial politics of the past and present, Smith locates a temporal recursivity that is intrinsic to photography, in which images return to haunt the viewer and prompt reflection on the present and an imagination of a more just future.
Publisher: Duke University Press
ISBN: 147800553X
Category : Photography
Languages : en
Pages : 178
Book Description
In Photographic Returns Shawn Michelle Smith traces how historical moments of racial crisis come to be known photographically and how the past continues to inhabit, punctuate, and transform the present through the photographic medium in contemporary art. Smith engages photographs by Rashid Johnson, Sally Mann, Deborah Luster, Lorna Simpson, Jason Lazarus, Carrie Mae Weems, Taryn Simon, and Dawoud Bey, among others. Each of these artists turns to the past—whether by using nineteenth-century techniques to produce images or by re-creating iconic historic photographs—as a way to use history to negotiate the present and to call attention to the unfinished political project of racial justice in the United States. By interrogating their use of photography to recall, revise, and amplify the relationship between racial politics of the past and present, Smith locates a temporal recursivity that is intrinsic to photography, in which images return to haunt the viewer and prompt reflection on the present and an imagination of a more just future.
Leading Change
Author: John P. Kotter
Publisher: Harvard Business Press
ISBN: 1422186431
Category : Business & Economics
Languages : en
Pages : 210
Book Description
From the ill-fated dot-com bubble to unprecedented merger and acquisition activity to scandal, greed, and, ultimately, recession -- we've learned that widespread and difficult change is no longer the exception. By outlining the process organizations have used to achieve transformational goals and by identifying where and how even top performers derail during the change process, Kotter provides a practical resource for leaders and managers charged with making change initiatives work.
Publisher: Harvard Business Press
ISBN: 1422186431
Category : Business & Economics
Languages : en
Pages : 210
Book Description
From the ill-fated dot-com bubble to unprecedented merger and acquisition activity to scandal, greed, and, ultimately, recession -- we've learned that widespread and difficult change is no longer the exception. By outlining the process organizations have used to achieve transformational goals and by identifying where and how even top performers derail during the change process, Kotter provides a practical resource for leaders and managers charged with making change initiatives work.
Mike Mandel: Zone Eleven
Author:
Publisher: Damiani Limited
ISBN: 9788862087483
Category :
Languages : en
Pages : 112
Book Description
Zone Eleven is a reference to Ansel Adams' Zone System, a method to control exposure of the negative in order to obtain a full range of tonality in the photographic print from the deepest black of Zone 0 to the brightest highlight in Zone 10. Zone Eleven is a metaphor coined by artist Mike Mandel in his challenge to create a book of Adams' photographs outside of the bounds of his personal work. Many of these photographs were found in the archives of his commercial and editorial assignments, and from his experimentation with the new Polaroid material of the times. For this book, Mandel has unearthed images that are unexpected for Adams, and created a new context of facing page relationships, and sequence. Zone Eleven is the product of Mike Mandel's research of over 50,000 Adams images located within four different archives to present a body of Adams' work that was unknown until now. Mike Mandel is well known for his collaboration with Larry Sultan in the 1970s - 1990s. They published Evidence in 1977, a collection of 59 photographs chosen from more than two million images that the artists viewed at the archives of government agencies and tech-oriented corporations. Conceptually, Zone Eleven is a companion book to Evidence. As Evidence reframes the institutional documentary photograph with new context and meaning, Zone Eleven responds to the audience expectation of "the iconic Ansel Adams nature photograph." But Mandel selects images that do not fit that expectation. Zone Eleven is a book of Ansel Adams images that surprisingly speak to issues of the social relations, the built environment, and alienation.
Publisher: Damiani Limited
ISBN: 9788862087483
Category :
Languages : en
Pages : 112
Book Description
Zone Eleven is a reference to Ansel Adams' Zone System, a method to control exposure of the negative in order to obtain a full range of tonality in the photographic print from the deepest black of Zone 0 to the brightest highlight in Zone 10. Zone Eleven is a metaphor coined by artist Mike Mandel in his challenge to create a book of Adams' photographs outside of the bounds of his personal work. Many of these photographs were found in the archives of his commercial and editorial assignments, and from his experimentation with the new Polaroid material of the times. For this book, Mandel has unearthed images that are unexpected for Adams, and created a new context of facing page relationships, and sequence. Zone Eleven is the product of Mike Mandel's research of over 50,000 Adams images located within four different archives to present a body of Adams' work that was unknown until now. Mike Mandel is well known for his collaboration with Larry Sultan in the 1970s - 1990s. They published Evidence in 1977, a collection of 59 photographs chosen from more than two million images that the artists viewed at the archives of government agencies and tech-oriented corporations. Conceptually, Zone Eleven is a companion book to Evidence. As Evidence reframes the institutional documentary photograph with new context and meaning, Zone Eleven responds to the audience expectation of "the iconic Ansel Adams nature photograph." But Mandel selects images that do not fit that expectation. Zone Eleven is a book of Ansel Adams images that surprisingly speak to issues of the social relations, the built environment, and alienation.
