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Author: Sylvie Patry
Publisher: Yale University Press
ISBN: 0300278489
Category : Art
Languages : en
Pages : 289
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Book Description
"On April 15, 1874, the exhibition organized by the "Societe Anonyme des Artistes Peintres, Sculpteurs, Graveurs et Lithographes" opened its doors in Paris. Monet, Renoir, Degas, Morisot, Cezanne, Pissarro, and Sisley were among the participants. They painted real life as they perceived it--Parisian women dressed in the latest fashions, the capital city bustling with life, and colorful rural landscapes. This new style of painting was dubbed "impressionist." This publication takes a fresh look at a now-legendary exhibition, long seen as the starting point for avant-garde movements that followed. The volume positions it in the context of its time, considering France's defeat by the Prussians and the upheaval of the Commune in 1871, the reconstruction of Paris, and the domination of the official Salon over the art world. Written by French and American experts in the field, this richly illustrated book delves into the ways in which, 150 years ago, artists asserted their independence and changed the course of history." --
Author: Sylvie Patry
Publisher: Yale University Press
ISBN: 0300278489
Category : Art
Languages : en
Pages : 289
Get Book Here
Book Description
"On April 15, 1874, the exhibition organized by the "Societe Anonyme des Artistes Peintres, Sculpteurs, Graveurs et Lithographes" opened its doors in Paris. Monet, Renoir, Degas, Morisot, Cezanne, Pissarro, and Sisley were among the participants. They painted real life as they perceived it--Parisian women dressed in the latest fashions, the capital city bustling with life, and colorful rural landscapes. This new style of painting was dubbed "impressionist." This publication takes a fresh look at a now-legendary exhibition, long seen as the starting point for avant-garde movements that followed. The volume positions it in the context of its time, considering France's defeat by the Prussians and the upheaval of the Commune in 1871, the reconstruction of Paris, and the domination of the official Salon over the art world. Written by French and American experts in the field, this richly illustrated book delves into the ways in which, 150 years ago, artists asserted their independence and changed the course of history." --
Author: Scott Allan
Publisher: Getty Publications
ISBN: 1606069454
Category : Art
Languages : en
Pages : 268
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Book Description
This richly illustrated volume paints a complex portrait of Caillebotte, masculinity, and identity in late nineteenth-century France. More than any other French Impressionist, painter Gustave Caillebotte (1848–1894) observed and depicted the many men in his life, including his brothers and friends, employees, and the workers and bourgeois in his Parisian neighborhood. Male subjects feature prominently in some of his best-known works, such as The Floor Scrapers, Man at His Bath, Young Man at His Window, Boating Party, and Paris Street, Rainy Day. The originality of his paintings of men is fully explored for the first time in this catalogue, published to accompany a major international exhibition co-organized by the J. Paul Getty Museum, Musée d’Orsay, and the Art Institute of Chicago. Alongside paintings, drawings, and photographs, as well as an appendix featuring maps and new biographical research that sheds light on Caillebotte’s social network, this volume includes historically grounded thematic essays by curators and leading scholars. By exploring the complex and varied facets of Caillebotte’s identity—as son, brother, soldier, bachelor, amateur, sportsman, and so on—these essays pose questions of identity, leaving space for ambiguous and fluid expressions of gender and masculinity—for both Caillebotte and the larger late nineteenth-century French world. This volume is published to accompany an exhibition on view at the Musée d’Orsay from October 8, 2024, to January 19, 2025, J. Paul Getty Museum at the Getty Center from March 25 to May 25, 2025, and The Art Institute of Chicago from June 29 to October 5, 2025.
Author: Gloria Groom
Publisher: Getty Publications
ISBN: 1606066048
Category : Art
Languages : en
Pages : 404
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Book Description
This stunning examination of the last years of Édouard Manet's life and career is the first book to explore the transformation of his style and subject matter in the 1870s and early 1880s. The name Manet often evokes the provocative, heroically scaled pictures he painted in the 1860s for the Salon, but in the late 1870s and early 1880s the artist produced quite a different body of work: stylish portraits of actresses and demimondaines, luscious still lifes, delicate pastels, intimate watercolors, and impressionistic scenes of suburban gardens and Parisian cafés. Often dismissed as too pretty and superficial by critics, these later works reflect Manet’s elegant social world, propose a radical new alignment of modern art with fashionable femininity, and record the artist’s unapologetic embrace of beauty and visual pleasure in the face of death. Featuring nearly three hundred illustrations and nine fascinating essays by established and emerging Manet specialists, a technical analysis of the late Salon painting Jeanne (Spring), a selection of the artist’s correspondence, a chronology, and more, Manet and Modern Beauty brings a diverse range of approaches to bear on a little-studied area of this major artist’s oeuvre.
Author: Anca I. Lasc
Publisher: Manchester University Press
ISBN: 1526113406
Category : Architecture
Languages : en
Pages : 457
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Book Description
This book explores the beginnings of the interior design profession in nineteenth-century France. Drawing on a wealth of visual sources, from collecting and advice manuals to pattern books and department store catalogues, it demonstrates how new forms of print media were used to ‘sell’ the idea of the unified interior as a total work of art, enabling the profession of interior designer to take shape. In observing the dependence of the trades on the artistic and public visual appeal of their work, the book establishes crucial links between the fields of art history, material and visual culture, and design history.
