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Author: A. Bartlett Giamatti
Publisher: Yale University Press
ISBN: 9780300030747
Category : Literary Criticism
Languages : en
Pages : 196
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Book Description
Author: A. Bartlett Giamatti
Publisher: Yale University Press
ISBN: 9780300030747
Category : Literary Criticism
Languages : en
Pages : 196
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Book Description
Author: Andrew Hui
Publisher: Fordham Univ Press
ISBN: 0823273369
Category : Art
Languages : en
Pages : 296
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Book Description
The Renaissance was the Ruin-naissance, the birth of the ruin as a distinct category of cultural discourse, one that inspired voluminous poetic production. For humanists, the ruin became the material sign that marked the rupture between themselves and classical antiquity. In the first full-length book to document this cultural phenomenon, Andrew Hui explains how the invention of the ruin propelled poets into creating works that were self-aware of their absorption of the past as well as their own survival in the future.
Author: James Whitlark
Publisher: Texas Tech University Press
ISBN: 9780896722637
Category : Literary Criticism
Languages : en
Pages : 198
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Book Description
The Literature of Emigration and Exile is a collection of works from various writers that explore the literature of emigration and exile. These writers examine poetic, fictional, and biographical voices from settings such as Turkey, renaissance Italy, modern Spain, Central and South America, Eastern Europe, China, Canada, and elsewhere.
Author: Neil Rhodes
Publisher: Palgrave Macmillan
ISBN: 9780312084219
Category : History
Languages : en
Pages : 262
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Book Description
This book is an ambitious critical investigation of the idea of eloquence as it informs classical and Renaissance thinking about literature.
Author: Maggie Kilgour
Publisher: Oxford University Press
ISBN: 0191612472
Category : Literary Collections
Languages : en
Pages :
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Book Description
Milton and the Metamorphosis of Ovid contributes to our understanding of the Roman poet Ovid, the Renaissance writer Milton, and more broadly the transmission and transformation of classical traditions through history. It examines the ways in which Milton drew on Ovid's oeuvre, as well as the long tradition of reception that had begun with Ovid himself, and argues that Ovid's revision of the past, and especially his relation to Virgil, gave Renaissance writers a model for their own transformation of classical works. Throughout his career Milton thinks through and with Ovid, whose stories and figures inform his exploration of the limits and possibilities of creativity, change, and freedom. Examining this specific relation between two very individual and different authors, Kilgour also explores the forms and meaning of creative imitation. Intertextuality was not only central to the two writers' poetic practices but helped shape their visions of the world. While many critics seek to establish how Milton read Ovid, Kilgour debates the broader question of why does considering how Milton read Ovid matter? How do our readings of this relation change our understanding of both Milton and Ovid; and does it tell us about how traditions are changed and remade through time?
Author: Randolph Starn
Publisher: Univ of California Press
ISBN: 9780520046153
Category : History
Languages : en
Pages : 254
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Book Description
Author: A.D. Cousins
Publisher: Routledge
ISBN: 0429686420
Category : Language Arts & Disciplines
Languages : en
Pages : 311
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Book Description
Writers of the English Renaissance, like their European contemporaries, frequently reflect on the phenomenon of exile—an experience that forces the individual to establish a new personal identity in an alien environment. Although there has been much commentary on this phenomenon as represented in English Renaissance literature, there has been nothing written at length about its counterpart, namely, internal exile: marginalization, or estrangement, within the homeland. This volume considers internal exile as a simultaneously twofold experience. It studies estrangement from one’s society and, correlatively, from one’s normative sense of self. In doing so, it focuses initially on the sonnet sequences by Sidney, Spenser, and Shakespeare (which is to say, the problematics of romance); then it examines the verse satires of Donne, Hall, and Marston (likewise, the problematics of anti-romance). This book argues that the authors of these major texts create mythologies—via the myths of (and accumulated mythographies about) Cupid, satyrs, and Proteus—through which to reflect on the doubleness of exile within one’s own community. These mythologies, at times accompanied by theologies, of alienation suggest that internal exile is a fluid and complex experience demanding multifarious reinterpretation of the incongruously expatriate self. The monograph thus establishes a new framework for understanding texts at once diverse yet central to the Elizabethan literary achievement.
Author: William J. Kennedy
Publisher: JHU Press
ISBN: 0801881269
Category : Literary Criticism
Languages : en
Pages : 398
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Book Description
Drawing upon poststructuralist theories of nationalism and national identity developed by such writers as Etienne Balibar, Emmanuel Levinas, Julia Kristeva, Antonio Negri, and Slavoj Zizek, noted Renaissance scholar William J. Kennedy argues that the Petrarchan sonnet serves as a site for early modern expressions of national sentiment in Italy, France, England, Spain, and Germany. Kennedy pursues this argument through historical research into Renaissance commentaries on Petrarch's poetry and critical studies of such poets as Lorenzo de' Medici, Joachim du Bellay and the Pléiade brigade, Philip and Mary Sidney, and Mary Wroth. Kennedy begins with a survey of Petrarch's poetry and its citation in Italy, explaining how major commentators tried to present Petrarch as a spokesperson for competing versions of national identity. He then shows how Petrarch's model helped define social class, political power, and national identity in mid-sixteenth-century France, particularly in the nationalistic sonnet cycles of Joachim Du Bellay. Finally, Kennedy discusses how Philip Sidney and his sister Mary and niece Mary Wroth reworked Petrarch's model to secure their family's involvement in forging a national policy under Elizabeth I and James I . Treating the subject of early modern national expression from a broad comparative perspective, The Site of Petrarchism will be of interest to scholars of late medieval and early modern literature in Europe, historians of culture, and critical theorists.
Author: Tamsin Badcoe
Publisher: Manchester University Press
ISBN: 1526139693
Category : Literary Criticism
Languages : en
Pages : 389
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Book Description
Edmund Spenser and the romance of space seeks to gauge the roles that aesthetic subjectivity and the imagination play in early modern spatial and textual practices.
Author: Giancarlo Maiorino
Publisher: Penn State Press
ISBN: 0271048190
Category : Literary Criticism
Languages : en
Pages : 378
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Book Description
&“Titology,&” a term first coined in 1977 by literary critic Harry Levin, is the field of literary studies that focuses on the significance of a title in establishing the thematic developments of the pages that follow. While the term has been used in the literary community for thirty years, this book presents for the first time a thoroughly developed theoretical discussion on the significance of the title as a foundation for scholarly criticism. Though Maiorino acknowledges that many titles are superficial and &“indexical,&” there exists a separate and more complex class of titles that do much more than simply decorate a book&’s spine. To prove this argument, Maiorino analyzes a wide range of examples from the modern era through high modernism to postmodernism, with writings spanning the globe from Spain and France to Germany and America. By examining works such as Essais, The Waste Land, Ulysses, and Don Quixote, First Pages proves the power of the title to connect the reader to the thematic, cultural, and literary context of the writing as a whole. Much like a fa&çade to a building, the title page serves as the frontispiece of literature, a sign that offers perspective and demands interpretation.
