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Author: James Harold Wallis
Publisher:
ISBN:
Category : Photoplay editions
Languages : en
Pages : 264
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Book Description
Author: James Harold Wallis
Publisher:
ISBN:
Category : Photoplay editions
Languages : en
Pages : 264
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Book Description
Author: Regina Seiwald
Publisher: GRIN Verlag
ISBN: 3640812247
Category : Language Arts & Disciplines
Languages : en
Pages : 33
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Book Description
Essay from the year 2010 in the subject English Language and Literature Studies - Literature, grade: Sehr Gut, University of Birmingham (School of English), course: Film: Narrative, Meaning and Representation, language: English, abstract: Fritz Lang's films are influenced by German Expressionism, which originated in Germany in 1919 and ended in 1930. Extreme stylised mise-en-scène is employed to make the formal organisation of the films obvious (Cook 1999, p. 67). The main concern of German Expressionist films is to create a phantasy world, which is in stark contrast to the real world in order to reflect upon social grievances and chasms: Expressionism [...] is a reaction against the atom-splitting of Impressionism, which reflects the iridescent ambiguities, disquieting diversity, and ephemeral hues of nature. At the same time Expressionism sets itself against Naturalism with its mania for recording mere facts, and its paltry aim of photographing nature or daily life. The world is there for all to see; it would be absurd to reproduce it purely and simply as it is. (Eisner 1969, p. 10) This is especially evident in Fritz Lang's revolutionary filming technique as the employed shot types and angles enhance angst and paranoia in the spectator. M and The Woman in the Window are also influenced by so-called 'Kammerspiel'-films of the 1920s, through which a new psychological realism emerged. The introduction of sound made it possible for Lang to represent the individual psyche through the character's speech. Fritz Lang uses universal symbols as a bridge between the character's inner state and the outer world. This also derives from German Expressionism, which aims to discuss low-life subject matters. In M, symbols are used to add further layers of meaning to the film and to foreshadow its plot, whereas in The Woman in the Window they mainly function as symbols of masculinity. In this essay, the influence of German Expressionism on Fritz Lang's films is discussed by closel
Author: Anna Katharine Green
Publisher: BoD – Books on Demand
ISBN: 3387013884
Category : Fiction
Languages : en
Pages : 250
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Book Description
Reproduction of the original. The publishing house Megali specialises in reproducing historical works in large print to make reading easier for people with impaired vision.
Author: Martin M. Winkler
Publisher: Cambridge University Press
ISBN: 1108485405
Category : History
Languages : en
Pages : 491
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Book Description
The first study of Ovid, especially his Metamorphoses, as inherently visual literature, explaining his pervasive importance in our visual media.
Author: Thea von Harbou
Publisher:
ISBN:
Category : Motion picture plays
Languages : en
Pages : 116
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Book Description
Author: Stephanie Barron
Publisher: Harry N. Abrams
ISBN: 9780810936539
Category : Art
Languages : en
Pages : 423
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Book Description
Looks at the reconstructed exhibit of degenerate art censored by the Nazis in 1937
Author: Hal Foster
Publisher:
ISBN: 9781565844643
Category : Art
Languages : en
Pages : 243
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Book Description
A Village Voice Best Book and a 'lucid and provocative work that allows us to glimpse stirrings and upheavals in the hothouse of modern art.' - Los Angeles Times
Author: Hans Bernhard Moeller
Publisher: SIU Press
ISBN: 0809389398
Category : Performing Arts
Languages : en
Pages : 384
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Book Description
Volker Schlöndorff’s Cinema: Adaptation, Politics and the “Movie-Appropriate”examines the work of major postwar Germandirector Volker Schlöndorff in historical, economic, and artistic contexts. . In spite of Schlöndorff’s successes with films like The Lost Honor ofKatharina Blum and The Tin Drum, as well as his acclaimed work in the U.S. with Death of a Salesman, Gathering of Old Men and The Handmaid’s Tale, this is the first in-depthcritical study of the filmmaker’s career.
Author: Siegfried Kracauer
Publisher: Princeton University Press
ISBN: 9780691037042
Category : Performing Arts
Languages : en
Pages : 492
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Book Description
This study explores the distinctive qualities of the cinematic medium. It includes an introduction which examines "Theory of Film" in the context of Kracauer's extensive film criticism from the 1920s, and provides a framework for appreciating its significance in contemporary film theory.
Author: Jeanette R. Malkin
Publisher: University of Iowa Press
ISBN: 1587299348
Category : Performing Arts
Languages : en
Pages : 322
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Book Description
While it is common knowledge that Jews were prominent in literature, music, cinema, and science in pre-1933 Germany, the fascinating story of Jewish co-creation of modern German theatre is less often discussed. Yet for a brief time, during the Second Reich and the Weimar Republic, Jewish artists and intellectuals moved away from a segregated Jewish theatre to work within canonic German theatre and performance venues, claiming the right to be part of the very fabric of German culture. Their involvement, especially in the theatre capital of Berlin, was of a major magnitude both numerically and in terms of power and influence. The essays in this stimulating collection etch onto the conventional view of modern German theatre the history and conflicts of its Jewish participants in the last third of the nineteenth and first third of the twentieth centuries and illuminate the influence of Jewish ethnicity in the creation of the modernist German theatre. The nontraditional forms and themes known as modernism date roughly from German unification in 1871 to the end of the Weimar Republic in 1933. This is also the period when Jews acquired full legal and trade equality, which enabled their ownership and directorship of theatre and performance venues. The extraordinary artistic innovations that Germans and Jews co-created during the relatively short period of this era of creativity reached across the old assumptions, traditions, and prejudices that had separated people as the modern arts sought to reformulate human relations from the foundations to the pinnacles of society. The essayists, writing from a variety of perspectives, carve out historical overviews of the role of theatre in the constitution of Jewish identity in Germany, the position of Jewish theatre artists in the cultural vortex of imperial Berlin, the role played by theatre in German Jewish cultural education, and the impact of Yiddish theatre on German and Austrian Jews and on German theatre. They view German Jewish theatre activity through Jewish philosophical and critical perspectives and examine two important genres within which Jewish artists were particularly prominent: the Cabaret and Expressionist theatre. Finally, they provide close-ups of the Jewish artists Alexander Granach, Shimon Finkel, Max Reinhardt, and Leopold Jessner. By probing the interplay between “Jewish” and “German” cultural and cognitive identities based in the field of theatre and performance and querying the effect of theatre on Jewish self-understanding, they add to the richness of intercultural understanding as well as to the complex history of theatre and performance in Germany.