Author:
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 446
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Book Description
A journal devoted to the practice, theory, history, and archaeology of art.
Author: National Art Library (Great Britain)
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 666
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Book Description
Author: Sarah Ganz Blythe
Publisher: Yale University Press
ISBN: 0300261047
Category : Art
Languages : en
Pages : 181
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Book Description
"This book explores the career and legacy of Nancy Elizabeth Prophet (1890-1960), whose figural sculptures embody her uncompromising sovereignty over her work and life. Through original essays, catalogue entries on Prophet's major works, and an illustrated chronology of her remarkable life, this book demonstrates how Prophet continues to inspire a new generation of artists and viewers today. Contributors trace her transatlantic career, from Parisian ateliers to Spelman College, and consider topics such as the art institutions Prophet navigated, the stylistic connections between her figurative sculpture and the work of her modernist contemporaries, and how she resisted predetermined conceptions of her cultural identity."--
Author: Metropolitan Museum of Art (New York, N.Y.)
Publisher: Metropolitan Museum of Art
ISBN: 1588394271
Category : Art
Languages : en
Pages : 306
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Book Description
This beautiful book features masterpieces of sculpture in the collection of the Metropolitan Museum dating from the Renaissance through the nineteenth century. Celebrated works by the great European sculptors - including Luca and Andrea della Robbia, Juan Mart©Ưnez Monta©ł©♭s, Gianlorenzo Bernini, Jean-Antoine Houdon, Bertel Thorvaldsen, Antoine-Louis Barye, Jean-Baptiste Carpeaux, Edgar Degas, and Auguste Rodin- are joined by striking new additions to the collection, notably Franz Xaver Messerschmidt's remarkable bust of a troubled and introspective man. The ninety-two selected examples are diverse in media (marble, bronze, wood, terracotta, and ivory) and size - ranging from a tiny oil lamp fantastically conceived and decorated by the Renaissance bronze sculptor Riccio to Antonio Canova's eight-foot-high Perseus with the Head of Medusa, executed in the heroic Neoclassical style. Incorporating information from the latest scholarly research and recent conservation studies, sculpture specialist Ian Wardropper discusses the history and significance of the highlighted works, each of which is reproduced with glorious new photography.
Author: Fae Brauer
Publisher: Cambridge Scholars Publishing
ISBN: 144386370X
Category : Art
Languages : en
Pages : 457
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Book Description
Once the State-run Salon in Paris closed, an array of independent Salons mushroomed starting with the French Artists Salon and Women’s Salon in 1881 followed by the Independent Artists’ Salon, National Salon of Fine Arts and Autumn Salon. Offering an unparalleled choice of art identities and alliances, together with undreamed-of opportunities for sales, commissions, prizes and art criticism, these great Salons guaranteed the centripetal and centrifugal power of Paris as the “modern art centre”. Lured by the prospect of being exhibited annually in Salons the size of Biennales today, a huge number and national diversity of artists, from the Australian Rupert Bunny to the Spaniards Pablo Picasso and Juan Gris, flocked to Paris. Yet by no means were these Salons equal in power, nor did they work consensually to forge this “modern art centre”. Formed on the basis of their different cultural politics, constantly they rivalled one another for State acquisitions and commissions, exhibition places and spaces, awards, and every other means of enhancing their legitimacy. By no means were the avant-garde salons those that most succeeded. Instead, as this culturo-political history demonstrates, the French Artists’ and National Fine Art Salons were the most successful, with the genderist French Artists' Salon being the most powerful and “official”. Despite the renown today of Neo-Impressionism, Art Nouveau, Fauvism, Cubism and Orphism, the most powerful artists in this “modern art centre” were not Sonia Delaunay, Émile Gallé, Paul Signac, Henri Matisse or even Picasso but such Academicians as Léon Bonnat, William Bouguereau, Fernand Cormon, Edouard Detaille, Gabriel Ferrier, Jean-Paul Laurens, Luc-Oliver Merson and Aimé Morot, who exhibited at the “official” Salon supported by the machinery of the State. In its exposure of the rivalry, conflict and struggle between the Salons and their artists, this is an unprecedented history of dissension. It also exposes how, just below the welcoming internationalist veneer of this “modern art centre”, intense persecutionist paranoia lay festering. Whenever France’s “civilizing mission” seemed culturally, commercially or colonially threatened, it erupted in waves of nationalist xenophobia turning artistic rivalry into bitter enmity. In exposing how rivals became transmuted into conspirators, ultimately this book reveals a paradox resonant in histories that celebrate the international triumph of French modern art: that this magnetic “centre”, which began by welcoming international modernists, ended by attacking them for undermining its cultural supremacy, contaminating its “civilizing mission” and politically persecuting the very modernist culture for which it has received historical renown.
Author: Great Britain. Patent Office. Library
Publisher:
ISBN:
Category : Industrial arts
Languages : en
Pages : 264
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Book Description