Failed Stone
Author: Patrick Loughran
Publisher: Walter de Gruyter
ISBN: 3764382856
Category : Architecture
Languages : en
Pages : 160
Book Description
Concrete and stone seem made to last forever. But the fact is they develop problems. It is not always as dramatic as the collapse of a section of the roof of the Paris Charles de Gaulle airport in 2004. Gradual changes also occur that may compromise the appearance and structural soundness of buildings constructed with these materials. These changes can be created by efflorescence, thermal stress, weathering, leakage and corrosion. This book explains how to avoid typical kinds of failure. With this in mind, it systematically analyzes cases of damage in contemporary international architecture. It also offers strategies for minimizing the risk of damage. Examples include such high-visibility structures as Finlandia Hall in Helsinki, Parco della Musica in Rome and Vontz Center for Molecular Studies in Cincinnatti. In eight chapters, typical kinds of damage are explained and illustrated with examples. Beton und Stein scheinen für die Ewigkeit gemacht. Dennoch kommt es hier zu Bauschäden. Nicht immer sind sie so dramatisch wie der Deckeneinsturz im Terminal des Flughafen Paris-Roissy 2004. Es gibt auch schleichende Veränderungen, die Erscheinungsbild und Statik von Beton- oder Steingebäuden beeinträchtigen können. Dazu gehören Ausblühungen, thermische Auswirkungen, Materialunverträglichkeiten, Korrosion oder massive Krafteinwirkung. Dieses Buch zeigt, wie sich typische Schäden vermeiden lassen. Zu diesem Zweck analysiert es systematisch Schadensfälle in der zeitgenössischen internationalen Architektur. Ebenso werden Strategien vorgestellt, mit denen sich das Schadensrisiko minimieren lässt. Zu den Beispielen gehören so bekannte Bauten wie die Finlandia Hall in Helsinki, Renzo Pianos Parco della Musica in Rom oder Vontz Center for Molecular Studies in Cincinnatti. In insgesamt acht Kapiteln werden typische Schäden erklärt und dann mit Beispielen illustriert.
Publisher: Walter de Gruyter
ISBN: 3764382856
Category : Architecture
Languages : en
Pages : 160
Book Description
Concrete and stone seem made to last forever. But the fact is they develop problems. It is not always as dramatic as the collapse of a section of the roof of the Paris Charles de Gaulle airport in 2004. Gradual changes also occur that may compromise the appearance and structural soundness of buildings constructed with these materials. These changes can be created by efflorescence, thermal stress, weathering, leakage and corrosion. This book explains how to avoid typical kinds of failure. With this in mind, it systematically analyzes cases of damage in contemporary international architecture. It also offers strategies for minimizing the risk of damage. Examples include such high-visibility structures as Finlandia Hall in Helsinki, Parco della Musica in Rome and Vontz Center for Molecular Studies in Cincinnatti. In eight chapters, typical kinds of damage are explained and illustrated with examples. Beton und Stein scheinen für die Ewigkeit gemacht. Dennoch kommt es hier zu Bauschäden. Nicht immer sind sie so dramatisch wie der Deckeneinsturz im Terminal des Flughafen Paris-Roissy 2004. Es gibt auch schleichende Veränderungen, die Erscheinungsbild und Statik von Beton- oder Steingebäuden beeinträchtigen können. Dazu gehören Ausblühungen, thermische Auswirkungen, Materialunverträglichkeiten, Korrosion oder massive Krafteinwirkung. Dieses Buch zeigt, wie sich typische Schäden vermeiden lassen. Zu diesem Zweck analysiert es systematisch Schadensfälle in der zeitgenössischen internationalen Architektur. Ebenso werden Strategien vorgestellt, mit denen sich das Schadensrisiko minimieren lässt. Zu den Beispielen gehören so bekannte Bauten wie die Finlandia Hall in Helsinki, Renzo Pianos Parco della Musica in Rom oder Vontz Center for Molecular Studies in Cincinnatti. In insgesamt acht Kapiteln werden typische Schäden erklärt und dann mit Beispielen illustriert.