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Author: Sir Charles Bell
Publisher:
ISBN:
Category : Anatomy, Artistic
Languages : en
Pages : 300
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Book Description
Author: Sir Charles Bell
Publisher:
ISBN:
Category : Anatomy, Artistic
Languages : en
Pages : 300
Get Book Here
Book Description
Author: Sir Charles Bell
Publisher:
ISBN:
Category : Anatomy, Artistic
Languages : en
Pages : 312
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Book Description
Author: Sir Charles Bell
Publisher:
ISBN:
Category : Anatomy, Artistic
Languages : en
Pages : 266
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Author: Claudia Brodsky
Publisher:
ISBN:
Category : Philosophy
Languages : en
Pages : 184
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Book Description
It is considerably easier to say that modern philosophy began with Descartes than it is to define the modernity and philosophy to which Descartes gave rise. In Lines of Thought, Claudia Brodsky Lacour describes the double origin of modern philosophy in Descartes's Discours de la méthode and Géométrie, works whose interrelation, she argues, reveals the specific nature of the modern in his thought. Her study examines the roles of discourse and writing in Cartesian method and intuition, and the significance of graphic architectonic form in the genealogy of modern philosophy. While Cartesianism has long served as a synonym for rationalism, the contents of Descartes's method and cogito have remained infamously resistant to rational analysis. Similarly, although modern phenomenological analyses descend from Descartes's notion of intuition, the "things" Cartesian intuitions represent bear no resemblance to phenomena. By returning to what Descartes calls the construction of his "foundation" in the Discours, Brodsky Lacour identifies the conceptual problems at the root of Descartes's literary and aesthetic theory as well as epistemology. If, for Descartes, linear extension and "I" are the only "things" we can know exist, the Cartesian subject of thought, she shows, derives first from the intersection of discourse and drawing, representation and matter. The crux of that intersection, Brodsky Lacour concludes, is and must be the cogito, Descartes's theoretical extension of thinking into material being. Describable in accordance with the Géométrie as a freely constructed line of thought, the cogito, she argues, extends historically to link philosophy with theories of discursive representation and graphic delineation after Descartes. In conclusion, Brodsky Lacour analyzes such a link in the writings of Claude Perrault, the architectural theorist whose reflections on beauty helped shape the seventeenth-century dispute between "the ancients and the moderns." Part of a growing body of literary and interdisciplinary considerations of philosophical texts, Lines of Thought will appeal to theorists and historians of literature, architecture, art, and philosophy, and those concerned with the origin and identity of the modern.
Author:
Publisher:
ISBN:
Category : Phrenology
Languages : en
Pages : 832
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Author: J. Gordon Betts
Publisher:
ISBN: 9781947172807
Category :
Languages : en
Pages : 0
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Author: Benjamin G. Ferris
Publisher:
ISBN:
Category : Evolution
Languages : en
Pages : 298
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Author: François Delaporte
Publisher:
ISBN:
Category : Psychology
Languages : en
Pages : 228
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Book Description
Through the pioneering work of Duchenne de Boulogne, Franois Delaporte provides a remarkable philosophical and historical examination of expressive physiology during the mid-19th century, and considers the science of emotion as a means of revealing inner life--thoughts, feelings--upon the surface of the face.
Author: Pamela K. Gilbert
Publisher: Cornell University Press
ISBN: 1501731602
Category : Literary Criticism
Languages : en
Pages : 449
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Book Description
In Victorian Skin, Pamela K. Gilbert uses literary, philosophical, medical, and scientific discourses about skin to trace the development of a broader discussion of what it meant to be human in the nineteenth century. Where is subjectivity located? How do we communicate with and understand each other's feelings? How does our surface, which contains us and presents us to others, function and what does it signify? As Gilbert shows, for Victorians, the skin was a text to be read. Nineteenth-century scientific and philosophical perspectives had reconfigured the purpose and meaning of this organ as more than a wrapping and instead a membrane integral to the generation of the self. Victorian writers embraced this complex perspective on skin even as sanitary writings focused on the surface of the body as a dangerous point of contact between self and others. Drawing on novels and stories by Dickens, Collins, Hardy, and Wilde, among others, along with their French contemporaries and precursors among the eighteenth-century Scottish thinkers and German idealists, Gilbert examines the understandings and representations of skin in four categories: as a surface for the sensing and expressive self; as a permeable boundary; as an alienable substance; and as the site of inherent and inscribed properties. At the same time, Gilbert connects the ways in which Victorians "read" skin to the way in which Victorian readers (and subsequent literary critics) read works of literature and historical events (especially the French Revolution.) From blushing and flaying to scarring and tattooing, Victorian Skin tracks the fraught relationship between ourselves and our skin.
Author:
Publisher:
ISBN:
Category : Phrenology
Languages : en
Pages : 622
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Book Description
