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Author: Mary Anne Staniszewski
Publisher: Steidl
ISBN: 9783958291973
Category : Art
Languages : en
Pages : 0
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Book Description
Exit Artis an intimate portrait of an institution that from 1982 to 2012 challenged social, political, aesthetic and curatorial norms. Committed to experimenting at the intersection of disciplines, publications and design, the gallery Exit Art remained steadfast in its mission to provide new possibilities and opportunities for artists, curators and viewers through its expansive historical shows, exhibitions of emerging and under-recognized artists, experimental theater and performance works, as well as national and international film and video programs. Artists who exhibited at Exit Art include Chakaia Booker, Jimmie Durham, Nicole Eisenman, Jane Hammond, David Hammons, Tehching Hsieh, Julie Mehretu, Shirin Neshat, Roxy Paine, Adrian Piper, Rirkrit Tiravanija, Fred Tomaselli, Cecilia Vicuña, Krzysztof Wodiczko, David Wojnarowicz and Martin Wong. "Something disruptive and transformative happened to art in New York in the early 1980s," writes Holland Cotter. "What exactly that something was has yet to be identified, but it involved a chemical reaction between a new political conservatism and a nascent multiculturalism ... One thing is certain: however the historical picture gets sorted out, Exit Art will figure into it." Conceived by Exit Art's founders, Papo Colo and the late Jeanette Ingberman, this volume is a resource on more than 200 exhibitions, events, festivals and programs featuring more than 2,500 artists, presented within the larger context of the art world. More than 70 eyewitness accounts and idiosyncratic recollections from artists, curators, critics and friends create a vivid sense of the exhibitions, performances, screenings, discussions, ideas and people that were part of Exit Art during its three-decade run.
Author: Mary Anne Staniszewski
Publisher: Steidl
ISBN: 9783958291973
Category : Art
Languages : en
Pages : 0
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Book Description
Exit Artis an intimate portrait of an institution that from 1982 to 2012 challenged social, political, aesthetic and curatorial norms. Committed to experimenting at the intersection of disciplines, publications and design, the gallery Exit Art remained steadfast in its mission to provide new possibilities and opportunities for artists, curators and viewers through its expansive historical shows, exhibitions of emerging and under-recognized artists, experimental theater and performance works, as well as national and international film and video programs. Artists who exhibited at Exit Art include Chakaia Booker, Jimmie Durham, Nicole Eisenman, Jane Hammond, David Hammons, Tehching Hsieh, Julie Mehretu, Shirin Neshat, Roxy Paine, Adrian Piper, Rirkrit Tiravanija, Fred Tomaselli, Cecilia Vicuña, Krzysztof Wodiczko, David Wojnarowicz and Martin Wong. "Something disruptive and transformative happened to art in New York in the early 1980s," writes Holland Cotter. "What exactly that something was has yet to be identified, but it involved a chemical reaction between a new political conservatism and a nascent multiculturalism ... One thing is certain: however the historical picture gets sorted out, Exit Art will figure into it." Conceived by Exit Art's founders, Papo Colo and the late Jeanette Ingberman, this volume is a resource on more than 200 exhibitions, events, festivals and programs featuring more than 2,500 artists, presented within the larger context of the art world. More than 70 eyewitness accounts and idiosyncratic recollections from artists, curators, critics and friends create a vivid sense of the exhibitions, performances, screenings, discussions, ideas and people that were part of Exit Art during its three-decade run.
Author: Lauren Rosati
Publisher: National Geographic Books
ISBN: 0262017962
Category : Art
Languages : en
Pages : 0
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Book Description
A groundbreaking history of pioneering alternative art venues in New York where artists experimented, exhibited, and performed outside the white cube and the commercial mainstream. This groundbreaking book—part exhibition catalogue, part cultural history—chronicles alternative art spaces in New York City since the 1960s. Developed from an exhibition of the same name at Exit Art, Alternative Histories documents more than 130 alternative spaces, groups, and projects, and the significant contributions these organizations have made to the aesthetic and social fabric of New York City. Alternative art spaces offer sites for experimentation for artists to innovate, perform, and exhibit outside the commercial gallery-and-museum circuit. In New York City, the development of alternative spaces was almost synonymous with the rise of the contemporary art scene. Beginning in the 1960s and early 1970s, it was within a network of alternative sites—including 112 Greene Street, The Kitchen, P.S.1, FOOD, and many others—that the work of young artists like Yvonne Rainer, Vito Acconci, Gordon Matta-Clark, Ana Mendieta, David Wojnarowicz, David Hammons, Adrian Piper, Martin Wong, Jimmie Durham, and dozens of other now familiar names first circulated. Through interviews, photographs, essays, and archival material, Alternative Histories tells the story of such famous sites and organizations as Judson Memorial Church, Anthology Film Archives, A.I.R. Gallery, El Museo del Barrio, Franklin Furnace, and Eyebeam, as well as many less well-known sites and organizations. Essays by the exhibition curators and scholars, and excerpts of interviews with alternative space founders and staff, provide cultural and historical context. Contributors Jacki Apple, Papo Colo, Jeanette Ingberman, Melissa Rachleff, Lauren Rosati, Mary Anne Staniszewski, Herb Tam Interviewees Steve Cannon, Rhys Chatham, Peter Cramer and Jack Waters, Carol Goodden, Alanna Heiss, Bob Lee, Joe Lewis, Inverna Lockpez, Ann Philbin, Anne Sherwood Pundyk and Karen Yama, Irving Sandler, Adam Simon, Martha Wilson
Author: Hua Hsu
Publisher: Harvard University Press
ISBN: 067496926X
Category : Literary Criticism
Languages : en
Pages : 287
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Book Description
Who gets to speak for China? During the interwar years, when American condescension toward “barbarous” China yielded to a fascination with all things Chinese, a circle of writers sparked an unprecedented public conversation about American-Chinese relations. Hua Hsu tells the story of how they became ensnared in bitter rivalries over which one could claim the title of America’s leading China expert. The rapturous reception that greeted The Good Earth—Pearl Buck’s novel about a Chinese peasant family—spawned a literary market for sympathetic writings about China. Stories of enterprising Americans making their way in a land with “four hundred million customers,” as Carl Crow said, found an eager audience as well. But on the margins—in Chinatowns, on Ellis Island, and inside FBI surveillance memos—a different conversation about the possibilities of a shared future was taking place. A Floating Chinaman takes its title from a lost manuscript by H. T. Tsiang, an eccentric Chinese immigrant writer who self-published a series of visionary novels during this time. Tsiang discovered the American literary market to be far less accommodating to his more skeptical view of U.S.-China relations. His “floating Chinaman,” unmoored and in-between, imagines a critical vantage point from which to understand the new ideas of China circulating between the world wars—and today, as well.
Author: Jeffrey Deitch
Publisher: Skira
ISBN: 0847836177
Category : Art
Languages : en
Pages : 322
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Book Description
A catalog of an exhibition that surveys the history of international graffiti and street art.
Author: Albright-Knox Art Gallery
Publisher:
ISBN: 9788857210407
Category : Art
Languages : en
Pages : 0
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Book Description
"An exquisite volume devoted to a distinguished collection of masterpieces from the Albright-Knox Art Gallery Collection. This full-colour catalogue accompanies an international tour that features 70 twentieth-century paintings and sculptures from the Albright-Knox Art Gallery Collection, including masterpieces by Salvador Dal , Edgar Degas, Paul Gauguin, Vincent Van Gogh, Frida Kahlo and many others. Rich in illustrations the volume emphasizes the remarkable vitality, salience, and subversiveness of the twentieth-centurys best art. Insightful essays by leading scholars of twentieth-century art are illustrated with archival imagery and superb works from other areas of the Albright-Knox collection.
Author: Christopher Maxim
Publisher:
ISBN:
Category :
Languages : en
Pages : 180
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Book Description
This significantly revised and expanded collection brings together strange and creepy tales from Reddit's nosleep master, Christopher Maxim. How does one exit their body? Could there be over 24 hours in a day? What if there was a hotline you could call in the middle of a nightmare? Find the answers to these strange questions and others. This book is guaranteed to horrify you in the best way possible. Open it up, turn the page, and take a journey to a world consumed with mystery and madness.
Author: Exit Exit Art
Publisher: Steidl Dap
ISBN: 9783869305820
Category : Photography
Languages : en
Pages : 448
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Book Description
Founded in 1982 by Jeanette Ingberman and Papo Colo, Exit Art was an interdisciplinary cultural center that presented innovative exhibitions, films and performances that reflected a commitment to contemporary issues and ideas. It supported emerging, under-recognized, mid-career and international artists, emphasizing new and experimental forms of expression, and was interested in art that explored environmental, political and cultural issues as a means of initiating or instigating social change. The diversity of Exit Art's programmes reflected the multiplicity of its audience, which included artists, activists, scholars, scientists, students, cultural critics, educators, collectors, and the New York community at large. After thirty years, the gallery closed at the end of May 2012, and Exit Art 's extensive archives have been transferred to the Downtown Collection at Fales Library & Special Collections at New York University, where they are currently being processed, and will eventually be available to scholars and students for research. Steidl publishes this final document of Exit Art on the occasion of the closing of the gallery. It is directed at the preservation of the work of Exit Art and will illustrate in text and images--many published here for the first time--the history of Exit Art exhibitions and events. It is hoped that it will provide a scholarly resource focused on experimental American artworks linked to the creative, social, and political dimensions of American culture. This major monograph will serve as a lasting record of the unique collaborative achievement of Jeanette Ingberman and Papo Colo in the creation of Exit Art.
Author: Tiffany Bell
Publisher: Yale University Press
ISBN: 0300106335
Category : Art
Languages : en
Pages : 444
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Book Description
"New scholarship and interpretation of Flavin's work also appears in the form of three critical essays by experts and an extensive chronology, comprehensive bibliography, and exhibition history. In addition, this book includes Flavin's text, "'...in daylight or cool white.' an autobiographical sketch," originally published in Artforum in 1965, and two interviews with the artist - one from 1972 and the other from 1982."--BOOK JACKET.
Author: Lynne Cooke
Publisher: University of Chicago Press
ISBN: 9780226522272
Category : Art and society
Languages : en
Pages : 396
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Book Description
Some 250 works explore three distinct periods in American history when mainstream and outlier artists intersected, ushering in new paradigms based on inclusion, integration, and assimilation. The exhibition aligns work by such diverse artists as Charles Sheeler, Christina Ramberg, and Matt Mullican with both historic folk art and works by self-taught artists ranging from Horace Pippin to Janet Sobel and Joseph Yoakum. It also examines a recent influx of radically expressive work made on the margins that redefined the boundaries of the mainstream art world, while challenging the very categories of "outsider" and "self-taught." Historicizing the shifting identity and role of this distinctly American version of modernism's "other," the exhibition probes assumptions about creativity, artistic practice, and the role of the artist in contemporary culture. The exhibition is curated by Lynne Cooke, senior curator, special projects in modern art, National Gallery of Art.--Provided by publisher.
Author: David Wojnarowicz
Publisher:
ISBN:
Category :
Languages : en
Pages : 0
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Book Description
